1-10 | Trieste's Early Role in the Italian Reception of Charles Dickens Luisa Carrer doi:10.2307/3738172 | Cite |
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11-26 | Mors Viva: Literary Renderings of Life-to-Death Transitions Rodney Stenning Edgecombe doi:10.2307/3738173 | Cite |
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27-43 | Gender, Sexuality, and Politics in Paul Nizan's "La Conspiration" Angela Kershaw doi:10.2307/3738174 | Cite |
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44-64 | Cultural Legacy and American National Identity in Michel Butor's "Mobile" Jean H. Duffy doi:10.2307/3738175 | Cite |
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65-83 | The Mantuan Performance of Guarini's "Pastor fido" and Representations of Courtly Identity Lisa Sampson doi:10.2307/3738176 | Cite |
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84-101 | Art, Agency, and Authority in Calderón's "Darlo todo y no dar nada" Richard Pym doi:10.2307/3738177 | Cite |
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102-116 | A "Monstrous Book" after All? James Anthony Froude and the Reception of Goethe's "Die Wahlverwandtschaften" in Nineteenth-Century Britain Susanne Stark doi:10.2307/3738178 | Cite |
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117-137 | History, Narrative, and Photography in W. G. Sebald's "Die Ausgewanderten" J. J. Long doi:10.2307/3738179 | Cite |
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138-150 | Archaeological Fantasies: Constructing History on the Moscow Metro Mike O'Mahony doi:10.2307/3738180 | Cite |
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151 | Review of John M. Hill, The Anglo-Saxon Warrior Ethic: Reconstructing Lordship in Early English Literature Christine Rauer doi:10.2307/3738181 | Cite |
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151-153 | Review of Christine Rauer, Beowulf and the Dragon: Parallels and Analogues Raymond P. Tripp Jr. doi:10.2307/3738182 | Cite |
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153-154 | Review of Graham D. Caie, The Old English Poem 'Judgement Day II': A Critical Edition with Editions of 'De die iudicii' and Hatton 113 Homily 'Be domes dæge' Frederick M. Biggs doi:10.2307/3738183 | Cite |
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154-155 | | Cite |
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156-157 | Review of O. S. Pickering, V. M. O'Mara, The Index of Middle English Prose, Handlist XIII: Manuscripts in Lambeth Palace Library; Valerie Edden, The Index of Middle English Prose, Handlist XV: Manuscripts in Midland Libraries John J. Thompson doi:10.2307/3738185 | Cite |
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157-158 | | Cite |
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158-159 | Review of J. A. Burrow, Ian P. Wei, Medieval Futures: Attitudes to the Future in the Middle Ages Lesley Coote doi:10.2307/3738187 | Cite |
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160-161 | Review of María Bullón-Fernández, Fathers and Daughters in Gower's 'Confession Amantis': Authority, Family, State, and Writing Kurt Olsson doi:10.2307/3738188 | Cite |
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161-162 | | Cite |
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162-163 | Review of David Lawton, Wendy Scase, Rita Copeland, New Medieval Literatures, Vol. 3 Lee Patterson doi:10.2307/3738190 | Cite |
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163-164 | Review of David Metzger, Medievalism and the Academy, Vol. II: Cultural Studies Norris J. Lacy doi:10.2307/3738191 | Cite |
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164-165 | Review of Robert Weimann, Helen Higbee, William West, Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre Michela Calore doi:10.2307/3738192 | Cite |
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166-167 | | Cite |
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167-168 | Review of Arthur F. Kinney, Lies like Truth: Shakespeare, 'Macbeth' and the Cultural Moment Adrian Streete doi:10.2307/3738194 | Cite |
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168-169 | Review of Edward Berry, Shakespeare and the Hunt: A Cultural and Social Study Gillian Rudd doi:10.2307/3738195 | Cite |
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169-170 | Review of Katherine Duncan-Jones, Ungentle Shakespeare: Scenes from His Life R. A. Foakes doi:10.2307/3738196 | Cite |
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170-171 | Review of Michael Keevak, Sexual Shakespeare: Forgery, Authorship, Portraiture Pamela Allen Brown doi:10.2307/3738197 | Cite |
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171-172 | Review of Michael Taylor, Shakespeare Criticism in the Twentieth Century Adam Smyth doi:10.2307/3738198 | Cite |
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172-173 | Review of Minami Ryuta, Ian Carruthers, John Gillies, Performing Shakespeare in Japan Peter Rawlings doi:10.2307/3738199 | Cite |
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173-174 | Review of Rebecca Ann Bach, Colonial Transformations: The Cultural Production of the New Atlantic World, 1580-1640 Philip Schwyzer doi:10.2307/3738200 | Cite |
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174-176 | Review of Mathew R. Martin, Between Theater and Philosophy: Skepticism in the Major City Comedies of Ben Jonson and Thomas Middleton W. David Kay doi:10.2307/3738201 | Cite |
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176-177 | Review of Herbert Jack Heller, Penitent Brothellers: Grace, Sexuality, and Genre in Thomas Middleton's City Comedies John Jowett doi:10.2307/3738202 | Cite |
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177-179 | Review of Alan J. Fletcher, Drama, Performance, and Polity in Pre-Cromwellian Ireland Willy Maley doi:10.2307/3738203 | Cite |
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180 | Review of John McVeagh, Thomas Durfey and Restoration Drama: The Work of a Forgotten Writer Harold Love doi:10.2307/3738204 | Cite |
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181-182 | Review of Michael O'Connell, The Idolatrous Eye: Iconoclasm & Theater in Early Modern England Paul J. Voss doi:10.2307/3738205 | Cite |
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182-183 | Review of Annette Kreis-Schinck, Women, Writing, and the Theater in the Early Modern Period: The Plays of Aphra Behn and Suzanne Centlivre Carolyn D. Williams doi:10.2307/3738206 | Cite |
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183-184 | Review of Chris Mounsey, Presenting Gender: Changing Sex in Early-Modern Culture Lucinda Becker doi:10.2307/3738207 | Cite |
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184-185 | Review of Jane Donawerth, Adele Seeff, Crossing Boundaries: Attending to Early Modern Women Elizabeth Clarke doi:10.2307/3738208 | Cite |
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185-186 | Review of Harriette Andreadis, Sappho in Early Modern England: Female Same-Sex Literary Erotics, 1550-1714 Carolyn D. Williams doi:10.2307/3738209 | Cite |
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186-188 | Review of Charles W. A. Prior, Mandeville and Augustan Ideas: New Essays Michael J. Franklin doi:10.2307/3738210 | Cite |
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188-189 | Review of Michael Brown, Stephen H. Harrison, The Medieval World and the Modern Mind Andrew J. Dell'Olio doi:10.2307/3738211 | Cite |
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189-190 | Review of Dianne Dugaw, 'Deep Play': John Gay and the Invention of Modernity John Richardson doi:10.2307/3738212 | Cite |
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190-191 | Review of Matthew Reynolds, The Realms of Verse, 1830-1870: English Poetry in a Time of Nation-Building David Vallins doi:10.2307/3738213 | Cite |
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191-193 | | Cite |
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193-194 | Review of Robert Chaudenson, Salikoko S. Mufwene, Sheri Pargman, Michelle Aucoin, Creolization of Language and Culture Marie-Anne Hintze doi:10.2307/3738215 | Cite |
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194-195 | | Cite |
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195-196 | Review of Philippe de Remi, Barbara N. Sargent-Baur, Jehan et Blonde, Poems and Songs Sylvia Huot doi:10.2307/3738217 | Cite |
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196-197 | Review of Pierre Gringore, Alan Hindley, Le Jeu du Prince des Sotz et de Mere Sotte Graham Runnalls doi:10.2307/3738218 | Cite |
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197-198 | Review of Joachim Du Bellay, Jean-Charles Monferran, La Deffence et illustration de la langue françoyse (1549) David Hartley doi:10.2307/3738219 | Cite |
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198-199 | Review of Richard Sörman, Savoir et économie dans l'œuvre de Molière David Shaw doi:10.2307/3738220 | Cite |
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199 | Review of Pierre Bayle, Jean-Michel Gros, Jacques Chomarat, Pour une histoire critique de la philosophie: choix d'articles philosophiques du 'Dictionnaire historique et critique' Joy Charnley doi:10.2307/3738221 | Cite |
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199-200 | Review of Elisabeth Labrousse, Correspondance de Pierre Bayle. Vol. II: Novembre 1674-novembre 1677: lettres 66-146 Joy Charnley doi:10.2307/3738222 | Cite |
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200-201 | Review of Claudia Stancati, Dissertation sur la formation du monde (1738); Dissertation sur la résurrection de la chair (1743): manuscrits du recueil 1168 de la Bibliothèque Mazarine de Paris Graham Gargett doi:10.2307/3738223 | Cite |
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201-202 | Review of Raphaëlle Coronat-Faure, La Critique musicale au temps des Encyclopédistes 1750-1774 Mark Darlow doi:10.2307/3738224 | Cite |
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202-203 | Review of Alan J. L. Busst, La Théorie du langage de Pierre-Simon Ballanche: contribution à l'étude de la philosophie linguistique du romantisme. Avec des extraits des ouvrages de Ballanche Nicholas White doi:10.2307/3738225 | Cite |
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203-205 | Review of Michal Peled Ginsburg, Approaches to Teaching Balzac's 'Old Goriot' Michael Tilby doi:10.2307/3738226 | Cite |
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205 | | Cite |
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206-207 | Review of Françoise Massardier-Kenney, Gender in the Fiction of George Sand Susan J. White doi:10.2307/3738228 | Cite |
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207-208 | Review of Eric Eugène, Richard et Cosima Wagner / Arthur Gobineau: Correspondance 1880-1882 Fred Bridgham doi:10.2307/3738229 | Cite |
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208-209 | Review of Michel Décaudin, Guillaume Apollinaire 21: Apollinaire et le portrait Susan Harrow doi:10.2307/3738230 | Cite |
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209-210 | Review of Matthijs Engelberts, Défis du récit scénique: formes et enjeux du mode narratif dans le théâtre de Beckett et de Duras John Rothenberg doi:10.2307/3738231 | Cite |
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210-211 | Review of François Bessire, L'Écrivain éditeur, Vol. I: Du Moyen Âge à la fin du XVIIIe siècle Angus J. Kennedy doi:10.2307/3738232 | Cite |
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211 | Review of Armine Kotin Mortimer, Writing Realism: Representations in French Fiction Michael Tilby doi:10.2307/3738233 | Cite |
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212 | Review of Malcolm Offord, Laïla Ibnlfassi, Nicki Hitchcott, Sam Haigh, Rosemary Chapman, Francophone Literatures: A Literary and Linguistic Companion Jim House doi:10.2307/3738234 | Cite |
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213 | | Cite |
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213-214 | | Cite |
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214-216 | Review of Zygmunt G. Barański, 'Chiosar con altro testo': leggere Dante nel Trecento Jonathan Usher doi:10.2307/3738237 | Cite |
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216-217 | Review of Umberto Mariani, La creazione del vero: il maggior teatro di Pirandello Catherine O'Rawe doi:10.2307/3738238 | Cite |
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218-219 | Review of Deirdre O'Grady, Piave, Boito, Pirandello: From Romantic Realism to Modernism Catherine O'Rawe doi:10.2307/3738239 | Cite |
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219-220 | Review of Stefania Lucamante, Italian Pulp Fiction: The New Narrative of the 'Giovani Cannibali' Writers Claudia Bernardi doi:10.2307/3738240 | Cite |
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220-222 | Review of Lori Repetti, Phonological Theory and the Dialects of Italy Carmen Pensado doi:10.2307/3738241 | Cite |
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222-225 | Review of Dorothy Sherman Severin, Two Spanish Songbooks: The 'Cancionero Capitular de la Colombina' SV2 and the 'Cancionero de Egerton' LB3 Juan Casas Rigall doi:10.2307/3738242 | Cite |
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225-226 | Review of Daniel Murphy, Vicente Aleixandre's Stream of Lyric Consciousness Sarah Wright doi:10.2307/3738243 | Cite |
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226-227 | Review of María Silvina Persino, Hacia una poética de la mirada: Mario Vargas Llosa, Juan Marsé, Elena Garro, Juan Goytisolo Andrea Noble doi:10.2307/3738244 | Cite |
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227-228 | Review of John Butt, Carmen Benjamin, A New Reference Grammar of Spanish Ralph Penny doi:10.2307/3738245 | Cite |
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228-229 | Review of Ann L. Mackenzie, Spain and Its Literature: Essays in Memory of E. Allison Peers D. Gareth Walters doi:10.2307/3738246 | Cite |
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229-231 | Review of Dru Dougherty, Milton M. Azevedo, Multicultural Iberia: Language, Literature and Music Mark Allinson doi:10.2307/3738247 | Cite |
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231-232 | Review of Volker Honemann, Tomas Tomasek, Germanistische Mediävistik W. H. Jackson doi:10.2307/3738248 | Cite |
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232-233 | Review of Christiane Caemmerer, Siegender Cupido oder Triumphierende Keuschheit: Deutsche Schäferspiele des 17. Jahrhunderts dargestellt in einzelnen Untersuchungen Helen Watanabe-O'Kelly doi:10.2307/3738249 | Cite |
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233-234 | Review of Sarah Colvin, The Rhetorical Feminine: Gender and Orient on the German Stage, 1647-1742 Sara Smart doi:10.2307/3738250 | Cite |
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234-235 | Review of Johann Gottfried Herder, Günter Arnold, Briefe: Gesamtausgabe 1763-1803. Vol. XI: Kommentar zu den Bänden 1-3 H. B. Nisbet doi:10.2307/3738251 | Cite |
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235-236 | Review of Karin Schutjer, Narrating Community after Kant: Schiller, Goethe, and Hölderlin Paul Bishop doi:10.2307/3738252 | Cite |
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236-237 | | Cite |
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237-239 | Review of Janet Stewart, Fashioning Vienna: Adolf Loos's Cultural Criticism Gilbert J. Carr doi:10.2307/3738254 | Cite |
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239 | Review of Thomas Mann, Yvonne Schmidlin, Thomas Sprecher, Collegheft 1894-1895 T. J. Reed doi:10.2307/3738255 | Cite |
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240-241 | Review of Lawrence D. Stokes, Der Eutiner Dichterkreis und der Nationalsozialismus 1936-1945: Eine Dokumentation Stefan Busch doi:10.2307/3738256 | Cite |
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241-242 | Review of Zlata Fuss Phillips, German Children's and Youth Literature in Exile 1933-1950: Biographies and Bibliographies J. M. Ritchie doi:10.2307/3738257 | Cite |
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242-243 | Review of Franz Baermann Steiner, Jeremy Adler, Am stürzenden Pfad: Gesammelte Gedichte Ritchie Robertson doi:10.2307/3738258 | Cite |
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243-244 | Review of Michael Mack, Anthropology as Memory: Elias Canetti's and Franz Baermann Steiner's Responses to the Shoah Anne Fuchs doi:10.2307/3738259 | Cite |
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244-246 | Review of Marko Pajević, Zur Poetik Paul Celans: Gedicht und Mensch: die Arbeit am Sinn Leonard Olschner doi:10.2307/3738260 | Cite |
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246-248 | Review of Laurence McFalls, Lothar Probst, After the GDR: New Perspectives on the Old GDR and the Young Länder Peter Thompson doi:10.2307/3738261 | Cite |
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248-249 | Review of Ruth J. Owen, The Poet's Role: Lyric Responses to German Unification by Poets from the GDR Beth Linklater doi:10.2307/3738262 | Cite |
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249-250 | Review of Lorna Martens, The Promised Land? Feminist Writing in the German Democratic Republic Lyn Marven doi:10.2307/3738263 | Cite |
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250-252 | Review of Bill Niven, Facing the Nazi past: United Germany and the Legacy of the Third Reich Chloe Paver doi:10.2307/3738264 | Cite |
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252-253 | Review of Elizabeth Snyder Hook, Family Secrets and the Contemporary German Novel: Literary Explorations in the Aftermath of the Third Reich Andrea Capovilla doi:10.2307/3738265 | Cite |
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253-254 | Review of Christian von Zimmermann, Fakten und Fiktionen: Strategien fiktionalbiographischer Dichterdarstellungen in Roman, Drama und Film seit 1970. Beiträge des Bad Homburger Kolloquiums, 21.-23. Juni 1999 J. J. Long doi:10.2307/3738266 | Cite |
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255-256 | Review of Mererid Puw Davies, Beth Linklater, Gisela Shaw, Autobiography by Women in German Juliet Wigmore doi:10.2307/3738267 | Cite |
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256-257 | Review of Carmine Chiellino, Interkulturelle Literatur in Deutschland: Ein Handbuch Elizabeth Boa doi:10.2307/3738268 | Cite |
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257-258 | Review of Angela Livingstone, A Hundred Years of Andrei Platonov. Vol. I Philip Bullock doi:10.2307/3738269 | Cite |
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258-259 | Review of Leona Toker, Return from the Archipelago: Narratives of Gulag Survivors Frank H. Ellis doi:10.2307/3738270 | Cite |
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260-261 | Review of Richard Taylor, The Battleship Potemkin: The Film Companion; Birgit Beumers, Burnt by the Sun David Gillespie doi:10.2307/3738271 | Cite |
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261 | Review of Alexander Shurbanov, Boika Sokolova, Painting Shakespeare Red: An East-European Appropriation Noel Witts doi:10.2307/3738272 | Cite |
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262-263 | Review of Robert Porter, An Introduction to Twentieth Century Czech Fiction: Comedies of Defiance B. R. Bradbrook doi:10.2307/3738273 | Cite |
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263-264 | | Cite |
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264 | Review of Kit Field, Issues in Modern Foreign Languages Teaching Derek Meacher doi:10.2307/3738275 | Cite |
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265 | Review of Anne Marie D'Arcy, Wisdom and the Grail: The Image of the Vessel in the 'Queste del Saint Graal' and Malory's 'Tale of the Sankgraal' Peter Noble doi:10.2307/3738276 | Cite |
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266-267 | Review of Tony Hunt, Michael Benskin, Three Receptaria from Medieval England: The Languages of Medicine in the Fourteenth Century William Rothwell doi:10.2307/3738277 | Cite |
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267-268 | Review of Roland Green, Unrequited Conquests: Love and Empire in the Colonial Americas Matthew Dimmock doi:10.2307/3738278 | Cite |
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268-269 | Review of Duncan Large, Nietzsche and Proust: A Comparative Study Clive Scott doi:10.2307/3738279 | Cite |
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269-270 | Review of David Houston Jones, The Body Abject: Self and Text in Jean Genet and Samuel Beckett Anthony Uhlmann doi:10.2307/3738280 | Cite |
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