| 529-538 | | Cite |
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| 539-552 | | Cite |
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| 553-565 | "L'ici est le moi de l'espace": Self, Genesis, and the Space of Writing in Valéry's "Cahiers" Paul Ryan doi:10.2307/3737491 | Cite |
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| 566-576 | Recycling and Repetition in Recent French "Autofiction": Marc Weitzmann's Doubrovskian Borrowings Alex Hughes doi:10.2307/3737492 | Cite |
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| 577-591 | "D'Invidia e d'Amor figlia sì ria": Jealousy and the Italian Renaissance Lyric Erika Milburn doi:10.2307/3737493 | Cite |
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| 592-601 | National Ties and Metonymic Imagery: The Epistle as Used by Nicolás Guillén Eeith Ellis doi:10.2307/3737494 | Cite |
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| 602-619 | The Chronology of César Vallejo's "Poemas humanos": New Light on the Old Problem Stephen M. Hart doi:10.2307/3737495 | Cite |
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| 620-631 | German Women Writers in English Short Story Anthologies of the 1820s Hilary Brown doi:10.2307/3737496 | Cite |
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| 632-652 | "Als Hitler und der Tonfilm kamen": Cinematic, Technological, and Historical Narratives in Gert Hofmann's "Der Kinoerzähler" Chloe Paver doi:10.2307/3737497 | Cite |
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| 653-668 | | Cite |
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| 669-670 | Review of Raphael Falco, Charismatic Authority in Early Modern English Tragedy T. McAlindon doi:10.2307/3737499 | Cite |
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| 670-672 | Review of Graham L. Hammill, Sexuality and Form: Caravaggio, Marlowe and Bacon Alex Davis doi:10.2307/3737500 | Cite |
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| 672-673 | Review of Edward J. Esche, Shakespeare and His Contemporaries in Performance Carolyn D. Williams doi:10.2307/3737501 | Cite |
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| 673-674 | Review of Grace Ioppolo, Shakespeare Performed: Essays in Honor of R. A. Foakes Juliet Dusinberre doi:10.2307/3737502 | Cite |
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| 674-675 | | Cite |
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| 675-676 | Review of John Lee, Shakespeare's 'Hamlet' and the Controversies of Self Ann Thompson doi:10.2307/3737504 | Cite |
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| 677-678 | Review of Peter Hulme, William H. Sherman, 'The Tempest' and Its Travels Christine Dymkowski doi:10.2307/3737505 | Cite |
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| 678-679 | Review of John N. King, Milton and Religious Controversy: Satire and Polemic in 'Paradise Lost' Joad Raymond doi:10.2307/3737506 | Cite |
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| 679-680 | Review of John Dryden, Paul Hammond, David Hopkins, The Poems of John Dryden. Vol. III: 1686-1693; Paul Hammond, David Hopkins, John Dryden: Tercentenary Essays Keith Walker doi:10.2307/3737507 | Cite |
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| 680-681 | Review of Tanya Caldwell, Time to Begin Anew: Dryden's 'Georgics' and 'Aeneis' Victoria Owens doi:10.2307/3737508 | Cite |
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| 682-683 | Review of Catherine Ingrassia, Claudia N. Thomas, 'More Solid Learning': New Perspectives on Alexander Pope's 'Dunciad' Malcolm Kelsall doi:10.2307/3737509 | Cite |
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| 683-684 | Review of Devoney Looser, British Women Writers and the Writing of History: 1670-1820 Heidi Thomson doi:10.2307/3737510 | Cite |
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| 684-686 | Review of Stephen J. Gores, Psychosocial Spaces: Verbal and Visual Readings of British Culture. 1750-1820 Paul Baines doi:10.2307/3737511 | Cite |
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| 686-687 | Review of Jerome Christensen, Romanticism at the End of History Michael John Kooy doi:10.2307/3737512 | Cite |
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| 687-688 | Review of Mark Storey, The Problem of Poetry in the Romantic Period Andrew Bennett doi:10.2307/3737513 | Cite |
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| 688-689 | Review of Daniel Sanjiv Roberts, Revisionary Gleam: De Quincey, Coleridge, and the High Romantic Argument David Punter doi:10.2307/3737514 | Cite |
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| 689-690 | Review of Annette R. Federico, Idol of Suburbia: Marie Corelli and Late-Victorian Literary Culture Alison Chapman doi:10.2307/3737515 | Cite |
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| 690-691 | Review of Robin Hoople, In Darkest James: Reviewing Impressionism, 1900-1905 Gert Buelens doi:10.2307/3737516 | Cite |
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| 691-692 | Review of Daniel Albright, Untwisting the Serpent: Modernism in Music, Literature and Other Arts Alan Munton doi:10.2307/3737517 | Cite |
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| 693-694 | Review of Rosemary Sumner, A Route to Modernism: Hardy, Lawrence, Woolf Alan Munton doi:10.2307/3737518 | Cite |
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| 694-695 | Review of Roy Gottfried, Joyce's Comic Portrait; R. J. Schork, Joyce and Hagiography: Saints above! Craig Monk doi:10.2307/3737519 | Cite |
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| 695-696 | Review of Mark Rawlinson, British Writing of the Second World War Adrian Caesar doi:10.2307/3737520 | Cite |
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| 696-698 | | Cite |
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| 698 | Review of Carla Mulford, Teaching the Literatures of Early America Henry Claridge doi:10.2307/3737522 | Cite |
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| 698-700 | Review of Christopher P. Wilson, Cop Knowledge: Police Power and Cultural Narrative in Twentieth-Century America David Glover doi:10.2307/3737523 | Cite |
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| 700-701 | Review of William Davies King, Agnes Boulton, Eugene O'Neill, 'A Wind Is Rising': The Correspondence of Agnes Boulton and Eugene O'Neill Steven Price doi:10.2307/3737524 | Cite |
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| 701-702 | Review of Monika M. Elbert, Separate Spheres No More: Gender Convergence in American Literature, 1830-1930 Janet Beer doi:10.2307/3737525 | Cite |
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| 702-703 | | Cite |
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| 703-704 | Review of Marie-Hélène Corréard, Oxford French Cartoon-Strip Vocabulary Builder Marie-Anne Hintze doi:10.2307/3737527 | Cite |
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| 704-705 | Review of Laurence Grove, Daniel Russell, The French Emblem: Bibliography of Secondary Sources Jean Michel Massing doi:10.2307/3737528 | Cite |
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| 705-706 | Review of Margaret Mcgowan, The Vision of Rome in Late Renaissance France Alison Saunders doi:10.2307/3737529 | Cite |
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| 706-707 | Review of Valérie Worth-Stylianou, Confidential Strategies: The Evolving Role of the 'Confident' in French Tragic Drama (1635-1677) Alan Howe doi:10.2307/3737530 | Cite |
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| 707-708 | | Cite |
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| 708-709 | Review of Daniel-Odon Hurel, Gérard Laudin, Académies et sociétés savantes en Europe (1650-1800) David J. Williams doi:10.2307/3737532 | Cite |
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| 709-710 | Review of Pierre Boutin, Jean-Théophile Desaguliers: un Huguenot, philosophe et juriste, en politique David Denby doi:10.2307/3737533 | Cite |
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| 710 | Review of Nicholas Cronk, Études sur 'Le Fils naturel' et les 'Entretiens sur Le Fils naturel' de Diderot James Fowler doi:10.2307/3737534 | Cite |
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| 710-711 | | Cite |
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| 711-712 | Review of Rosemary Lloyd, Brian Nelson, Women Seeking Expression: France 1789-1914 Alison Finch doi:10.2307/3737536 | Cite |
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| 712-713 | Review of Stephanie Champeau, La Notion d'artiste chez les Goncourt (1852-1870) Richard Hobbs doi:10.2307/3737537 | Cite |
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| 713-716 | Review of Théodore de Banville, Peter J. Edwards, Peter S. Hambly, Eileen Souffrin-Le Breton, Rosemary Lloyd, François Brunet, Philippe Andrès, Œuvres poétiques complètes Rachel Killick doi:10.2307/3737538 | Cite |
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| 716-717 | Review of David Baguley, Napoleon III and His Regime: An Extravaganza Geoff Woollen doi:10.2307/3737539 | Cite |
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| 717-718 | Review of Jean-Michel Gouvard, Steve Murphy, Verlaine à la loupe: colloque de Cerisy, 11-18 juillet 1996 Katherine Lunn-Rockliffe doi:10.2307/3737540 | Cite |
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| 718-719 | | Cite |
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| 719-720 | | Cite |
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| 720-722 | | Cite |
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| 722-723 | Review of Olivier Penot-Lacassagne, Antonin Artaud 1: Modernités d'Antonin Artaud John C. Stout doi:10.2307/3737544 | Cite |
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| 723 | | Cite |
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| 724-725 | | Cite |
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| 725-726 | Review of Martin Crowley, Duras, Writing, and the Ethical: Making the Broken Whole James Williams doi:10.2307/3737547 | Cite |
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| 726 | Review of Julia Waters, Intersexual Rivalry: A 'Reading in Pairs' of Marguerite Duras and Alain Robbe-Grillet Elizabeth Newton doi:10.2307/3737548 | Cite |
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| 727 | | Cite |
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| 727-728 | Review of Colin Davis, Elizabeth Fallaize, French Fiction in the Mitterrand Years: Memory, Narrative, Desire David Platten doi:10.2307/3737550 | Cite |
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| 728-729 | Review of Bernard-Dominique Bajon, La Suisse et la Savoie de Valery Larbaud David L. Parris doi:10.2307/3737551 | Cite |
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| 730-731 | Review of Christian Garaud, Sont-ils bons? Sont-ils méchants? Usages des stéréotypes Walter Redfern doi:10.2307/3737552 | Cite |
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| 731-732 | Review of Michel Murat, Le Vers français: Histoire, théorie, esthétique Clive Scott doi:10.2307/3737553 | Cite |
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| 732-734 | Review of Charles Burdett, Vincenzo Cardarelli and His Contemporaries: Fascist Politics and Literary Culture Flavio Santi doi:10.2307/3737554 | Cite |
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| 734-737 | Review of Maria Antonietta Grignani, Romano Luperini, Montale e il canone poetico del Novecento Silvana Tamiozzo Goldmann doi:10.2307/3737555 | Cite |
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| 737-740 | Review of Rebecca West, Pagina pellicola pratica: Studi sul cinema italiano Carmine Mezzacappa doi:10.2307/3737556 | Cite |
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| 740-741 | Review of Andrés de Li, Laura Delbrugge, Reportorio de los tiempos Anthony Lappin doi:10.2307/3737557 | Cite |
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| 741-742 | | Cite |
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| 742-743 | | Cite |
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| 743-745 | | Cite |
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| 745-747 | Review of Germán Vega García-Luengos, Don W. Cruickshank, J. M. Ruano de la Haza, La segunda versión de 'La vida es sueño', de Calderón Victor Dixon doi:10.2307/3737561 | Cite |
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| 747-749 | Review of Jordi Ginebra, Raül-David Martínez Gili, Miquel Àngel Pradilla, La Lingüística de Pompeu Fabra Paula Johnson doi:10.2307/3737562 | Cite |
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| 749-750 | Review of James F. Burke, Vision, the Gaze, and the Function of the Senses in 'Celestina' Andrew M. Beresford doi:10.2307/3737563 | Cite |
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| 750-752 | | Cite |
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| 752-753 | Review of Wilhelm Streitberg, Piergiuseppe Scardigli, Die gotische Bibel D. H. Green doi:10.2307/3737565 | Cite |
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| 753-755 | Review of Mark Chinca, Joachim Heinzle, Christopher Young, Blütezeit. Festschrift für L. Peter Johnson zum 70. Geburtstag Frank Shaw doi:10.2307/3737566 | Cite |
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| 755-757 | Review of Christoph Mackert, Die Alexandergeschichte in der Version des 'Pfaffen' Lambrecht. Die frühmittelhochdeutsche Bearbeitung der Alexanderdichtung des Alberich von Bisinzo und die Anfänge weltlicher Schriftepik in deutscher Sprache D. H. Green doi:10.2307/3737567 | Cite |
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| 757-759 | Review of Michael Waltenberger, Das groβe Herz der Erzählung. Studien zu Narration und Interdiskursivität im 'Prosa-Lancelot' Elizabeth Andersen doi:10.2307/3737568 | Cite |
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| 759-760 | Review of Ursula Peters, Dynastengeschichte und Verwandtschaftsbilder: Die Adelsfamilie in der volkssprachigen Literatur des Mittelalters W. H. Jackson doi:10.2307/3737569 | Cite |
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| 760-761 | Review of Ingrid Spörk, Liebe und Verfall. Familiengeschichten und Liebesdiskurse in Realismus und Spätrealismus Florian Krobb doi:10.2307/3737570 | Cite |
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| 761-762 | Review of Werner Welzig, Arthur Schnitzler, Tagebuch 1931. Gesamtverzeichnisse 1879-1931 W. E. Yates doi:10.2307/3737571 | Cite |
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| 762-763 | Review of Hugo von Hofmannsthal, Robert Vilain, The Poetry of Hugo von Hofmannsthal and French Symbolism Jens Rieckmann doi:10.2307/3737572 | Cite |
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| 763-764 | Review of Beatrix Müller-Kampel, Lebenswege und Lektüren. Österreichische NS-Vertriebene in den USA und Kanada J. M. Ritchie doi:10.2307/3737573 | Cite |
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| 764-765 | Review of Ernestine Schlant, The Language of Silence: West German Literature and the Holocaust Stuart Taberner doi:10.2307/3737574 | Cite |
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| 765-767 | Review of Thomas Schmidt, Der Kalender und die Folgen: Uwe Johnsons Roman 'Jahrestage'. Ein Beitrag zum Problem des kollektiven Gedächtnisses Greg Bond doi:10.2307/3737575 | Cite |
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| 767-768 | Review of David Rock, Jurek Becker: A Jew Who became a German? Jefferson S. Chase doi:10.2307/3737576 | Cite |
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| 768-770 | Review of David W. Robinson, Deconstructing East Germany: Christoph Hein's Literature of Dissent; Paul Cooke, Jonathan Grix, East Germany: Continuity and Change Joshua Reid doi:10.2307/3737577 | Cite |
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| 771-772 | | Cite |
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| 772-774 | Review of David Barnett, Literature versus Theatre: Textual Problems and Theatrical Realization in the Later Plays of Heiner Müller Moray McGowan doi:10.2307/3737579 | Cite |
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| 774-776 | Review of Klaus Zeyringer, Österreichische Literatur 1945-1998. Überblicke: Einschnitte: Wegmarken Anthony Bushell doi:10.2307/3737580 | Cite |
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| 776-777 | Review of Michael Robinson, Janet Garton, Nordic Letters 1870-1910 Birgitta Thompson doi:10.2307/3737581 | Cite |
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| 777-778 | Review of Anna Lisa Crone, The Daring of Deržavin: The Moral and Aesthetic Independence of the Poet in Russia Derek Offord doi:10.2307/3737582 | Cite |
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| 779 | Review of Anthony Cross, Peter the Great through British Eyes: Perceptions and Representations of the Tsar since 1698 Colin Johnson doi:10.2307/3737583 | Cite |
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| 779-780 | Review of Jeremy Hicks, Mikhail Zoshchenko and the Poetics of Skaz Michael Pursglove doi:10.2307/3737584 | Cite |
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| 780-781 | Review of Gary Adelman, Retelling Dostoyevsky: Literary Responses and Other Observations W. J. Leatherbarrow doi:10.2307/3737585 | Cite |
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| 781-782 | Review of Birgit Menzel, Bürgerkrieg um Worte: Die russische Literaturkritik der Perestrojka Holger Gemba doi:10.2307/3737586 | Cite |
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| 782-784 | Review of Andreas Gardt, Nation und Sprache. Die Diskussion ihres Verhältnisses in Geschichte und Gegenwart Nicola McLelland doi:10.2307/3737587 | Cite |
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| 784-785 | Review of Brian S. Hook, R. R. Reno, Heroism and the Christian Life: Reclaiming Excellence E. H. Jones doi:10.2307/3737588 | Cite |
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| 785-786 | | Cite |
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| 786-787 | Review of Steven Connor, Dumbstruck: A Cultural History of Ventriloquism Jeremy Tambling doi:10.2307/3737590 | Cite |
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| 787-788 | Review of Jane Milling, Graham Ley, Modern Theories of Performance: From Stanislavski to Boal Paul Lawley doi:10.2307/3737591 | Cite |
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| 788-789 | Review of Michael Eskin, Levinas, Bakhtin, Mandel'shtam, Celan, Ethics and Dialogue in the Works of Levinas, Bakhtin, Mandel'shtam and Celan Jeremy Tambling doi:10.2307/3737592 | Cite |
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| 789-790 | Review of Anne Hunsaker Hawkins, Marilyn Chandler McEntyre, Teaching Literature and Medicine Malcolm Hardman doi:10.2307/3737593 | Cite |
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