305-322 | | Cite |
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323-333 | | Cite |
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334-346 | Mauclair and the Musical World of the "Fin de Siècle" and the "Belle Époque" Edward Kearns doi:10.2307/3737342 | Cite |
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347-360 | Paul Claudel's "L'Annonce faite à Marie": A Process of Visionary Revision Anwen Jones doi:10.2307/3737343 | Cite |
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361-369 | D'Annunzio and Alma-Tadema: Between Pre-Raphaelitism and Aestheticism Giuliana Pieri doi:10.2307/3737344 | Cite |
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370-384 | Cervantes and the Soldier's Tale: Genre and Disorder in "El casamiento engañoso" Stephen Rupp doi:10.2307/3737345 | Cite |
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385-396 | Postmodernism, History and Social Critique in Post-Dictatorship Argentine Cinema: A Reading of Eliseo Subiela's "El lado oscuro del corazón" Joanna Page doi:10.2307/3737346 | Cite |
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397-408 | | Cite |
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409-419 | "Wahrhaft das Sacrament": Hofmannsthal's "Der Schwierige" and the Sacrament of Matrimony John R. P. McKenzie doi:10.2307/3737348 | Cite |
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420-436 | Showing, Telling and Believing: Günter Grass's "Katz und Maus" and Narratology K. F. Hilliard doi:10.2307/3737349 | Cite |
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437-449 | Georgii Vladimov's "The General and His Army": The Ghost of Andrei Vlasov Frank H. Ellis doi:10.2307/3737350 | Cite |
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450-451 | Review of Robert D. Hume, Reconstructing Contexts: The Aims and Principles of Archaeo-Historicism Malcolm Kelsall doi:10.2307/3737351 | Cite |
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451-452 | | Cite |
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452-454 | Review of Hayden White, Figural Realism: Studies in the Mimesis Effect; David Boyd, Imre Salusinzky, Rereading Frye: The Published and Unpublished Works Jeremy Tambling doi:10.2307/3737353 | Cite |
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454-455 | Review of Arabella Lyon, Intentions: Negotiated, Contested, and Ignored Paul Smethurst doi:10.2307/3737354 | Cite |
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456-457 | Review of W. R. J. Barron, The Arthur of the English: The Arthurian Legend in Medieval English Life and Literature Corinne Saunders doi:10.2307/3737355 | Cite |
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457-458 | Review of John J. Thompson, 'The Cursor Mundi': Poem, Texts and Contexts C. W. Marx doi:10.2307/3737356 | Cite |
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458-459 | Review of Shoichi Oguro, Richard Beadle, Michael G. Sargent, Nicholas Love at Waseda: Proceedings of the International Conference 20-22 July 1995 Ian Johnson doi:10.2307/3737357 | Cite |
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459-460 | Review of Margaret Connolly, John Shirley: Book Production and the Noble Household in Fifteenth-Century England Julia Boffey doi:10.2307/3737358 | Cite |
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460-462 | Review of Jocelyn Catty, Writing Rape, Writing Women in Early Modern England: Unbridled Speech Carolyn D. Williams doi:10.2307/3737359 | Cite |
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462-463 | Review of R. B. Graves, Lighting the Shakespearean Stage, 1567-1642 Michela Calore doi:10.2307/3737360 | Cite |
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463-464 | Review of Maria Salenius, The Dean and His God: John Donne's Concept of the Divine Richard Pagano doi:10.2307/3737361 | Cite |
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464-465 | Review of Theresa DiPasquale, Literature & Sacrament: The Sacred and the Secular in John Donne Neil Rhodes doi:10.2307/3737362 | Cite |
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465-467 | Review of A. D. Nuttall, The Alternative Trinity: Gnostic Heresy in Marlowe, Milton, and Blake David Loewenstein doi:10.2307/3737363 | Cite |
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467-469 | Review of Warren Chernaik, Martin Dzelzainis, Marvell and Liberty Robert Wilcher doi:10.2307/3737364 | Cite |
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469-470 | | Cite |
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470-471 | Review of Julie Ellison, Cato's Tears and the Making of Anglo-American Emotion R. W. (Herbie) Butterfield doi:10.2307/3737366 | Cite |
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471-472 | Review of Christopher Z. Hobson, The Chained Boy: Orc and Blake's Idea of Revolution Paul Davies doi:10.2307/3737367 | Cite |
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472-473 | Review of Richard Cronin, 1798: The Year of the Lyrical Ballads Philip W. Martin doi:10.2307/3737368 | Cite |
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473-474 | Review of Arlene Young, Culture, Class and Gender in the Victorian Novel: Gentlemen, Gents and Working Women Catherine Maxwell doi:10.2307/3737369 | Cite |
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475-476 | Review of Alice Jenkins, Juliet John, Rereading Victorian Fiction Catherine Maxwell doi:10.2307/3737370 | Cite |
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476-477 | | Cite |
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477-478 | Review of Goldie Morgentaler, Dickens and Heredity: When like Begets like Shale Preston doi:10.2307/3737372 | Cite |
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478-479 | Review of Ian Baucom, Out of Place: Englishness, Empire, and the Locations of Identity Ranu Samantrai doi:10.2307/3737373 | Cite |
| |
479-481 | Review of Michael Patrick Gillespie, Joyce through the Ages: A Nonlinear View Craig Monk doi:10.2307/3737374 | Cite |
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481-482 | Review of Rachel Blau DuPlessis, Peter Quartermain, The Objectivist Nexus: Essays in Cultural Poetics Stephen Matterson doi:10.2307/3737375 | Cite |
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482-484 | Review of Rainer Emig, W. H. Auden: Towards a Postmodern Poetics Adrian Caesar doi:10.2307/3737376 | Cite |
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484 | Review of Katharine Worth, Samuel Beckett's Theatre: Life Journeys Julian A. Garforth doi:10.2307/3737377 | Cite |
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485-486 | Review of Thomas Travisano, Midcentury Quartet: Bishop, Lowell, Jarrell, Berryman and the Making of a Postmodern Aesthetic Stephen Matterson doi:10.2307/3737378 | Cite |
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486-488 | Review of Neil Corcoran, Poets of Modern Ireland: Text, Context, Intertext Alan Riach doi:10.2307/3737379 | Cite |
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488-489 | Review of John Jay Thompson, Wauchier de Denain: 'La Vie mon signeur seint Nicholas le beneoit confessor' K. Janet Ritch doi:10.2307/3737380 | Cite |
| |
489 | Review of Herman Braet, Guy Raynaud de Lage, Béroul: 'Tristran et Iseut': Poème du XIIe siècle. Vol. I: Édition et traduction Sally L. Burch doi:10.2307/3737381 | Cite |
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490 | Review of Olivier de La Marche, Carleton W. Carrol, Lois Hawley Wilson, Le Chevalier deliberé (The Resolute Knight) Catherine Emerson doi:10.2307/3737382 | Cite |
| |
490-491 | Review of André Tissier, Farces françaises de la fin du moyen âge Alan Hindley doi:10.2307/3737383 | Cite |
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491-492 | Review of James Dauphiné, Béatrice Perigot, Conteurs et romanciers de la Renaissance. Mélanges offerts à Gabriel-André Pérouse Dominique Lagorgette doi:10.2307/3737384 | Cite |
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492 | Review of Oumelbanine Zhiri, L'Extase et ses paradoxes: Essai sur la structure narrative du 'Tiers Livre' Michael Heath doi:10.2307/3737385 | Cite |
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493 | Review of Gérard Defaux, Thierry Mantovani, Jehan Marot: Les Deux Recueils Christine M. Scollen-Jimack doi:10.2307/3737386 | Cite |
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494 | Review of Renja Salminen, Marguerite de Navarre, Heptaméron Dominique Lagorgette doi:10.2307/3737387 | Cite |
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494-495 | | Cite |
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495-496 | Review of Colette Nativel, Femmes savantes, savoirs des femmes. Du crépuscule de la Renaissance à l'aube des Lumières Cathy Hampton doi:10.2307/3737389 | Cite |
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496-497 | Review of John D. Lyons, Kingdom of Disorder: The Theory of Tragedy in Classical France David Clarke doi:10.2307/3737390 | Cite |
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497 | | Cite |
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498 | Review of Joan Dejean, Molière: 'Le Festin de pierre (Dom Juan)': Edition critique du texte d'Amsterdam (1683) David Shaw doi:10.2307/3737392 | Cite |
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498-499 | | Cite |
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499-500 | Review of Helene Baby, Jean Emmelina, Racine et la Méditerranée, Soleil et Mer, Neptune et Apollon. Actes du Colloque International de Nice des 19-20 mai 1999 David Shaw doi:10.2307/3737394 | Cite |
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500-501 | Review of Elisabeth Labrousse, Correspondance de Pierre Bayle. Vol. I: 1662-1674. Lettres 1-65 Joy Charnley doi:10.2307/3737395 | Cite |
| |
501 | Review of Jay Caplan, In the King's Wake: Post-Absolutist Culture in France Christopher Todd doi:10.2307/3737396 | Cite |
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501-502 | Review of Voltaire, Haydn Mason, O. R. Taylor, The Complete Works of Voltaire / Œuvres complètes de Voltaire. Vol. IX: 1732-1733 Russell Goulbourne doi:10.2307/3737397 | Cite |
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502-503 | Review of Nathalie Rizzoni, Charles-François Pannard et l'esthétique du 'petit' Mark Darlow doi:10.2307/3737398 | Cite |
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503-504 | | Cite |
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505 | Review of André-Guillaume Contant d'Orville, Sylvie Dangeville, Le Mariage du siècle ou Lettres de Madame la Comtesse de Castelli à Madame la Baronne de Fréville Malcolm Cook doi:10.2307/3737400 | Cite |
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505-506 | Review of Sylvie Dangeville, Le Théâtre change et représente: Lecture critique des œuvres dramatiques du marquis de Sade John Phillips doi:10.2307/3737401 | Cite |
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506-508 | Review of Karyna Szmurlo, The Novel's Seductions: Staël's 'Corinne' in Critical Inquiry Alison Finch doi:10.2307/3737402 | Cite |
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508-509 | Review of Dean de la Motte, Stirling Haig, Approaches to Teaching Stendhal's 'The Red and the Black' Sheila Bell doi:10.2307/3737403 | Cite |
| |
509 | Review of Lise Dumasy, La Querelle du roman-feuilleton: Littérature, presse et politique, un débat précurseur (1836-1848) David Roe doi:10.2307/3737404 | Cite |
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510 | | Cite |
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510-511 | Review of Simone Bernard-Griffiths, Le Mythe romantique de Merlin dans l'œuvre d'Edgar Quinet Michael Glencross doi:10.2307/3737406 | Cite |
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511-512 | Review of Beatrice Didier, George Sand écrivain: 'Un grand fleuve d'Amérique' Susan J. White doi:10.2307/3737407 | Cite |
| |
512-513 | Review of Jonathan Strauss, Subjects of Terror: Nerval, Hegel and the Modern Self Peter Whyte doi:10.2307/3737408 | Cite |
| |
513-514 | Review of Claudine Lacoste-Veysseyre, Pierre Laubriet, Théophile Gautier: Correspondance générale. Vol. XII: 1872 et compléments Peter Whyte doi:10.2307/3737409 | Cite |
| |
514-515 | Review of Adrianne Tooke, Flaubert and the Pictorial Arts: From Image to Text Mary Orr doi:10.2307/3737410 | Cite |
| |
515 | Review of Sonya Stephens, Baudelaire's Prose Poems: The Practice and Politics of Irony John McCann doi:10.2307/3737411 | Cite |
| |
515-516 | Review of Peter Broome, Baudelaire's Poetic Patterns: The Secret Language of 'Les Fleurs du Mal' Emily Salines doi:10.2307/3737412 | Cite |
| |
516-517 | Review of Patrick McGuinness, Maurice Maeterlinck and the Making of Modern Theatre W. L. Hodson doi:10.2307/3737413 | Cite |
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517-518 | Review of Keith Aspley, Elizabeth Cowling, Peter Sharratt, From Rodin to Giacometti. Sculpture and Literature in France 1880-1950 Andrew Rothwell doi:10.2307/3737414 | Cite |
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518-519 | | Cite |
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519-520 | Review of Paul Cooke, Mauriac et le mythe du poète. Une lecture du 'Mystère Frontenac' Malcolm Scott doi:10.2307/3737416 | Cite |
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520-521 | | Cite |
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521 | Review of Malcolm Scott, Mauriac et de Gaulle: Les Ordres de la Charité et de la Grandeur Edward Welch doi:10.2307/3737418 | Cite |
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522 | | Cite |
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522-523 | Review of Emma Wilson, French Cinema since 1950: Personal Histories Diana Holmes doi:10.2307/3737420 | Cite |
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523-524 | | Cite |
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524-525 | Review of Roger Francillon, Histoire de la littérature en Suisse romande. Vol. IV: La littérature romande aujourd'hui Joy Charnley doi:10.2307/3737422 | Cite |
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525 | | Cite |
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526 | Review of Luc Fraisse, Le Manuscrit littéraire: son statut, son histoire, du Moyen age à nos jours Angus J. Kennedy doi:10.2307/3737424 | Cite |
| |
527-528 | Review of Michael Hawcroft, Rhetoric: Readings in French Literature Walter Redfern doi:10.2307/3737425 | Cite |
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528 | Review of Michèle Gally, La Trace médiévale et les écrivains d'aujourd'hui Michael Glencross doi:10.2307/3737426 | Cite |
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529-530 | | Cite |
| |
530-531 | Review of Pio Rajna, Claudia Di Fonzo, La materia e la forma della 'Divina Commedia': I mondi oltraterreni nelle letterature classiche e nelle medievali Alison Morgan doi:10.2307/3737428 | Cite |
| |
531-532 | Review of Giovanni Boccaccio, G. H. McWilliam, The Decameron Cormac Ó. Cuilleanáin doi:10.2307/3737429 | Cite |
| |
532-533 | Review of Ingrid D. Rowland, The Culture of the High Renaissance. Ancients and Moderns in Sixteenth Century Rome Rodney Lokaj doi:10.2307/3737430 | Cite |
| |
534-535 | Review of Giambattista Vico, Giovanni Adamo, 'De Antiquissima Italorum Sapientia' di Giambattista Vico. Indici e ristampa anastatica David Marsh doi:10.2307/3737431 | Cite |
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535-537 | | Cite |
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537-539 | Review of Giovanni Verga, G. H. McWilliam, Cavalleria Rusticana and Other Stories Nicoletta Simborowski doi:10.2307/3737433 | Cite |
| |
539-540 | Review of Gian-Paolo Biasin, Manuela Gieri, Luigi Pirandello. Contemporary Perspectives Elizabeth Schächter doi:10.2307/3737434 | Cite |
| |
540-542 | Review of Italo Calvino, Claudio Milanini, Il barone rampante Martin McLaughlin doi:10.2307/3737435 | Cite |
| |
542-543 | Review of Maria Ornella Marotti, Gabriella Brooke, Gendering Italian Fiction. Feminist Revisions of Italian History Ann Hallamore Caesar doi:10.2307/3737436 | Cite |
| |
543-544 | Review of Rebecca West, Gianni Celati. The Craft of Everyday Storytelling Robert Lumley doi:10.2307/3737437 | Cite |
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544-546 | Review of Franco D'Intino, L'autobiografia moderna: Storia, forme, problemi Mario Barenghi doi:10.2307/3737438 | Cite |
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546-548 | Review of Franco Brevini, La poesia in dialetto. Storia e testi dalle origini al Novecento Giulio Lepschy doi:10.2307/3737439 | Cite |
| |
548-550 | Review of Richard Burkard, The Archpriest of Hita and the Imitators of Ovid: A Study in the Ovidian Background of the 'Libro de buen amor' Elizabeth Drayson doi:10.2307/3737440 | Cite |
| |
550-551 | Review of Hernán Chacón, Noel Fallows, Tractado de la cauallería de la gineta Ian Macpherson doi:10.2307/3737441 | Cite |
| |
551-553 | Review of Melveena McKendrick, Playing the King: Lope de Vega and the Limits of Conformity Jonathan Thacker doi:10.2307/3737442 | Cite |
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553 | | Cite |
| |
553-555 | Review of Lucas Mallada, La futura revolución española y otros escritos regeneracionistas Stephen G. H. Roberts doi:10.2307/3737444 | Cite |
| |
555-556 | Review of Julio Rodríguez-Luis, Re-Reading José Martí (1853-1895): One Hundred Years Later Antoni Kapcia doi:10.2307/3737445 | Cite |
| |
556-558 | Review of Barry Jordan, Rikki Morgan-Tamosunas, Contemporary Spanish Cultural Studies Susana Lorenzo Zamorano doi:10.2307/3737446 | Cite |
| |
558-559 | Review of Wadda C. Ríos-Font, Rewriting Melodrama: The Hidden Paradigm in Modern Spanish Theater Michael Thompson doi:10.2307/3737447 | Cite |
| |
559-560 | Review of Claudio Rodríguez, W. Michael Mudrovic, Breaking New Ground: The Transgressive Poetics of Claudio Rodríguez Federico Bonaddio doi:10.2307/3737448 | Cite |
| |
560-561 | Review of Mari Paz Balibrea, En la tierra baldía: Manuel Vázquez Montalbán y la izquierda española en la postmodernidad Rob Rix doi:10.2307/3737449 | Cite |
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561-562 | Review of Santiago Juan-Navarro, Archival Reflections: Postmodern Fiction of the Americas (Self-Reflexivity, Historical Revisionism, Utopia) Stephen M. Hart doi:10.2307/3737450 | Cite |
| |
562-564 | Review of Gustavo San Román, Onetti and Others. Comparative Essays on a Major Figure in Latin American Literature Evelyn Fishburn doi:10.2307/3737451 | Cite |
| |
564-565 | Review of Jorge Luis Borges, Eliot Weinberger, The Total Library: Non-Fiction 1922-1986 Verity Smith doi:10.2307/3737452 | Cite |
| |
565-566 | Review of Kenneth J. A. Wishnia, Twentieth-Century Ecuadorian Narrative: New Readings in the Context of the Americas Jon Beasley-Murray doi:10.2307/3737453 | Cite |
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566-567 | | Cite |
| |
568-571 | Review of John R. Williams, The Life of Goethe: A Critical Biography; Reiner Wild, Goethes klassische Lyrik Matthew Bell doi:10.2307/3737455 | Cite |
| |
571-573 | Review of Roger F. Cook, By the Rivers of Babylon: Heinrich Heine's Late Songs and Reflections Jefferson S. Chase doi:10.2307/3737456 | Cite |
| |
574 | Review of Peter Sprengel, Geschichte der deutschsprachigen Literatur 1870-1900: Von der Reichsgründung bis zur Jahrhundertwende John Osborne doi:10.2307/3737457 | Cite |
| |
575-576 | Review of Dominik Pietzcker, Richard von Schaukal. Ein österreichischer Dichter der Jahrhundertwende Ritchie Robertson doi:10.2307/3737458 | Cite |
| |
576 | Review of David Turner, Alfons Petzold: Stefan Zweig, Briefwechsel W. E. Yates doi:10.2307/3737459 | Cite |
| |
576-578 | Review of Deniz Göktürk, Künstler, Cowboys, Ingenieure... Kultur- und mediengeschichtliche Studien zu deutschen Amerika-Texten 1912-1920 Herbert Grieshop doi:10.2307/3737460 | Cite |
| |
578-579 | Review of Lewis W. Tusken, Understanding Hermann Hesse: The Man, His Myth, His Metaphor John White doi:10.2307/3737461 | Cite |
| |
579-580 | Review of Stephen Parker, Peter Huchel: A Literary Life in 20th-Century Germany Hanne Castein doi:10.2307/3737462 | Cite |
| |
580-582 | Review of Dorothee Ostmeier, Sprache des Dramas: Drama der Sprache: Zur Poetik der Nelly Sachs John Margetts doi:10.2307/3737463 | Cite |
| |
582 | Review of Leszek Żyliński, Heinrich Bölls Poetik der Zeitgenossenschaft Joshua Reid doi:10.2307/3737464 | Cite |
| |
582-583 | Review of Uwe Johnson, Günter Grass, Martin Walser, Stuart Taberner, Distorted Reflections: The Public and Private Faces of the Author in the Work of Uwe Johnson, Günter Grass and Martin Walser Julian Preece doi:10.2307/3737465 | Cite |
| |
583-584 | Review of Stephanie Bird, Recasting Historical Women: Female Identity in German Biographical Fiction Georgina Paul doi:10.2307/3737466 | Cite |
| |
585-586 | Review of Dieter Lamping, Von Kafka bis Celan: Jüdischer Diskurs in der deutschen Literatur des 20. Jahrhunderts Florian Krobb doi:10.2307/3737467 | Cite |
| |
586-587 | Review of Russell A. Berman, Enlightenment or Empire: Colonial Discourse in German Culture Susanne Zantop doi:10.2307/3737468 | Cite |
| |
588-589 | | Cite |
| |
590-591 | Review of Christina Y. Bethin, Slavic Prosody: Language Change and Phonological Theory Peter Herrity doi:10.2307/3737470 | Cite |
| |
591-592 | Review of J. A. Dunn, Language and Society in Post-Communist Europe Anne White doi:10.2307/3737471 | Cite |
| |
592-593 | Review of William Harrison, Stephen le Fleming, Intermediate Russian Grammar Anne White doi:10.2307/3737472 | Cite |
| |
593-594 | Review of Boris Lanin, David Gillespie, Nineteenth-Century Russian Literature. An Introductory Reader Michael Pursglove doi:10.2307/3737473 | Cite |
| |
594-595 | Review of Donald Rayfield, Understanding Chekhov: A Critical Study of Chekhov's Prose and Drama Stephen Hutchings doi:10.2307/3737474 | Cite |
| |
595-596 | Review of Julian W. Connolly, Nobokov and His Fiction: New Perspectives Jason Merrill doi:10.2307/3737475 | Cite |
| |
596-597 | Review of Arnold McMillin, Belarusian Literature in the 1950s and 1960s: Release and Renewal Zina Gimpelevich doi:10.2307/3737476 | Cite |
| |
597-598 | Review of David L. Cooper, Linguistic Attractors: The Cognitive Dynamics of Language Acquisition and Change Paul Meara doi:10.2307/3737477 | Cite |
| |
598-599 | Review of Wilhelm von Humboldt, Michael Losonsky, Peter Heath, On Language: On the Diversity of Human Language Construction and Its Influence on the Mental Development of the Human Species Brigitte Nerlich doi:10.2307/3737478 | Cite |
| |
599-600 | Review of Hermann Moisl, Lordship and Tradition in Barbarian Europe Edward James doi:10.2307/3737479 | Cite |
| |
600-601 | Review of Laura Otis, Membranes: Metaphors of Invasion in Nineteenth-Century Literature, Science, and Politics Robert Fraser doi:10.2307/3737480 | Cite |
| |
601-602 | Review of Ross Shideler, Questioning the Father: From Darwin to Zola, Ibsen, Strindberg, and Hardy Mary Orr doi:10.2307/3737481 | Cite |
| |
602-603 | Review of Mark Fortier, Theory/Theatre: An Introduction Christopher McCullough doi:10.2307/3737482 | Cite |
| |
603-604 | Review of Patrick McGee, Cinema, Theory, and Political Responsibility in Contemporary Culture Susan Hayward doi:10.2307/3737483 | Cite |
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604 | | Cite |
| |
604-605 | Review of Katherine Kearns, Psychoanalysis, Historiography, Feminist Theory: The Search for Critical Method Mary Orr doi:10.2307/3737485 | Cite |
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