1-13 | Truth So Difficult: George Eliot and Georg Büchner, a Shared Theme Sheila Stern doi:10.2307/3735711 | Cite |
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14-20 | The Crux in "A Cure for a Cuckold": A Cryptic Message, a Doubtful Intention, and Two Dearest Friends David Carnegie, MacD. P. Jackson doi:10.2307/3735712 | Cite |
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21-37 | "Autobiografiction": Problems with Autobiographical Fictions and Fictional Autobiographies. Mark Rutherford's "Autobiography" and "Deliverance," and Others Charles Swann doi:10.2307/3735713 | Cite |
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38-46 | Les Faux Miroirs: The Good Woman/Bad Woman Dichotomy in Racine's Tragedies Véronique Desnain doi:10.2307/3735714 | Cite |
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47-60 | Imagination and Ideology: Ethical Tensions in Twentieth-Century French Writing Kirsteen Anderson doi:10.2307/3735715 | Cite |
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61-81 | | Cite |
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82-91 | | Cite |
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92-102 | The Double Coding of Desire: Language Conflict, Nation Building, and Identity Crashing in Juan Marsé's "El amante bilingüe" Joan Ramon Resina doi:10.2307/3735718 | Cite |
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103-115 | Genius beyond Gender: Novalis, Women and the Art of Shapeshifting James Hodkinson doi:10.2307/3735719 | Cite |
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116-129 | Time Travel in the Forbidden Realm: J. J. Slauerhoff's "Het verboden rijk" Viewed as a Modernist Novel Jane Fenoulhet doi:10.2307/3735720 | Cite |
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130-139 | Szymborska's Two Monkeys: The Stammering Poet and the Chain of Signs John Blazina doi:10.2307/3735721 | Cite |
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140-141 | Review of Maria Wyke, Michael Biddiss, The Uses and Abuses of Antiquity Charles Martindale doi:10.2307/3735722 | Cite |
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141-142 | Review of Chris Weedon, Feminism, Theory and the Politics of Difference Deborah Philips doi:10.2307/3735723 | Cite |
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142-143 | Review of Ross Posnock, Color and Culture: Black Writers and the Making of the Modern Intellectual Christine MacLeod doi:10.2307/3735724 | Cite |
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143-144 | Review of N. Katherine Hayles, How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics Jeremy Tambling doi:10.2307/3735725 | Cite |
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145-146 | Review of Michael Caesar, Umberto Eco: Philosophy, Semiotics and the Work of Fiction Jeremy Tambling doi:10.2307/3735726 | Cite |
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146 | | Cite |
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146-147 | Review of Colin Manlove, The Fantasy Literature of England Karin Lesnik-Oberstein doi:10.2307/3735728 | Cite |
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148-149 | | Cite |
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149-150 | Review of James Olney, Memory & Narrative: The Weave of Life-Writing John Pilling doi:10.2307/3735730 | Cite |
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150-151 | Review of Katherine O'Brien O'Keeffe, Reading Old English Texts Richard North doi:10.2307/3735731 | Cite |
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152-153 | Review of Wendy Scase, Rita Copeland, David Lawton, New Medieval Literatures. Volume I Alan J. Fletcher doi:10.2307/3735732 | Cite |
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153-155 | Review of Huw Pryce, Literacy in Medieval Celtic Societies Brynley F. Roberts doi:10.2307/3735733 | Cite |
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155-156 | Review of Lister M. Matheson, The Prose 'Brut': The Development of a Middle English Chronicle C. W. Marx doi:10.2307/3735734 | Cite |
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156-158 | Review of Christopher Cannon, The Making of Chaucer's English: A Study of Words Jeremy Smith doi:10.2307/3735735 | Cite |
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158-160 | Review of Michele Marrapodi, The Italian World of English Renaissance Drama: Cultural Exchange and Intertextuality Janet Clare doi:10.2307/3735736 | Cite |
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160-161 | Review of Jeffrey Kahan, Reforging Shakespeare: The Story of a Theatrical Scandal Paul Baines doi:10.2307/3735737 | Cite |
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161-162 | Review of Martin Butler, Re-Presenting Ben Jonson: Text, History, Performance W. David Kay doi:10.2307/3735738 | Cite |
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162-164 | Review of David Norbrook, Writing the English Republic: Poetry, Rhetoric and Politics, 1627-1660 John K. Hale doi:10.2307/3735739 | Cite |
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164-165 | Review of Estelle Haan, From 'Academia' to 'Amicitia': Milton's Latin Writings and the Italian Academies John K. Hale doi:10.2307/3735740 | Cite |
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165-167 | | Cite |
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167-171 | Review of James Chandler, England in 1819: The Politics of Literary Culture and the Case of Romantic Historicism; Tim Fulford, Peter J. Kitson, Romanticism and Colonialism: Writing and Empire, 1780-1830 Terence Hoagwood doi:10.2307/3735742 | Cite |
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171-172 | | Cite |
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172-173 | Review of Michael Bell, Peter Poellner, Myth and the Making of Modernity: The Problem of Grounding in Early Twentieth-Century Literature Alan Munton doi:10.2307/3735744 | Cite |
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173-174 | Review of James Booth, New Larkins for Old: Critical Essays David J. Williams doi:10.2307/3735745 | Cite |
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174-175 | Review of Alan Lupack, Barbara Tepa Lupack, King Arthur in America James Hurt doi:10.2307/3735746 | Cite |
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175-176 | Review of Leon Surrette, Pound in Purgatory: From Economic Radicalism to Anti-Semitism Ian F. A. Bell doi:10.2307/3735747 | Cite |
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177-178 | Review of Andrew Leak, George Paizis, The Holocaust and the Text: Speaking the Unspeakable Edward A. Abramson doi:10.2307/3735748 | Cite |
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178-179 | Review of Steven Mailloux, Reception Histories: Rhetoric, Pragmatism, and American Cultural Politics Wil Verhoeven doi:10.2307/3735749 | Cite |
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179-180 | Review of James Engell, The Committed Word: Literature and Public Values Clark Lawlor doi:10.2307/3735750 | Cite |
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180-181 | Review of Bernard Quemada, Jean Pruvost, Le Dictionnaire de l'Académie Française et la lexicographie institutionnelle européenne. Actes du colloque international 17, 18 et 19 novembre 1994 Wendy Ayres-Bennett doi:10.2307/3735751 | Cite |
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181-182 | Review of Giovanni Dotoli, Fulvia Fiorino, Dominique Bouhours: Doutes sur la langue françoise proposez à Messieurs de l'Académie Françoise Peter Rickard doi:10.2307/3735752 | Cite |
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182 | Review of Michael A. Newth, The Song of Girart de Vienne by Bertrand de Bar-sur-Aube: A Twelfth-Century Chanson de Geste Philip Bennett doi:10.2307/3735753 | Cite |
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183 | Review of Jean Salmon Macrin, Georges Soubeille, Epithalames et Odes Ann Moss doi:10.2307/3735754 | Cite |
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183-184 | | Cite |
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184-185 | Review of Pierre de Ronsard, Roberto E. Campo, Ronsard's Contentious Sisters: The Paragone between Poetry and Painting in the Works of Pierre de Ronsard Alison Saunders doi:10.2307/3735756 | Cite |
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185-186 | Review of Anne R. Larsen, Madeleine des Roches, and Catherine des Roches: Les Missives Keith Cameron doi:10.2307/3735757 | Cite |
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186 | | Cite |
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186-187 | Review of Volker Schröder, La tragédie du sang d'Auguste: Politique et intertextualité dans 'Britannicus' David Clarke doi:10.2307/3735759 | Cite |
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187-188 | | Cite |
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188-189 | Review of Claude Jaëcklé-Plunian, Sean A. McMeekin, Studies on Voltaire and the Eighteenth Century Derek Connon doi:10.2307/3735761 | Cite |
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189-190 | Review of Marie-Hélène Cotoni, Correspondance de Frédéric II avec Louis-Dorothée de Saxe-Gotha (1740-1767) David J. Williams doi:10.2307/3735762 | Cite |
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190-191 | Review of Jenny Mander, Circles of Learning: Narratology and the Eighteenth-Century French Novel Richard A. Francis doi:10.2307/3735763 | Cite |
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191-192 | Review of Patrick Coleman, Reparative Realism: Mourning and Modernity in the French Novel 1730-1830 David Denby doi:10.2307/3735764 | Cite |
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192-193 | Review of Helen Simpson, Jeremy D. Popkin, Louis-Sébastien Mercier: 'Panorama of Paris': Selections from 'Le Tableau de Paris' Christopher Todd doi:10.2307/3735765 | Cite |
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193 | Review of Jean Schweighæuser, Bertrand Hemmerdinger, 'Tableau littéraire de la France dans le XVIIIe siècle': Un inédit de 1806. Métaphrase de Bertrand Hemmerdinger. Avec, en appendice, le Catalogue de la bibliothèque de Schweighæuser Paul Rowe doi:10.2307/3735766 | Cite |
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193-194 | | Cite |
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194-195 | Review of Stéphane Vachon, Honoré de Balzac: Mémoire de la critique Owen Heathcote doi:10.2307/3735768 | Cite |
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195-196 | | Cite |
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196 | Review of Ida Porfido, Jules Vallès et la mise en scène du peuple de la Commune Walter Redfern doi:10.2307/3735770 | Cite |
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197-198 | Review of Steve Murphy, Arthur Rimbaud: Œuvres complètes I: Poésies Gerald Macklin doi:10.2307/3735771 | Cite |
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198-199 | Review of Arnaud Rykner, L'Envers du Théâtre: Dramaturgie du Silence de l'âge classique à Maeterlinck W. L. Hodson doi:10.2307/3735772 | Cite |
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199 | Review of Georges Rodenbach, Richard Bales, 'Le Voile' et 'Le Mirage' W. L. Hodson doi:10.2307/3735773 | Cite |
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200 | | Cite |
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201 | | Cite |
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202-203 | Review of Laurent Jenny, Andreas Pfersmann, Traversées de Pierre Klossowski Andrew Rothwell doi:10.2307/3735776 | Cite |
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203 | | Cite |
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203-205 | Review of Ursula Tidd, Simone de Beauvoir: Gender and Testimony Angela Kershaw doi:10.2307/3735778 | Cite |
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205 | Review of Marjorie H. Hellerstein, Inventing the Real World: The Art of Alain Robbe-Grillet Elizabeth Newton doi:10.2307/3735779 | Cite |
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206 | Review of Jacques-Denis Bertharion, Poétique de Georges Perec '... une trace, une marque ou quelques signes' Andy Leak doi:10.2307/3735780 | Cite |
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206-207 | Review of Anne-Marie Smith, Julia Kristeva: Speaking the Unspeakable Victoria Best doi:10.2307/3735781 | Cite |
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207-208 | Review of Jeanine Picard, Pierre-Jakez Hélias: 'Le Cheval d'Orgueil: Mémoires d'un Breton du pays bigouden' Tom Jones doi:10.2307/3735782 | Cite |
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208-209 | Review of Margaret-Anne Hutton, Countering the Culture: The Novels of Christiane Rochefort Margaret Atack doi:10.2307/3735783 | Cite |
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209 | | Cite |
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210 | Review of Celia M. Britton, Edouard Glissant and Postcolonial Theory: Strategies of Language and Resistance Charles Forsdick doi:10.2307/3735785 | Cite |
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211 | Review of Margaret Atack, May 68 in French Fiction and Film: Rethinking Society, Rethinking Representation Mary Orr doi:10.2307/3735786 | Cite |
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211-212 | Review of Max Silverman, Facing Postmodernity: Contemporary Thought in French Culture and Society Mary Orr doi:10.2307/3735787 | Cite |
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212-213 | Review of Gaëtan Brulotte, Œuvres de chair: figures du discours érotique John Phillips doi:10.2307/3735788 | Cite |
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213 | | Cite |
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214 | Review of Emily Apter, Continental Drift: From National Characters to Virtual Subjects Nicki Hitchcott doi:10.2307/3735790 | Cite |
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214-215 | | Cite |
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215-217 | | Cite |
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217-220 | Review of Attilio Bettinzoli, Daedaleum iter: Studi sulla poesia e la poetica di Angelo Poliziano; Angelo Poliziano, Francesco Bausi, Poesie volgari Italo Pantani doi:10.2307/3735793 | Cite |
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220-221 | Review of G. B. Giraldi, Philip Horne, Epizia: A Renaissance Tragedy; G. B. Giraldi, Philip Horne, Selene: An Italian Renaissance Tragedy Rodney Lokaj doi:10.2307/3735794 | Cite |
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221-222 | | Cite |
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223-224 | Review of Gilles De Van, Gilda Roberts, Verdi's Theater: Creating Drama through Music Emanuele Senici doi:10.2307/3735796 | Cite |
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224-225 | | Cite |
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225-228 | Review of Don W. Cruickshank, A Lifetime's Reading: Hispanic Essays for Patrick Gallagher Anne L. Walsh doi:10.2307/3735798 | Cite |
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228-229 | Review of Ana Rueda, Pigmalión y Galatea: Refracciones modernas de un mito John Walker doi:10.2307/3735799 | Cite |
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229-230 | Review of Louise O. Vasvári, The Heterotextual Body of the Mora Morilla Aengus Ward doi:10.2307/3735800 | Cite |
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230-231 | Review of Henry W. Sullivan, Raúl A. Galoppe, Mahlon L. Stoutz, La comedia española y el teatro europeo del siglo XVII Don W. Cruickshank doi:10.2307/3735801 | Cite |
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231-233 | Review of Manfred Tietz, Texto e imagen en Calderón: Undécimo Coloquio Anglogermano sobre Calderón. St Andrews, Escocia, 17-20 de julio de 1996 Don W. Cruickshank doi:10.2307/3735802 | Cite |
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233 | Review of Soledad Pérez-Abadín Barro, Los sonetos de Francisco de la Torre Terence O'Reilly doi:10.2307/3735803 | Cite |
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233-234 | Review of Andrew Ginger, Political Revolution and Literary Experiment in the Spanish Romantic Period (1830-1850) Donald L. Shaw doi:10.2307/3735804 | Cite |
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235 | Review of Angel Suárez Muñoz, El teatro en Badajoz: 1860-1886. Cartelera y estudio Andrew Ginger doi:10.2307/3735805 | Cite |
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235-237 | Review of James Valender, Carlos Blanco, Arturo Souto Alabarce, Homenaje a María Zambrano: estudios y correspondencia Patricia O'Byrne doi:10.2307/3735806 | Cite |
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237-238 | Review of Peter William Evans, Spanish Cinema: The Auteurist Tradition María Donapetry doi:10.2307/3735807 | Cite |
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238-239 | Review of Susan Martín-Márquez, Feminist Discourse and Spanish Cinema: Sight Unseen Chris Perriam doi:10.2307/3735808 | Cite |
| |
239-240 | Review of Stephen M. Hart, A Companion to Spanish-American Literature Verity Smith doi:10.2307/3735809 | Cite |
| |
240-241 | Review of Aída Beaupied, Narciso hermético: Sor Juana Inés de la Cruz y José Lezama Lima Elia Geoffrey Kantaris doi:10.2307/3735810 | Cite |
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242-243 | Review of Nicolás Emilio Alvarez, Discurso e historia en la obra narrativa de Jorge Luis Borges: Examen de 'Ficciones' y 'El Aleph' Gustavo Fares doi:10.2307/3735811 | Cite |
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243-245 | Review of María Eugenia Mudrovcic, Mundo Nuevo: Cultura y guerra fría en la década del 60 Frank McQuade doi:10.2307/3735812 | Cite |
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245-246 | Review of Gloriá Jeanne Bodtorf Clark, A Synergy of Styles: Art and Artifact in Gabriel García Márquez John Walker doi:10.2307/3735813 | Cite |
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246-247 | Review of Joaquim Maria Machado de Assis, Gregory Rabassa, Quincas Borba Clive Willis doi:10.2307/3735814 | Cite |
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247-249 | | Cite |
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249-251 | | Cite |
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251-252 | Review of Joachim Heinzle, Einführung in die mittelhochdeutsche Dietrichepik John L. Flood doi:10.2307/3735817 | Cite |
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252-253 | Review of Christian Kiening, Schwierige Modernität. Der 'Ackermann' des Johannes von Tepl und die Ambiguität historischen Wandels Nigel Harris doi:10.2307/3735818 | Cite |
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253-256 | Review of Hans-Georg Kemper, Deutsche Lyrik der frühen Neuzeit. Vol. VI/I Empfindsamkeit Anna Carrdus doi:10.2307/3735819 | Cite |
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256-257 | Review of Catriona MacLeod, Embodying Ambiguity: Androgyny and Aesthetics from Winckelmann to Keller Jeff Morrison doi:10.2307/3735820 | Cite |
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257-258 | Review of Christoph Perels, Goethe in seiner Epoche. Zwölf Versuche Hans Reiss doi:10.2307/3735821 | Cite |
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258-260 | Review of Moritz Bassler, Christoph Brecht, Dirk Niefanger, Von der Natur zur Kunst zurück: Neue Beiträge zur Goethe-Forschung. Gotthart Wunberg zum 65. Geburtstag K. F. Hilliard doi:10.2307/3735822 | Cite |
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260-261 | Review of Wolfgang Bunzel, Konrad Feilchenfeldt, Walter Schmitz, Schnittpunkt Romantik. Text- und Quellenstudien zur Literatur des 19. Jahrhunderts: Festschrift für Sibylle von Steinsdorff Sheila Dickson doi:10.2307/3735823 | Cite |
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261-263 | Review of Dierk Wolters, Zwischen Metaphysik und Politik. Thomas Manns Roman 'Joseph und seine Brüder' in seiner Zeit Hinrich Siefken doi:10.2307/3735824 | Cite |
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263-264 | | Cite |
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265-266 | Review of Sven Arnold, Das Spektrum des literarischen Expressionismus in den Zeitschriften 'Der Sturm' und 'Die Weissen Blätter' Brian Keith-Smith doi:10.2307/3735826 | Cite |
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266-267 | Review of Klaus-Dieter Bergner, Natur und Technik in der Literatur des frühen Expressionismus Brian Keith-Smith doi:10.2307/3735827 | Cite |
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267-269 | Review of Stephen C. Foster, Brigitte Pichon, Karl Riha, Crisis and the Arts: The History of Dada. Hall. 1996-2002. Vol II: Dada Zurich: A Clown's Game from Nothing Andreas Kramer doi:10.2307/3735828 | Cite |
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269-270 | Review of Beatrice Hansen, Walter Benjamin's Other History: Of Stones, Animals, Human Beings and Angels Christina Ujma doi:10.2307/3735829 | Cite |
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270-272 | Review of Frithjof Trapp, Handbuch des deutschsprachigen Exiltheaters 1933-45 Richard Dove doi:10.2307/3735830 | Cite |
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272-273 | | Cite |
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273-274 | Review of Peter Rüedi, Max Frisch, Friedrich Dürrenmatt: Briefwechsel Malcolm Pender doi:10.2307/3735832 | Cite |
| |
274-275 | Review of Chloe E. M. Paver, Narrative and Fantasy in the Post-War German Novel Martin Swales doi:10.2307/3735833 | Cite |
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275-276 | | Cite |
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276-277 | Review of Andrew Plowman, The Radical Subject: Social Change and the Self in Recent German Autobiography Stephanie Bird doi:10.2307/3735835 | Cite |
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277-279 | Review of Mary Howard, Interkulturelle Konfigurationen: Zur deutschsprachigen Erzählliteratur von Autoren nichtdeutscher Herkunft Graeme Dunphy doi:10.2307/3735836 | Cite |
| |
280 | Review of Eva Kolinsky, Wilfried van der Will, The Cambridge Companion to Modern German Culture Osman Durrani doi:10.2307/3735837 | Cite |
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281-282 | Review of Herbert Herzmann, Tradition und Subversion: Das Volksstück und das epische Theater W. E. Yates doi:10.2307/3735838 | Cite |
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282-283 | Review of Joe Andrew, Robert Reid, Neo-Formalist Papers: Contributions to the Silver Jubilee Conference to Mark 25 Years of the Neo-Formalist Circle Stephen Hutchings doi:10.2307/3735839 | Cite |
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283-284 | Review of Rachel Polonsky, English Literature and the Russian Aesthetic Renaissance W. Gareth Jones doi:10.2307/3735840 | Cite |
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284-287 | Review of David M. Bethea, Realizing Metaphors: Alexander Pushkin and the Life of the Poet Gerald E. Mikkelson doi:10.2307/3735841 | Cite |
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287 | Review of Frank Seeley, Saviour or Superman? Old and New Essays on Tolstoy and Dostoevsky Michael Pursglove doi:10.2307/3735842 | Cite |
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287-289 | Review of Catriona Kelly, David Shepherd, Constructing Russian Culture in the Age of Revolution: 1881-1940 Graham Roberts doi:10.2307/3735843 | Cite |
| |
289-290 | Review of Nicholas Rzhevsky, The Cambridge Companion to Modern Russian Culture Birgit Beumers doi:10.2307/3735844 | Cite |
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290-291 | Review of Ruth Coates, Christianity in Bakhtin: God and the Exiled Author Craig Brandist doi:10.2307/3735845 | Cite |
| |
291-293 | Review of Cynthia A. Ruder, Making History for Stalin: The Story of the Belomor Canal N. J. Ellis doi:10.2307/3735846 | Cite |
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293-295 | Review of Christopher Barnes, Boris Pasternak: A Literary Biography Neil Cornwell doi:10.2307/3735847 | Cite |
| |
295-296 | Review of Alan Davies, An Introduction to Applied Linguistics. From Practice to Theory Jean-Marc Dewaele doi:10.2307/3735848 | Cite |
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296-297 | Review of Stuart Hirschberg, Terry Hirschberg, Reflections on Language Carol Sanders doi:10.2307/3735849 | Cite |
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297 | | Cite |
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298 | Review of David Bickerton, Judith Proud, The Transmission of Culture in Western Europe, 1750-1850: Papers Celebrating the Bicentenary of the Foundation of the 'Bibliothèque britannique' (1796-1815) in Geneva Paul Rowe doi:10.2307/3735851 | Cite |
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298-299 | | Cite |
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299-300 | Review of Victor Brombert, In Praise of Antiheroes: Figures and Themes in Modern European Literature, 1830-1980 Naomi Segal doi:10.2307/3735853 | Cite |
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300-301 | Review of Amaryll Chanady, Entre inclusion et exclusion: la symbolisation de l'autre dans les Amériques Martin Munro doi:10.2307/3735854 | Cite |
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