305-310 | The Anglo-Norman "Boeve de Haumtone": A Fragment of a New Manuscript Judith Weissdoi:10.2307/3736133 | Cite |
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311-323 | | Cite |
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324-336 | | Cite |
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337-349 | Relic and Romance: Antiquarianism and Medievalism in French Literary Culture, 1780-1830 Michael Glencrossdoi:10.2307/3736136 | Cite |
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350-361 | The Political Borders of Language in Marie-Claire Blais's "L'Ange de la solitude" Susan J. Whitedoi:10.2307/3736137 | Cite |
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362-373 | The Legacy of Medea: Mariama Bâ, "Un Chant écarlate" and Marie Ndiaye, "La Femme changée en bûche" J. P. Littledoi:10.2307/3736138 | Cite |
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374-388 | A Balanced Language: Spoken and Dialogic Style in the Narrative of Francesca Duranti Marina Spuntadoi:10.2307/3736139 | Cite |
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389-398 | "Tomad" and "Tomá," Etc.: Change and Continuity in a Morphological Feature K. Anipadoi:10.2307/3736140 | Cite |
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399-414 | Translations of Joyce in Spain: The Location of "Ithaca" Helena Buffery, Carmen Millán-Vareladoi:10.2307/3736141 | Cite |
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415-423 | Portraits of a Lady: Postmodern Readings of Tomás Eloy Martínez's "Santa Evita" Lloyd Hughes Daviesdoi:10.2307/3736142 | Cite |
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424-436 | "Landsersprache, Heeressprache, Nazisprache?" Victor Klemperer and Werner Krauss on the Linguistic Legacy of the Third Reich Roderick H. Wattdoi:10.2307/3736143 | Cite |
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437-449 | Pathography as Metaphor: Elfriede Jelinek's "Die Klavierspielerin" Erika Swalesdoi:10.2307/3736144 | Cite |
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450-462 | | Cite |
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463-464 | | Cite |
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464 | Review of T. L. Burton, Robert Easting, Annotated Bibliographies of Old and Middle English Literature. Vol. 3: Visions of the Other World in Middle EnglishYolande de Pontfarcydoi:10.2307/3736147 | Cite |
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465-466 | Review of Marie-Françoise Alamichel, Derek Brewer, The Middle Ages after the Middle Ages in the English-Speaking WorldCarolyn P. Collettedoi:10.2307/3736148 | Cite |
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467-468 | Review of A. J. Minnis, Charlotte C. Morse, Thorlac Turville-Petre, Essays on Ricardian Literature: In Honour of J. A. BurrowJanette Dillondoi:10.2307/3736149 | Cite |
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468-469 | Review of William F. Pollard, Robert Boenig, Mysticism and Spirituality in Medieval EnglandBella Millettdoi:10.2307/3736150 | Cite |
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469-470 | Review of Edwin D. Craun, Lies, Slander, and Obscenity in Medieval English Literature: Pastoral Literature and the Deviant SpeakerValerie Eddendoi:10.2307/3736151 | Cite |
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470-471 | | Cite |
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472-473 | | Cite |
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473-474 | | Cite |
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474-476 | Review of Judith Still, Feminine Economies: Thinking against the Market in the Enlightenment and the Late Twentieth Century; Suzanne Keen, Victorian Renovations of the Novel: Narrative Annexes and the Boundaries of RepresentationAlison Chapmandoi:10.2307/3736155 | Cite |
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476-477 | | Cite |
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477-478 | Review of Pamela K. Gilbert, Disease, Desire and the Body in Victorian Women's Popular NovelsCatherine Maxwelldoi:10.2307/3736157 | Cite |
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478-479 | Review of Lilian R. Furst, Between Doctors and Patients: The Changing Balance of PowerMalcolm Hardmandoi:10.2307/3736158 | Cite |
| |
479-480 | Review of J. B. Bullen, The Pre-Raphaelite Body: Fear and Desire in Painting, Poetry, and CriticismStephen Banndoi:10.2307/3736159 | Cite |
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480-481 | Review of Tess O'Toole, Genealogy and Fiction in Hardy: Family Lineage and Narrative LinesSophie Gilmartindoi:10.2307/3736160 | Cite |
| |
482-483 | Review of Joseph Allen Boone, Libidinal Currents: Sexuality and the Shaping of ModernismDavid Gloverdoi:10.2307/3736161 | Cite |
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483-484 | Review of Michael Bell, Literature, Modernism, and Myth: Belief and Responsibility in the Twentieth CenturyCraig Monkdoi:10.2307/3736162 | Cite |
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484-485 | Review of John Lucas, The Radical Twenties: Aspects of Writing, Politics, CulturePeter Faulknerdoi:10.2307/3736163 | Cite |
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485-486 | Review of Pamela Dunbar, Radical Mansfield: Double Discourse in Katherine Mansfield's Short StoriesAngela Smithdoi:10.2307/3736164 | Cite |
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486-487 | | Cite |
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487-488 | | Cite |
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488-489 | Review of Phyllis Lassner, British Women Writers of World War II: Battlegrounds of Their OwnDeborah Parsonsdoi:10.2307/3736167 | Cite |
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489-491 | Review of Katherine H. Burkmann, Judith Roof, Staging the Rage: The Web of Misogyny in Modern DramaSteven Pricedoi:10.2307/3736168 | Cite |
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491-492 | Review of Müge Galin, Between East and West: Sufism in the Novels of Doris LessingClare Hansondoi:10.2307/3736169 | Cite |
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492-493 | Review of Ronald Berman, 'The Great Gatsby' and Fitzgerald's World of IdeasHenry Claridgedoi:10.2307/3736170 | Cite |
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493-494 | | Cite |
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494-496 | Review of Richard Godden, Fictions of Labor: William Faulkner and the South's Long RevolutionDonald M. Kartiganerdoi:10.2307/3736172 | Cite |
| |
496-497 | Review of John Johnston, Information Multiplicity: American Fiction in the Age of Media SaturationJerome Klinkowitzdoi:10.2307/3736173 | Cite |
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497-498 | Review of Misao Dean, Practising Femininity: Domestic Realism and the Performance of Gender in Early Canadian FictionFaye Hammilldoi:10.2307/3736174 | Cite |
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498-499 | | Cite |
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499-500 | | Cite |
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500-501 | Review of Ralph Maud, What Does Not Change: The Significance of Charles Olson's 'The Kingfishers'Stephen Mattersondoi:10.2307/3736177 | Cite |
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501-502 | Review of King-Kok Cheung, An Interethnic Companion to Asian American LiteratureA. Robert Leedoi:10.2307/3736178 | Cite |
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503-504 | | Cite |
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504-505 | Review of Marilynn Desmond, Christine de Pizan and the Categories of DifferenceAngus J. Kennedydoi:10.2307/3736180 | Cite |
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505 | | Cite |
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505-506 | Review of Hoyt Rogers, The Poetics of Inconstancy: Etienne Durand and the End of Renaissance VerseCathy Hamptondoi:10.2307/3736182 | Cite |
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506-507 | Review of Pierre Corneille, Marie-France Wagner, La Conquête de la Toison d'orAmy Wygantdoi:10.2307/3736183 | Cite |
| |
507-508 | Review of Constant Venesoen, Quand Jean-Baptiste joue du Molière: EssaiDavid Shawdoi:10.2307/3736184 | Cite |
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508-509 | Review of Delphine Denis, Madeleine de Scudéry: 'De l'air galant' et autres Conversations (1653-1684). Pour une étude de l'archive galanteJonathan Mallinsondoi:10.2307/3736185 | Cite |
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509-510 | Review of Faith E. Beasley, Katharine Ann Jensen, Approaches to Teaching Lafayette's 'The Princess of Clèves'John Campbelldoi:10.2307/3736186 | Cite |
| |
510-511 | Review of Haydn Mason, The Darnton Debate: Books and Revolution in the Eighteenth CenturyDavid J. Williamsdoi:10.2307/3736187 | Cite |
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511-512 | Review of Marie-Emmanuelle Plagnol-Diéval, Madame de Genlis et le théâtre d'éducation au XVIIIe siècleJohn Dunkleydoi:10.2307/3736188 | Cite |
| |
512-513 | Review of Jean-François de Saint-Lambert, Roger Little, Contes américainsDerek Connondoi:10.2307/3736189 | Cite |
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513 | Review of Alphonse de Lamartine, Léon-François Hoffmann, Toussaint LouvertureRoger Littledoi:10.2307/3736190 | Cite |
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514-515 | | Cite |
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515-516 | | Cite |
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516 | | Cite |
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516-517 | | Cite |
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517-518 | Review of Felicia McCarren, Dance Pathologies: Performance, Poetics, MedicineDee Reynoldsdoi:10.2307/3736195 | Cite |
| |
518-519 | Review of Michael Syrotinski, Defying Gravity: Jean Paulhan's Interventions in Twentieth-Century French Intellectual HistoryMartyn Cornickdoi:10.2307/3736196 | Cite |
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519-520 | | Cite |
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520-521 | Review of Gary D. Mole, Lévinas, Blanchot, Jabès: Figures of EstrangementLeslie Hilldoi:10.2307/3736198 | Cite |
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521 | | Cite |
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522 | Review of J. K. L. Scott, From Dreams to Despair: An Integrated Reading of the Novels of Boris VianChristopher Shorleydoi:10.2307/3736200 | Cite |
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522-523 | Review of Lynne Huffer, Maternal Pasts, Feminist Futures: Nostalgia, Ethics and the Question of DifferenceVictoria Bestdoi:10.2307/3736201 | Cite |
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523-524 | | Cite |
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524-525 | | Cite |
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525-526 | Review of Christopher L. Miller, Nationalists and Nomads: Essays on Francophone African Literature and CultureJim Housedoi:10.2307/3736204 | Cite |
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526-527 | Review of Malcolm Cook, Grace Davie, Modern France: Society in TransitionPhilip Thodydoi:10.2307/3736205 | Cite |
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527-528 | | Cite |
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528-529 | Review of Zefirino Campanini, Conor Fahy, Istruzioni pratiche ad un novello capo-stampa o sia regolamento per la direzione di una tipografica officina (1789)Jane E. Eversondoi:10.2307/3736207 | Cite |
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529-530 | Review of Bruno Falcetto, L'esemplarità imperfetta: le 'Confessioni' di Ippolito NievoJonatham Smithdoi:10.2307/3736208 | Cite |
| |
530-531 | Review of Ann Hallamore Caesar, Characters and Authors in Luigi PirandelloElizabeth Schächterdoi:10.2307/3736209 | Cite |
| |
531-533 | Review of Giuseppe Leonelli, Giorgio Caproni: Storia d'una poesia fra musica e retorica; Giorgio Caproni, Luca Zuliani, L'opera in versiMassimo Bacigalupodoi:10.2307/3736210 | Cite |
| |
533-534 | Review of Santo L. Aricò, Oriana Fallaci: The Woman and the MythJohn Gatt-Rutterdoi:10.2307/3736211 | Cite |
| |
535-536 | Review of Peter Bondanella, Umberto Eco and the Open Text: Semiotics, Fiction and Popular CultureJane E. Eversondoi:10.2307/3736212 | Cite |
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537-538 | Review of Irene Zaderenko, Problemas de autoría, de estructura y de fuentes en el 'Poema de mio Cid'David Pattisondoi:10.2307/3736213 | Cite |
| |
538-539 | Review of John J. Reynolds, Szilvia E. Szmuk, Spanish Golden Age Drama/El teatro del Siglo de Oro: An Annotated Bibliography of United States Doctoral Dissertations 1899-1992 with a Supplement of Non-United States DissertationsIsabel Torresdoi:10.2307/3736214 | Cite |
| |
539-540 | Review of C. Brian Morris, Son of Andalusia: The Lyrical Landscapes of Federico García LorcaRobin Warnerdoi:10.2307/3736215 | Cite |
| |
541-542 | Review of María Donapetry, La otra mirada: la mujer y el cine en la cultura españolaBarry Jordandoi:10.2307/3736216 | Cite |
| |
542-543 | Review of María Elena de Valdes, The Shattered Mirror: Representations of Women in Mexican LiteratureAndrea Nobledoi:10.2307/3736217 | Cite |
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543-545 | | Cite |
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545-546 | | Cite |
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546-547 | Review of Mercè Rodoreda, Kathleen McNerney, Voices and Visions: The Words and Works of Mercè RodoredaKathryn Crameridoi:10.2307/3736220 | Cite |
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547-548 | Review of Eça de Queirós, Patricia McGowan Pinheiro, Ann Stevens, The MaiasClive Willisdoi:10.2307/3736221 | Cite |
| |
548-549 | Review of D. H. Green, Language and History in the Early Germanic WorldBrian Murdochdoi:10.2307/3736222 | Cite |
| |
549-551 | Review of Karen Opitz, Geschichte im höfischen Roman. Historiographisches Erzählen im 'Eneas' Heinrichs von VeldekeD. H. Greendoi:10.2307/3736223 | Cite |
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551-553 | Review of Fritz Peter Knapp, Historie und Fiktion in der mittelalterlichen Gattungspoetik. Sieben Studien und ein NachwortD. H. Greendoi:10.2307/3736224 | Cite |
| |
553-554 | Review of Joachim Bumke, Die vier Fassungen der 'Nibelungenklage'. Untersuchungen zur Überlieferungsgeschichte und Textkritik der höfischen Epik im 13. JahrhundertW. H. Jacksondoi:10.2307/3736225 | Cite |
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555-556 | Review of Niklaus Largier, Diogenes der Kyniker. Exempel, Erzählung, Geschichte in Mittelalter und Früher NeuzeitJohn L. Flooddoi:10.2307/3736226 | Cite |
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556-557 | Review of Kerstin Heldt, Der vollkommene Regent. Studien zur panegyrischen Casuallyrik am Beispiel des Dresdner Hofes Augusts des StarkenAnthony J. Harperdoi:10.2307/3736227 | Cite |
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557-559 | Review of Steven D. Martinson, Harmonious Tensions: The Writings of Friedrich SchillerJohn Guthriedoi:10.2307/3736228 | Cite |
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559-560 | Review of Susanne Zantop, Colonial Fantasies: Conquest, Family, and Nation in Precolonial Germany, 1770-1870Florian Krobbdoi:10.2307/3736229 | Cite |
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560-561 | Review of Stefan Koslowski, Stadttheater contra Schaubuden: Zur Basler Theatergeschichte des 19. JahrhundertsMartin Swalesdoi:10.2307/3736230 | Cite |
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561-562 | Review of Christof Laumont, Jeder Gedanke als sichtbare Gestalt. Formen und Funktionen der Allegorie in der Erzähldichtung Conrad Ferdinand MeyersJohn Osbornedoi:10.2307/3736231 | Cite |
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562-565 | Review of Roland Berbig, Theodor Fontane und Friedrich Eggers: Der BriefwechselJohn Osbornedoi:10.2307/3736232 | Cite |
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565-566 | | Cite |
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566-568 | | Cite |
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568-569 | Review of Felix W. Tweraser, Political Dimensions of Arthur Schnitzler's Late FictionFlorian Krobbdoi:10.2307/3736235 | Cite |
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569-570 | | Cite |
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570-572 | Review of Gwendolen Webster, Kurt Merz Schwitters: A Biographical StudyJ. M. Ritchiedoi:10.2307/3736237 | Cite |
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572-574 | Review of Michael Knauf, Yvan Goll: Ein Intellektueller zwischen zwei Ländern und zwei AvantgardenAndreas Kramerdoi:10.2307/3736238 | Cite |
| |
574-575 | Review of Jenny Williams, More Lives than One: A Biography of Hans FalladaAnthony Grenvilledoi:10.2307/3736239 | Cite |
| |
575-577 | Review of J. M. Ritchie, German Exiles: British PerspectivesBrian Keith-Smithdoi:10.2307/3736240 | Cite |
| |
577-578 | Review of Chris Weedon, Post-War Women's Writing in German: Feminist Critical ApproachesBrigid Hainesdoi:10.2307/3736241 | Cite |
| |
578-581 | Review of Eda Sagarra, Peter Skrine, A Companion to German Literature: From 1500 to the PresentHinrich Siefkendoi:10.2307/3736242 | Cite |
| |
581-582 | Review of Susan Cocalis, Ferrel Rose, Karin Obermeier, Thalia's Daughters: German Women Dramatists from the Eighteenth Century to the PresentLesley Sharpedoi:10.2307/3736243 | Cite |
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582-585 | Review of M. L. Gasparov, T. V. Skulacheva, Slavianskii stikh. Stikhovedenie, lingvistika i poetikaC. L. Dragedoi:10.2307/3736244 | Cite |
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586-587 | | Cite |
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587-588 | Review of Deborah A. Martinsen, Literary Journals in Imperial RussiaStephen Hutchingsdoi:10.2307/3736246 | Cite |
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588-589 | | Cite |
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589 | | Cite |
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590-591 | Review of Steven Griffin, A. I. Ertel' and the Destiny of RussiaDerek Offorddoi:10.2307/3736249 | Cite |
| |
591-592 | Review of Herman Ermolaev, Censorship in Soviet Literature 1917-1991Robert Porterdoi:10.2307/3736250 | Cite |
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592-593 | | Cite |
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593-594 | Review of Bohuslava R. Bradbrook, Karel Čapek: In Pursuit of Truth, Tolerance, and TrustRobert Porterdoi:10.2307/3736252 | Cite |
| |
594 | Review of Alison Adams, Stanton J. Linden, Emblems and AlchemyAlison Saundersdoi:10.2307/3736253 | Cite |
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595 | Review of José Manuel Losada Goya, Bibliographie critique de la littérature espagnole en France au XVIIe siècle: Présence et influenceMargaret A. Reesdoi:10.2307/3736254 | Cite |
| |
595-596 | Review of Jacques Berchtold, Echiquiers d'encre: le Jeu d'échecs et les Lettres (XIXe-XXes)John H. B. Bennettdoi:10.2307/3736255 | Cite |
| |
597-598 | Review of John McCormick, Bennie Pratasik, Popular Puppet Theatre in Europe, 1900-1914Graham Leydoi:10.2307/3736256 | Cite |
| |
598-599 | Review of Harold Fisch, New Stories for Old: Biblical Patterns in the NovelEdward A. Abramsondoi:10.2307/3736257 | Cite |
| |
599-600 | Review of Wilhelm Hortmann, Shakespeare on the German Stage: The Twentieth CenturyOsman Durranidoi:10.2307/3736258 | Cite |
| |
600-602 | Review of Barbara Korte, Erica Ens, Body Language in LiteratureMelissa Percivaldoi:10.2307/3736259 | Cite |
| |
602-603 | Review of Thomas Adam Pepper, Singularities: Extremes of Theory in the Twentieth CenturyJoe Carterdoi:10.2307/3736260 | Cite |
| |
603-605 | Review of Tim Armstrong, Modernism, Technology, and the Body: A Cultural StudyIan F. A. Belldoi:10.2307/3736261 | Cite |
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