609-625 | | Cite |
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626-636 | Boundlessness beyond Boundlessness: The Sea, Drink, and Form in Malcolm Lowry's Fiction Greg Bond doi:10.2307/3736989 | Cite |
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637-646 | | Cite |
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647-659 | Sugar and Spice and All Things Nice: From Oriental Bazar to English Cloister in Anglo-French William Rothwell doi:10.2307/3736991 | Cite |
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660-672 | Proustian Metamorphosis: The Art of Distortion in "À la Recherche du temps perdu" Edward J. Hughes doi:10.2307/3736992 | Cite |
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673-679 | From Riches to Rags: Tournier and the World outside the Text: A Review Article David Platten doi:10.2307/3736993 | Cite |
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680-690 | Music and Memory in Natalia Ginzburg's "Lessico Famigliare" Nicoletta Simborowski doi:10.2307/3736994 | Cite |
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691-699 | Heroes, Survivors, and History: Edgardo Rodríguez Juliá and Puerto Rico's 1898 John Perivolaris doi:10.2307/3736995 | Cite |
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700-717 | | Cite |
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718-730 | From Taboos to Transgressions: Textual Strategies in Woman-Authored Spanish Erotic Fiction Jean Gilkison doi:10.2307/3736997 | Cite |
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731-743 | Internalization and Death: A Reinterpretation of Rilke's "Duineser Elegien" Torsten Pettersson doi:10.2307/3736998 | Cite |
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744-757 | Images of Alterity: Second-Generation Turks in the Federal Republic Rob Burns doi:10.2307/3736999 | Cite |
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758-774 | | Cite |
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775-776 | | Cite |
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776-777 | Review of Peter M. Daly, Daniel S. Russell, John Manning, Emblematica: An Interdisciplinary Journal for Emblem Studies, 8.2 (Winter 1994) C. W. R. D. Moseley doi:10.2307/3737002 | Cite |
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778-779 | Review of Alcuin Blamires, The Case for Women in Medieval Culture Franççoise Le Saux doi:10.2307/3737003 | Cite |
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779-780 | Review of Neil Cartlidge, Medieval Marriage: Literary Approaches, 1100-1300 Jocelyn Wogan-Browne doi:10.2307/3737004 | Cite |
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780-781 | Review of Iain MacLeod Higgins, Writing East: The 'Travels' of Sir John Mandeville Joan-Pau Rubiés doi:10.2307/3737005 | Cite |
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781-782 | Review of Judith H. Anderson, Donald Cheney, David A. Richardson, Spenser's Life and the Subject of Biography J. B. Lethbridge doi:10.2307/3737006 | Cite |
| |
783-784 | Review of Stephen Greenblatt, The Norton Shakespeare Based on the Oxford Edition Paul Werstine doi:10.2307/3737007 | Cite |
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784-785 | Review of Jean E. Howard, Phyllis Rackin, Engendering a Nation: A Feminist Account of Shakespeare's English Histories Ronald Knowles doi:10.2307/3737008 | Cite |
| |
785-786 | Review of Coppélia Kahn, Roman Shakespeare: Warriors, Wounds, and Women David Daniell doi:10.2307/3737009 | Cite |
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786-788 | Review of John D. Cox, David Scott Kastan, A New History of Early English Drama John H. Astington doi:10.2307/3737010 | Cite |
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788-789 | Review of Houston Diehl, Staging Reform, Reforming the Stage: Protestantism and Popular Theater in Early Modern England Paul White doi:10.2307/3737011 | Cite |
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789-791 | Review of Michael Neill, Issues of Death: Mortality and Identity in English Renaissance Tragedy Robert N. Watson doi:10.2307/3737012 | Cite |
| |
791-792 | Review of R. S. White, Natural Law in English Renaissance Literature Constance Jordan doi:10.2307/3737013 | Cite |
| |
792-793 | Review of Robert DeMaria, Jr., Samuel Johnson and the Life of Reading Allan Ingram doi:10.2307/3737014 | Cite |
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793-794 | Review of Suzanne J. Stark, Female Tars: Women Aboard Ship in the Age of Sail Beth Kowaleski-Wallace doi:10.2307/3737015 | Cite |
| |
794-795 | Review of Steven Blakemore, Crisis in Representation: Thomas Paine, Mary Wollstonecraft, Helen Maria Williams, and the Rewriting of the French Revolution Malcolm Kelsall doi:10.2307/3737016 | Cite |
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795-796 | Review of Judith Pascoe, Romantic Theatricality: Gender, Poetry, and Spectatorship John Stokes doi:10.2307/3737017 | Cite |
| |
796-797 | Review of Elizabeth Jane Wall Hinds, Private Property: Charles Brockden Brown's Gendered Economics of Virtue R. W. (Herbie) Butterfield doi:10.2307/3737018 | Cite |
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797-798 | Review of Kevin Gilmartin, Print Politics: The Press and Radical Opposition in Early Nineteenth-Century England John Whale doi:10.2307/3737019 | Cite |
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799-800 | | Cite |
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800-801 | Review of Catherine Waters, Dickens and the Politics of the Family J. Michael Léger doi:10.2307/3737021 | Cite |
| |
801-803 | Review of Marjorie Howes, Yeats's Nations: Gender, Class, and Irishness Sophie Smith doi:10.2307/3737022 | Cite |
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803-804 | | Cite |
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804-806 | Review of J. R. Watson, The English Hymn: A Critical and Historical Study N. H. Keeble doi:10.2307/3737024 | Cite |
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806-807 | | Cite |
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807-808 | | Cite |
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808-809 | Review of Peggy Kamuf, The Division of Literature: Or, the University in Deconstruction Paul Smethurst doi:10.2307/3737027 | Cite |
| |
809-810 | Review of Marshall Brown, Turning Points: Essays in the History of Cultural Expressions Paul Smethurst doi:10.2307/3737028 | Cite |
| |
810-811 | Review of Robin Grey, The Complicity of Imagination: The American Renaissance, Contests of Authority, and Seventeenth-Century English Culture Kevin McCarron doi:10.2307/3737029 | Cite |
| |
811-812 | Review of Robert Kuhn McGregor, A Wider View of the Universe: Henry Thoreau's Study of Nature Kevin McCarron doi:10.2307/3737030 | Cite |
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812-814 | | Cite |
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814-816 | Review of Anne Colwell, Elizabeth Bishop, Inscrutable Houses: Metaphors of the Body in the Poems of Elizabeth Bishop Pat Righelato doi:10.2307/3737032 | Cite |
| |
816-817 | Review of Mark W. Van Wienen, Partisans and Poets: The Political work of American Poetry in the Great War Stephen Matterson doi:10.2307/3737033 | Cite |
| |
817-818 | Review of David M. Craig, Tilting at Mortality: Narrative Strategies in Joseph Heller's Fiction David Seed doi:10.2307/3737034 | Cite |
| |
818-819 | Review of Aidan Coveney, Variability in Spoken French: A Sociolinguistic Study of Interrogation and Negation Marie-Anne Hintze doi:10.2307/3737035 | Cite |
| |
819-820 | Review of Hilary Wise, The Vocabulary of Modern French: Origins, Structure and Function Aidan Coveney doi:10.2307/3737036 | Cite |
| |
820 | Review of Gale Sigal, Erotic Dawn-Songs of the Middle Ages: Voicing the Lyric Lady Rosalind Brown-Grant doi:10.2307/3737037 | Cite |
| |
820-821 | Review of Robert Lafont, 'La Chanson de sainte Foi': Texte occitan du XIe siècle Michael J. Routledge doi:10.2307/3737038 | Cite |
| |
821-822 | Review of Glyn S. Burgess, Two Medieval Outlaws: Eustace the Monk and Fouke Fitz Waryn Leslie C. Brook doi:10.2307/3737039 | Cite |
| |
822-823 | | Cite |
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823-824 | Review of Elisabeth Labrousse, Conscience et conviction: Études sur le XVIIe siècle Henry Phillips doi:10.2307/3737041 | Cite |
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825 | | Cite |
| |
826 | Review of Jean Mairet, Philip Tomlinson, Le Marc-Antoine ou La Cleopatre: Tragedie David Clarke doi:10.2307/3737043 | Cite |
| |
826-827 | Review of Pierre Hartmann, Le Contrat et la séduction: Essai sur la subjectivité amoureuse dans le roman des Lumières Richard A. Francis doi:10.2307/3737044 | Cite |
| |
828 | Review of Voltaire, Ulla Kölving, Werner Bahner, Helga Bergmann, The Complete Works of Voltaire (Œuvres complètes de Voltaire). Vol. XIX: Anti-Machiavel Richard Waller doi:10.2307/3737045 | Cite |
| |
829-830 | Review of Jean-François Perrin, Le Chant de l'origine: la mémoire et le temps dans les 'Confessions' de Jean-Jacques Rousseau Michael O'Dea doi:10.2307/3737046 | Cite |
| |
830-831 | Review of Beth Wright, Painting and History during the French Restoration: Abandoned by the past Michael Glencross doi:10.2307/3737047 | Cite |
| |
831-832 | Review of C. W. Thompson, Lamiel: Fille du Feu: Essai sur Stendhal et l'énergie Sheila Bell doi:10.2307/3737048 | Cite |
| |
832-833 | Review of Bernard Howells, Baudelaire: Individualism, Dandyism and the Philosophy of History J. A. Hiddleston doi:10.2307/3737049 | Cite |
| |
833-834 | Review of Richard Hobbs, Impressions of French Modernity: Art and Literature in France, 1850-1900 Robert Lethbridge doi:10.2307/3737050 | Cite |
| |
834 | | Cite |
| |
835 | Review of Patrick Meadows, Francis Ponge and the Nature of Things: From Ancient Atomism to a Modern Poetics Ian Higgins doi:10.2307/3737052 | Cite |
| |
835-836 | Review of Ted Freeman, Theatres of War: French Committed Theatre from the Second World War to the Cold War Philip Thody doi:10.2307/3737053 | Cite |
| |
836-837 | Review of Owen Heathcote, Alex Hughes, James S. Williams, Gay Signatures: Gay and Lesbian Theory, Fiction and Film in France, 1945-1995 Lucille Cairns doi:10.2307/3737054 | Cite |
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837-838 | | Cite |
| |
838-839 | Review of Roger Francillon, Histoire de la littérature en Suisse romande David L. Parris doi:10.2307/3737056 | Cite |
| |
840-841 | Review of Timothy Unwin, The Cambridge Companion to the French Novel, from 1800 to the Present P. M. Wetherill doi:10.2307/3737057 | Cite |
| |
841-842 | Review of Mark Davie, Luigi Pulci, Half-Serious Rhymes: The Narrative Poetry of Luigi Pulci Giles Walker doi:10.2307/3737058 | Cite |
| |
842-843 | Review of Ronnie H. Terpening, Lodovico Dolce: Renaissance Man of Letters Rodney Lokaj doi:10.2307/3737059 | Cite |
| |
843-845 | Review of Walter Moretti, Luigi Pepe, Torquato Tasso e l'Università Peter Brand doi:10.2307/3737060 | Cite |
| |
845-846 | Review of Ghan Shyam Singh, Leopardi filosofo anti-filosofo Pamela A. Williams doi:10.2307/3737061 | Cite |
| |
846-848 | Review of Gian Carlo Roscioni, Il Duca di Sant'Aquila, Infanzia e giovinezza di Gadda Federica G. Pedriali doi:10.2307/3737062 | Cite |
| |
848-849 | Review of Antonio Illiano, Da Boccaccio a Pirandello: Scritti e ricerche. Con un saggio su letteratura e cristianesimo Jonathan Usher doi:10.2307/3737063 | Cite |
| |
850-852 | Review of Derek Harris, Metal Butterflies and Poisonous Lights: The Language of Surrealism in Lorca, Alberti, Cernuda and Aleixandre Robert Havard doi:10.2307/3737064 | Cite |
| |
852-853 | Review of Catherine Davies, Spanish Women's Writing 1849-1996 Biruté Ciplijauskaité doi:10.2307/3737065 | Cite |
| |
854-855 | Review of Montserrat Lunati, Marilyn Myerscough, Rainy Days/Días de lluvia: Short Stories by Contemporary Spanish Women Writers Patricia O'Byrne doi:10.2307/3737066 | Cite |
| |
855-856 | Review of Patricia J. Santoro, Novel into Film: The Case of 'La familia de Pascual Duarte' and 'Los santos inocentes' P. H. Evans doi:10.2307/3737067 | Cite |
| |
856-857 | Review of Rosa Sarabia, Poetas de la palabra hablada: un estudio de la poesía hispanoamericana contemporánea Luis Rebaza-Soraluz doi:10.2307/3737068 | Cite |
| |
857-858 | Review of Juan Carlos Mercado, Building a Nation: The Case of Echeverria Iain A. D. Stewart doi:10.2307/3737069 | Cite |
| |
858-860 | Review of Jacqueline E. Bixler, Convention and Transgression: The Theatre of Emilio Carballido Ryan Prout doi:10.2307/3737070 | Cite |
| |
860-862 | Review of Elia Geoffrey Kantaris, The Subversive Psyche: Contemporary Women's Narrative from Argentina and Uruguay Adam Sharman doi:10.2307/3737071 | Cite |
| |
862-863 | Review of Rob Rix, Roberto Rodriguez-Saona, Changing Reels: Latin American Cinema against the Odds María Donapetry doi:10.2307/3737072 | Cite |
| |
863 | Review of Mercè Rodoreda, Carme Arnau, La mort i la primavera Montserrat Roser i Puig doi:10.2307/3737073 | Cite |
| |
864-865 | Review of Helena Kaufman, Anna Klobucka, After the Revolution: Twenty Years of Portuguese Literature, 1974-94 Hilary Owen doi:10.2307/3737074 | Cite |
| |
865-867 | Review of K. B. Beaton, A Practical Dictionary of German Usage David N. Yeandle doi:10.2307/3737075 | Cite |
| |
867-869 | Review of Klaus Grubmüller, Novellistik des Mittelalters. Märendichtung D. H. Green doi:10.2307/3737076 | Cite |
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869-870 | Review of Timothy R. Jackson, Nigel F. Palmer, Almut Suerbaum, Die Vermittlung geistlicher Inhalte im deutschen Mittelalter Neil Thomas doi:10.2307/3737077 | Cite |
| |
870-872 | Review of Hans-Jörg Künast, 'Getruckt zu Augspurg': Buchdruck und Buchhandel in Augsburg zwischen 1468 und 1555 John L. Flood doi:10.2307/3737078 | Cite |
| |
872-873 | Review of Mara R. Wade, Triumphus Nuptialis Danicus: German Court Culture and Denmark. The 'Great Wedding' of 1634 Anthony J. Harper doi:10.2307/3737079 | Cite |
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873-875 | | Cite |
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875-876 | Review of Markus Winkler, Heinrich Heine und die Romantik. Erträge eines Symposiums an der Pennsylvania State University Ritchie Robertson doi:10.2307/3737081 | Cite |
| |
876-878 | Review of Diana Lynn Justis, The Feminine in Heine's Life and Œuvre: Self and Other Jefferson S. Chase doi:10.2307/3737082 | Cite |
| |
878-879 | Review of Annette Hein, 'Es ist viel "Hitler" in Wagner'. Rassismus und antisemitische Deutschtumsideologie in den 'Bayreuther Blättern' (1878-1938). Mit einem Verfasser- und Schlagwortregister R. S. Furness doi:10.2307/3737083 | Cite |
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879-880 | | Cite |
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881-882 | Review of Jacques Le Rider, Hugo von Hofmannsthal. Historismus und Moderne in der Literatur der Jahrhundertwende Brian Keith-Smith doi:10.2307/3737085 | Cite |
| |
882-883 | Review of Steve Rizza, Rudolf Kassner and Hugo von Hofmannsthal: Criticism as Art: The Reception of Pre-Raphaelitism in fin de siècle Vienna Brian Keith-Smith doi:10.2307/3737086 | Cite |
| |
884-886 | Review of Andrew Barker, Telegrams from the Soul: Peter Altenberg and the Culture of fin-de-siècle Vienna John Warren doi:10.2307/3737087 | Cite |
| |
886-887 | Review of Lorna Martens, Shadow Lines: Austrian Literature from Freud to Kafka Judith Beniston doi:10.2307/3737088 | Cite |
| |
888-889 | Review of Wolfgang Braungart, Ästhetischer Katholizismus. Stefan Georges Rituale der Literatur Ritchie Robertson doi:10.2307/3737089 | Cite |
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889-890 | | Cite |
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891 | | Cite |
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891-892 | Review of Christina Ujma, Ernst Blochs Konstruktion der Moderne aus Messianismus und Marxismus. Erörterungen mit Berücksichtigung von Lukács und Benjamin Galin Tihanov doi:10.2307/3737092 | Cite |
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892-893 | Review of Caroline Gallée, Georg Lukács. Seine Stellung und Bedeutung im literarischen Leben der SBZ/DDR, 1945-1985 Galin Tihanov doi:10.2307/3737093 | Cite |
| |
893-895 | Review of Helen Watanabe-O'Kelly, The Cambridge History of German Literature Hinrich Siefken doi:10.2307/3737094 | Cite |
| |
895-897 | Review of Mary Garland, Henry Garland, The Oxford Companion to German Literature Hinrich Siefken doi:10.2307/3737095 | Cite |
| |
897-898 | Review of Helena Forsås-Scott, Swedish Women's Writing 1850-1995 Birgitta Thompson doi:10.2307/3737096 | Cite |
| |
898-899 | Review of Frederick J. Marker, Lise-Lone Marker, A History of Scandinavian Theatre Egil Törnqvist doi:10.2307/3737097 | Cite |
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899-900 | | Cite |
| |
900-901 | Review of Maurice Friedberg, Literary Translation in Russia: A Cultural History M. J. De K. Holman doi:10.2307/3737099 | Cite |
| |
902 | Review of J. Thomas Shaw, Collected Works. Vol. 2: Pushkin Poems and Other Studies Michael Pursglove doi:10.2307/3737100 | Cite |
| |
902-903 | Review of Alexander Zholkovsky, Text Counter Text: Rereadings in Russian Literary History David Shepherd doi:10.2307/3737101 | Cite |
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903-904 | | Cite |
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904-906 | Review of Richard Teleky, Hungarian Rhapsodies: Essays on Ethnicity, Identity and Culture George Gömöri doi:10.2307/3737103 | Cite |
| |
906 | Review of Carmen Rosa Caldas-Coulthard, Malcolm Coulthard, Texts and Practices: Readings in Critical Discourse Analysis Diane Davies doi:10.2307/3737104 | Cite |
| |
906-907 | Review of Claudine Raynaud, Peter Vernon, Fonctions du cliché: du banal à la violence Walter Redfern doi:10.2307/3737105 | Cite |
| |
907-909 | Review of Marjorie Perloff, Wittgensteins Ladder: Poetic Language and the Strangeness of the Ordinary J. J. Long doi:10.2307/3737106 | Cite |
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