1-10 | Anti-Clerical Gothic: The Tale of the Sisters in "Nicholas Nickleby" Rodney Stenning Edgecombe doi:10.2307/3735995 | Cite |
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11-21 | George Eliot's "Glue Test": Language, Law, and Legitimacy in "Silas Marner" Efraim Sicher doi:10.2307/3735996 | Cite |
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22-34 | "Une Question Lancinante": Further Thoughts on Space in the "Chansons de Geste" G. A. Knott doi:10.2307/3735997 | Cite |
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35-45 | | Cite |
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46-60 | Art, Architecture, and Catholicism in Michel Butor's "La Modification" Jean H. Duffy doi:10.2307/3735999 | Cite |
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61-86 | | Cite |
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87-102 | | Cite |
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103-109 | The Angel of History and the Truth of Love: Mercè Rodoreda's "La plaça del diamant" Josep-Anton Fernàndez doi:10.2307/3736002 | Cite |
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110-121 | The Later Texts in Gustav Schwab's "Volksbücher": Origins and Character David Blamires doi:10.2307/3736003 | Cite |
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122-131 | | Cite |
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132-149 | | Cite |
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150-151 | | Cite |
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152 | Review of Hugh Magennis, Images of Community in Old English Poetry Richard North doi:10.2307/3736007 | Cite |
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152-153 | Review of Craig R. Davis, Beowulf and the Demise of Germanic Legend in England Richard North doi:10.2307/3736008 | Cite |
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154-155 | Review of Bella Millett, Annotated Bibliographies of Old and Middle English Literature. Vol. 2. 'Ancrene Wisse', the Katherine Group, and the Wooing Group Jocelyn Wogan-Browne doi:10.2307/3736009 | Cite |
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155-156 | Review of David Aers, Lynn Staley, The Powers of the Holy: Religion, Politics, and Gender in Late Medieval English Culture Jocelyn Wogan-Browne doi:10.2307/3736010 | Cite |
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156-157 | | Cite |
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157-158 | | Cite |
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158-160 | | Cite |
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160-161 | Review of Michael Nolan, 'The Thracian Wonder' by William Rowley and Thomas Heywood: A Critical Edition David Carnegie doi:10.2307/3736014 | Cite |
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161-163 | Review of Laura J. Rosenthal, Playwrights and Plagiarists in Early Modern England: Gender, Authorship, Literary Property Garolyn D. Williams doi:10.2307/3736015 | Cite |
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163-164 | Review of Sharon Cadman Seelig, Generating Texts: The Progeny of Seventeenth-Century Prose Paul Baines doi:10.2307/3736016 | Cite |
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164-165 | Review of John Rogers, The Matter of Revolution: Science, Poetry, and Politics in the Age of Milton Warren Chernaik doi:10.2307/3736017 | Cite |
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165-167 | Review of Kevin L. Cope, 1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era, 2 (1996) Allen Reddick doi:10.2307/3736018 | Cite |
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167-168 | Review of Michael Prince, Philosophical Dialogue in the British Enlightenment: Theology, Aesthetics and the Novel Andrew Bennett doi:10.2307/3736019 | Cite |
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168-169 | Review of Cannon Schmitt, Alien Nation: Nineteenth-Century Gothic Fictions and English Nationality Frances Wilson doi:10.2307/3736020 | Cite |
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169-170 | Review of Helen Jaskoski, Early Native American Writing: New Critical Essays Cheryl Walker doi:10.2307/3736021 | Cite |
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170-171 | Review of Tim Fulford, Landscape, Liberty and Authority: Poetry, Criticism and Politics from Thomson to Wordsworth Paul Baines doi:10.2307/3736022 | Cite |
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171-173 | Review of Geraldine Friedman, The Insistence of History: Revolution in Burke, Wordsworth, Keats and Baudelaire Tim Fulford doi:10.2307/3736023 | Cite |
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173-174 | | Cite |
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174-175 | | Cite |
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175-176 | Review of John Carlos Rowe, At Emerson's Tomb: The Politics of Classic American Literature R. W. (Herbie) Butterfield doi:10.2307/3736026 | Cite |
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176-177 | Review of Barbara Ladd, Nationalism and the Color Line in George W. Cable, Mark Twain, and William Faulkner R. W. (Herbie) Butterfield doi:10.2307/3736027 | Cite |
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177-178 | Review of Daniel Albright, Quantum Poetics: Yeats, Pound, Eliot, and the Science of Modernism Thomas Docherty doi:10.2307/3736028 | Cite |
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179-180 | Review of Joseph N. Riddle, Mark Bauerlein, The Turning Word: American Literary Modernism and Continental Theory Wil Verhoeven doi:10.2307/3736029 | Cite |
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180-181 | Review of Edward Mendelson, W. H. Auden: Prose and Travel Books in Prose and Verse. Vol. 1: 1926-1938 Sophie Smith doi:10.2307/3736030 | Cite |
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181-182 | Review of Philip M. Weinstein, What Else but Love? The Ordeal of Race in Faulkner and Morrison Pamela Knights doi:10.2307/3736031 | Cite |
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183-184 | Review of Edward R. Isser, Stages of Annihilation: Theatrical Representations of the Holocaust Edward A. Abramson doi:10.2307/3736032 | Cite |
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184-185 | Review of Richard Begam, Samuel Beckett and the End of Modernity Daniela Caselli doi:10.2307/3736033 | Cite |
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185-186 | | Cite |
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186-188 | Review of Richard Kirkland, Literature and Culture in Northern Ireland Since 1965: Moments of Danger Jago Morrison doi:10.2307/3736035 | Cite |
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188-189 | Review of Lesley Marx, Crystals out of Chaos: John Hawkes and the Shapes of Apocalypse Jerome Klinkowitz doi:10.2307/3736036 | Cite |
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189-190 | | Cite |
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190-191 | Review of Michael D. Picone, Anglicisms, Neologisms and Dynamic French Hilary Wise doi:10.2307/3736038 | Cite |
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191-192 | Review of Wendy Ayres-Bennett, Philippe Caron, Les Remarques de l'Académie Française sur le Quinte-Curce de Vaugelas Rodney Sampson doi:10.2307/3736039 | Cite |
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192-193 | Review of Hans van Dijk, Willem Noomen, Aspects de l'épopée romane: mentalités, idéologies, intertextualités Juliet Simpson doi:10.2307/3736040 | Cite |
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193-195 | Review of Pierre Brind'Amour, Pierre Kunstmann, Nostradamus: Le Premières Centuries ou Prophéties (édition Macé Bonhomme de 1555). Edition et commentaire de l'Epître à César et des 353 premiers quatrains Stephen Bamforth doi:10.2307/3736041 | Cite |
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195-196 | Review of Philip Hendrick, Montaigne et Sebond: l'art de la traduction David Maskell doi:10.2307/3736042 | Cite |
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196 | | Cite |
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196-197 | | Cite |
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197-198 | Review of Nicholas Hammond, Creative Tensions: An Introduction to Seventeenth-Century French Literature David Shaw doi:10.2307/3736045 | Cite |
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198-199 | Review of Jeanne de Schomberg, Colette H. Winn, Règlement donné par une dame de haute qualité à M*** sa petite-fille, pour sa conduite, & pour celle de sa maison: avec un autre règlement que cette dame avoit dressé pour elle-mesme Cathy Hampton doi:10.2307/3736046 | Cite |
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199-200 | Review of Stephen H. Fleck, Music, Dance, and Laughter: Comic Creation in Molière's Comedy-Ballets Stephen Bamforth doi:10.2307/3736047 | Cite |
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200 | | Cite |
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200-201 | Review of Pascale Verèb, Alexis Piron, poète (1689-1773) ou la difficile condition d'auteur sous Louis XV Michael Cardy doi:10.2307/3736049 | Cite |
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201-202 | Review of Voltaire, Gunnar von Proschwitz, The Complete Works of Voltaire/Œuvres complètes de Voltaire. Vol. IV: Histoire de Charles XII Marc Serge Rivière doi:10.2307/3736050 | Cite |
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202-203 | Review of Claude Wacjman, Les Jugements de la critique sur la 'folie' de J.-J. Rousseau: représentations et interprétations 1760-1990 Darach Sanfey doi:10.2307/3736051 | Cite |
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203-204 | Review of Hans-Jost Frey, William Whobrey, Bridget McDonald, Studies in Poetic Discourse: Mallarmé, Baudelaire, Rimbaud, Hölderlin Michael Temple doi:10.2307/3736052 | Cite |
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204-205 | Review of Roger Pearson, Unfolding Mallarmé: The Development of a Poetic Art Michael Temple doi:10.2307/3736053 | Cite |
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205-206 | | Cite |
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206-207 | Review of Laurent Adert, Les Mots des autres: lieu commun et création romanesque dans les œuvres de Gustave Flaubert, Nathalie Sarraute et Robert Pinget Emer O'Beirne doi:10.2307/3736055 | Cite |
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207-208 | Review of Robert W. Greene, Just Words: Moralism and Metalanguage in Twentieth-Century French Fiction David Platten doi:10.2307/3736056 | Cite |
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208-209 | Review of Catherine Bouthors-Paillart, Antonin Artaud: L'énonciation ou l'épreuve de la cruauté Leslie Anne Boldt-Irons doi:10.2307/3736057 | Cite |
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209-210 | Review of Carolyn Bailey Gill, Maurice Blanchot: The Demand of Writing Paul Hegarty doi:10.2307/3736058 | Cite |
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210-211 | Review of Olga Augustions, French Odysseys: Greece in French Travel Literature from the Renaissance to the Romantic Era Charles Forsdick doi:10.2307/3736059 | Cite |
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211-212 | Review of Adrien Pasquali, Le Tour des Horizons: critique et récits de voyage Charles Forsdick doi:10.2307/3736060 | Cite |
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212-213 | Review of Paul Gorceix, L'Identité culturelle de la Belgique et de la Suisse francophone: Actes du colloque international de Waldegg (Soleure) juin 1993 David L. Parris doi:10.2307/3736061 | Cite |
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213-216 | Review of Brian Richardson, Print Culture in Renaissance Italy: The Editor and the Vernacular Text 1470-1600 P. B. Diffley doi:10.2307/3736062 | Cite |
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216-217 | | Cite |
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217-218 | Review of Carol Styles Carvajal, Jane Horwood, The Pocket Oxford Spanish Dictionary: Spanish-English/English-Spanish Yolanda Pascual Solé doi:10.2307/3736064 | Cite |
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218 | | Cite |
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219 | Review of Clare Mar-Molinero, The Spanish-Speaking World. A Practical Introduction to Sociolinguistic Issues Lynn Williams doi:10.2307/3736066 | Cite |
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220-222 | Review of Brian Powell, Geoffrey West, Al que en buen hora naçio: Essays on the Spanish Epic and Ballad in Honour of Colin Smith Lynn Williams doi:10.2307/3736067 | Cite |
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222-223 | Review of Joseph J. Gwara, E. Michael Gerli, Studies on the Spanish Sentimental Romance 1440-1550: Redefining a Genre Jean Gilkison doi:10.2307/3736068 | Cite |
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223-224 | Review of Teresa Scott Soufas, Dramas of Distinction: A Study of Plays by Golden-Age Women Judith Drinkwater doi:10.2307/3736069 | Cite |
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224-225 | Review of Elma Dassbach, La Comedia hagiográfica del siglo de oro español: Lope de Vega, Tirso de Molina y Calderón de la Barca Anthony Lappin doi:10.2307/3736070 | Cite |
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226-227 | Review of Manuel Delgado Morales, The Calderonian Stage: Body and Soul Mark Allinson doi:10.2307/3736071 | Cite |
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227-229 | | Cite |
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229-230 | Review of Yolanda Arencibia, Creación de una realidad ficticia: Las Novelas de Torquemada de Pérez Galdós Jennifer Lowe doi:10.2307/3736073 | Cite |
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231-232 | Review of Harold Raley, A Watch over Mortality: The Philosophical Story of Julián Marías Ryan Prout doi:10.2307/3736074 | Cite |
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233-234 | Review of Robert Richmond Ellis, The Hispanic Homograph: Gay Self-Representation in Contemporary Spanish Autobiography Chris Perriam doi:10.2307/3736075 | Cite |
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234 | Review of José María Arguedas, William Rowe, Los ríos profundos Stephen M. Hart doi:10.2307/3736076 | Cite |
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234-236 | Review of Lisandro Otero, Llover sobre mojado: una reflexión personal sobre la historia Verity Smith doi:10.2307/3736077 | Cite |
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237-238 | Review of Alfred Arteaga, Chicano Poetics: Heterotexts and Hybridities Anny Brooksbank Jones doi:10.2307/3736078 | Cite |
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238-239 | | Cite |
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239-240 | | Cite |
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240-241 | Review of Christoph Gutknecht, Lutz J. Rölle, Translating by Factors Derek Lewis doi:10.2307/3736081 | Cite |
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241-242 | Review of Brian Murdoch, The Germanic Hero: Politics and Pragmatism in Early Medieval Poetry Linda Archibald doi:10.2307/3736082 | Cite |
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242-243 | Review of Christoph A. Kleppel, 'vremder bluomen underscheit'. Erzählen von Fremdem in Wolframs 'Willehalm' David Wells doi:10.2307/3736083 | Cite |
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243-245 | | Cite |
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245 | Review of Joachim Dyck, Jutta Sandstede, Quellenbibliographie zur Rhetorik, Homiletik und Epistolographie des 18. Jahrhunderts im deutschsprachigen Raum Hans Reiss doi:10.2307/3736085 | Cite |
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246-247 | | Cite |
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247-249 | Review of Hans-Jürgen Schings, Die Brüder des Marquis Posa. Schiller und der Geheimbund der Illuminaten Alan Menhennet doi:10.2307/3736087 | Cite |
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249-250 | Review of Andrea Schneider, Die parodierten Musikdramen Richard Wagners: Geschichte und Dokumentation Wagnerscher Opernparodien im deutschsprachigen Raum von der Mitte des 19. Jahrhunderts bis zum Ende des Ersten Weltkrieges Peter Branscombe doi:10.2307/3736088 | Cite |
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250-251 | Review of Geoff Waite, Nietzsche's Corps/e: Aesthetics, Politics, Prophecy, or, the Spectacular Technoculture of Everyday Life Paul Bishop doi:10.2307/3736089 | Cite |
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251-253 | | Cite |
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253-254 | Review of H. D. Tschörtner, Gerhart Hauptmann, Gespräche und Interviews mit Gerhart Hauptmann (1894-1946) Peter Skrine doi:10.2307/3736091 | Cite |
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254-255 | Review of Robert A. Jones, Leroy R. Shaw, Frank Wedekind: A Bibliographic Handbook John Hibberd doi:10.2307/3736092 | Cite |
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256 | Review of Maurice Godé, Jacques Le Rider, Françoise Mayer, Allemands, juifs et tchèques à Prague/Deutsche, Juden und Tschechen in Prag 1890-1924. Actes du colloque international de Montpellier 8-10 décembre 1994 Ritchie Robertson doi:10.2307/3736093 | Cite |
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257-258 | Review of Keum Sun Chong, Wege der Selbstfindung in der Ehe. Hofmannsthals 'Cristinas Heimreise', 'Der Schwierige' und 'Der Unbestechliche' Brian Keith-Smith doi:10.2307/3736094 | Cite |
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258 | Review of Klaus W. Jonas, Helmut Koopmann, Die Thomas-Mann-Literatur. Vol. III: Bibliographie der Kritik 1976-1994 Hinrich Siefken doi:10.2307/3736095 | Cite |
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258-260 | | Cite |
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260-262 | Review of Marcus G. Patka, Egon Erwin Kisch: Stationen im Leben eines streitbaren Autors J. M. Ritchie doi:10.2307/3736097 | Cite |
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262-264 | Review of Linda Schulte-Sasse, Entertaining the Third Reich: Illusions of Wholeness in Nazi Cinema J. M. Ritchie doi:10.2307/3736098 | Cite |
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264-265 | Review of Sabine Fischer, Moray McGowan, Denn du tanzt auf einem Seil. Positionen deutschsprachiger MigrantInnenliteratur Osman Durrani doi:10.2307/3736099 | Cite |
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265-266 | Review of Charles W. Martin, The Nihilism of Thomas Bernhard: The Portrayal of Existential and Social Problems in His Prose Works Joshua Reid doi:10.2307/3736100 | Cite |
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267-268 | Review of Michelle Mattson, Franz Xaver Kroetz: The Construction of a Political Aesthetic Tom Kuhn doi:10.2307/3736101 | Cite |
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268-269 | Review of Arlene A. Teraoka, East, West, and Others: The Third World in Postwar German Literature Julian Preece doi:10.2307/3736102 | Cite |
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269-270 | Review of Andrew J. Webber, The 'Doppelgänger': Double Visions in German Literature Matthew Bell doi:10.2307/3736103 | Cite |
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270-272 | Review of Helga Kraft, Ein Haus aus Sprache: Dramatikerinnen und das andere Theater Susan L. Cocalis doi:10.2307/3736104 | Cite |
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272-273 | Review of W. E. Yates, Theatre in Vienna: A Critical History, 1776-1995 Ian F. Roe doi:10.2307/3736105 | Cite |
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273-274 | Review of Heinrich Detering, Grenzgänge: Skandinavisch-deutsche Nachbarschaften Florian Krobb doi:10.2307/3736106 | Cite |
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274-275 | | Cite |
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275-276 | Review of Joe Andrew, Russian Women's Shorter Fiction: An Anthology 1835-1860 Neil Cornwell doi:10.2307/3736108 | Cite |
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276-277 | | Cite |
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277-278 | Review of Jindrich Toman, Letters and Other Materials from the Moscow and Prague Linguistic Circles, 1912-1945 Stephen Hutchings doi:10.2307/3736110 | Cite |
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279-280 | Review of Rosalind Marsh, Gender and Russian Literature: New Perspectives Gilda Baikovitch doi:10.2307/3736111 | Cite |
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280-281 | | Cite |
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281-282 | Review of Ivo Popíšii, Fenomén šílenstvií v ruské literatuře 19. a 20. století Robert Porter doi:10.2307/3736113 | Cite |
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282-283 | Review of Janina Falkowska, The Political Films of Andrzej Wajda: Dialogism in 'Man of Marble', 'Man of Iron', and 'Danton' Wendy Everett doi:10.2307/3736114 | Cite |
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283-284 | Review of Roger Lass, Historical Linguistics and Language Change Glanville Price doi:10.2307/3736115 | Cite |
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284 | Review of Mick Short, Exploring the Language of Poems, Plays and Prose Jean Andrews doi:10.2307/3736116 | Cite |
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284-285 | Review of M. L. Gasparov, G. S. Smith, M. Tarlinskaya, A History of European Versification Roger Pensom doi:10.2307/3736117 | Cite |
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285-287 | Review of Edward Gordon Craig, Count Harry Kessler, L. M. Newman, The Correspondence of Edward Gordon Craig and Count Harry Kessler, 1903-1937 Michael Patterson doi:10.2307/3736118 | Cite |
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287-288 | Review of Graham Bartram, Maurice Slawinski, David Steel, Reconstructing the past: Representations of the Fascist Era in Post-War European Culture C. A. Longhurst doi:10.2307/3736119 | Cite |
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288-289 | | Cite |
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289-291 | | Cite |
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291-292 | | Cite |
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292-293 | | Cite |
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294-295 | Review of David Simpson, The Academic Postmodern and the Rule of Literature: A Report on Half-Knowledge Thomas Docherty doi:10.2307/3736124 | Cite |
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295-296 | Review of Michael Roemer, Telling Stories: Postmodernism and the Invalidation of Traditional Narrative Hans Bertens doi:10.2307/3736125 | Cite |
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296-297 | Review of Joseph Tabbi, Postmodern Sublime: Technology and American Writing from Mailer to Cyberpunk Wendy Wheeler doi:10.2307/3736126 | Cite |
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297-298 | Review of H. L. Hix, Spirits Hovering over the Ashes: Legacies of Postmodern Theory Alison Mark doi:10.2307/3736127 | Cite |
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298-299 | Review of Paul Hernadi, Cultural Transactions: Nature, Self, Society Joe Carter doi:10.2307/3736128 | Cite |
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299-301 | | Cite |
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