305-320 | | Cite |
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321-329 | "Bless thee, Bottom, bless thee! Thou Art Translated!": Ovid, Golding, and "A Midsummer Night's Dream" Madeleine Foreydoi:10.2307/3735350 | Cite |
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330-344 | "...Inside like a Kernel?": Literary Sources of "Heart of Darkness" Rosalind S. Meyerdoi:10.2307/3735351 | Cite |
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345-355 | | Cite |
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356-369 | Stendhal's "Vie de Henry Brulard": The Engravings: A Public or a Private Matter? Sheila Belldoi:10.2307/3735353 | Cite |
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370-383 | Corporeal Histories: The Autobiographical Bodies of Luisa Passerini Derek Duncandoi:10.2307/3735354 | Cite |
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384-399 | "Entendudos": Translation and Representation in the Castile of Alfonso the Learned Eleazar Gutwirthdoi:10.2307/3735355 | Cite |
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400-410 | Psychoanalysis, Gender, and Angelic Truth in Manuel Puig's "Pubis Angelical" Lloyd Hughes Daviesdoi:10.2307/3735356 | Cite |
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411-427 | Consolatory Dialogue in Devotional Writings by Men and Women of Early Modern Protestant Germany Anna Carrdusdoi:10.2307/3735357 | Cite |
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428-440 | Schiller and the "European Community": "Universal History" in Theory and Practice Francis Lamportdoi:10.2307/3735358 | Cite |
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441-454 | | Cite |
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455-456 | Review of Andy Orchard, Pride and Prodigies: Studies in the Monsters of the 'Beowulf'-ManuscriptJohn B. Friedmandoi:10.2307/3735360 | Cite |
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456-457 | Review of Thorlac Turville-Petre, England the Nation: Language, Literature, and National Identity, 1290-1340Stanley Husseydoi:10.2307/3735361 | Cite |
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458-459 | Review of John A. Alford, James Simpson, The Yearbook of Langland Studies, 8 (1994)Kathryn Kerby-Fultondoi:10.2307/3735362 | Cite |
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459-460 | Review of J. L. Styan, The English Stage: A History of Drama and PerformanceMartin Banhamdoi:10.2307/3735363 | Cite |
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460-462 | Review of Meg Twycross, Festive Drama: Papers from the Sixth Triennial Colloquium of the International Society for the Study of Medieval Theatre, Lancaster, 13-19 July, 1989Alan J. Fletcherdoi:10.2307/3735364 | Cite |
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462-463 | Review of Howard B. Norland, Drama in Early Tudor Britain, 1485-1558Peter Meredithdoi:10.2307/3735365 | Cite |
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463-464 | Review of Valerie Traub, M. Lindsay Kaplan, Dympna Callaghan, Feminist Readings of Early Modern Culture: Emerging SubjectsHelen Wilcoxdoi:10.2307/3735366 | Cite |
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464-465 | Review of H. R. Woudhuysen, Sir Philip Sidney and the Circulation of Manuscripts: 1558-1649Victor Skretkowiczdoi:10.2307/3735367 | Cite |
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465-466 | Review of Kim F. Hall, Things of Darkness: Economies of Race and Gender in Early Modern EnglandMargo Hendricksdoi:10.2307/3735368 | Cite |
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466-468 | | Cite |
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468-469 | Review of Mark Stavig, The Forms of Things Unknown: Renaissance Metaphor in 'Romeo and Juliet' and 'A Midsummer Night's Dream'Catherine Belseydoi:10.2307/3735370 | Cite |
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469-470 | Review of Leah S. Marcus, Unediting the Renaissance: Shakespeare, Marlowe, MiltonGabriel Egandoi:10.2307/3735371 | Cite |
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471-472 | Review of Louise Schleiner, Connie McQuillen, Lynne E. Roller, Tudor and Stuart Women WritersCarolyn D. Williamsdoi:10.2307/3735372 | Cite |
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473-474 | Review of Clement Hawes, Mania and Literary Style: The Rhetoric of Enthusiasm from the Ranters to Christopher SmartAllan Ingramdoi:10.2307/3735373 | Cite |
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474-475 | Review of Felicity A. Nussbaum, Torrid Zones: Maternity, Sexuality, and Empire in Eighteenth-Century English NarrativesHelen Wilcoxdoi:10.2307/3735374 | Cite |
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475-477 | Review of Michael J. Franklin, Sir William Jones: Selected Poetical and Prose WorksNigel Leaskdoi:10.2307/3735375 | Cite |
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477-478 | Review of Christopher Castiglia, Bound and Determined: Captivity, Culture-Crossing, and White Womanhood from Mary Rowlandson to Patty HearstLynnette Turnerdoi:10.2307/3735376 | Cite |
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478-479 | | Cite |
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479-480 | Review of Lee Erickson, The Economy of Literary Form: English Literature and the Industrialization of Publishing, 1800-1850Bill Belldoi:10.2307/3735378 | Cite |
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480-481 | Review of Stephen Prickett, Origins of Narrative: The Romantic Appropriation of the BibleMargaret Storchdoi:10.2307/3735379 | Cite |
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481-482 | Review of James Eli Adams, Dandies and Desert Saints: Styles of Victorian MasculinityPhilip W. Martindoi:10.2307/3735380 | Cite |
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482-483 | Review of Susan Meyer, Imperialism at Home: Race and Victorian Women's FictionRanu Samantraidoi:10.2307/3735381 | Cite |
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483-484 | Review of William A. Cohen, Sex Scandal: The Private Parts of Victorian FictionRobert Fraserdoi:10.2307/3735382 | Cite |
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484-485 | Review of Sally Mitchell, The New Girl: Girls' Culture in England, 1880-1915Chris Whitedoi:10.2307/3735383 | Cite |
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485-486 | | Cite |
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486-487 | Review of Jonathan Elmer, Reading at the Social Limit: Affect, Mass Culture, and Edgar Allan PoeRichard D. Rustdoi:10.2307/3735385 | Cite |
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487-488 | Review of Daneen Wardrop, Emily Dickinson's Gothic: Goblin with a GaugeCheryl Walkerdoi:10.2307/3735386 | Cite |
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489-490 | Review of James M. Hutchisson, The Rise of Sinclair Lewis, 1920-1930David Seeddoi:10.2307/3735387 | Cite |
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490-491 | Review of Marsha Bryant, Photo-Textualities: Reading Photographs and LiteratureCraig Monkdoi:10.2307/3735388 | Cite |
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491-492 | Review of Janet Montefiore, Men and Women Writers of the 1930s: The Dangerous Flood of HistoryPeter Faulknerdoi:10.2307/3735389 | Cite |
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492-493 | Review of Michael R. Booth, John Stokes, Susan Basnett, Three Tragic Actresses: Siddons, Rachel, RistoriDiana Devlindoi:10.2307/3735390 | Cite |
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493-494 | Review of Kay Schaffer, In the Wake of First Contact: The Eliza Fraser StoriesAngela Smithdoi:10.2307/3735391 | Cite |
| |
494-495 | Review of Karin Hansson, The Unstable Manifold: Janet Frame's Challenge to DeterminismJanet Wilsondoi:10.2307/3735392 | Cite |
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495-496 | Review of Brian Crow, Chris Banfield, An Introductin to Post-Colonial TheatreOsita Okagbuedoi:10.2307/3735393 | Cite |
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496-497 | Review of Tony Hunt, Villon's Last Will: Language and Authority in the 'Testament'Leslie C. Brookdoi:10.2307/3735394 | Cite |
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497-498 | Review of Francis M. Higman, Piety and the People: Religious Printing in French 1511-1551Jennifer Britnelldoi:10.2307/3735395 | Cite |
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498-499 | Review of Tom Conley, The Self-Made Map: Cartographic Writing in Early Modern FranceTrevor Peachdoi:10.2307/3735396 | Cite |
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499 | Review of Lawrence D. Kritzman, The Rhetoric of Sexuality and the Literature of the French RenaissanceJames Suppledoi:10.2307/3735397 | Cite |
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499-500 | Review of Madeleine Jeay, Donner la parole: L'histoire-cadre dans les recueils de nouvelles des XV-XVIe sièclesDominique Lageorgettedoi:10.2307/3735398 | Cite |
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500 | | Cite |
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500-501 | Review of Alba Ceccarelli Pellegrino, Le 'Bon Architecte' de Philibert de L'Orme: hypotextes et anticipationsDavid Cowlingdoi:10.2307/3735400 | Cite |
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501-502 | Review of Bernard Palissy, Marie-Madeleine Fragonard, Œuvres complètesLaurence Grovedoi:10.2307/3735401 | Cite |
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502-503 | Review of Agrippa d'Aubigné, Jean-Raymond Fanlo, 'La response de Michau l'aveugle' suivie de 'La replique de Michau l'aveugle': Deux pamphlets théologiques anonymes publiés avec les pièces catholiques de la controverseKeith Camerondoi:10.2307/3735402 | Cite |
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503 | Review of Henry Phillips, Church and Culture in Seventeenth-Century FranceNicholas Hammonddoi:10.2307/3735403 | Cite |
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503-504 | | Cite |
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504-505 | Review of Alia Boccar, La Fontaine et l'Orient: Actes du Colloque de TunisTerence Allottdoi:10.2307/3735405 | Cite |
| |
505-506 | Review of Herbert De Ley, Fixing up Reality: La Fontaine and Lévi-StraussMaya Slaterdoi:10.2307/3735406 | Cite |
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506 | Review of Stephen C. Bold, Pascal Geometer: Discovery and Invention in Seventeenth-Century FranceNicholas Hammonddoi:10.2307/3735407 | Cite |
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506-507 | | Cite |
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507-508 | | Cite |
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508-509 | Review of , Transactions of the Ninth International Congress on the EnlightenmentMelisa Percivaldoi:10.2307/3735410 | Cite |
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509-510 | Review of Jean Sgard, Songe, illusion, égarement dans les romans de CrébillonSimon Daviesdoi:10.2307/3735411 | Cite |
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510-511 | Review of Peter Wagstaff, Memory and Desire: Rétif de la Bretonne, Memory and UtopiaDavid Cowarddoi:10.2307/3735412 | Cite |
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511 | | Cite |
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511-512 | | Cite |
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512-513 | Review of Didier Maleuvre, Catherine Nesci, L'Œuvre d'identité: Essais sur le romantisme de Nodier à Baudelaire. (Communications au XXe colloque annuel, Nineteenth-Century French Studies, Universite de Californie, Santa-Barbara 20-23 octobre 1994)Peter Whytedoi:10.2307/3735415 | Cite |
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513-514 | Review of Claudine Bernard, Le Passé recomposé: Le roman historique français du dix-neuvième siècleMonica Nurnbergdoi:10.2307/3735416 | Cite |
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514-515 | | Cite |
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515-516 | Review of Jane Mayo Roos, Early Impressionism and the French State (1866-1974)Richard Hobbsdoi:10.2307/3735418 | Cite |
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516-517 | | Cite |
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517-518 | Review of François Marotin, Les Années de formation de Jules Vallès (1845-1867): Histoire d'une générationWalter Redferndoi:10.2307/3735420 | Cite |
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518-519 | | Cite |
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519-520 | | Cite |
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521 | Review of Roger Caillois, Saint-John Perse, Joëlle Gardes Tamine, Correspondance 1942-1975C. E. J. Dolamoredoi:10.2307/3735423 | Cite |
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521-522 | Review of Paul Éluard, Gilbert Bowen, Unbroken Poetry II (Poésie ininterrompue II)Andrew Rothwelldoi:10.2307/3735424 | Cite |
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522-523 | Review of Eva Lundgren-Gothlin, Sex and Existence: Simone de Beauvoir's 'The Second Sex'Margaret Atackdoi:10.2307/3735425 | Cite |
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523-524 | Review of Peter Dunwoodie, Une histoire ambivalente: Le dialogue Camus-DostoïevskiEdward J. Hughesdoi:10.2307/3735426 | Cite |
| |
524-525 | Review of Lucille Cairns, Privileged Pariahdom: Homosexuality in the Novels of Dominique FernandezJames Williamsdoi:10.2307/3735427 | Cite |
| |
525-526 | Review of Lynn A. Higgins, New Novel, New Wave, New Politics: Fiction and the Representation of History in Postwar FranceMargaret Atackdoi:10.2307/3735428 | Cite |
| |
526 | | Cite |
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526-527 | Review of Richard D. E. Burton, Le Roman marron: études sur la littérature martiniquaise contemporaineCelia Brittondoi:10.2307/3735430 | Cite |
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527-529 | Review of Stephen Murphy, The Gift of Immortality: Myths of Power and Humanist PoeticsMartin McLaughlindoi:10.2307/3735431 | Cite |
| |
529-530 | Review of Bernardino Martirano, Tobia R. Toscano, Il pianto di AretusaErika Milburndoi:10.2307/3735432 | Cite |
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530-533 | Review of Annamaria Andreoli, D'Annunzio archivista: le filologie di uno scrittoreJ. R. Woodhousedoi:10.2307/3735433 | Cite |
| |
533-534 | Review of Marinella Cantelmo, Il piacere dei leggitori: D'annunzio e la comunicazione letterariaNiva Lorenzinidoi:10.2307/3735434 | Cite |
| |
534-536 | Review of Patrick Rumble, Allegories of Contamination: Pier Paolo Pasolini's 'Trilogy of Life'Robert S. C. Gordondoi:10.2307/3735435 | Cite |
| |
536-538 | Review of Louise Mirrer, Women, Jews, and Muslims in the Texts of Reconquest CastileJane Whetnalldoi:10.2307/3735436 | Cite |
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539-543 | Review of Luis Vélez de Guevara, William R. Manson, C. George Peale, El espejo del mundo; Luis Vélez de Guevara, William R. Manson, C. George Peale, El conde don Pero Vélez y don Sancho el deseadoVictor Dixondoi:10.2307/3735437 | Cite |
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543-544 | Review of Wolf-Dieter Lange, Wolfgang Matzat, Sonderwege in die Neuzeit: Dialogizität und Intertextualität in der spanischen Literatur zwischen Mittelalter und AufklärungCarol Tullydoi:10.2307/3735438 | Cite |
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544-545 | Review of Johann Pögl, De poesía comarcano: Joan Timoneda, Bestsellerautor im Spanien des 16. JahrhundertsCarol Tullydoi:10.2307/3735439 | Cite |
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545 | Review of Benito Pérez Galdós, Catherine Jagoe, That Bringas WomanR. M. Pricedoi:10.2307/3735440 | Cite |
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545-547 | | Cite |
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547-548 | Review of Helen Graham, Jo Labanyi, Spanish Cultural Studies: An Introduction: The Struggle for ModernityJo Evansdoi:10.2307/3735442 | Cite |
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548 | Review of Hans Felten, Ulrich Prill, Juegos de la interdiscursividad. Actas de la Sección VII del Hispanistentag 1995 (Bonn): Narrativa española contemporánea en el contexto europeo. Relaciones interdiscursivasJohn Macklindoi:10.2307/3735443 | Cite |
| |
549 | Review of Gonzalo Torrente Ballester, Colin Smith, The King Amaz'd: A ChronicleR. M. Pricedoi:10.2307/3735444 | Cite |
| |
549-550 | Review of Brad Epps, Significant Violence: Oppression and Resistance in the Narratives of Juan Goytisolo, 1970-1990Abigail Lee Sixdoi:10.2307/3735445 | Cite |
| |
550-551 | Review of Jill Kruger-Robbins, Guillermo Carnero, Frames of Referents: The Postmodern Poetry of Guillermo CarneroTrevor J. Dadsondoi:10.2307/3735446 | Cite |
| |
552 | Review of George Cabello-Castellet, Jaume Martí Olivella, Guy H. Wood, Cine-Lit II: Essays on Hispanic Film and FictionBarry Jordandoi:10.2307/3735447 | Cite |
| |
552-553 | Review of Peter William Evans, Women on the Verge of a Nervous BreakdownChris Perriamdoi:10.2307/3735448 | Cite |
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553-554 | Review of Robert Archer, Aproximació a Ausiàs March: estructura, tradició, metàforaArthur Terrydoi:10.2307/3735449 | Cite |
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554-555 | Review of Xavier Pla, Josep Pla: Ficció autobiogràfica i veritat literàriaMontserrat Roser i Puigdoi:10.2307/3735450 | Cite |
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555-556 | Review of Flora González Mandri, José Donoso's House of Fiction: A Dramatic Construction of Time and PlaceCatherine Boyledoi:10.2307/3735451 | Cite |
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556-557 | Review of Broder Carstensen, Ulrich Busse, Anglizismen-Wörterbuch: Der Einfluß des Englischen auf den deutschen Wortschatz nach 1945. Vol. III: P-ZA. W. Stanforthdoi:10.2307/3735452 | Cite |
| |
557-558 | Review of Fred Bridgam, The Friendly German-English Dictionary: A Guide to German Language, Culture and Society through 'faux amis', Literary Illustration and Other DiversionsDerek McCullochdoi:10.2307/3735453 | Cite |
| |
558-559 | Review of W. H. Jackson, Hartmann von Aue, Chivalry in Twelfth-Century Germany: The Works of Hartmann von AueSilvia Ranawakedoi:10.2307/3735454 | Cite |
| |
560 | | Cite |
| |
560-561 | Review of Johann Michael Dilherr, Georg Philipp Harsdörffer, Dietmar Peil, Drei-ständige Sonn- und Festtag-Emblemata, oder Sinne-BilderW. A. Coupedoi:10.2307/3735456 | Cite |
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561-563 | Review of Wilhelm Kühlmann, Literatur und Kultur im deutschen Südwesten zwischen Renaissance und Aufklärung: Neue Studien, Walter E. Schäfer zum 65. Geburtstag gewidmetAnthony J. Harperdoi:10.2307/3735457 | Cite |
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563-564 | Review of Theodor Verweyen, Dichtungstheorien der deutschen FrühaufklärungAlan Menhennetdoi:10.2307/3735458 | Cite |
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564-565 | Review of Isabel Matthes, 'Der allgemeinen Vereinigung gewidmet': Öffentlicher Theaterbau in Deutschland zwischen Aufklärung und VormärzW. E. Yatesdoi:10.2307/3735459 | Cite |
| |
565-566 | Review of Jo-Jacqueline Eckardt, Lessing's 'Nathan the Wise' and the Critics: 1779-1991Edward M. Batleydoi:10.2307/3735460 | Cite |
| |
567-568 | Review of Irmgard Wagner, Critical Approaches to Goethe's Classical Dramas: 'Iphigenie', 'Torquato Tasso', and 'Die natürliche Tochter'Hans Reissdoi:10.2307/3735461 | Cite |
| |
568-569 | Review of Bettina Hey'l, Der Briefwechsel zwischen Goethe und Zelter: Lebenskunst und literarisches ProjektHans Reissdoi:10.2307/3735462 | Cite |
| |
569-570 | Review of Otto Dann, Norbert Oellers, Ernst Osterkamp, Schiller als HistorikerFrancis Lamportdoi:10.2307/3735463 | Cite |
| |
570-572 | Review of E. Mererid Hopwood, Johann Peter Hebel and the Rhetoric of OralityRobert Gillettdoi:10.2307/3735464 | Cite |
| |
572-575 | Review of Ruprecht Wimmer, Ludwig Tieck: Schriften. Vol. VII: GedichteRoger Paulindoi:10.2307/3735465 | Cite |
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575-576 | Review of Konstanze Bäumer, Hartwig Schultz, Bettina von ArnimSheila Dicksondoi:10.2307/3735466 | Cite |
| |
576-577 | Review of Hugh Powell, Fervor and Fiction: Therese von Bacheracht and Her WorksBrian Keith-Smithdoi:10.2307/3735467 | Cite |
| |
577-578 | Review of Helmuth Mojem, Der zitierte Held: Studien zur Intertextualität in Wilhelm Raabes Roman 'Das Odfeld'William Hansondoi:10.2307/3735468 | Cite |
| |
578-581 | Review of Stanley Rosen, The Mask of Enlightenment: Nietzsche's 'Zarathustra'Paul Bishopdoi:10.2307/3735469 | Cite |
| |
581-583 | Review of Elisabeth Galvan, Zur Bachofen-Rezeption in Thomas Manns 'Joseph'-RomanHinrich Siefkendoi:10.2307/3735470 | Cite |
| |
583-585 | Review of Donna K. Heizer, Jewish-German Identity in the Orientalist Literature of Else Lasker-Schüler, Friedrich Wolf, and Franz WerfelRitchie Robertsondoi:10.2307/3735471 | Cite |
| |
585-586 | Review of Lutz Gümbel, ICH: Synthetischer Realismus und ödipale Struktur im Frühwerk Arno Schmidts. Eine typologische UntersuchungMichael Mindendoi:10.2307/3735472 | Cite |
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586-587 | Review of Christiane Caemmerer, Walter Delabar, Dichtung im Dritten Reich? Zur Literatur in Deutschland 1933-1945D. G. Bonddoi:10.2307/3735473 | Cite |
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588-589 | Review of Kurt Fickert, Dialogue with the Reader: The Narrative Stance in Uwe Johnson's FictionD. G. Bonddoi:10.2307/3735474 | Cite |
| |
589-590 | Review of Franz Loquai, Hamlet und Deutschland. Zur literarischen Shakespeare-Rezeption im 20. JahrhundertRoger Paulindoi:10.2307/3735475 | Cite |
| |
590-591 | Review of J. Thomas Shaw, Pushkin: Poet and Man of Letters, and His ProseAnthony Briggsdoi:10.2307/3735476 | Cite |
| |
591-592 | Review of Monika Greenleaf, Pushkin and Romantic Fashion: Fragment, Elegy, Orient, IronyNeil Cornwelldoi:10.2307/3735477 | Cite |
| |
592-594 | Review of Donald Rayfield, Chekhov's 'Uncle Vania' and 'The Wood Demon'Cynthia Marshdoi:10.2307/3735478 | Cite |
| |
594-595 | | Cite |
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595-596 | | Cite |
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596-597 | Review of Justin Doherty, The Acmeist Movement in Russian Poetry: Culture and the WorldWendy Rosslyndoi:10.2307/3735481 | Cite |
| |
597-599 | Review of Christopher Luck, Figures of War and Fields of Honour: Isaak Babel's 'Red Cavalry'Arnold McMillindoi:10.2307/3735482 | Cite |
| |
599-600 | Review of Karen L. Ryan-Hayes, Contemporary Russian Satire: A Genre StudyRobert Porterdoi:10.2307/3735483 | Cite |
| |
601-602 | | Cite |
| |
602-605 | | Cite |
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605 | Review of Alexandra Büchler, This Side of Reality: Modern Czech WritingRobert Porterdoi:10.2307/3735486 | Cite |
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