817-831 | | Cite |
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832-841 | Chaucer's Revision of the Prologue of "The Legend of Good Women" M. C. Seymour doi:10.2307/3734203 | Cite |
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842-850 | Engendering the Sonnet, Loving to Write/Writing to Love: Louise Labé's "Tout aussi tot que je commence à prendre" Clive Scott doi:10.2307/3734204 | Cite |
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851-863 | | Cite |
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864-876 | | Cite |
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877-892 | Leone and Arthur Serena and the Cambridge Chair of Italian, 1919-1934 Uberto Limentani doi:10.2307/3734207 | Cite |
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893-902 | The Poet and the Thinker: María Zambrano and Feminist Criticism Clare E. Nimmo doi:10.2307/3734208 | Cite |
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903-911 | The Author as Victim: Wolfgang Koeppen, "Jakob Littners Aufzeichnungen aus einem Erdloch" David Basker doi:10.2307/3734209 | Cite |
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912-923 | Martin Walser's "Halbzeit": Stylizing Private History for Public Consumption Stuart Taberner doi:10.2307/3734210 | Cite |
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924-925 | | Cite |
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925 | | Cite |
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926-927 | Review of Warren Motte, Playtexts: Ludics in Contemporary Literature Mary Orr doi:10.2307/3734213 | Cite |
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927-928 | | Cite |
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928-929 | | Cite |
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929-930 | Review of Malcolm Bull, Apocalypse Theory and the Ends of the World Paul Smethurst doi:10.2307/3734216 | Cite |
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930-932 | | Cite |
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932-933 | | Cite |
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933-934 | | Cite |
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935-936 | Review of Brian D. Ingraffia, Postmodern Theory and Biblical Theology: Vanquishing God's Shadow Joe Carter doi:10.2307/3734220 | Cite |
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936-938 | Review of M. Teresa Tavormina, R. F. Yeager, The Endless Knot: Essays on Old and Middle English in Honor of Marie Boroff Charles A. Owen Jr. doi:10.2307/3734221 | Cite |
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938-940 | Review of M. J. Toswell, Prosody and Poetics in the Early Middle Ages: Essays in Honour of C. B. Hieatt Rosamund Allen doi:10.2307/3734222 | Cite |
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940-941 | Review of Susan L. Smith, The Power of Women: A Topos in Medieval Art and Literature Sarah Stanbury doi:10.2307/3734223 | Cite |
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941-942 | Review of Anne Laskaya, Chaucer's Approach to Gender in the 'Canterbury Tales' Janette Dillon doi:10.2307/3734224 | Cite |
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942-943 | Review of Deborah Willis, Malevolent Nurture: Witch-Hunting and Maternal Power in Early Modern England Diane Purkiss doi:10.2307/3734225 | Cite |
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944 | Review of Philip Sidney, William Craft, Labyrinth of Desire: Invention and Culture in the Work of Sir Philip Sidney Andrew Hadfield doi:10.2307/3734226 | Cite |
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945-946 | Review of R. B. Parker, The Oxford Shakespeare: The Tragedy of Coriolanus Peggy Muñoz Simonds doi:10.2307/3734227 | Cite |
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946-948 | | Cite |
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948-949 | Review of Robert C. Evans, Habits of Mind: Evidence and Effects of Ben Jonson's Reading N. W. Bawcutt doi:10.2307/3734229 | Cite |
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949-950 | Review of Bernard Capp, The World of John Taylor the Water-Poet: 1578-1653 Andrew Spong doi:10.2307/3734230 | Cite |
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950-953 | Review of David Collings, Wordsworthian Errancies: The Poetics of Cultural Dismemberment William Galperin doi:10.2307/3734231 | Cite |
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953-954 | Review of Mary Anne Perkins, Coleridge's Philosophy: The Logos as Unifying Principle Tim Fulford doi:10.2307/3734232 | Cite |
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954-955 | Review of Grant F. Scott, The Sculpted Word: Keats, Ekphrasis, and the Visual Arts Elinor Shaffer doi:10.2307/3734233 | Cite |
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955-957 | Review of Claire Kahane, Passions of the Voice: Hysteria, Narrative, and the Figure of the Speaking Woman, 1850-1915 Frances Wilson doi:10.2307/3734234 | Cite |
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957-958 | Review of Elizabeth Langland, Nobody's Angels: Middle-Class Women and Domestic Ideology in Victorian Culture Catherine Maxwell doi:10.2307/3734235 | Cite |
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958-959 | Review of Deirdre David, Rule Britannia: Women, Empire, and Victorian Writing Ranu Samantrai doi:10.2307/3734236 | Cite |
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959-960 | | Cite |
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960-961 | Review of J. Percy Smith, Bernard Shaw, Selected Correspondence of Bernard Shaw: Bernard Shaw and H. G. Wells John Stokes doi:10.2307/3734238 | Cite |
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961-963 | Review of Ruth D. Weston, Gothic Traditions and Narrative Techniques in the Fiction of Eudora Welty Peter Vernon doi:10.2307/3734239 | Cite |
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963-964 | Review of Brenda Murphy, Miller: 'Death of a Salesman'; Ruby Cohn, Anglo-American Interplay in Recent Drama Steven Price doi:10.2307/3734240 | Cite |
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965-966 | Review of Philip Larkin, Andrew Swarbrick, Out of Reach: The Poetry of Philip Larkin James Booth doi:10.2307/3734241 | Cite |
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966-967 | | Cite |
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967 | | Cite |
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967-969 | Review of Lawrence Earp, Guillaume de Machaut: A Guide to Research Peter Meredith doi:10.2307/3734244 | Cite |
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969 | | Cite |
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970 | Review of Roberta L. Krueger, Women Readers and the Ideology of Gender in Old French Verse Romance Rosalind Brown Grant doi:10.2307/3734246 | Cite |
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970-971 | Review of Judy Sproxton, Violence and Religion: Attitudes Towards Militancy in the French Civil Wars and the English Revolution James Supple doi:10.2307/3734247 | Cite |
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971-972 | Review of Gérard Defaux, Clément Marot: Cinquante pseaumes de David mis en françoys selon la vérité hébraïque Keith Cameron doi:10.2307/3734248 | Cite |
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972-973 | Review of Patrick Dandrey, Alain Génetiot, Boris Donné, Le Fablier, Revue des Amis de Jean de La Fontaine Maya Slater doi:10.2307/3734249 | Cite |
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973 | Review of Édouard Guitton, Ginguené (1748-1816), Idéologue et Médiateur Malcolm Cook doi:10.2307/3734250 | Cite |
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973-974 | | Cite |
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974-975 | Review of Michele Hannoosh, Painting and the 'Journal' of Eugène Delacroix James Kearns doi:10.2307/3734252 | Cite |
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975-976 | Review of Wolfgang Drost, Ulrike Henninges, Théophile Gautier: Exposition de 1859 James Kearns doi:10.2307/3734253 | Cite |
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976 | Review of Stéphane Mallarmé, Michael Temple, The Name of the Poet: Onomastics and Anonymity in the Works of Stéphane Mallarmé Graham Robb doi:10.2307/3734254 | Cite |
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977 | | Cite |
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977-978 | Review of Edmond Rostand, Geoff Woollen, Cyrano de Bergerac C. E. J. Dolamore doi:10.2307/3734256 | Cite |
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978-979 | Review of Michael Sprinker, History and Ideology in Proust: 'À la recherche du temps perdu' and the Third French Republic Robin Mackenzie doi:10.2307/3734257 | Cite |
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979-980 | Review of Pierre Masson, André Gide et Christian Beck: Correspondance David H. Walker doi:10.2307/3734258 | Cite |
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980-981 | Review of Jean-Yves Debreuille, Pierre Masson, Victor Martin-Schmets, Lectures d'André Gide: Hommage à Claude Martin Emma K. M. Kemp doi:10.2307/3734259 | Cite |
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981-982 | Review of Gino Raymond, André Malraux: Politics and the Temptation of Myth Christopher Shorley doi:10.2307/3734260 | Cite |
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982 | | Cite |
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982-983 | Review of Walter Redfern, Michel Tournier: 'Le Coq de bruyère' Rachel Edwards doi:10.2307/3734262 | Cite |
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983-984 | Review of Alex Hughes, Kate Ince, French Erotic Fiction: Women's Desiring Writing, 1880-1990 Victoria Best doi:10.2307/3734263 | Cite |
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984-985 | Review of Alan Pedley, As Mighty as the Sword: A Study of the Writings of Charles de Gaulle Philip Thody doi:10.2307/3734264 | Cite |
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985 | Review of Édouard Guitton, La culpabilité dans la littérature française Philip Thody doi:10.2307/3734265 | Cite |
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985-986 | | Cite |
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986-987 | Review of Dennis Porter, Rousseau's Legacy: Emergence and Eclipse of the Writer in France Catherine Rodgers doi:10.2307/3734267 | Cite |
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987-988 | | Cite |
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988-990 | Review of Kristin Ross, Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture Margaret Atack doi:10.2307/3734269 | Cite |
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990-991 | Review of Stefano Jossa, La fantasia e la memoria: Intertestualità ariostesche Peter Brand doi:10.2307/3734270 | Cite |
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992-993 | Review of Giuseppe Savoca, Alida D'Aquino, Concordanza del 'Canto novo' di Gabriele D'Annunzio J. R. Woodhouse doi:10.2307/3734271 | Cite |
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993-996 | Review of Margaret R. Parker, The Story of a Story across Cultures: The Case of the 'Doncella Teodor' Esther Gómez-Sierra doi:10.2307/3734272 | Cite |
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996-997 | Review of Judith Etzion, The Cancionero de la Sablonara (A Critical Edition) Trevor J. Dadson doi:10.2307/3734273 | Cite |
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998-1000 | Review of Stephen Rupp, Allegories of Kingship: Calderón and the Anti-Machiavellian Tradition Jonathan Thacker doi:10.2307/3734274 | Cite |
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1000-1001 | Review of José Bergamín, Helen Wing, The Dialectics of Faith in the Poetry of José Bergamín Nigel Dennis doi:10.2307/3734275 | Cite |
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1001-1002 | Review of Sumner M. Greenfield, Lorca, Valle-Inclán y las estéticas de la disidencia: Ensayos sobre literatura hispánica John Lyon doi:10.2307/3734276 | Cite |
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1002-1004 | Review of Cecelia J. Cavanaugh, Lorca's Drawings and Poems: Forming the Eye of the Reader Eric Southworth doi:10.2307/3734277 | Cite |
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1004 | Review of Abigail Lee Six, Juan Goytisolo: 'Campos de Nijar' Anthony Trippett doi:10.2307/3734278 | Cite |
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1004-1006 | Review of Christopher Beedham, German Linguistics: An Introduction Michael Townson doi:10.2307/3734279 | Cite |
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1006-1008 | Review of Rüdiger Harnisch, Ludwig M. Eichinger, Anthony Rowley, '... im Gefüge der Sprachen'. Studien zu System und Soziologie der Dialekte. Festschrift für Robert Hunderling zum 60. Geburtstag G. Newton doi:10.2307/3734280 | Cite |
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1008-1010 | Review of J. Alan Pfeffer, Garland Cannon, German Loanwords in English: An Historical Dictionary William Jervis Jones doi:10.2307/3734281 | Cite |
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1010-1011 | Review of Andreas Gardt, Sprachreflexion in Barock und Frühaufklärung: Entwürfe von Böhme bis Leibniz William Jervis Jones doi:10.2307/3734282 | Cite |
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1012-1013 | Review of Volker Honemann, German Narrative Literature of the Twelfth and Thirteenth Centuries: Studies Presented to Roy Wisbey on His Sixty-Fifth Birthday Alan Robertshaw doi:10.2307/3734283 | Cite |
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1013-1015 | Review of Arthur Groos, Romancing the Grail: Genre, Science, and Quest in Wolfram's 'Parzival' David N. Yeandle doi:10.2307/3734284 | Cite |
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1015-1016 | Review of Italo Michele Battafarano, Glanz des Barock: Forschungen zur deutschen als europäischer Literatur Peter Skrine doi:10.2307/3734285 | Cite |
| |
1016-1019 | Review of Volker Bauer, Die höfische Gesellschaft in Deutschland von der Mitte des 17. bis zum Ausgang des 18. Jahrhunderts; Natalie Zemon Davis, Women on the Margins: Three Seventeenth-Century Lives Helen Watanabe-O'Kelly doi:10.2307/3734286 | Cite |
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1019-1020 | Review of Neil H. Donahue, Invisible Cathedrals: The Expressionist Art History of Wilhelm Worringer R. S. Furness doi:10.2307/3734287 | Cite |
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1020-1021 | Review of Martina Hoffmann, Thomas Manns 'Der Tod in Venedig': Eine Entwicklungsgeschichte im Spiegel philosophischer Konzeptionen Paul Bishop doi:10.2307/3734288 | Cite |
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1021-1022 | Review of Moritz Bassler, Die Entdeckung der Textur: Unverständlichkeit in der Kurzprosa der emphatischen Moderne 1910-1916 Andreas Kramer doi:10.2307/3734289 | Cite |
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1022-1024 | Review of Bernhard Hanssler, Hinrich Siefken, Theodor Haecker: Leben und Werk. Texte, Briefe, Erinnerungen, Würdigungen Brian Keith-Smith doi:10.2307/3734290 | Cite |
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1024-1025 | Review of Sem Dresden, Henry G. Schogt, Persecution, Extermination, Literature Dagmar C. G. Lorenz doi:10.2307/3734291 | Cite |
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1025-1026 | Review of Kristie A. Foell, Blind Reflections: Gender in Elias Canetti's 'Die Blendung' Harriet Murphy doi:10.2307/3734292 | Cite |
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1026-1028 | Review of James K. Lyon, Hans-Peter Breuer, Brecht Unbound: Presented at the International Bertolt Brecht Symposium Held at the University of Delaware February 1992 Anne White doi:10.2307/3734293 | Cite |
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1028-1029 | Review of Friedrich Dürrenmatt, Anna von Planta, Ulrich Weber, Der Pensionierte. Fragment eines Kriminalromans Sydney G. Donald doi:10.2307/3734294 | Cite |
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1029-1030 | Review of Colin B. Grant, Literary Communication from Consensus to Rupture: Practice and Theory in Honecker's GDR William Niven doi:10.2307/3734295 | Cite |
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1030-1033 | Review of Alexander Weber, Günter Grass's Use of Baroque Literature Julian Preece doi:10.2307/3734296 | Cite |
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1033-1035 | Review of Irmtraud Morgner, Alison Lewis, Subverting Patriarchy: Feminism and Fantasy in the Works of Irmtraud Morgner Antje Ricken doi:10.2307/3734297 | Cite |
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1035-1036 | | Cite |
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1036-1037 | Review of Birgit Gottschalk, Das Kind von Europa: Zur Rezeption des Kaspar Hauser-Stoffes in der Literatur Anthony Waine doi:10.2307/3734299 | Cite |
| |
1037-1038 | Review of Christine Zimmermann, Unmittelbarkeit: Theorien über den Ursprung der Musik und der Sprache in der Ästhetik des 18. Jahrhunderts Andrea Reiter doi:10.2307/3734300 | Cite |
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1039-1040 | Review of Jutta Dick, Barbara Hahn, Von einer Welt in die andere. Jüdinnen im 19. und 20. Jahrhundert Florian Krobb doi:10.2307/3734301 | Cite |
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1040-1041 | Review of Peter I. Barta, David H. J. Larmour, Paul Allen Miller, Russian Literature and the Classics Boris Lanin doi:10.2307/3734302 | Cite |
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1041-1047 | Review of Nikita Zabolotsky, R. R. Milner-Gulland, C. G. Bearne, The Life of Zabolotsky Michael Makin doi:10.2307/3734303 | Cite |
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1047-1049 | | Cite |
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1049 | | Cite |
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1049-1050 | | Cite |
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1050-1051 | Review of Pam Morris, Graham Roberts, The Bakhtin Reader: Selected Writings of Bakhtin, Medvedev, Voloshinov Carol Adlam doi:10.2307/3734307 | Cite |
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1051-1053 | | Cite |
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1053-1054 | Review of James Dingley, Arnold McMillin, Occasional Papers in Belarusian Studies, I, 1995 Peter Mayo doi:10.2307/3734309 | Cite |
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xxix-xxxviii | The Presidential Address of the Modern Humanities Research Association, 1997: From Germania to Europe: The Evidence of Language and History D. H. Green doi:10.2307/3734311 | Cite |
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