817-831 | | Cite |
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832-841 | Chaucer's Revision of the Prologue of "The Legend of Good Women" M. C. Seymourdoi:10.2307/3734203 | Cite |
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842-850 | Engendering the Sonnet, Loving to Write/Writing to Love: Louise Labé's "Tout aussi tot que je commence à prendre" Clive Scottdoi:10.2307/3734204 | Cite |
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851-863 | | Cite |
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864-876 | | Cite |
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877-892 | Leone and Arthur Serena and the Cambridge Chair of Italian, 1919-1934 Uberto Limentanidoi:10.2307/3734207 | Cite |
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893-902 | The Poet and the Thinker: María Zambrano and Feminist Criticism Clare E. Nimmodoi:10.2307/3734208 | Cite |
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903-911 | The Author as Victim: Wolfgang Koeppen, "Jakob Littners Aufzeichnungen aus einem Erdloch" David Baskerdoi:10.2307/3734209 | Cite |
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912-923 | Martin Walser's "Halbzeit": Stylizing Private History for Public Consumption Stuart Tabernerdoi:10.2307/3734210 | Cite |
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924-925 | | Cite |
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925 | | Cite |
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926-927 | Review of Warren Motte, Playtexts: Ludics in Contemporary LiteratureMary Orrdoi:10.2307/3734213 | Cite |
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927-928 | | Cite |
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928-929 | | Cite |
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929-930 | Review of Malcolm Bull, Apocalypse Theory and the Ends of the WorldPaul Smethurstdoi:10.2307/3734216 | Cite |
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930-932 | | Cite |
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932-933 | | Cite |
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933-934 | | Cite |
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935-936 | Review of Brian D. Ingraffia, Postmodern Theory and Biblical Theology: Vanquishing God's ShadowJoe Carterdoi:10.2307/3734220 | Cite |
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936-938 | Review of M. Teresa Tavormina, R. F. Yeager, The Endless Knot: Essays on Old and Middle English in Honor of Marie BoroffCharles A. Owen Jr.doi:10.2307/3734221 | Cite |
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938-940 | Review of M. J. Toswell, Prosody and Poetics in the Early Middle Ages: Essays in Honour of C. B. HieattRosamund Allendoi:10.2307/3734222 | Cite |
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940-941 | Review of Susan L. Smith, The Power of Women: A Topos in Medieval Art and LiteratureSarah Stanburydoi:10.2307/3734223 | Cite |
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941-942 | Review of Anne Laskaya, Chaucer's Approach to Gender in the 'Canterbury Tales'Janette Dillondoi:10.2307/3734224 | Cite |
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942-943 | Review of Deborah Willis, Malevolent Nurture: Witch-Hunting and Maternal Power in Early Modern EnglandDiane Purkissdoi:10.2307/3734225 | Cite |
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944 | Review of Philip Sidney, William Craft, Labyrinth of Desire: Invention and Culture in the Work of Sir Philip SidneyAndrew Hadfielddoi:10.2307/3734226 | Cite |
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945-946 | Review of R. B. Parker, The Oxford Shakespeare: The Tragedy of CoriolanusPeggy Muñoz Simondsdoi:10.2307/3734227 | Cite |
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946-948 | | Cite |
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948-949 | Review of Robert C. Evans, Habits of Mind: Evidence and Effects of Ben Jonson's ReadingN. W. Bawcuttdoi:10.2307/3734229 | Cite |
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949-950 | Review of Bernard Capp, The World of John Taylor the Water-Poet: 1578-1653Andrew Spongdoi:10.2307/3734230 | Cite |
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950-953 | Review of David Collings, Wordsworthian Errancies: The Poetics of Cultural DismembermentWilliam Galperindoi:10.2307/3734231 | Cite |
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953-954 | Review of Mary Anne Perkins, Coleridge's Philosophy: The Logos as Unifying PrincipleTim Fulforddoi:10.2307/3734232 | Cite |
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954-955 | Review of Grant F. Scott, The Sculpted Word: Keats, Ekphrasis, and the Visual ArtsElinor Shafferdoi:10.2307/3734233 | Cite |
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955-957 | Review of Claire Kahane, Passions of the Voice: Hysteria, Narrative, and the Figure of the Speaking Woman, 1850-1915Frances Wilsondoi:10.2307/3734234 | Cite |
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957-958 | Review of Elizabeth Langland, Nobody's Angels: Middle-Class Women and Domestic Ideology in Victorian CultureCatherine Maxwelldoi:10.2307/3734235 | Cite |
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958-959 | Review of Deirdre David, Rule Britannia: Women, Empire, and Victorian WritingRanu Samantraidoi:10.2307/3734236 | Cite |
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959-960 | | Cite |
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960-961 | Review of J. Percy Smith, Bernard Shaw, Selected Correspondence of Bernard Shaw: Bernard Shaw and H. G. WellsJohn Stokesdoi:10.2307/3734238 | Cite |
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961-963 | Review of Ruth D. Weston, Gothic Traditions and Narrative Techniques in the Fiction of Eudora WeltyPeter Vernondoi:10.2307/3734239 | Cite |
| |
963-964 | Review of Brenda Murphy, Miller: 'Death of a Salesman'; Ruby Cohn, Anglo-American Interplay in Recent DramaSteven Pricedoi:10.2307/3734240 | Cite |
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965-966 | Review of Philip Larkin, Andrew Swarbrick, Out of Reach: The Poetry of Philip LarkinJames Boothdoi:10.2307/3734241 | Cite |
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966-967 | | Cite |
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967 | | Cite |
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967-969 | Review of Lawrence Earp, Guillaume de Machaut: A Guide to ResearchPeter Meredithdoi:10.2307/3734244 | Cite |
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969 | | Cite |
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970 | Review of Roberta L. Krueger, Women Readers and the Ideology of Gender in Old French Verse RomanceRosalind Brown Grantdoi:10.2307/3734246 | Cite |
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970-971 | Review of Judy Sproxton, Violence and Religion: Attitudes Towards Militancy in the French Civil Wars and the English RevolutionJames Suppledoi:10.2307/3734247 | Cite |
| |
971-972 | Review of Gérard Defaux, Clément Marot: Cinquante pseaumes de David mis en françoys selon la vérité hébraïqueKeith Camerondoi:10.2307/3734248 | Cite |
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972-973 | Review of Patrick Dandrey, Alain Génetiot, Boris Donné, Le Fablier, Revue des Amis de Jean de La FontaineMaya Slaterdoi:10.2307/3734249 | Cite |
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973 | Review of Édouard Guitton, Ginguené (1748-1816), Idéologue et MédiateurMalcolm Cookdoi:10.2307/3734250 | Cite |
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973-974 | | Cite |
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974-975 | Review of Michele Hannoosh, Painting and the 'Journal' of Eugène DelacroixJames Kearnsdoi:10.2307/3734252 | Cite |
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975-976 | Review of Wolfgang Drost, Ulrike Henninges, Théophile Gautier: Exposition de 1859James Kearnsdoi:10.2307/3734253 | Cite |
| |
976 | Review of Stéphane Mallarmé, Michael Temple, The Name of the Poet: Onomastics and Anonymity in the Works of Stéphane MallarméGraham Robbdoi:10.2307/3734254 | Cite |
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977 | | Cite |
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977-978 | Review of Edmond Rostand, Geoff Woollen, Cyrano de BergeracC. E. J. Dolamoredoi:10.2307/3734256 | Cite |
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978-979 | Review of Michael Sprinker, History and Ideology in Proust: 'À la recherche du temps perdu' and the Third French RepublicRobin Mackenziedoi:10.2307/3734257 | Cite |
| |
979-980 | Review of Pierre Masson, André Gide et Christian Beck: CorrespondanceDavid H. Walkerdoi:10.2307/3734258 | Cite |
| |
980-981 | Review of Jean-Yves Debreuille, Pierre Masson, Victor Martin-Schmets, Lectures d'André Gide: Hommage à Claude MartinEmma K. M. Kempdoi:10.2307/3734259 | Cite |
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981-982 | Review of Gino Raymond, André Malraux: Politics and the Temptation of MythChristopher Shorleydoi:10.2307/3734260 | Cite |
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982 | | Cite |
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982-983 | Review of Walter Redfern, Michel Tournier: 'Le Coq de bruyère'Rachel Edwardsdoi:10.2307/3734262 | Cite |
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983-984 | Review of Alex Hughes, Kate Ince, French Erotic Fiction: Women's Desiring Writing, 1880-1990Victoria Bestdoi:10.2307/3734263 | Cite |
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984-985 | Review of Alan Pedley, As Mighty as the Sword: A Study of the Writings of Charles de GaullePhilip Thodydoi:10.2307/3734264 | Cite |
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985 | Review of Édouard Guitton, La culpabilité dans la littérature françaisePhilip Thodydoi:10.2307/3734265 | Cite |
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985-986 | | Cite |
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986-987 | Review of Dennis Porter, Rousseau's Legacy: Emergence and Eclipse of the Writer in FranceCatherine Rodgersdoi:10.2307/3734267 | Cite |
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987-988 | | Cite |
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988-990 | Review of Kristin Ross, Fast Cars, Clean Bodies: Decolonization and the Reordering of French CultureMargaret Atackdoi:10.2307/3734269 | Cite |
| |
990-991 | Review of Stefano Jossa, La fantasia e la memoria: Intertestualità ariosteschePeter Branddoi:10.2307/3734270 | Cite |
| |
992-993 | Review of Giuseppe Savoca, Alida D'Aquino, Concordanza del 'Canto novo' di Gabriele D'AnnunzioJ. R. Woodhousedoi:10.2307/3734271 | Cite |
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993-996 | Review of Margaret R. Parker, The Story of a Story across Cultures: The Case of the 'Doncella Teodor'Esther Gómez-Sierradoi:10.2307/3734272 | Cite |
| |
996-997 | Review of Judith Etzion, The Cancionero de la Sablonara (A Critical Edition)Trevor J. Dadsondoi:10.2307/3734273 | Cite |
| |
998-1000 | Review of Stephen Rupp, Allegories of Kingship: Calderón and the Anti-Machiavellian TraditionJonathan Thackerdoi:10.2307/3734274 | Cite |
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1000-1001 | Review of José Bergamín, Helen Wing, The Dialectics of Faith in the Poetry of José BergamínNigel Dennisdoi:10.2307/3734275 | Cite |
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1001-1002 | Review of Sumner M. Greenfield, Lorca, Valle-Inclán y las estéticas de la disidencia: Ensayos sobre literatura hispánicaJohn Lyondoi:10.2307/3734276 | Cite |
| |
1002-1004 | Review of Cecelia J. Cavanaugh, Lorca's Drawings and Poems: Forming the Eye of the ReaderEric Southworthdoi:10.2307/3734277 | Cite |
| |
1004 | Review of Abigail Lee Six, Juan Goytisolo: 'Campos de Nijar'Anthony Trippettdoi:10.2307/3734278 | Cite |
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1004-1006 | Review of Christopher Beedham, German Linguistics: An IntroductionMichael Townsondoi:10.2307/3734279 | Cite |
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1006-1008 | Review of Rüdiger Harnisch, Ludwig M. Eichinger, Anthony Rowley, '... im Gefüge der Sprachen'. Studien zu System und Soziologie der Dialekte. Festschrift für Robert Hunderling zum 60. GeburtstagG. Newtondoi:10.2307/3734280 | Cite |
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1008-1010 | Review of J. Alan Pfeffer, Garland Cannon, German Loanwords in English: An Historical DictionaryWilliam Jervis Jonesdoi:10.2307/3734281 | Cite |
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1010-1011 | Review of Andreas Gardt, Sprachreflexion in Barock und Frühaufklärung: Entwürfe von Böhme bis LeibnizWilliam Jervis Jonesdoi:10.2307/3734282 | Cite |
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1012-1013 | Review of Volker Honemann, German Narrative Literature of the Twelfth and Thirteenth Centuries: Studies Presented to Roy Wisbey on His Sixty-Fifth BirthdayAlan Robertshawdoi:10.2307/3734283 | Cite |
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1013-1015 | Review of Arthur Groos, Romancing the Grail: Genre, Science, and Quest in Wolfram's 'Parzival'David N. Yeandledoi:10.2307/3734284 | Cite |
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1015-1016 | Review of Italo Michele Battafarano, Glanz des Barock: Forschungen zur deutschen als europäischer LiteraturPeter Skrinedoi:10.2307/3734285 | Cite |
| |
1016-1019 | Review of Volker Bauer, Die höfische Gesellschaft in Deutschland von der Mitte des 17. bis zum Ausgang des 18. Jahrhunderts; Natalie Zemon Davis, Women on the Margins: Three Seventeenth-Century LivesHelen Watanabe-O'Kellydoi:10.2307/3734286 | Cite |
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1019-1020 | Review of Neil H. Donahue, Invisible Cathedrals: The Expressionist Art History of Wilhelm WorringerR. S. Furnessdoi:10.2307/3734287 | Cite |
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1020-1021 | Review of Martina Hoffmann, Thomas Manns 'Der Tod in Venedig': Eine Entwicklungsgeschichte im Spiegel philosophischer KonzeptionenPaul Bishopdoi:10.2307/3734288 | Cite |
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1021-1022 | Review of Moritz Bassler, Die Entdeckung der Textur: Unverständlichkeit in der Kurzprosa der emphatischen Moderne 1910-1916Andreas Kramerdoi:10.2307/3734289 | Cite |
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1022-1024 | Review of Bernhard Hanssler, Hinrich Siefken, Theodor Haecker: Leben und Werk. Texte, Briefe, Erinnerungen, WürdigungenBrian Keith-Smithdoi:10.2307/3734290 | Cite |
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1024-1025 | Review of Sem Dresden, Henry G. Schogt, Persecution, Extermination, LiteratureDagmar C. G. Lorenzdoi:10.2307/3734291 | Cite |
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1025-1026 | Review of Kristie A. Foell, Blind Reflections: Gender in Elias Canetti's 'Die Blendung'Harriet Murphydoi:10.2307/3734292 | Cite |
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1026-1028 | Review of James K. Lyon, Hans-Peter Breuer, Brecht Unbound: Presented at the International Bertolt Brecht Symposium Held at the University of Delaware February 1992Anne Whitedoi:10.2307/3734293 | Cite |
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1028-1029 | Review of Friedrich Dürrenmatt, Anna von Planta, Ulrich Weber, Der Pensionierte. Fragment eines KriminalromansSydney G. Donalddoi:10.2307/3734294 | Cite |
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1029-1030 | Review of Colin B. Grant, Literary Communication from Consensus to Rupture: Practice and Theory in Honecker's GDRWilliam Nivendoi:10.2307/3734295 | Cite |
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1030-1033 | Review of Alexander Weber, Günter Grass's Use of Baroque LiteratureJulian Preecedoi:10.2307/3734296 | Cite |
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1033-1035 | Review of Irmtraud Morgner, Alison Lewis, Subverting Patriarchy: Feminism and Fantasy in the Works of Irmtraud MorgnerAntje Rickendoi:10.2307/3734297 | Cite |
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1035-1036 | | Cite |
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1036-1037 | Review of Birgit Gottschalk, Das Kind von Europa: Zur Rezeption des Kaspar Hauser-Stoffes in der LiteraturAnthony Wainedoi:10.2307/3734299 | Cite |
| |
1037-1038 | Review of Christine Zimmermann, Unmittelbarkeit: Theorien über den Ursprung der Musik und der Sprache in der Ästhetik des 18. JahrhundertsAndrea Reiterdoi:10.2307/3734300 | Cite |
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1039-1040 | Review of Jutta Dick, Barbara Hahn, Von einer Welt in die andere. Jüdinnen im 19. und 20. JahrhundertFlorian Krobbdoi:10.2307/3734301 | Cite |
| |
1040-1041 | Review of Peter I. Barta, David H. J. Larmour, Paul Allen Miller, Russian Literature and the ClassicsBoris Lanindoi:10.2307/3734302 | Cite |
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1041-1047 | Review of Nikita Zabolotsky, R. R. Milner-Gulland, C. G. Bearne, The Life of ZabolotskyMichael Makindoi:10.2307/3734303 | Cite |
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1047-1049 | | Cite |
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1049 | | Cite |
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1049-1050 | | Cite |
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1050-1051 | Review of Pam Morris, Graham Roberts, The Bakhtin Reader: Selected Writings of Bakhtin, Medvedev, VoloshinovCarol Adlamdoi:10.2307/3734307 | Cite |
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1051-1053 | | Cite |
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1053-1054 | Review of James Dingley, Arnold McMillin, Occasional Papers in Belarusian Studies, I, 1995Peter Mayodoi:10.2307/3734309 | Cite |
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xxix-xxxviii | The Presidential Address of the Modern Humanities Research Association, 1997: From Germania to Europe: The Evidence of Language and History D. H. Greendoi:10.2307/3734311 | Cite |
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