Modern Language Review 91.2

Modern Language Review 91.2

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Modern Language Review 91.2

Modern Humanities Research Association

1 April 1996 • 280pp

Access online: At JSTOR

Contents:

273-280	The Boundaries of Style and Stylistics: Beyond the Form/Content Debate Robert Crawshaw doi:10.2307/3735011	Cite
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281-300	The Separating Sword in the "Tristran" Romances: Possible Celtic Analogues Re-Examined Mary Brockington doi:10.2307/3735012	Cite
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301-316	"The Vine and Her Elm": Milton's Eve and the Transformation of an Ovidian Motif Mandy Green doi:10.2307/3735013	Cite
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317-329	Why Roxana Can Never Find Herself Peter New doi:10.2307/3735014	Cite
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330-341	Reading Expectations: The Narration of Hume in "Jacques le Fataliste" Nicholas Cronk doi:10.2307/3735015	Cite
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342-354	Reading and Writing in Joubert's "Carnets" David Kinloch doi:10.2307/3735016	Cite
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355-364	Text, Image, Reference in Roland Barthes's "La Chambre Claire" Johnnie Gratton doi:10.2307/3735017	Cite
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365-381	The Red and the Blue: The Depiction of the Italian Partisan Resistance in Fenoglio's "Il partigiano Johnny" Philip Cooke doi:10.2307/3735018	Cite
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382-392	The Early Reception of Miguel de Unamuno in England, 1907-1939 David Callahan doi:10.2307/3735019	Cite
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393-405	(De)Mystification in Juan Goytisolo's Early Novels, from "Juegos de manos to La resaca" Jeremy S. Squires doi:10.2307/3735020	Cite
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406-413	Tieck's "Däumchen": Some Notes on Sources David Blamires doi:10.2307/3735021	Cite
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414-426	1945 and Onwards: Female Gender and Participation in the German Short Story Alan Corkhill doi:10.2307/3735022	Cite
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427-440	Author and Authority: Valentin Rasputin's "Downstream, Upstream" as a Discourse on Writing John Givens doi:10.2307/3735023	Cite
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441	Review of Michael Kaufmann, Textual Bodies: Modernism, Postmodernism, and Print Sebastian D. G. Knowles doi:10.2307/3735024	Cite
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442-443	Review of Lister M. Matheson, Popular and Practical Science of Medieval England C. W. Marx doi:10.2307/3735025	Cite
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443	Review of Kenneth J. E. Graham, The Performance of Conviction: Plainness and Rhetoric in the Early English Renaissance Jane Donawerth doi:10.2307/3735026	Cite
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444-445	Review of Robin Headlam Wells, Elizabethan Mythologies: Studies in Poetry, Drama and Music Graham Parry doi:10.2307/3735027	Cite
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445	Review of E. Beatrice Batson, Shakespeare and the Christian Tradition Rowland Wymer doi:10.2307/3735028	Cite
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446-447	Review of John Gillies, Shakespeare and the Geography of Difference Philip Edwards doi:10.2307/3735029	Cite
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447-448	Review of William Kerrigan, Hamlet's Perfection Philip Edwards doi:10.2307/3735030	Cite
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448-450	Review of Virginia Mason Vaughan, Othello: A Contextual History Michael Neill doi:10.2307/3735031	Cite
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450-451	Review of Robert C. Evans, Jonson and the Contexts of His Time Nick Rowe doi:10.2307/3735032	Cite
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451-453	Review of Mindele Anne Treip, Allegorical Poetics & the Epic: The Renaissance Tradition to 'Paradise Lost' Diane Kelsey McColley doi:10.2307/3735033	Cite
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453-454	Review of Nigel Smith, Literature and Revolution in England 1640-1660 David Norbrook doi:10.2307/3735034	Cite
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454-455	Review of Michael Lieb, Milton and the Culture of Violence Stella P. Revard doi:10.2307/3735035	Cite
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455-456	Review of Ralph Pite, The Circle of Our Vision: Dante's Presence in English Romantic Poetry Nick Havely doi:10.2307/3735036	Cite
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456-457	Review of Hugh Haughton, Adam Phillips, Geoffrey Summerfield, John Clare in Context Colin Nicholson doi:10.2307/3735037	Cite
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458-459	Review of Joseph Viscomi, Blake and the Idea of the Book Margaret Storch doi:10.2307/3735038	Cite
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459-460	Review of Jacqueline Howard, Reading Gothic Fiction: A Bakhtinian Approach David H. Richter doi:10.2307/3735039	Cite
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461	Review of Carol A. Martin, George Eliot's Serial Fiction David Carroll doi:10.2307/3735040	Cite
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462-463	Review of William J. Scheick, The Ethos of Romance at the Turn of the Century Janet Beer doi:10.2307/3735041	Cite
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463-464	Review of John A. McClure, Late Imperial Romance Peter Vernon doi:10.2307/3735042	Cite
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464-465	Review of Robert E. Montgomery, The Visionary D. H. Lawrence: Beyond Philosophy and Art Macdonald Daly doi:10.2307/3735043	Cite
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465-466	Review of Piero Boitani, Anita Weston, The Shadow of Ulysses: Figures of a Myth Patrick Parrinder doi:10.2307/3735044	Cite
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466-467	Review of John Pilling, The Cambridge Companion to Beckett Werner Huber doi:10.2307/3735045	Cite
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468-469	Review of Ed. Folsom, Walt Whitman's Native Representations Kevin McCarron doi:10.2307/3735046	Cite
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469-470	Review of Thomas R. Moore, A Thick and Darksome Veil: The Rhetoric of Hawthorne's Sketches, Prefaces, and Essays James Hurt doi:10.2307/3735047	Cite
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470-471	Review of François Villon, Barbara N. Sargent-Baur, Complete Poems Jane Taylor doi:10.2307/3735048	Cite
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471-472	Review of Marie-Luce Demonet, Les Voix du signe: Nature et origine du langage à la Renaissance (1480-1580) Pauline M. Smith doi:10.2307/3735049	Cite
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472-473	Review of Floyd Gray, Rabelais et le comique du discontinu Michael Heath doi:10.2307/3735050	Cite
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473-474	Review of Christian Delmas, La Tragédie de l'Age Classique (1553-1770) David Shaw doi:10.2307/3735051	Cite
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474-475	Review of H. T. Mason, Studies on Voltaire and the Eighteenth Century, 317 T. M. Pratt doi:10.2307/3735052	Cite
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475-476	Review of D. J. Culpin, Marivaux and Reason: A Study in Early Enlightenment Thought Michael Moriarty doi:10.2307/3735053	Cite
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476	Review of Santo L. Aricò, Rousseau's Art of Persuasion in 'La Nouvelle Héloïse' James Fowler doi:10.2307/3735054	Cite
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476-477	Review of Claire de Duras, Joan DeJean, Margaret Waller, Ourika Richard Bolster doi:10.2307/3735055	Cite
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477-478	Review of Roger Pearson, Stendhal: 'The Red and the Black' and 'The Charterhouse of Parma' Richard Bolster doi:10.2307/3735056	Cite
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478-479	Review of Théodore de Banville, Peter J. Edwards, Œuvres poétiques complètes. Vol. III: Odes funambulesques; François Brunet, Améthystes Rachel Killick doi:10.2307/3735057	Cite
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480-481	Review of Gerald Macklin, A Study of Theatrical Vision in Arthur Rimbaud's 'Illuminations' Steve Murphy doi:10.2307/3735058	Cite
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481-482	Review of Christopher Lloyd, Aymé: 'Uranus'/'La Tête des autres' Margaret Atack doi:10.2307/3735059	Cite
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482	Review of Gene A. Plunka, Antonin Artaud and the Modern Theater Sara Poole doi:10.2307/3735060	Cite
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482-483	Review of Beatrice Ness, Mystification et créativité dans l'œuvre romanesque de Marguerite Yourcenar: Cinq lectures génétiques Nigel Saint doi:10.2307/3735061	Cite
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483-484	Review of Nadia Harris, Marguerite Yourcenar: Vers la rive d'une Ithaque intérieure Sally A. Wallis doi:10.2307/3735062	Cite
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484-485	Review of Anne Simonin, Les Éditions de Minuit 1942-1955: Le Devoir d'insoumission John Flower doi:10.2307/3735063	Cite
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485-486	Review of Toril Moi, Simone de Beauvoir: The Making of an Intellectual Woman Margaret Atack doi:10.2307/3735064	Cite
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486-487	Review of Alex Hughes, Simone de Beauvoir: 'Le Sang des autres' Catherine Kaiserman doi:10.2307/3735065	Cite
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487-488	Review of Constantin V. Boundas, Dorothea Olkowski, Gilles Deleuze and the Theater of Philosophy John Marks doi:10.2307/3735066	Cite
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488-489	Review of Robert Smith, Derrida and Autobiography Seán Hand doi:10.2307/3735067	Cite
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489-490	Review of Maryse Condé, Madeleine Cottenet-Hage, Penser la créolité Peter S. Hawkins doi:10.2307/3735068	Cite
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490	Review of J. Michael Dash, Edouard Glissant Celia Britton doi:10.2307/3735069	Cite
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491	Review of Peter France, The New Oxford Companion to Literature in French Malcolm Cook doi:10.2307/3735070	Cite
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491-492	Review of Colin Jones, The Cambridge Illustrated History of France Rachel Killick doi:10.2307/3735071	Cite
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492	Review of David Baguley, A Critical Bibliography of French Literature. Vol. V: The Nineteenth Century in Two Parts Rachel Killick doi:10.2307/3735072	Cite
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492-493	Review of Terry Keefe, Edmund Smyth, Autobiography and the Existential Self: Studies in Modern French Writing Catherine Rodgers doi:10.2307/3735073	Cite
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493-494	Review of Serge Gavronsky, Toward a New Poetics: Contemporary Writing in France Andrew Rothwell doi:10.2307/3735074	Cite
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494-496	Review of Gino Bedani, Remo Catani, Monica Slowikowska, The Italian Lyric Tradition: Essays in Honour of F. J. Jones Charles Burdett doi:10.2307/3735075	Cite
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496-497	Review of Giuseppe Mazzotta, Dante's Vision and the Circle of Knowledge Mark Balfour doi:10.2307/3735076	Cite
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497-499	Review of Jo Ann Cavallo, Boiardo's 'Orlando Innamorato': An Ethics of Desire Jane E. Everson doi:10.2307/3735077	Cite
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499-500	Review of Conor Fahy, Printing a Book at Verona in 1622: The Account Book of Francesco Calzolari Junior Dennis E. Rhodes doi:10.2307/3735078	Cite
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500-501	Review of M. Grazia Sumeli Weinberg, Invito alla lettura di Dacia Maraini Sharon Wood doi:10.2307/3735079	Cite
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501	Review of Thomas R. Hart, Cervantes' Exemplary Fictions: A Study of the 'Novelas ejemplares' Ron Keightley doi:10.2307/3735080	Cite
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502-504	Review of Luis de Góngora, Robert Jammes, Soledades Barry Taylor doi:10.2307/3735081	Cite
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504-505	Review of Vicente Blasco Ibáñez, Lester Clark, Eric Farrington Birchall, The Holding ('La barraca') David Henn doi:10.2307/3735082	Cite
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505-506	Review of Andrew P. Debicki, Spanish Poetry of the Twentieth Century: Modernity and beyond Jean Andrews doi:10.2307/3735083	Cite
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506-507	Review of Stephen M. Hart, García Márquez: 'Crónica de una muerte anunciada' Gustavo San Román doi:10.2307/3735084	Cite
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507-508	Review of Ulrike Draesner, Wege durch erzählte Welten. Intertextuelle Verweise als Mittel der Bedeutungskonstitution in Wolframs 'Parzival' W. H. Jackson doi:10.2307/3735085	Cite
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508-509	Review of Birgit Boge, Literatur für das 'Catholische Teutschland'. Das Sortiment der Kölner Offizin Wilhelm Friessem im Zeitraum 1638-1668 Anthony J. Harper doi:10.2307/3735086	Cite
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509-511	Review of Klaus Manger, Wieland-Archiv Biberach, Wieland-Studien 2 Alan Menhennet doi:10.2307/3735087	Cite
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511-512	Review of Michael Maurer, O Britannien, von deiner Freiheit einen Hut voll. Deutsche Reiseberichte des 18. Jahrhunderts H. B. Nisbet doi:10.2307/3735088	Cite
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512-514	Review of Lea Ritter Santini, Eine Reise der Aufklärung: Lessing in Italien 1775 H. B. Nisbet doi:10.2307/3735089	Cite
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514-515	Review of Jane K. Brown, Meredith Lee, Thomas P. Saine, Paul Hernadi, Cyrus Hamlin, Interpreting Goethe's 'Faust' Today Francis Lamport doi:10.2307/3735090	Cite
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515-517	Review of Hilde Haider-Pregler, Evelyn Deutsch-Schreiner, Stichwort Grillparzer Ian F. Roe doi:10.2307/3735091	Cite
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517-518	Review of W. E. Yates, Nestroy and the Critics Peter Branscombe doi:10.2307/3735092	Cite
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518-519	Review of Gotthard Erler, Charlotte Jolles, Rudolf Muhs, Therese Erler, Theodor Fontane: Große Brandenburger Ausgabe. Tage- und Reisetagebücher Gerald Opie doi:10.2307/3735093	Cite
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519-520	Review of Eva Borst, Über jede Scham erhaben. Das Problem der Prostitution im literarischen Werk von Else Jerusalem, Margarete Böhme und Ilse Frapan unter besonderer Berücksichtigung der Sittlichkeits- und Sexualreformbewegung der Jahrhundertwende Sabine Werner-Birkenbach doi:10.2307/3735094	Cite
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521-522	Review of Rudolf Olden, Ika Olden, Charmian Brinson, Marian Malet, In tiefem Dunkel liegt Deutschland: Von Hitler vertrieben: Ein Jahr deutsche Emigration Richard Dove doi:10.2307/3735095	Cite
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522-523	Review of John M. Spalek, Konrad Feilchenstedt, Sandra H. Hawrylchak, Deutschsprachige Exilliteratur seit 1933. Vol. IV: Bibliographien, Schriftsteller, Publizisten und Literaturwissenschaftler in den USA J. M. Ritchie doi:10.2307/3735096	Cite
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523-524	Review of Carl Hill, The Soul of Wit: Joke Theory from Grimm to Freud Robert Gillett doi:10.2307/3735097	Cite
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524-525	Review of Osman Durrani, Fictions of Germany: Images of the German Nation in the Modern Novel Hinrich Siefken doi:10.2307/3735098	Cite
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525-526	Review of Dieter Borchmeyer, Viktor Žmegač, Moderne Literatur in Grundbegriffen. 2., neu bearbeitete Auflage Brian Keith-Smith doi:10.2307/3735099	Cite
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526-527	Review of Anna K. Kuhn, Barbara D. Wright, Playing for Stakes: German-Language Drama in Social Context. Essays in Honor of Herbert Lederer Ladislaus Löb doi:10.2307/3735100	Cite
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527-528	Review of Jeanette Clausen, Sara Friedrichsmeyer, Women in German Yearbook: Feminist Studies in German Literature and Culture, 8, 9 Juliet Wigmore doi:10.2307/3735101	Cite
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529-530	Review of Tom Cheesman, The Shocking Ballad Picture Show: German Popular Literature and Cultural History David Blamires doi:10.2307/3735102	Cite
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530-531	Review of Wolfgang Beutin, Klaus Ehlert, Wolfgang Emmerich, Clare Krojzl, A History of German Literature: From the Beginnings to the Present Day Osman Durrani doi:10.2307/3735103	Cite
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531-532	Review of James McFarlane, The Cambridge Companion to Ibsen A. F. Machiraju doi:10.2307/3735104	Cite
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532-533	Review of Derek Offord, Modern Russian: An Advanced Grammar Course N. J. C. Gotteri doi:10.2307/3735105	Cite
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534-535	Review of M. P. Alekseev, Iu. D. Levin, Vil'iam Rol'ston: propagandist russkoi literatury i fol'klora: S prilozheniem pisem Rol'stona k russkim korrespondentam Anthony Hippisley doi:10.2307/3735106	Cite
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535-537	Review of Gordon McVay, Chekhov: A Life in Letters Peter Henry doi:10.2307/3735107	Cite
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537-538	Review of Lars Kleberg, Theatre as Action: Soviet Russian Avant-Garde Aesthetics Spencer Golub doi:10.2307/3735108	Cite
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538-539	Review of Carol Any, Boris Eikhenbaum: Voices of a Russian Formalist Grahame Smith doi:10.2307/3735109	Cite
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540-541	Review of István Kilián, A Magyarországi Piarista Iskolai Színjátszás Forrásai és Irodalma 1799-ig: Fontes Ludorum Scenicorum in Gymnasiis Collegiisque Scholarum Piarum Hungariae Nigel Griffin doi:10.2307/3735110	Cite
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