1-8 | | Cite |
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9-19 | Shadowed by the Gaze: Evelyn Waugh's "Vile Bodies" and "The Ordeal of Gilbert Pinfold" R. Neill Johnson doi:10.2307/3733993 | Cite |
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20-39 | Holding up the Mirror to Mind's Nature: Reading "Rosencrantz" "Beyond Absurdity" John Freeman doi:10.2307/3733994 | Cite |
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40-52 | Rousseau's "La Nouvelle Héloïse": Passion, Reserve, and the Gift Judith Still doi:10.2307/3733995 | Cite |
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53-64 | From Cannibal to Carnival: Orality and Violence in Balzac's "Gobseck" Owen Heathcote doi:10.2307/3733996 | Cite |
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65-77 | On the "Likeness" of Similes and Metaphors (With Special Reference to Alfred Jarry's "Les Jours et les nuits") Teresa Bridgeman doi:10.2307/3733997 | Cite |
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78-93 | | Cite |
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94-106 | | Cite |
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107-123 | National Feminism in Cuba: The Elaboration of a Counter-Discourse, 1900-1935 Catherine Davies doi:10.2307/3734000 | Cite |
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124-137 | | Cite |
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138-158 | "Jung-Joseph": Thomas Mann's Reception of Jungian Thought in the "Joseph" Tetralogy Paul Bishop doi:10.2307/3734002 | Cite |
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159-174 | | Cite |
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175-177 | Review of Franz Karl Stanzel, Martin Löschnigg, Intimate Enemies: English and German Literary Reactions to the Great War 1914-1918 John Warpen doi:10.2307/3734004 | Cite |
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177-178 | Review of Yishai Tobin, Aspect in the English Verb: Process and Result in Language Christopher Beedham doi:10.2307/3734005 | Cite |
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179-180 | Review of Wolfgang Iser, The Fictive and the Imaginary: Charting Literary Anthropology Michael Bell doi:10.2307/3734006 | Cite |
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180-181 | Review of Eric Jager, The Tempter's Voice: Language and the Fall in Medieval Literature J. A. George doi:10.2307/3734007 | Cite |
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181-182 | Review of Piero Boitani, Anna Torti, Interpretation: Medieval and Modern. The J. A. W. Bennett Memorial Lectures, Eighth Series, Perugia, 1992 John M. Fyler doi:10.2307/3734008 | Cite |
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183-184 | Review of Carol M. Meale, Women and Literature in Britain, 1150-1500 Helen Phillips doi:10.2307/3734009 | Cite |
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184-185 | Review of James P. Carley, Felicity Riddy, Arthurian Literature, XII P. J. C. Field doi:10.2307/3734010 | Cite |
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185-186 | Review of A. C. Spearing, The Medieval Poet as Voyeur: Looking and Listening in Medieval Love-Narratives John M. Fyler doi:10.2307/3734011 | Cite |
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186-188 | Review of Stephen A. Barney, Studies in 'Troilus': Chaucer's Text, Meter, and Diction C. David Benson doi:10.2307/3734012 | Cite |
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188-189 | Review of Saara Nevanlinna, Irma Taavitsainen, St Katherine of Alexandria: The Late Middle English Prose Legend in Southwell Minster MS 7 Bella Millett doi:10.2307/3734013 | Cite |
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189-190 | | Cite |
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190 | | Cite |
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191 | Review of William Shakespeare, Gunnar Sorelius, Shakespeare's Early Comedies: Myth, Metamorphosis, Mannerism Pauline Kiernan doi:10.2307/3734016 | Cite |
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192-193 | Review of David Wiles, Shakespeare's Almanac: 'A Midsummer Night's Dream', Marriage and the Elizabethan Calendar Gary Jay Williams doi:10.2307/3734017 | Cite |
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193 | Review of Camille Wells Slights, Shakespeare's Comic Commonwealths Pauline Kiernan doi:10.2307/3734018 | Cite |
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193-195 | Review of Thomas N. Corns, The Cambridge Companion to English Poetry: Donne to Marvell Neil Rhodes doi:10.2307/3734019 | Cite |
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195-196 | Review of Stephen R. Honeygosky, Milton's House of God: The Invisible and Visible Church Martin Dzelzainis doi:10.2307/3734020 | Cite |
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196-197 | Review of Jane Blumberg, Mary Shelley's Early Novels: 'This Child of Imagination and Misery' Siv Jansson doi:10.2307/3734021 | Cite |
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197-198 | Review of J. R. de J. Jackson, Romantic Poetry by Women: A Bibliography, 1770-1835 Tara Morgan doi:10.2307/3734022 | Cite |
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198-199 | Review of Mary A. Favret, Romantic Correspondence: Women, Politics and the Fiction of Letters Marion Wynne-Davies doi:10.2307/3734023 | Cite |
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199-201 | Review of Nigel Leask, British Romantic Writers and the East: Anxieties of Empire Tim Fulford doi:10.2307/3734024 | Cite |
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201-202 | | Cite |
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202-203 | Review of Bernard Rosenthal, Salem Story: Reading the Witch Trials of 1692 B. R. Harding doi:10.2307/3734026 | Cite |
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203-205 | Review of Gordon Brotherston, Book of the Fourth World: Reading the Native Americas through Their Literatures A. Robert Lee doi:10.2307/3734027 | Cite |
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205-206 | Review of David Wyatt, Out of the Sixties: Storytelling and the Vietnam Generation Sebastian D. G. Knowles doi:10.2307/3734028 | Cite |
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206-207 | | Cite |
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207-208 | Review of Claudette Sartiliot, Citation and Modernity: Derrida, Joyce, and Brecht Steven Connor doi:10.2307/3734030 | Cite |
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209 | Review of Joseph Natoli, Linda Hutcheon, A Postmodern Reader Michael Kaufmann doi:10.2307/3734031 | Cite |
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210 | Review of A. J. Holden, Hue de Rotelande: 'Protheselaus'. Vol. III: Introduction, Notes, and Glossary William Rothwell doi:10.2307/3734032 | Cite |
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210-211 | Review of Karen Pratt, Shifts and Transpositions in Medieval Narrative: A Festschrift for Dr Elspeth Kennedy Leslie C. Brook doi:10.2307/3734033 | Cite |
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211-212 | Review of Nigel Wilkins, Les Manuscrits français de la bibliothèque Parker (Parker Library, Corpus Christi College, Cambridge): Actes du colloque 24-27 mars 1993 Leslie C. Brook doi:10.2307/3734034 | Cite |
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212-213 | | Cite |
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213 | Review of André Tissier, Recueil de Farces (1450-1550): textes annotés et commentés. Vol. VIII: Le Nouveau Pathelin; Le Testament Pathelin; Le Savetier, le sergent et la laitière Alan Hindley doi:10.2307/3734036 | Cite |
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214 | Review of Marie-Luce Demonet-Launay, André Tournon, Logique et littérature à la Renaissance Trevor Peach doi:10.2307/3734037 | Cite |
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214-215 | Review of Ullrich Langer, Perfect Friendship: Studies in Literature and Moral Philosophy from Boccaccio to Corneille Trevor Peach doi:10.2307/3734038 | Cite |
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215-216 | Review of Jerry C. Nash, A Scève Celebration: 'Délie' 1544-1994 David Cowling doi:10.2307/3734039 | Cite |
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216-217 | Review of Perry Gethner, Femmes dramaturges en France (1650-1750): Pièces choisies Jan Clarke doi:10.2307/3734040 | Cite |
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217-218 | Review of James F. Gaines, Perry Gethner, Pierre Du Ryer: 'Lucrece' David Clarke doi:10.2307/3734041 | Cite |
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218-219 | Review of Robert McBride, Noël Peacock, Le Nouveau Moliériste, I (1994) David Shaw doi:10.2307/3734042 | Cite |
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219-220 | Review of Nicholas Hammond, Playing with Truth: Language and the Human Condition in Pascal's 'Pensées' Elizabeth Moles doi:10.2307/3734043 | Cite |
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220-221 | Review of Jacques Berchtold, Michel Porret, La Peur au XVIIIe siècle: discours, représentations, pratiques T. M. Pratt doi:10.2307/3734044 | Cite |
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221-222 | Review of Catherine Volpilhac-Auger, Tacite en France de Montesquieu à Chateaubriand T. M. Pratt doi:10.2307/3734045 | Cite |
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222 | Review of Andrew McClellan, Inventing the Louvre: Art, Politics, and the Origins of the Modern Museum in Eighteenth-Century Paris Christopher Todd doi:10.2307/3734046 | Cite |
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223 | Review of Michael P. Fitzsimmons, The Remaking of France: The National Assembly and the Constitution of 1791 Christopher Todd doi:10.2307/3734047 | Cite |
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223-224 | Review of Joan Hinde Stewart, Gynographs: French Novels by Women of the Late Eighteenth Century Stephen Jones doi:10.2307/3734048 | Cite |
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224-226 | Review of Roddey Reid, Families in Jeopardy: Regulating the Social Body in France, 1750-1910 Diana Knight doi:10.2307/3734049 | Cite |
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226-227 | Review of Jennifer Waelti-Walters, Steven C. Hause, Jette Kjaer, Lydia Willis, Feminisms of the Belle Epoque: A Historical and Literary Anthology Kathleen M. McKilligan doi:10.2307/3734050 | Cite |
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227 | | Cite |
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227-228 | Review of David Bryant, The Rhetoric of Pessimism and Strategies of Containment in the Short Stories of Guy de Maupassant Peter Cogman doi:10.2307/3734052 | Cite |
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228-229 | Review of Eva Ahlstedt, André Gide et le débat sur l'homosexualité de 'L'Immoraliste' (1902) à 'Si le grain ne meurt' (1926) Lucille Cairns doi:10.2307/3734053 | Cite |
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229-233 | Review of Clive Scott, Reading the Rhythm: The Poetics of French Free Verse 1910-1930 Roger Pensom doi:10.2307/3734054 | Cite |
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233 | Review of Claire Duchen, Women's Rights and Women's Lives in France 1944-1968 Margaret Atack doi:10.2307/3734055 | Cite |
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234 | Review of Marie Maclean, The Name of the Mother: Writing Illegitimacy Diana Knight doi:10.2307/3734056 | Cite |
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234-235 | | Cite |
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235-236 | Review of Alain Robbe-Grillet, Anthony N. Fragola, Roch C. Smith, The Erotic Dream Machine: Interviews with Alain Robbe-Grillet on His Films Jean H. Duffy doi:10.2307/3734058 | Cite |
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236-237 | Review of John Conteh-Morgan, Theatre and Drama in Francophone Africa Nicki Hitchcott doi:10.2307/3734059 | Cite |
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237-238 | Review of Paul G. Socken, The Myth of the Lost Paradise in the Novels of Jacques Poulin David Coward doi:10.2307/3734060 | Cite |
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238-240 | Review of Aldo Scaglione, Knights at Court: Courtliness, Chivalry & Courtesy from Ottonian Germany to the Italian Renaissance John A. Scott doi:10.2307/3734061 | Cite |
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240-241 | Review of Julia Bolton Holloway, Twice-Told Tales: Brunetto Latino and Dante Alighieri Mark Balfour doi:10.2307/3734062 | Cite |
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241-243 | Review of Richard Andrews, Scripts and Scenarios: The Performance of Comedy in Renaissance Italy Jennifer Lorch doi:10.2307/3734063 | Cite |
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243-244 | Review of Hermann W. Haller, Una lingua perduta e ritrovata: L'italiano degli italo-americani Susan A. Hill doi:10.2307/3734064 | Cite |
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244-245 | Review of Stephen Miller, Del Realismo / Naturalismo al Modernismo: Galdós, Zola, Revilla y Clarín (1870-1901) James Whiston doi:10.2307/3734065 | Cite |
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245-246 | | Cite |
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247 | | Cite |
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248-251 | Review of Gertrud Grünkorn, Die Fiktionalität des höfischen Romans um 1200 D. H. Green doi:10.2307/3734068 | Cite |
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251-252 | Review of Alan C. Leidner, Helga S. Madland, Space to Act: The Theater of J. M. R. Lenz Edward M. Batley doi:10.2307/3734069 | Cite |
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252-253 | Review of Rüdiger Görner, Hölderlins Mitte: Zur Ästhetik eines Ideals Howard Gaskill doi:10.2307/3734070 | Cite |
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253-255 | Review of Uwe Beyer, Mythologie und Vernunft. Vier philosophische Studien zu Friedrich Hölderlin David Constantine doi:10.2307/3734071 | Cite |
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255-256 | Review of Jörg Platiel, Mythos und Mysterium: Die Rezeption des Mittelalters im Werk Gerhart Hauptmanns Peter Skrine doi:10.2307/3734072 | Cite |
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256-260 | Review of Arnold Heidsieck, The Intellectual Contexts of Kafka's Fiction: Philosophy, Law, Religion; Claus Hebell, Rechtstheoretische und geistesgeschichtliche Voraussetzungen für das Werk Franz Kafkas, analysiert an seinem Roman 'Der Prozeß'; Heinrich P. Delfosse, Karl Jürgen Skrodzki, Synoptische Konkordanz zu Franz Kafkas Romanen 'Der Verschollene': 'Der Proceß': 'Das Schloß' Ritchie Robertson doi:10.2307/3734073 | Cite |
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260-261 | Review of Inge Stephan, Sabine Schilling, Sigrid Weigel, Jüdische Kultur und Weiblichkeit in der Moderne Florian Krobb doi:10.2307/3734074 | Cite |
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261-262 | Review of Thomas W. Kniesche, Stephen Brockmann, Dancing on the Volcano: Essays on the Culture of the Weimar Republic Brian Keith-Smith doi:10.2307/3734075 | Cite |
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262-264 | Review of Ursula Käser-Leisibach, Martin Stern, Kein einig Volk: Fünf schweizerische Zeitstücke 1933-1945 Peter Schäublin doi:10.2307/3734076 | Cite |
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264-267 | Review of Allyson Fiddler, Rewriting Reality: An Introduction to Elfriede Jelinek Brian Keith-Smith doi:10.2307/3734077 | Cite |
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267 | Review of Reinhard Baumgart, Deutsche Literatur der Gegenwart. Kritiken: Essays: Kommentare Osman Durrani doi:10.2307/3734078 | Cite |
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267-269 | Review of Erika Fischer-Lichte, Kurze Geschichte des deutschen Theaters John Guthrie doi:10.2307/3734079 | Cite |
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