1-13 | An Experiment with Time: Ezra Pound and the Example of Japanese Noh Peter Nichollsdoi:10.2307/3733248 | Cite |
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14-17 | | Cite |
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18-28 | | Cite |
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29-40 | Claude Simon's "L'acadia": History as Anonymity, the Name as Word Jean H. Duffydoi:10.2307/3733251 | Cite |
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41-54 | | Cite |
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55-70 | | Cite |
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71-82 | Discursive Anarchy or Creative Pluralism? The Cases of Cortázar and Puig Ciaran Cosgrovedoi:10.2307/3733254 | Cite |
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83-93 | | Cite |
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94-102 | Translation as a Creative Force in Literature: The Birth of the European Bourgeois Fairy-Tale Cay Dollerupdoi:10.2307/3733256 | Cite |
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103-119 | Signposting the Way to the City of Night: Recent Russian Dystopian Fiction S. Dalton-Browndoi:10.2307/3733257 | Cite |
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120-122 | Review of A. D. Nuttall, Openings: Narrative Beginnings from the Epic to the Novel; Timothy J. Reiss, The Meaning of LiteratureJeremy Tamblingdoi:10.2307/3733258 | Cite |
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122 | Review of Ben Knights, From Reader to Reader: Theory, Text and Practice in the Study GroupJoseph Natolidoi:10.2307/3733259 | Cite |
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123 | | Cite |
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123-125 | Review of John Sturrock, The Language of Autobiography: Studies in the First Person SingularJeremy Tamblingdoi:10.2307/3733261 | Cite |
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125-126 | Review of M. R. Axelrod, The Politics of Style in the Fiction of Balzac, Beckett and CortázarJohn Pillingdoi:10.2307/3733262 | Cite |
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126-128 | Review of Theodore Ziolkowski, Virgil and the Moderns; Colin Burrow, Epic Romance: Homer to MiltonAlastair Fowlerdoi:10.2307/3733263 | Cite |
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128-130 | Review of Fred C. Robinson, 'The Tomb of Beowulf' and Other Essays on Old EnglishRaymond P. Tripp Jr.doi:10.2307/3733264 | Cite |
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130-132 | Review of Michael Korhammer, Words, Texts, and Manuscripts: Studies in Anglo-Saxon Culture. Presented to Helmut Gneuss on the Occasion of His Sixty-Fifth BirthdayRichard Northdoi:10.2307/3733265 | Cite |
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132-134 | Review of Sam Newton, The Origins of Beowulf and the Pre-Viking Kingdom of East AngliaRaymond P. Tripp Jr.doi:10.2307/3733266 | Cite |
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134-136 | Review of Corinne J. Saunders, The Forest of Medieval Romance: Avernus, Broceliande, ArdenDeborah M. Sabadashdoi:10.2307/3733267 | Cite |
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136-137 | Review of Margaret Laing, Catalogue of Sources for a Linguistic Atlas of Early Medieval EnglishJ. D. Burnleydoi:10.2307/3733268 | Cite |
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137-138 | Review of Gary Tomlinson, Music in Renaissance Magic: Toward a Historiography of OthersJulie Robin Solomondoi:10.2307/3733269 | Cite |
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138-140 | Review of Gail Kern Paster, The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern EnglandKathleen E. McLuskiedoi:10.2307/3733270 | Cite |
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140-141 | Review of A. J. Hoenselaars, Images of Englishmen and Foreigners in the Drama of Shakespeare and His Contemporaries: A Study in Stage Characters and National Identity in English Renaissance DramaLoraine Fletcherdoi:10.2307/3733271 | Cite |
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141-142 | Review of Dennis Kennedy, Looking at Shakespeare: A Visual History of Twentieth-Century PerformanceDavid Danielldoi:10.2307/3733272 | Cite |
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142-144 | Review of John Haffenden, William Empson: Essays on Renaissance Literature. Vol. I: Donne and the New PhilosophyJohn Lucasdoi:10.2307/3733273 | Cite |
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144-145 | Review of J. R. Mulryne, Margaret Shewring, Theatre and Government under the Early StuartsJohn D. Coxdoi:10.2307/3733274 | Cite |
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145-146 | Review of Christopher Hodgkins, Authority, Church, and Society in George Herbert: Return to the Middle WayRichard Todddoi:10.2307/3733275 | Cite |
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146-147 | Review of Steven N. Zwicker, Lines of Authority: Politics and English Literary Culture, 1649-1689Ronald Knowlesdoi:10.2307/3733276 | Cite |
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147-148 | Review of Heidi Hutner, Rereading Aphra Behn: History, Theory, and CriticismCarolyn D. Williamsdoi:10.2307/3733277 | Cite |
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148-149 | | Cite |
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149-150 | Review of Catherine Craft-Fairchild, Masquerade and Gender: Disguise and Female Identity in Eighteenth-Century Fictions by WomenCarolyn D. Williamsdoi:10.2307/3733279 | Cite |
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150-151 | Review of Ann Jessie Van Sant, Eighteenth-Century Sensibility and the Novel: The Senses in a Social ContextJohn Mullandoi:10.2307/3733280 | Cite |
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151-152 | Review of Peter T. Murphy, Poetry as an Occupation and an Art in Britain: 1760-1830Allan Ingramdoi:10.2307/3733281 | Cite |
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152-153 | Review of Elsie B. Michie, Outside the Pale: Cultural Exclusion, Gender Difference, and the Victorian Woman WriterCatherine Maxwelldoi:10.2307/3733282 | Cite |
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153-154 | Review of Amanda Anderson, Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian CultureCatherine Maxwelldoi:10.2307/3733283 | Cite |
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154-155 | | Cite |
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156-157 | Review of Zohreh T. Sullivan, Narratives of Empire: The Fictions of Rudyard KiplingDavid Punterdoi:10.2307/3733285 | Cite |
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157-158 | Review of Douglas Kerr, Wilfred Owen's Voices: Language and CommunityAdrian Caesardoi:10.2307/3733286 | Cite |
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158-159 | Review of Richard E. Brantley, Coordinates of Anglo-American Romanticism: Wesley, Edwards, Carlyle & EmersonR. W. (Herbie) Butterfielddoi:10.2307/3733287 | Cite |
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160 | Review of Bryan C. Short, Cast by Means of Figures: Herman Melville's Rhetorical DevelopmentJames Hurtdoi:10.2307/3733288 | Cite |
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161-162 | Review of Christopher P. Wilson, White Collar Fictions: Class and Social Representation in American Literature, 1885-1925James Hurtdoi:10.2307/3733289 | Cite |
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162-163 | | Cite |
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163-164 | Review of Manju Jain, T. S. Eliot and American Philosophy: The Harvard YearsRobert Crawforddoi:10.2307/3733291 | Cite |
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164-165 | Review of Stephen Fredman, The Grounding of American Poetry: Charles Olson and the Emersonian TraditionStephen Mattersondoi:10.2307/3733292 | Cite |
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165-166 | Review of Victoria Harrison, Elizabeth Bishop's Poetics of IntimacyPat Righelatodoi:10.2307/3733293 | Cite |
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166-167 | Review of Brian W. Shaffer, The Blinding Torch: Modern British Fiction and the Discourse of CivilizationMacdonald Dalydoi:10.2307/3733294 | Cite |
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167-168 | Review of Hugh Underhill, The Problem of Consciousness in Modern PoetryJohn Lucasdoi:10.2307/3733295 | Cite |
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168-169 | Review of Anna McMullan, Theatre on Trial: Samuel Beckett's Later DramaDeborah Cottreaudoi:10.2307/3733296 | Cite |
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169-170 | Review of Donald H. Reiman, The Study of Modern Manuscripts: Public, Confidential, and PrivateLynette Hunterdoi:10.2307/3733297 | Cite |
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170-171 | Review of Allon White, Carnival, Hysteria, and Writing: Collected Essays and AutobiographyJeremy Tamblingdoi:10.2307/3733298 | Cite |
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171-173 | Review of James A. Coleman, Gabrielle Parker, French and the Enterprise Path: Developing Transferable and Professional SkillsDavid Plattendoi:10.2307/3733299 | Cite |
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173-174 | | Cite |
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174-175 | | Cite |
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175-176 | Review of Alain Toumayan, Literary Generations: A Festschrift in Honor of Edward D. SullivanRachel Killickdoi:10.2307/3733302 | Cite |
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176-178 | Review of Suzanne Gearhart, The Interrupted Dialectic: Philosophy, Psychoanalysis, and Their Tragic OtherPhilip Thodydoi:10.2307/3733303 | Cite |
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178-179 | Review of David Lee Rubin, Continuum: Problems in French Literature from the Late Renaissance to the Early Enlightenment. Vol. IV: Libertinage and the Art of Writing 2Terence Allottdoi:10.2307/3733304 | Cite |
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179 | Review of Anna Lia Franchetti, Il Salotto e la Scena: Le forme della Commedia galante da Corneille a MussetAnna Pilettidoi:10.2307/3733305 | Cite |
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180-181 | | Cite |
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181-182 | Review of Philippe Ménard, Denis Lalande, Thierry Delcourt, Le Roman de Tristan en prose. Vol. VEvelyn Mullallydoi:10.2307/3733307 | Cite |
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182 | Review of R. E. Asher, National Myths in Renaissance France: Francus, Samothes and the DruidsMalcolm C. Smithdoi:10.2307/3733308 | Cite |
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182-183 | Review of Jean Balsamo, Les Rencontres des muses: italianisme et anti-italianisme dans les Lettres françaises de la fin du XVIe siècleSarah Alyn-Staceydoi:10.2307/3733309 | Cite |
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183-185 | Review of Daniel Martin, L'Architecture des 'Essais' de Montaigne: mémoire artificielle et mythologieDavid Maskelldoi:10.2307/3733310 | Cite |
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185 | Review of Antoine Compagnon, Chat en poche: Montaigne et l'allégorieKeith Camerondoi:10.2307/3733311 | Cite |
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185-186 | Review of Erica Harth, Cartesian Women: Versions and Subversions of Rational Discourse in the Old RegimeJean Blochdoi:10.2307/3733312 | Cite |
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186-188 | Review of Nancy Deighton Klein, The Female Protagonist in the Nouvelles of Madame de Villedieu; Derek A. Watts, Corneille: 'Rodogune and Nicomède'David Shawdoi:10.2307/3733313 | Cite |
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188-189 | Review of Andrew Calder, Molière: The Theory and Practice of ComedyNoël A. Peacockdoi:10.2307/3733314 | Cite |
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189-190 | | Cite |
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190-192 | Review of Manuel Couvreur, Jean-Baptiste Lully: Musique et dramaturgie au service du princeElizabeth Woodroughdoi:10.2307/3733316 | Cite |
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192 | | Cite |
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193 | Review of D. J. Adams, Bibliographie des ouvrages français en forme de dialogue 1700-1750David J. Williamsdoi:10.2307/3733318 | Cite |
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193-194 | Review of Henri Lafon, Les Décors et les choses dans le roman français du dix-huitième siècle de Prévost à SadeThomas DiPierodoi:10.2307/3733319 | Cite |
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195 | Review of Robert L. Dawson, The French Booktrade and the 'permission simple' of 1777: Copyright and Public Domain, with an Edition of the Permit RegistersChristopher Todddoi:10.2307/3733320 | Cite |
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195-196 | Review of Voltaire, William Barber, Ulla Kölving, Paul LeClero, The Complete Works of Voltaire/Œuvres complètes de Voltaire. Vol. XXIA: Rome sauvée, ou Catilina; David H. Jory, Dissertations sur les principales tragédies anciennes et modernes qui ont paru sur le sujet d'Electre et en particulier sur celle de SophoclesChristopher Todddoi:10.2307/3733321 | Cite |
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196-197 | | Cite |
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197-198 | Review of Anne-Marie Chouillet, Pierre Crépei, Henri Duranton, Condorcet: Almanach anti-superstitieux et autres textesR. Niklausdoi:10.2307/3733323 | Cite |
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198-199 | Review of Dominique Verrey, Le Discours anthropologique à la fin des Lumières (annales benjamin constant, 13)Dennis Wooddoi:10.2307/3733324 | Cite |
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199 | Review of Jean Ygaunin, Paris à l'époque de Balzac et dans la 'Comédie humaine': la ville et la sociétéGraham Robbdoi:10.2307/3733325 | Cite |
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199-201 | Review of David Powell, George Sand Today: Proceedings of the Eighth International George Sand Conference, Tours 1989Edith McCormackdoi:10.2307/3733326 | Cite |
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201-202 | | Cite |
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203 | Review of Renzo Scarcella, Surfaces et profondeurs dans l'univers imaginaire de Villiers de l'Isle-AdamPeter Cogmandoi:10.2307/3733328 | Cite |
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203-205 | Review of Renée A. Kingcaid, Neurosis and Narrative: The Decadent Short Fiction of Proust, Lorrain and Rachilde; Michael Wetherill, Proust: 'Du Côté de chez Swann'Robin Mackenziedoi:10.2307/3733329 | Cite |
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205-206 | | Cite |
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206-207 | | Cite |
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207-208 | Review of Pierre Coudere, Rencontre autour de Charles-Louis Philippe: Actes du Colloque de Clermont-Ferrand (septembre 1991)John Flowerdoi:10.2307/3733332 | Cite |
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208-209 | Review of Bruno Thibault, L'Allure de Morand: du Modernisme au PétainismeAlec G. Hargreavesdoi:10.2307/3733333 | Cite |
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209-210 | Review of Virginia A. La Charité, Twentieth-Century French Avant-Garde Poetry, 1907-1990Andrew Rothwelldoi:10.2307/3733334 | Cite |
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210-211 | | Cite |
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211-212 | Review of Jacques Dupin, Maryann de Julio, Rhetorical Landscapes: The Poetry and Art Criticism of Jacques DupinAndrew Rothwelldoi:10.2307/3733336 | Cite |
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212-213 | Review of Francis Petrarch, Aldo S. Bernardo, Saul Levin, Reta A. Bernardo, Letters of Old Age: Rerum senilium libri I-XVIIIPeter Hainsworthdoi:10.2307/3733337 | Cite |
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214-215 | Review of Nicoletta Maraschio, Trattati di fonetica del CinquecentoT. Gwynfor Griffithdoi:10.2307/3733338 | Cite |
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215-216 | Review of Claudio Tolomei, Barbara Garvin, Del raddoppiamento da parola a parolaBrian Richardsondoi:10.2307/3733339 | Cite |
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216-218 | Review of Virginia Cox, The Renaissance Dialogue: Literary Dialogue in Its Social and Political Contexts, Castiglione to GalileoJudith Brycedoi:10.2307/3733340 | Cite |
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218-219 | Review of Deirdre O'Grady, The Last Troubadours: Poetic Drama in Italian Opera 1597-1887Bojan Bujicdoi:10.2307/3733341 | Cite |
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219-220 | | Cite |
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220-221 | Review of José I. Suárez, The Carnival Stage: Vicentine Comedy within the Serio-Comic ModeThomas R. Hartdoi:10.2307/3733343 | Cite |
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221-223 | Review of Peter N. Dunn, Spanish Picaresque Fiction: A New Literary HistoryC. A. Longnurstdoi:10.2307/3733344 | Cite |
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223-224 | Review of Harriet S. Turner, Benito Pérez Galdós: 'Fortunata and Jacinta'Peter Blydoi:10.2307/3733345 | Cite |
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225-226 | Review of Arnold M. Penuel, Intertextuality in García MárquezAnny Brooksbank Jonesdoi:10.2307/3733346 | Cite |
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226-227 | Review of Johannes Kramer, Sabine Kowallik, Das Französische in Deutschland. Eine EinführungPeter Schäublindoi:10.2307/3733347 | Cite |
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227-229 | Review of Albrecht Classen, Women as Protagonists and Poets in the German Middle Ages: An Anthology of Feminist Approaches to Middle High German LiteratureMarion E. Gibbsdoi:10.2307/3733348 | Cite |
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229-230 | Review of Werner Wunderlich, Ulrich Müller, 'Waz sider da geschach': American-German Studies on the Nibelungenlied: Text and Reception with Bibliography 1980-1990/1991Neil Thomasdoi:10.2307/3733349 | Cite |
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230-231 | | Cite |
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231-232 | Review of Joachim Knape, Dichtung, Recht und Freiheit. Studien zu Leben und Werk Sebastian Brants 1457-1521John L. Flooddoi:10.2307/3733351 | Cite |
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233 | Review of George Philipp Harsdörffer, Georg Braungart, Ars Apophthegmatica. Das ist: Kunstquellen Denkwürdiger Lehrsprüche und Ergötzlicher HofredenW. A. Coupedoi:10.2307/3733352 | Cite |
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233-234 | | Cite |
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234-235 | Review of Jill Anne Kowalik, The Poetics of Historical Perspectivism: Breitinger's 'Critische Dichtkunst' and the Neoclassic TraditionRüdiger Görnerdoi:10.2307/3733354 | Cite |
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235-236 | Review of Robert H. Brown, Nature's Hidden Terror: Violent Nature Imagery in Eighteenth-Century GermanyRobin Harrisondoi:10.2307/3733355 | Cite |
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237-239 | Review of Christoph Martin Wieland, Max Dufner, History of the AbderitesAlan Menhennetdoi:10.2307/3733356 | Cite |
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239-240 | | Cite |
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240-241 | | Cite |
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241-242 | Review of Harvey Birenbaum, Between Blake and Nietzsche: The Reality of CultureDuncan Large, Steven Vinedoi:10.2307/3733359 | Cite |
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242-245 | Review of Timothy Bahti, Allegories of History: Literary Historiography after HegelSteve Gilesdoi:10.2307/3733360 | Cite |
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245-246 | | Cite |
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246-247 | | Cite |
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247-248 | Review of Rüdiger Görner, Heimat im Wort. Die Problematik eines Begriffs im 19. und 20. JahrhundertAndrea Reiterdoi:10.2307/3733363 | Cite |
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248-250 | Review of John R. P. McKenzie, Social Comedy in Austria and Germany 1890-1933John Warrendoi:10.2307/3733364 | Cite |
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250-251 | Review of Dugald S. Sturges, The German Molière Revival and the Comedies of Hugo von Hofmannsthal and Carl SternheimRhys W. Williamsdoi:10.2307/3733365 | Cite |
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251-252 | Review of W. E. Yates, Schnitzler, Hofmannsthal, and the Austrian TheatreIan F. Roedoi:10.2307/3733366 | Cite |
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252-253 | Review of Martin Huber, Text und Musik. Musikalische Zeichen im narrativen und ideologischen Funktionzusammenhang ausgewahlter Erzähltexte des 20. JahrhundertsR. T. Llewellyndoi:10.2307/3733367 | Cite |
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253 | Review of Wolfram Kiwit, 'Sehnsucht nach meinem Roman': Arthur Schnitzler als RomancierJ. M. Hawesdoi:10.2307/3733368 | Cite |
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253-254 | | Cite |
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255-260 | Review of Herbert Lehnert, Eva Wessell, Nihilismus der Menschenfreundlichkeit. Thomas Manns 'Wandlung' und sein Essay 'Goethe und Tolstoi'; Thomas Sprecher, Thomas Mann in ZürichHinrich Siefkendoi:10.2307/3733370 | Cite |
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260-261 | | Cite |
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262-263 | Review of David Basker, Chaos, Control and Consistency: The Narrative Vision of Wolfgang KoeppenStuart Parkesdoi:10.2307/3733372 | Cite |
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263-264 | Review of Margaret Littler, Alfred Andersch (1914-1980) and the Reception of French Thought in the Federal Republic of GermanyStuart Parkesdoi:10.2307/3733373 | Cite |
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264-266 | Review of Joseph Federico, Confronting Modernity: Rationality, Science, and Communication in German Literature of the 1980sTom Kuhndoi:10.2307/3733374 | Cite |
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266-267 | | Cite |
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267-268 | | Cite |
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268-269 | Review of David Shepherd, Beyond Metafiction: Self-Consciousness in Soviet LiteratureKathleen Parthédoi:10.2307/3733377 | Cite |
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269-270 | Review of Konstantin Kustanovich, The Artist and the Tyrant: Vassily Aksenov's Works in the Brezhnev EraArnold McMillindoi:10.2307/3733378 | Cite |
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271 | Review of John Glad, Conversations in Exile: Russian Writers AbroadHelen L. Tillydoi:10.2307/3733379 | Cite |
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272 | Review of Fred Misurella, Understanding Milan Kundera: Public Events, Private AffairsR. George Thomasdoi:10.2307/3733380 | Cite |
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