Modern Language Review 90.1

Modern Language Review 90.1

Modern Humanities Research Association

1 January 1995  •  280pp

Access online: At JSTOR


Contents:

1-13
An Experiment with Time: Ezra Pound and the Example of Japanese Noh
Peter Nicholls
doi:10.2307/3733248
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14-17
The Dirty Jokes in "Waiting for Godot"
N. F. Lowe
doi:10.2307/3733249
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18-28
New Truths in Proust?
Jonathan Dancy
doi:10.2307/3733250
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29-40
Claude Simon's "L'acadia": History as Anonymity, the Name as Word
Jean H. Duffy
doi:10.2307/3733251
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41-54
Calvino and the Computer as Writer/Reader
Jonathan Usher
doi:10.2307/3733252
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55-70
"The Resonances of Words": Lope de Vega and Geoffrey Hill
Colin Thompson
doi:10.2307/3733253
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71-82
Discursive Anarchy or Creative Pluralism? The Cases of Cortázar and Puig
Ciaran Cosgrove
doi:10.2307/3733254
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83-93
Bertolt Brecht, Logical Empiricism, and Social Behaviourism
Steve Giles
doi:10.2307/3733255
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94-102
Translation as a Creative Force in Literature: The Birth of the European Bourgeois Fairy-Tale
Cay Dollerup
doi:10.2307/3733256
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103-119
Signposting the Way to the City of Night: Recent Russian Dystopian Fiction
S. Dalton-Brown
doi:10.2307/3733257
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120-122
Review of A. D. Nuttall, Openings: Narrative Beginnings from the Epic to the Novel; Timothy J. Reiss, The Meaning of Literature
Jeremy Tambling
doi:10.2307/3733258
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122
Review of Ben Knights, From Reader to Reader: Theory, Text and Practice in the Study Group
Joseph Natoli
doi:10.2307/3733259
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123
Review of David Lawton, Blasphemy
Jeremy Tambling
doi:10.2307/3733260
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123-125
Review of John Sturrock, The Language of Autobiography: Studies in the First Person Singular
Jeremy Tambling
doi:10.2307/3733261
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125-126
Review of M. R. Axelrod, The Politics of Style in the Fiction of Balzac, Beckett and Cortázar
John Pilling
doi:10.2307/3733262
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126-128
Review of Theodore Ziolkowski, Virgil and the Moderns; Colin Burrow, Epic Romance: Homer to Milton
Alastair Fowler
doi:10.2307/3733263
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128-130
Review of Fred C. Robinson, 'The Tomb of Beowulf' and Other Essays on Old English
Raymond P. Tripp Jr.
doi:10.2307/3733264
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130-132
Review of Michael Korhammer, Words, Texts, and Manuscripts: Studies in Anglo-Saxon Culture. Presented to Helmut Gneuss on the Occasion of His Sixty-Fifth Birthday
Richard North
doi:10.2307/3733265
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132-134
Review of Sam Newton, The Origins of Beowulf and the Pre-Viking Kingdom of East Anglia
Raymond P. Tripp Jr.
doi:10.2307/3733266
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134-136
Review of Corinne J. Saunders, The Forest of Medieval Romance: Avernus, Broceliande, Arden
Deborah M. Sabadash
doi:10.2307/3733267
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136-137
Review of Margaret Laing, Catalogue of Sources for a Linguistic Atlas of Early Medieval English
J. D. Burnley
doi:10.2307/3733268
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137-138
Review of Gary Tomlinson, Music in Renaissance Magic: Toward a Historiography of Others
Julie Robin Solomon
doi:10.2307/3733269
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138-140
Review of Gail Kern Paster, The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England
Kathleen E. McLuskie
doi:10.2307/3733270
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140-141
Review of A. J. Hoenselaars, Images of Englishmen and Foreigners in the Drama of Shakespeare and His Contemporaries: A Study in Stage Characters and National Identity in English Renaissance Drama
Loraine Fletcher
doi:10.2307/3733271
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141-142
Review of Dennis Kennedy, Looking at Shakespeare: A Visual History of Twentieth-Century Performance
David Daniell
doi:10.2307/3733272
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142-144
Review of John Haffenden, William Empson: Essays on Renaissance Literature. Vol. I: Donne and the New Philosophy
John Lucas
doi:10.2307/3733273
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144-145
Review of J. R. Mulryne, Margaret Shewring, Theatre and Government under the Early Stuarts
John D. Cox
doi:10.2307/3733274
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145-146
Review of Christopher Hodgkins, Authority, Church, and Society in George Herbert: Return to the Middle Way
Richard Todd
doi:10.2307/3733275
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146-147
Review of Steven N. Zwicker, Lines of Authority: Politics and English Literary Culture, 1649-1689
Ronald Knowles
doi:10.2307/3733276
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147-148
Review of Heidi Hutner, Rereading Aphra Behn: History, Theory, and Criticism
Carolyn D. Williams
doi:10.2307/3733277
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148-149
Review of Calhoun Winton, John Gay and the London Theatre
Paul Alkon
doi:10.2307/3733278
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149-150
Review of Catherine Craft-Fairchild, Masquerade and Gender: Disguise and Female Identity in Eighteenth-Century Fictions by Women
Carolyn D. Williams
doi:10.2307/3733279
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150-151
Review of Ann Jessie Van Sant, Eighteenth-Century Sensibility and the Novel: The Senses in a Social Context
John Mullan
doi:10.2307/3733280
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151-152
Review of Peter T. Murphy, Poetry as an Occupation and an Art in Britain: 1760-1830
Allan Ingram
doi:10.2307/3733281
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152-153
Review of Elsie B. Michie, Outside the Pale: Cultural Exclusion, Gender Difference, and the Victorian Woman Writer
Catherine Maxwell
doi:10.2307/3733282
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153-154
Review of Amanda Anderson, Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian Culture
Catherine Maxwell
doi:10.2307/3733283
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154-155
Review of Ed. Cohen, Talk on the Wilde Side
John Stokes
doi:10.2307/3733284
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156-157
Review of Zohreh T. Sullivan, Narratives of Empire: The Fictions of Rudyard Kipling
David Punter
doi:10.2307/3733285
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157-158
Review of Douglas Kerr, Wilfred Owen's Voices: Language and Community
Adrian Caesar
doi:10.2307/3733286
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158-159
Review of Richard E. Brantley, Coordinates of Anglo-American Romanticism: Wesley, Edwards, Carlyle & Emerson
R. W. (Herbie) Butterfield
doi:10.2307/3733287
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160
Review of Bryan C. Short, Cast by Means of Figures: Herman Melville's Rhetorical Development
James Hurt
doi:10.2307/3733288
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161-162
Review of Christopher P. Wilson, White Collar Fictions: Class and Social Representation in American Literature, 1885-1925
James Hurt
doi:10.2307/3733289
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162-163
Review of Michael Reynolds, Hemingway: The American Homecoming
Lionel Kelly
doi:10.2307/3733290
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163-164
Review of Manju Jain, T. S. Eliot and American Philosophy: The Harvard Years
Robert Crawford
doi:10.2307/3733291
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164-165
Review of Stephen Fredman, The Grounding of American Poetry: Charles Olson and the Emersonian Tradition
Stephen Matterson
doi:10.2307/3733292
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165-166
Review of Victoria Harrison, Elizabeth Bishop's Poetics of Intimacy
Pat Righelato
doi:10.2307/3733293
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166-167
Review of Brian W. Shaffer, The Blinding Torch: Modern British Fiction and the Discourse of Civilization
Macdonald Daly
doi:10.2307/3733294
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167-168
Review of Hugh Underhill, The Problem of Consciousness in Modern Poetry
John Lucas
doi:10.2307/3733295
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168-169
Review of Anna McMullan, Theatre on Trial: Samuel Beckett's Later Drama
Deborah Cottreau
doi:10.2307/3733296
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169-170
Review of Donald H. Reiman, The Study of Modern Manuscripts: Public, Confidential, and Private
Lynette Hunter
doi:10.2307/3733297
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170-171
Review of Allon White, Carnival, Hysteria, and Writing: Collected Essays and Autobiography
Jeremy Tambling
doi:10.2307/3733298
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171-173
Review of James A. Coleman, Gabrielle Parker, French and the Enterprise Path: Developing Transferable and Professional Skills
David Platten
doi:10.2307/3733299
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173-174
Review of Anthony Levi, Guide to French Literature
Derek Connon
doi:10.2307/3733300
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174-175
Review of Alain Montandon, Étiquette et politesse
Peter France
doi:10.2307/3733301
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175-176
Review of Alain Toumayan, Literary Generations: A Festschrift in Honor of Edward D. Sullivan
Rachel Killick
doi:10.2307/3733302
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176-178
Review of Suzanne Gearhart, The Interrupted Dialectic: Philosophy, Psychoanalysis, and Their Tragic Other
Philip Thody
doi:10.2307/3733303
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178-179
Review of David Lee Rubin, Continuum: Problems in French Literature from the Late Renaissance to the Early Enlightenment. Vol. IV: Libertinage and the Art of Writing 2
Terence Allott
doi:10.2307/3733304
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179
Review of Anna Lia Franchetti, Il Salotto e la Scena: Le forme della Commedia galante da Corneille a Musset
Anna Piletti
doi:10.2307/3733305
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180-181
Review of Douglas Kelly, The Art of Medieval French Romance
Leslie C. Brook
doi:10.2307/3733306
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181-182
Review of Philippe Ménard, Denis Lalande, Thierry Delcourt, Le Roman de Tristan en prose. Vol. V
Evelyn Mullally
doi:10.2307/3733307
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182
Review of R. E. Asher, National Myths in Renaissance France: Francus, Samothes and the Druids
Malcolm C. Smith
doi:10.2307/3733308
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182-183
Review of Jean Balsamo, Les Rencontres des muses: italianisme et anti-italianisme dans les Lettres françaises de la fin du XVIe siècle
Sarah Alyn-Stacey
doi:10.2307/3733309
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183-185
Review of Daniel Martin, L'Architecture des 'Essais' de Montaigne: mémoire artificielle et mythologie
David Maskell
doi:10.2307/3733310
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185
Review of Antoine Compagnon, Chat en poche: Montaigne et l'allégorie
Keith Cameron
doi:10.2307/3733311
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185-186
Review of Erica Harth, Cartesian Women: Versions and Subversions of Rational Discourse in the Old Regime
Jean Bloch
doi:10.2307/3733312
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186-188
Review of Nancy Deighton Klein, The Female Protagonist in the Nouvelles of Madame de Villedieu; Derek A. Watts, Corneille: 'Rodogune and Nicomède'
David Shaw
doi:10.2307/3733313
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188-189
Review of Andrew Calder, Molière: The Theory and Practice of Comedy
Noël A. Peacock
doi:10.2307/3733314
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189-190
Review of Noël Peacock, Molière in Scotland 1945-1990
David Shaw
doi:10.2307/3733315
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190-192
Review of Manuel Couvreur, Jean-Baptiste Lully: Musique et dramaturgie au service du prince
Elizabeth Woodrough
doi:10.2307/3733316
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192
Review of Ross Hutchison, Locke in France 1688-1734
John Renwick
doi:10.2307/3733317
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193
Review of D. J. Adams, Bibliographie des ouvrages français en forme de dialogue 1700-1750
David J. Williams
doi:10.2307/3733318
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193-194
Review of Henri Lafon, Les Décors et les choses dans le roman français du dix-huitième siècle de Prévost à Sade
Thomas DiPiero
doi:10.2307/3733319
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195
Review of Robert L. Dawson, The French Booktrade and the 'permission simple' of 1777: Copyright and Public Domain, with an Edition of the Permit Registers
Christopher Todd
doi:10.2307/3733320
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195-196
Review of Voltaire, William Barber, Ulla Kölving, Paul LeClero, The Complete Works of Voltaire/Œuvres complètes de Voltaire. Vol. XXIA: Rome sauvée, ou Catilina; David H. Jory, Dissertations sur les principales tragédies anciennes et modernes qui ont paru sur le sujet d'Electre et en particulier sur celle de Sophocles
Christopher Todd
doi:10.2307/3733321
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196-197
Review of David Beeson, Maupertuis: An Intellectual Biography
John Renwick
doi:10.2307/3733322
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197-198
Review of Anne-Marie Chouillet, Pierre Crépei, Henri Duranton, Condorcet: Almanach anti-superstitieux et autres textes
R. Niklaus
doi:10.2307/3733323
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198-199
Review of Dominique Verrey, Le Discours anthropologique à la fin des Lumières (annales benjamin constant, 13)
Dennis Wood
doi:10.2307/3733324
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199
Review of Jean Ygaunin, Paris à l'époque de Balzac et dans la 'Comédie humaine': la ville et la société
Graham Robb
doi:10.2307/3733325
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199-201
Review of David Powell, George Sand Today: Proceedings of the Eighth International George Sand Conference, Tours 1989
Edith McCormack
doi:10.2307/3733326
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201-202
Review of Villiers de l'Isle-Adam, Alan Raitt, L'Eve future
Renzo Scarcella
doi:10.2307/3733327
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203
Review of Renzo Scarcella, Surfaces et profondeurs dans l'univers imaginaire de Villiers de l'Isle-Adam
Peter Cogman
doi:10.2307/3733328
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203-205
Review of Renée A. Kingcaid, Neurosis and Narrative: The Decadent Short Fiction of Proust, Lorrain and Rachilde; Michael Wetherill, Proust: 'Du Côté de chez Swann'
Robin Mackenzie
doi:10.2307/3733329
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205-206
Review of Margaret E. Gray, Postmodern Proust
W. L. Hodson
doi:10.2307/3733330
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206-207
Review of Suzanne Larnaudie, Paul Valéry et la Grèce
Paul Gifford
doi:10.2307/3733331
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207-208
Review of Pierre Coudere, Rencontre autour de Charles-Louis Philippe: Actes du Colloque de Clermont-Ferrand (septembre 1991)
John Flower
doi:10.2307/3733332
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208-209
Review of Bruno Thibault, L'Allure de Morand: du Modernisme au Pétainisme
Alec G. Hargreaves
doi:10.2307/3733333
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209-210
Review of Virginia A. La Charité, Twentieth-Century French Avant-Garde Poetry, 1907-1990
Andrew Rothwell
doi:10.2307/3733334
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210-211
Review of Gavin Bowd, Guillevic: Sauvage de la modernité
Michael Sheringham
doi:10.2307/3733335
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211-212
Review of Jacques Dupin, Maryann de Julio, Rhetorical Landscapes: The Poetry and Art Criticism of Jacques Dupin
Andrew Rothwell
doi:10.2307/3733336
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212-213
Review of Francis Petrarch, Aldo S. Bernardo, Saul Levin, Reta A. Bernardo, Letters of Old Age: Rerum senilium libri I-XVIII
Peter Hainsworth
doi:10.2307/3733337
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214-215
Review of Nicoletta Maraschio, Trattati di fonetica del Cinquecento
T. Gwynfor Griffith
doi:10.2307/3733338
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215-216
Review of Claudio Tolomei, Barbara Garvin, Del raddoppiamento da parola a parola
Brian Richardson
doi:10.2307/3733339
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216-218
Review of Virginia Cox, The Renaissance Dialogue: Literary Dialogue in Its Social and Political Contexts, Castiglione to Galileo
Judith Bryce
doi:10.2307/3733340
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218-219
Review of Deirdre O'Grady, The Last Troubadours: Poetic Drama in Italian Opera 1597-1887
Bojan Bujic
doi:10.2307/3733341
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219-220
Review of Beppe Fenoglio, Dante Isella, Romanzi e racconti
Philip Cooke
doi:10.2307/3733342
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220-221
Review of José I. Suárez, The Carnival Stage: Vicentine Comedy within the Serio-Comic Mode
Thomas R. Hart
doi:10.2307/3733343
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221-223
Review of Peter N. Dunn, Spanish Picaresque Fiction: A New Literary History
C. A. Longnurst
doi:10.2307/3733344
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223-224
Review of Harriet S. Turner, Benito Pérez Galdós: 'Fortunata and Jacinta'
Peter Bly
doi:10.2307/3733345
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225-226
Review of Arnold M. Penuel, Intertextuality in García Márquez
Anny Brooksbank Jones
doi:10.2307/3733346
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226-227
Review of Johannes Kramer, Sabine Kowallik, Das Französische in Deutschland. Eine Einführung
Peter Schäublin
doi:10.2307/3733347
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227-229
Review of Albrecht Classen, Women as Protagonists and Poets in the German Middle Ages: An Anthology of Feminist Approaches to Middle High German Literature
Marion E. Gibbs
doi:10.2307/3733348
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229-230
Review of Werner Wunderlich, Ulrich Müller, 'Waz sider da geschach': American-German Studies on the Nibelungenlied: Text and Reception with Bibliography 1980-1990/1991
Neil Thomas
doi:10.2307/3733349
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230-231
Review of Oliver Davies, Meister Eckhart: Mystical Theologian
John Margetts
doi:10.2307/3733350
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231-232
Review of Joachim Knape, Dichtung, Recht und Freiheit. Studien zu Leben und Werk Sebastian Brants 1457-1521
John L. Flood
doi:10.2307/3733351
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233
Review of George Philipp Harsdörffer, Georg Braungart, Ars Apophthegmatica. Das ist: Kunstquellen Denkwürdiger Lehrsprüche und Ergötzlicher Hofreden
W. A. Coupe
doi:10.2307/3733352
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233-234
Review of Dietrich Jöns, Die betrübte Pegnesis
W. A. Coupe
doi:10.2307/3733353
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234-235
Review of Jill Anne Kowalik, The Poetics of Historical Perspectivism: Breitinger's 'Critische Dichtkunst' and the Neoclassic Tradition
Rüdiger Görner
doi:10.2307/3733354
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235-236
Review of Robert H. Brown, Nature's Hidden Terror: Violent Nature Imagery in Eighteenth-Century Germany
Robin Harrison
doi:10.2307/3733355
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237-239
Review of Christoph Martin Wieland, Max Dufner, History of the Abderites
Alan Menhennet
doi:10.2307/3733356
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239-240
Review of Friedrich Schiller, Henry G. Bohn, The Ghost-Seer
Francis Lamport
doi:10.2307/3733357
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240-241
Review of Timothy J. Casey, Erika Casey, Jean Paul: A Reader
Martin Davies
doi:10.2307/3733358
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241-242
Review of Harvey Birenbaum, Between Blake and Nietzsche: The Reality of Culture
Duncan Large, Steven Vine
doi:10.2307/3733359
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242-245
Review of Timothy Bahti, Allegories of History: Literary Historiography after Hegel
Steve Giles
doi:10.2307/3733360
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245-246
Review of Mark Gelber, The Jewish Reception of Heinrich Heine
Anthony Phelan
doi:10.2307/3733361
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246-247
Review of William L. Zwiebel, Theodor Fontane
Gerald Opie
doi:10.2307/3733362
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247-248
Review of Rüdiger Görner, Heimat im Wort. Die Problematik eines Begriffs im 19. und 20. Jahrhundert
Andrea Reiter
doi:10.2307/3733363
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248-250
Review of John R. P. McKenzie, Social Comedy in Austria and Germany 1890-1933
John Warren
doi:10.2307/3733364
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250-251
Review of Dugald S. Sturges, The German Molière Revival and the Comedies of Hugo von Hofmannsthal and Carl Sternheim
Rhys W. Williams
doi:10.2307/3733365
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251-252
Review of W. E. Yates, Schnitzler, Hofmannsthal, and the Austrian Theatre
Ian F. Roe
doi:10.2307/3733366
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252-253
Review of Martin Huber, Text und Musik. Musikalische Zeichen im narrativen und ideologischen Funktionzusammenhang ausgewahlter Erzähltexte des 20. Jahrhunderts
R. T. Llewellyn
doi:10.2307/3733367
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253
Review of Wolfram Kiwit, 'Sehnsucht nach meinem Roman': Arthur Schnitzler als Romancier
J. M. Hawes
doi:10.2307/3733368
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253-254
Review of Anthony Phelan, Rilke: 'Neue Gedichte'
John Sandford
doi:10.2307/3733369
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255-260
Review of Herbert Lehnert, Eva Wessell, Nihilismus der Menschenfreundlichkeit. Thomas Manns 'Wandlung' und sein Essay 'Goethe und Tolstoi'; Thomas Sprecher, Thomas Mann in Zürich
Hinrich Siefken
doi:10.2307/3733370
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260-261
Review of Uwe-K. Ketelsen, Literatur und Drittes Reich
D. G. Bond
doi:10.2307/3733371
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262-263
Review of David Basker, Chaos, Control and Consistency: The Narrative Vision of Wolfgang Koeppen
Stuart Parkes
doi:10.2307/3733372
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263-264
Review of Margaret Littler, Alfred Andersch (1914-1980) and the Reception of French Thought in the Federal Republic of Germany
Stuart Parkes
doi:10.2307/3733373
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264-266
Review of Joseph Federico, Confronting Modernity: Rationality, Science, and Communication in German Literature of the 1980s
Tom Kuhn
doi:10.2307/3733374
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266-267
Review of Jay Rosellini, Wolf Biermann
Rodney Livingstone
doi:10.2307/3733375
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267-268
Review of Andrew Barratt, The Early Fiction of Maksim Gorky
Barry P. Scherr
doi:10.2307/3733376
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268-269
Review of David Shepherd, Beyond Metafiction: Self-Consciousness in Soviet Literature
Kathleen Parthé
doi:10.2307/3733377
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269-270
Review of Konstantin Kustanovich, The Artist and the Tyrant: Vassily Aksenov's Works in the Brezhnev Era
Arnold McMillin
doi:10.2307/3733378
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271
Review of John Glad, Conversations in Exile: Russian Writers Abroad
Helen L. Tilly
doi:10.2307/3733379
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272
Review of Fred Misurella, Understanding Milan Kundera: Public Events, Private Affairs
R. George Thomas
doi:10.2307/3733380
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