817-831 | | Cite |
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832-841 | The Production and Reception of Davenant's "Cruelty of the Spaniards in Peru" Janet Clare doi:10.2307/3733896 | Cite |
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842-855 | Bougainville and One Noble Savage: Two Manuscript Texts of Bernardin de Saint-Pierre Malcolm Cook doi:10.2307/3733897 | Cite |
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856-864 | | Cite |
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865-888 | | Cite |
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889-901 | "Sense Cap Nom ni Símbol": Recovery and Identity in Salvador Espriu's "Cementiri de Sinera" D. Gareth Walters doi:10.2307/3733900 | Cite |
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902-915 | "Die neue Sitte" and Metaphors of Secular Existence: Reflections on Goethe's "Iphigenie" Martin Swales doi:10.2307/3733901 | Cite |
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916-941 | Realism Plus Mythology: A Reconsideration of the Problem of "Verfall" in Thomas Mann's "Buddenbrooks" Richard Sheppard doi:10.2307/3733902 | Cite |
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942-956 | | Cite |
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957-958 | Review of A. N. Doane, Carol Braun Pasternack, Vox intexta: Orality and Textuality in the Middle Ages D. H. Green doi:10.2307/3733904 | Cite |
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958-959 | Review of Naomi Segal, The Adulteress's Child: Authorship and Desire in the Nineteenth-Century Novel Louise K. Barnett doi:10.2307/3733905 | Cite |
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959-960 | Review of Hans Erik Andersen, 'The Battle of Maldon': The Meaning, Dating and Historicity of an Old English Poem David J. Williams doi:10.2307/3733906 | Cite |
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961-962 | Review of Piero Boitani, Anna Torti, Poetics: Theory and Practice in Medieval English Literature. The J. A. W. Bennett Memorial Lectures, Seventh Series. Perugia, 1990 Maldwyn Mills doi:10.2307/3733907 | Cite |
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962-964 | Review of Ruth Morse, Truth and Convention in the Middle Ages: Rhetoric, Representation, and Reality T. P. Dolan doi:10.2307/3733908 | Cite |
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964-965 | Review of Alcuin Blamires, Karen Pratt, C. W. Marx, Woman Defamed and Woman Defended: An Anthology of Medieval Texts Marion Wynne-Davies doi:10.2307/3733909 | Cite |
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965 | Review of Frances Beer, Women and Mystical Experience in the Middle Ages Marion Glasscoe doi:10.2307/3733910 | Cite |
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966-967 | Review of Jerome Mandel, Geoffrey Chaucer: Building the Fragments of the 'Canterbury Tales' Catherine Batt doi:10.2307/3733911 | Cite |
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967-969 | Review of Derek Pearsall, The Life of Geoffrey Chaucer: A Critical Biography Martha W. Driver doi:10.2307/3733912 | Cite |
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969-971 | Review of , Piers Plowman: A Facsimile of Bodleian Library, Oxford, MS Douce 104 Phillipa Hardman doi:10.2307/3733913 | Cite |
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972 | Review of Clifford Davidson, Thomas H. Seiler, The Iconography of Hell Joanne S. Norman doi:10.2307/3733914 | Cite |
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973 | Review of Felicity Riddy, Regionalism in Late Medieval Manuscripts and Texts: Essays Celebrating the Publication of 'A Linguistic Atlas of Late Mediaeval English' T. Turville-Petre doi:10.2307/3733915 | Cite |
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974-976 | Review of Bryan N. S. Gooch, David Thatcher, Odean Long, A Shakespeare Music Catalogue John Stevens doi:10.2307/3733916 | Cite |
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976-978 | Review of Robert S. Miola, Shakespeare and Classical Tragedy: The Influence of Seneca C. B. Hardman doi:10.2307/3733917 | Cite |
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978-979 | Review of Michael C. Schoenfeldt, Prayer and Power: George Herbert and Renaissance Courtship Cedric C. Brown doi:10.2307/3733918 | Cite |
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980-981 | Review of Margaret M. Smith, Alexander Lindsay, Index of English Literary Manuscripts. Vol. III: 1700-1800, Part 3: Pope-Steele Thomas Woodman doi:10.2307/3733919 | Cite |
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981-982 | Review of Peter Thoms, The Windings of the Labyrinth: Quest and Structure in the Major Novels of Wilkie Collins Nicola Bradbury doi:10.2307/3733920 | Cite |
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982-983 | Review of David Carroll, George Eliot and the Conflict of Interpretations: A Reading of the Novels Beryl Gray doi:10.2307/3733921 | Cite |
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983-984 | Review of Ann Cvetkovich, Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism Catherine Maxwell doi:10.2307/3733922 | Cite |
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984-985 | Review of Susan Sniader Lanser, Fictions of Authority: Women Writers and Narrative Voice Siv Jansson doi:10.2307/3733923 | Cite |
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985-986 | | Cite |
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986-987 | Review of Toby Avard Foshay, Wyndham Lewis and the Avant-Garde: The Politics of the Intellect Peter L. Caracciolo doi:10.2307/3733925 | Cite |
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987-988 | Review of Peter Robinson, In the Circumstances: About Poems and Poets Colin Nicholson doi:10.2307/3733926 | Cite |
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988-989 | Review of Paul Giles, American Catholic Arts and Fictions: Culture, Ideology, Aesthetics James Hurt doi:10.2307/3733927 | Cite |
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990 | Review of Terence Diggory, William Carlos Williams and the Ethics of Painting Stephen Matterson doi:10.2307/3733928 | Cite |
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991-992 | | Cite |
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992-993 | | Cite |
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993-994 | Review of Norman R. Shapiro, The Fabulists French: Verse Fables of Nine Centuries T. M. Pratt doi:10.2307/3733931 | Cite |
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994-995 | Review of Dorothy Kelly, Telling Glances: Voyeurism in the French Novel Samantha Haigh doi:10.2307/3733932 | Cite |
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995 | Review of Richard de Semilli, Susan M. Johnson, The Lyrics of Richard de Semilli: Critical Edition and Musical Transcription Nigel Wilkins doi:10.2307/3733933 | Cite |
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995-996 | Review of Sylvia Huot, The 'Romance of the Rose' and Its Medieval Readers: Interpretation, Reception, and Manuscript Transmission Leslie C. Brook doi:10.2307/3733934 | Cite |
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996-997 | Review of Brian Levy, Paul Wackers, Reynardus: Yearbook of the International Reynard Society/Annuaire de la Société internationale renardienne Pascale Dumont doi:10.2307/3733935 | Cite |
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997-998 | Review of Max Gauna, Upwellings: First Expressions of Unbelief in the Printed Literature of the French Renaissance Michael Heath doi:10.2307/3733936 | Cite |
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998-999 | Review of Olivier Millet, Calvin et la dynamique de la parole: Étude de rhétorique réformée Malcolm C. Smith doi:10.2307/3733937 | Cite |
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999 | Review of Guillaume Colletet, Michel Magnien, Vie d'Etienne Dolet Keith Cameron doi:10.2307/3733938 | Cite |
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999-1000 | Review of Michael J. Giordano, Studies on Béroalde de Verville Stephen Bamforth doi:10.2307/3733939 | Cite |
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1000-1001 | Review of Elizabeth Moles, Noël Peacock, The Seventeenth Century: Directions Old and New David Clarke doi:10.2307/3733940 | Cite |
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1001-1002 | Review of Roméo Arbour, Un Editeur d'œuvres littéraires au XVIIe siècle: Toussaint du Bray (1604-1636) Henry Phillips doi:10.2307/3733941 | Cite |
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1002-1003 | Review of Georges Forestier, Maurice Cauchié, Pierre Corneille: 'Le Cid': 1637-1660 David Clarke doi:10.2307/3733942 | Cite |
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1003 | | Cite |
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1004-1005 | Review of Hubert de Phalèse, Les Mots de Molière; Ralph Albanese, Jr., Molière à l'École républicaine (1870-1914) David Shaw doi:10.2307/3733944 | Cite |
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1005-1006 | Review of Haydn T. Mason, Studies on Voltaire and the Eighteenth Century, 302 Christopher Todd doi:10.2307/3733945 | Cite |
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1006-1007 | Review of René Pomeau, Christiane Mervaud, Voltaire en son temps. Vol. III: De la Cour au jardin: 1750-1759 Graham Gargett doi:10.2307/3733946 | Cite |
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1007-1008 | Review of Marian Hobson, J. T. A. Leigh, Robert Wokler, Rousseau & the Eighteenth Century: Essays in Memory of R. A. Leigh David Adams doi:10.2307/3733947 | Cite |
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1008-1009 | Review of John Golder, Shakespeare for the Age of Reason: The Earliest Stage Adaptations of Jean-François Ducis, 1769-1792 Derek Connon doi:10.2307/3733948 | Cite |
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1009-1010 | Review of Catherine Nesci, La Femme mode d'emploi: Balzac, de la 'Physiologie du mariage' à 'La Comédie humaine' Michael Tilby doi:10.2307/3733949 | Cite |
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1010-1011 | Review of Victor Hugo, Geoff Woollen, 'The Last Day of a Condemned Man' and Other Prison Writings Nigel Addinall doi:10.2307/3733950 | Cite |
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1011-1012 | Review of Tony Williams, Flaubert: 'L'Éducation sentimentale', les scénarios P. M. Wetherill doi:10.2307/3733951 | Cite |
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1012-1013 | Review of Hubert de Phalèse, Renan tous comptes faits: 'Souvenirs d'enfance et de jeunesse' à travers les nouvelles technologies David C. J. Lee doi:10.2307/3733952 | Cite |
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1013-1014 | | Cite |
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1014-1015 | | Cite |
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1015 | Review of William J. Berg, The Visual Novel: Émile Zola and the Art of His Times F. W. J. Hemmings doi:10.2307/3733955 | Cite |
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1016 | | Cite |
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1016-1017 | Review of Michel Murat, Marie-Paule Berranger, Une Pelle au vent dans les sables du rêve: Les écritures automatiques Andrew Rothwell doi:10.2307/3733957 | Cite |
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1018-1019 | Review of Yves Bonnefoy, Galway Kinnell, On the Motion and Immobility of Douve; Henri Michaux, David Constantine, Helen Constantine, Space, Displaced Martin Sorrell doi:10.2307/3733958 | Cite |
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1019-1020 | | Cite |
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1020-1021 | | Cite |
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1021-1022 | | Cite |
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1022-1023 | | Cite |
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1023 | | Cite |
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1023-1024 | | Cite |
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1024-1026 | | Cite |
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1026 | | Cite |
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1026-1027 | Review of Margaret-Anne Hutton, Michel Tournier: 'Vendredi ou les limbes du Pacifique' Rachel Edwards doi:10.2307/3733967 | Cite |
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1027-1028 | Review of Fray Luis de León, David J. Hildner, Poetry and Truth in the Spanish Works of Fray Luis de León Terence O'Reilly doi:10.2307/3733968 | Cite |
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1028-1029 | | Cite |
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1029-1030 | | Cite |
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1030-1031 | | Cite |
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1031-1032 | Review of Antonio Machado, D. Gareth Walters, Estelas en la mar: Essays on the Poetry of Antonio Machado (1875-1939) P. G. Johnston doi:10.2307/3733972 | Cite |
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1032 | Review of Pamela Bacarisse, Impossible Choices: The Implications of the Cultural References in the Novels of Manuel Puig Verity Smith doi:10.2307/3733973 | Cite |
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1033-1034 | Review of Martin Durrell, Using German: A Guide to Contemporary Usage Winifred V. Davies doi:10.2307/3733974 | Cite |
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1034-1036 | Review of Nikolaus Henkel, Nigel F. Palmer, Latein und Volkssprache im deutschen Mittelalter 1100-1500. Regensburger Colloquium 1988 D. H. Green doi:10.2307/3733975 | Cite |
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1036-1038 | Review of Klaus Ridder, Jean de Mandevilles 'Reisen'. Studien zur Überlieferungsgeschichte der deutschen Übersetzung des Otto von Diemeringen John L. Flood doi:10.2307/3733976 | Cite |
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1038-1039 | Review of Winfried Schleiner, Melancholy, Genius, and Utopia in the Renaissance Peter Skrine doi:10.2307/3733977 | Cite |
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1039-1042 | Review of Bert Cardullo, German-Language Comedy: A Critical Anthology Joyce Crick doi:10.2307/3733978 | Cite |
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1042-1043 | Review of John Gearey, Goethe's Other 'Faust': The Drama, Part II Ladislaus Löb doi:10.2307/3733979 | Cite |
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1043-1044 | Review of H. Hickman, Robert Musil and the Literary Landscape of His Time David Heald doi:10.2307/3733980 | Cite |
| |
1044-1046 | Review of Hilda Meldrum Brown, Leitmotiv and Drama: Wagner, Brecht and the Limits of 'Epic' Theatre D. E. Jenkinson doi:10.2307/3733981 | Cite |
| |
1046-1049 | Review of Pia Kleber, Colin Visser, Re-Interpreting Brecht: His Influence on Contemporary Drama and Film; Hanns Otto Münsterer, Tom Kuhn, Karen J. Leeder, The Young Brecht Rodney Livingstone doi:10.2307/3733982 | Cite |
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1049-1050 | Review of Palma Zlateva, Translation as Social Action: Russian and Bulgarian Perspectives N. J. C. Gotteri doi:10.2307/3733983 | Cite |
| |
1050 | Review of Morton Benson, Evelyn Benson, The Russian-English Dictionary of Verbal Collocations Michael Pursglove doi:10.2307/3733984 | Cite |
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1050-1051 | Review of Anthony Cross, Engraved in the Memory: James Walker, Engraver to the Empress Catherine the Great, and His Russian Anecdotes W. Gareth Jones doi:10.2307/3733985 | Cite |
| |
1051-1053 | Review of Marcia A. Morris, Saints and Revolutionaries: The Ascetic Hero in Russian Literature Simon Franklin doi:10.2307/3733986 | Cite |
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1053-1054 | Review of A. D. P. Briggs, Mikhail Lermontov: Commemorative Essays (1991) Cynthia Marsh doi:10.2307/3733987 | Cite |
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1054-1056 | | Cite |
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xxv-xxxix | The Presidential Address of the Modern Humanities Research Association, 1994: English Literature in Eighteenth-Century Russia Yuri Levin doi:10.2307/3733989 | Cite |
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