1-18 | | Cite |
| |
19-38 | | Cite |
| |
39-49 | Plutarch's Contribution to the Invention of Sabine in Corneille's "Horace" David Clarke doi:10.2307/3733151 | Cite |
| |
50-60 | Absurdist Estrangement and the Subversion of Narrativity in "La Plage" Yoseph Milman doi:10.2307/3733152 | Cite |
| |
61-70 | Between Irigaray and Cardinal: Reinventing Maternal Genealogies Samantha Haigh doi:10.2307/3733153 | Cite |
| |
71-87 | Carlo Placci between Italy and Britain in the 1880s: His Friends, His Essays and the Role of Enrico Nencioni Marie-Pierre Strowel doi:10.2307/3733154 | Cite |
| |
88-106 | Cervantes's Aesthetics of Comic Fiction and His Concept of "La Verdad de la Historia" Anthony Close doi:10.2307/3733155 | Cite |
| |
107-137 | In Search of the Historical Kafka: A Selective Review of Research, 1980-92 Ritchie Robertson doi:10.2307/3733156 | Cite |
| |
138-148 | | Cite |
| |
149-165 | Kafka and Russian Experimental Fiction in the Thaw, 1956-1965 Edith W. Clowes doi:10.2307/3733158 | Cite |
| |
166-167 | | Cite |
| |
167-168 | Review of Jan Gorak, The Making of the Modern Canon: Genesis and Crisis of a Literary Idea Thomas Docherty doi:10.2307/3733160 | Cite |
| |
168-169 | Review of Fredric Jameson, Postmodernism, or, the Cultural Logic of Late Capitalism Stephen Regan doi:10.2307/3733161 | Cite |
| |
169-170 | Review of Robert Bernasconi, Simon Critchley, Re-Reading Levinas Valerie Allen doi:10.2307/3733162 | Cite |
| |
171-173 | | Cite |
| |
173-175 | Review of Burton Raffel, Artists All: Creativity, the University, and the World Jeremy Tambling doi:10.2307/3733164 | Cite |
| |
175-177 | Review of Jonathan Dollimore, Sexual Dissidence: Augustine to Wilde, Freud to Foucault Jeremy Tambling doi:10.2307/3733165 | Cite |
| |
177-178 | | Cite |
| |
178-179 | | Cite |
| |
179-180 | Review of Ian Small, Marcus Walsh, The Theory and Practice of Text-Editing Joseph Natoli doi:10.2307/3733168 | Cite |
| |
180-182 | Review of Marina S. Brownlee, Kevin Brownlee, Stephen G. Nichols, The New Medievalism Marion Wynne-Davies doi:10.2307/3733169 | Cite |
| |
182-183 | Review of Judith N. Garde, Old English Poetry in Medieval Christian Perspective: A Doctrinal Approach Andrew Wawn doi:10.2307/3733170 | Cite |
| |
183-184 | Review of Katherine O'Brien O'Keeffe, Visible Song: Transitional Literacy in Old English Verse T. A. Shippey doi:10.2307/3733171 | Cite |
| |
184-186 | Review of Robert J. Blanch, Miriam Youngerman Miller, Julian N. Wasserman, Text and Matter: New Critical Perspectives of the 'Pearl'-Poet W. A. Davenport doi:10.2307/3733172 | Cite |
| |
186-187 | Review of Lisa J. Kiser, Truth and Textuality in Chaucer's Poetry John M. Fyler doi:10.2307/3733173 | Cite |
| |
187-188 | Review of James I. Wimsatt, Chaucer and His French Contemporaries: Natural Music in the Fourteenth Century Julia Boffey doi:10.2307/3733174 | Cite |
| |
188-189 | Review of Elizabeth Archibald, Apollonius of Tyre: Medieval and Renaissance Themes and Variations. Including the Text of the 'Historia Apollonii Regis Tyri' with an English Translation Keith Bate doi:10.2307/3733175 | Cite |
| |
189-191 | Review of Thomas Healy, New Latitudes: Theory and English Renaissance Literature John Drakakis doi:10.2307/3733176 | Cite |
| |
191-193 | Review of Richard Dutton, Mastering the Revels: The Regulation and Censorship of English Renaissance Drama Janet Clare doi:10.2307/3733177 | Cite |
| |
193-194 | | Cite |
| |
194-195 | Review of David Mann, The Elizabethan Player: Contemporary Stage Representation David Daniell doi:10.2307/3733179 | Cite |
| |
195-196 | Review of T. J. King, Casting Shakespeare's Plays: London Actors and Their Roles, 1590-1642 Thomas L. Berger doi:10.2307/3733180 | Cite |
| |
196-197 | Review of A. R. Braunmuller, Natural Fictions: George Chapman's Major Tragedies David Womersley doi:10.2307/3733181 | Cite |
| |
197-199 | Review of Leeds Barroll, Politics, Plague, and Shakespeare's Theater: The Stuart Years Richard Dutton doi:10.2307/3733182 | Cite |
| |
199-200 | Review of Patricia Fumerton, Cultural Aesthetics: Renaissance Literature and the Practice of Social Ornament Marion Wynne-Davies doi:10.2307/3733183 | Cite |
| |
200-203 | Review of Kate Ferguson Ellis, The Contested Castle: Gothic Novels and the Subversion of Domestic Ideology; Michelle A. Massé, In the Name of Love: Women, Masochism, and the Gothic David H. Richter doi:10.2307/3733184 | Cite |
| |
203-204 | | Cite |
| |
204-205 | Review of Groupe Telos, Isabelle Perrin, Approches énonciatives de l'énoncé complexe Frank G. Healey doi:10.2307/3733186 | Cite |
| |
205-206 | Review of Elizabeth Fallaize, Ron Hallmark, Ian Pickup, Representations of Belief: Essays in Memory of G. V. Banks Michael G. Kelly doi:10.2307/3733187 | Cite |
| |
206 | Review of C. A. Bellard-Thomson, The Literary Stylistics of French: An Introductory Guide Malcolm C. Smith doi:10.2307/3733188 | Cite |
| |
207 | Review of Nathalie Fournier, L'Aparté dans le théâtre français du XVIIe siècle au XXe siècle W. D. Howarth doi:10.2307/3733189 | Cite |
| |
208 | | Cite |
| |
208-209 | | Cite |
| |
209-210 | Review of Angelica Rieger, Trobairitz: der Beitrag der Frau in der altokzitanischen höfischen Lyrik: Edition des Gesamtkorpus Simon Gaunt doi:10.2307/3733192 | Cite |
| |
210-211 | Review of Marcel Couturier, Graham A. Runnalls, Compte du Mystère de la Passion, Châteaudun 1510 Paul Verhuyck doi:10.2307/3733193 | Cite |
| |
211-212 | | Cite |
| |
212-213 | Review of Wil Munsters, La Poétique du pittoresque en France de 1700 à 1830 T. M. Pratt doi:10.2307/3733195 | Cite |
| |
213-214 | Review of Jean-Noël Pascal, La Fable au Siècle des Lumières 1715-1815: anthologie des successeurs de La Fontaine, de La Motte à Jauffret T. M. Pratt doi:10.2307/3733196 | Cite |
| |
214-215 | Review of Catherine M. Northeast, The Parisian Jesuits and the Enlightenment Richard Waller doi:10.2307/3733197 | Cite |
| |
215 | | Cite |
| |
215-216 | | Cite |
| |
216-217 | Review of Dominique Verrey, Etienne Hofmann, Chronologie de la vie et de l'œuvre de Benjamin Constant. Vol. I: 1767-1805 Dennis Wood doi:10.2307/3733200 | Cite |
| |
217 | Review of Alison Finch, Concordance de Stendhal: 'Le Rouge et le Noir' et 'La Chartreuse de Parme' Richard Bolster doi:10.2307/3733201 | Cite |
| |
218 | | Cite |
| |
219 | | Cite |
| |
220 | | Cite |
| |
221 | Review of Marc Eigeldinger, Le Soleil de la Poésie: Gautier, Baudelaire, Rimbaud Rachel Killick doi:10.2307/3733205 | Cite |
| |
221-222 | Review of Trevor A. Le V. Harris, Maupassant et 'Fort comme la mort': le roman contrefait Rachel Killick doi:10.2307/3733206 | Cite |
| |
222-223 | Review of Martin Sorrell, Modern French Poetry: A Dual Text Anthology Rachel Killick doi:10.2307/3733207 | Cite |
| |
223-224 | Review of Michèle M. Magill, Répertoire des références aux arts et à la littérature dans 'À la recherche du temps perdu' Maya Slater doi:10.2307/3733208 | Cite |
| |
224-225 | Review of Vinh Dao, André Malraux ou la quête de la fraternité Geoffrey T. Harris doi:10.2307/3733209 | Cite |
| |
225-226 | | Cite |
| |
226-227 | Review of Anthony Cheal Pugh, France 1940: Literary and Historical Reactions to Defeat John Flower doi:10.2307/3733211 | Cite |
| |
227-229 | | Cite |
| |
229-230 | Review of Thomas Weick, Die Rezeption des Werkes von Jacques Brel David Meakin doi:10.2307/3733213 | Cite |
| |
230-232 | Review of Giovanni Aquilecchia, Le opere italiane di Giordano Bruno: Critica testuale e oltre Lia Buono Hodgart doi:10.2307/3733214 | Cite |
| |
232-233 | Review of Martín de Riquer, 'Tirant lo Blanch', novela de historia y de ficción Livís Cabré doi:10.2307/3733215 | Cite |
| |
233-234 | Review of J. M. Ruano de la Haza, La primera versión de 'La vida es sueño', de Calderón Thomas Austin O'Connor doi:10.2307/3733216 | Cite |
| |
234-236 | Review of James Mandrell, Don Juan and the Point of Honor: Seduction, Patriarchal Society, and Literary Tradition Margaret A. Rees doi:10.2307/3733217 | Cite |
| |
236-238 | Review of Derek Flitter, Spanish Romantic Literary Theory and Criticism John R. Rosenberg doi:10.2307/3733218 | Cite |
| |
238-239 | Review of Juan Paredes Núñez, Antonio Machado: Baeza 1912/1989 P. G. Johnston doi:10.2307/3733219 | Cite |
| |
239-240 | Review of Stephen M. Hart, The Other Scene: Psychoanalytic Readings in Modern Spanish and Latin-American Literature Robin Fiddian doi:10.2307/3733220 | Cite |
| |
240-244 | Review of Paul Julian Smith, Laws of Desire: Questions of Homosexuality in Spanish Writing and Film 1960-1990 Barry Jordan doi:10.2307/3733221 | Cite |
| |
244-245 | Review of Philip Swanson, Landmarks in Modern Latin American Fiction Frank McQuade doi:10.2307/3733222 | Cite |
| |
245-248 | Review of Albrecht Classen, Utopie und Logos. Vier Studien zu Wolframs von Eschenbach 'Titurel' D. H. Green doi:10.2307/3733223 | Cite |
| |
248-250 | Review of Heike Talkenberger, Sintflut. Prophetie und Zeitgeschehen in Texten und Holzschnitten astrologischer Flugschriften 1488-1528 John L. Flood doi:10.2307/3733224 | Cite |
| |
250-251 | Review of Rüdiger Campe, Affekt und Ausdruck. Zur Umwandlung der literarischen Rede im 17. und 18. Jahrhundert Anthony J. Harper doi:10.2307/3733225 | Cite |
| |
251 | | Cite |
| |
251-252 | Review of Susan Doering, Der wienerische Europäer. Johann Nestroy und die Vorlagen seiner Stücke W. E. Yates doi:10.2307/3733227 | Cite |
| |
252-253 | Review of Arno Dusini, Die Ordnung des Lebens: Zu Franz Grillparzers 'Selbstbiographie' W. E. Yates doi:10.2307/3733228 | Cite |
| |
253-255 | Review of Jeffrey L. Sammons, The Shifting Fortunes of Wilhelm Raabe: A History of Criticism as a Cautionary Tale William Hanson doi:10.2307/3733229 | Cite |
| |
255-256 | Review of Mark Lehrer, Intellektuelle Aporie und literarische Originalität Martin Swales doi:10.2307/3733230 | Cite |
| |
256 | Review of Werner Ross, Lou Andreas-Salomé. Weggefährtin von Nietzsche, Rilke, Freud Hans Reiss doi:10.2307/3733231 | Cite |
| |
256-258 | Review of Biddy Martin, Woman and Modernity: The (Life)Styles of Lou Andreas-Salomé Elizabeth Boa doi:10.2307/3733232 | Cite |
| |
258 | Review of Arthur Schnitzler, Richard Beer-Hofmann, Konstanze Fliedl, Briefwechsel 1891-1931 Ritchie Robertson doi:10.2307/3733233 | Cite |
| |
258-259 | Review of David Horton, Marieluise Fleisser: Pioniere in Ingolstadt J. M. Ritchie doi:10.2307/3733234 | Cite |
| |
259-260 | | Cite |
| |
260-262 | Review of Ulrich Fries, Uwe Johnsons 'Jahrestage': Erzählstruktur und politische Subjektivität D. G. Bond doi:10.2307/3733236 | Cite |
| |
262-263 | Review of Michael Butler, Malcolm Pender, Rejection and Emancipation: Writing in German-Speaking Switzerland 1945-1991 Joshua Reid doi:10.2307/3733237 | Cite |
| |
263 | | Cite |
| |
263-264 | Review of Jens Simon, Weg von der Dudennorm: Arno Schmidts Weg von den 'Stürenburg-Geschichten' zur 'Inselstraße' Michael Minden doi:10.2307/3733239 | Cite |
| |
264-265 | Review of Frank Pilipp, The Novels of Martin Walser: A Critical Introduction Rhys W. Williams doi:10.2307/3733240 | Cite |
| |
265-266 | Review of Paul Michael Lützeler, Spätmoderne und Postmoderne. Beiträge zur deutschen Gegenwartsliteratur D. G. Bond doi:10.2307/3733241 | Cite |
| |
266-268 | Review of J. P. Stern, The Heart of Europe: Essays on Literature and Ideology Edward Timms doi:10.2307/3733242 | Cite |
| |
268-270 | | Cite |
| |
270-272 | Review of Ruth Zernova, Helen Reeve, Ann Harleman, Martha Kitchen, Mute Phone Calls and Other Stories Catriona Kelly doi:10.2307/3733244 | Cite |
| |
272 | Review of Agnieszka Kiełkiewicz-Janowiak, A Socio-Historical Study in Address: Polish and English N. J. C. Gotteri doi:10.2307/3733245 | Cite |
| |
This title is distributed on behalf of MHRA by Ingram’s. Booksellers and libraries can order direct from Ingram by setting up an ipage Account: click here for more.