1-18 | | Cite |
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19-38 | | Cite |
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39-49 | Plutarch's Contribution to the Invention of Sabine in Corneille's "Horace" David Clarkedoi:10.2307/3733151 | Cite |
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50-60 | Absurdist Estrangement and the Subversion of Narrativity in "La Plage" Yoseph Milmandoi:10.2307/3733152 | Cite |
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61-70 | Between Irigaray and Cardinal: Reinventing Maternal Genealogies Samantha Haighdoi:10.2307/3733153 | Cite |
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71-87 | Carlo Placci between Italy and Britain in the 1880s: His Friends, His Essays and the Role of Enrico Nencioni Marie-Pierre Stroweldoi:10.2307/3733154 | Cite |
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88-106 | Cervantes's Aesthetics of Comic Fiction and His Concept of "La Verdad de la Historia" Anthony Closedoi:10.2307/3733155 | Cite |
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107-137 | In Search of the Historical Kafka: A Selective Review of Research, 1980-92 Ritchie Robertsondoi:10.2307/3733156 | Cite |
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138-148 | | Cite |
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149-165 | Kafka and Russian Experimental Fiction in the Thaw, 1956-1965 Edith W. Clowesdoi:10.2307/3733158 | Cite |
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166-167 | | Cite |
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167-168 | Review of Jan Gorak, The Making of the Modern Canon: Genesis and Crisis of a Literary IdeaThomas Dochertydoi:10.2307/3733160 | Cite |
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168-169 | Review of Fredric Jameson, Postmodernism, or, the Cultural Logic of Late CapitalismStephen Regandoi:10.2307/3733161 | Cite |
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169-170 | Review of Robert Bernasconi, Simon Critchley, Re-Reading LevinasValerie Allendoi:10.2307/3733162 | Cite |
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171-173 | | Cite |
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173-175 | Review of Burton Raffel, Artists All: Creativity, the University, and the WorldJeremy Tamblingdoi:10.2307/3733164 | Cite |
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175-177 | Review of Jonathan Dollimore, Sexual Dissidence: Augustine to Wilde, Freud to FoucaultJeremy Tamblingdoi:10.2307/3733165 | Cite |
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177-178 | | Cite |
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178-179 | | Cite |
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179-180 | Review of Ian Small, Marcus Walsh, The Theory and Practice of Text-EditingJoseph Natolidoi:10.2307/3733168 | Cite |
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180-182 | Review of Marina S. Brownlee, Kevin Brownlee, Stephen G. Nichols, The New MedievalismMarion Wynne-Daviesdoi:10.2307/3733169 | Cite |
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182-183 | Review of Judith N. Garde, Old English Poetry in Medieval Christian Perspective: A Doctrinal ApproachAndrew Wawndoi:10.2307/3733170 | Cite |
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183-184 | Review of Katherine O'Brien O'Keeffe, Visible Song: Transitional Literacy in Old English VerseT. A. Shippeydoi:10.2307/3733171 | Cite |
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184-186 | Review of Robert J. Blanch, Miriam Youngerman Miller, Julian N. Wasserman, Text and Matter: New Critical Perspectives of the 'Pearl'-PoetW. A. Davenportdoi:10.2307/3733172 | Cite |
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186-187 | Review of Lisa J. Kiser, Truth and Textuality in Chaucer's PoetryJohn M. Fylerdoi:10.2307/3733173 | Cite |
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187-188 | Review of James I. Wimsatt, Chaucer and His French Contemporaries: Natural Music in the Fourteenth CenturyJulia Boffeydoi:10.2307/3733174 | Cite |
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188-189 | Review of Elizabeth Archibald, Apollonius of Tyre: Medieval and Renaissance Themes and Variations. Including the Text of the 'Historia Apollonii Regis Tyri' with an English TranslationKeith Batedoi:10.2307/3733175 | Cite |
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189-191 | Review of Thomas Healy, New Latitudes: Theory and English Renaissance LiteratureJohn Drakakisdoi:10.2307/3733176 | Cite |
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191-193 | Review of Richard Dutton, Mastering the Revels: The Regulation and Censorship of English Renaissance DramaJanet Claredoi:10.2307/3733177 | Cite |
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193-194 | | Cite |
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194-195 | Review of David Mann, The Elizabethan Player: Contemporary Stage RepresentationDavid Danielldoi:10.2307/3733179 | Cite |
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195-196 | Review of T. J. King, Casting Shakespeare's Plays: London Actors and Their Roles, 1590-1642Thomas L. Bergerdoi:10.2307/3733180 | Cite |
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196-197 | Review of A. R. Braunmuller, Natural Fictions: George Chapman's Major TragediesDavid Womersleydoi:10.2307/3733181 | Cite |
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197-199 | Review of Leeds Barroll, Politics, Plague, and Shakespeare's Theater: The Stuart YearsRichard Duttondoi:10.2307/3733182 | Cite |
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199-200 | Review of Patricia Fumerton, Cultural Aesthetics: Renaissance Literature and the Practice of Social OrnamentMarion Wynne-Daviesdoi:10.2307/3733183 | Cite |
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200-203 | Review of Kate Ferguson Ellis, The Contested Castle: Gothic Novels and the Subversion of Domestic Ideology; Michelle A. Massé, In the Name of Love: Women, Masochism, and the GothicDavid H. Richterdoi:10.2307/3733184 | Cite |
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203-204 | | Cite |
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204-205 | Review of Groupe Telos, Isabelle Perrin, Approches énonciatives de l'énoncé complexeFrank G. Healeydoi:10.2307/3733186 | Cite |
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205-206 | Review of Elizabeth Fallaize, Ron Hallmark, Ian Pickup, Representations of Belief: Essays in Memory of G. V. BanksMichael G. Kellydoi:10.2307/3733187 | Cite |
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206 | Review of C. A. Bellard-Thomson, The Literary Stylistics of French: An Introductory GuideMalcolm C. Smithdoi:10.2307/3733188 | Cite |
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207 | Review of Nathalie Fournier, L'Aparté dans le théâtre français du XVIIe siècle au XXe siècleW. D. Howarthdoi:10.2307/3733189 | Cite |
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208 | | Cite |
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208-209 | | Cite |
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209-210 | Review of Angelica Rieger, Trobairitz: der Beitrag der Frau in der altokzitanischen höfischen Lyrik: Edition des GesamtkorpusSimon Gauntdoi:10.2307/3733192 | Cite |
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210-211 | Review of Marcel Couturier, Graham A. Runnalls, Compte du Mystère de la Passion, Châteaudun 1510Paul Verhuyckdoi:10.2307/3733193 | Cite |
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211-212 | | Cite |
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212-213 | Review of Wil Munsters, La Poétique du pittoresque en France de 1700 à 1830T. M. Prattdoi:10.2307/3733195 | Cite |
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213-214 | Review of Jean-Noël Pascal, La Fable au Siècle des Lumières 1715-1815: anthologie des successeurs de La Fontaine, de La Motte à JauffretT. M. Prattdoi:10.2307/3733196 | Cite |
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214-215 | Review of Catherine M. Northeast, The Parisian Jesuits and the EnlightenmentRichard Wallerdoi:10.2307/3733197 | Cite |
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215 | | Cite |
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215-216 | | Cite |
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216-217 | Review of Dominique Verrey, Etienne Hofmann, Chronologie de la vie et de l'œuvre de Benjamin Constant. Vol. I: 1767-1805Dennis Wooddoi:10.2307/3733200 | Cite |
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217 | Review of Alison Finch, Concordance de Stendhal: 'Le Rouge et le Noir' et 'La Chartreuse de Parme'Richard Bolsterdoi:10.2307/3733201 | Cite |
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218 | | Cite |
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219 | | Cite |
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220 | | Cite |
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221 | Review of Marc Eigeldinger, Le Soleil de la Poésie: Gautier, Baudelaire, RimbaudRachel Killickdoi:10.2307/3733205 | Cite |
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221-222 | Review of Trevor A. Le V. Harris, Maupassant et 'Fort comme la mort': le roman contrefaitRachel Killickdoi:10.2307/3733206 | Cite |
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222-223 | Review of Martin Sorrell, Modern French Poetry: A Dual Text AnthologyRachel Killickdoi:10.2307/3733207 | Cite |
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223-224 | Review of Michèle M. Magill, Répertoire des références aux arts et à la littérature dans 'À la recherche du temps perdu'Maya Slaterdoi:10.2307/3733208 | Cite |
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224-225 | Review of Vinh Dao, André Malraux ou la quête de la fraternitéGeoffrey T. Harrisdoi:10.2307/3733209 | Cite |
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225-226 | | Cite |
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226-227 | Review of Anthony Cheal Pugh, France 1940: Literary and Historical Reactions to DefeatJohn Flowerdoi:10.2307/3733211 | Cite |
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227-229 | | Cite |
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229-230 | Review of Thomas Weick, Die Rezeption des Werkes von Jacques BrelDavid Meakindoi:10.2307/3733213 | Cite |
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230-232 | Review of Giovanni Aquilecchia, Le opere italiane di Giordano Bruno: Critica testuale e oltreLia Buono Hodgartdoi:10.2307/3733214 | Cite |
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232-233 | Review of Martín de Riquer, 'Tirant lo Blanch', novela de historia y de ficciónLivís Cabrédoi:10.2307/3733215 | Cite |
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233-234 | Review of J. M. Ruano de la Haza, La primera versión de 'La vida es sueño', de CalderónThomas Austin O'Connordoi:10.2307/3733216 | Cite |
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234-236 | Review of James Mandrell, Don Juan and the Point of Honor: Seduction, Patriarchal Society, and Literary TraditionMargaret A. Reesdoi:10.2307/3733217 | Cite |
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236-238 | Review of Derek Flitter, Spanish Romantic Literary Theory and CriticismJohn R. Rosenbergdoi:10.2307/3733218 | Cite |
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238-239 | Review of Juan Paredes Núñez, Antonio Machado: Baeza 1912/1989P. G. Johnstondoi:10.2307/3733219 | Cite |
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239-240 | Review of Stephen M. Hart, The Other Scene: Psychoanalytic Readings in Modern Spanish and Latin-American LiteratureRobin Fiddiandoi:10.2307/3733220 | Cite |
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240-244 | Review of Paul Julian Smith, Laws of Desire: Questions of Homosexuality in Spanish Writing and Film 1960-1990Barry Jordandoi:10.2307/3733221 | Cite |
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244-245 | Review of Philip Swanson, Landmarks in Modern Latin American FictionFrank McQuadedoi:10.2307/3733222 | Cite |
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245-248 | Review of Albrecht Classen, Utopie und Logos. Vier Studien zu Wolframs von Eschenbach 'Titurel'D. H. Greendoi:10.2307/3733223 | Cite |
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248-250 | Review of Heike Talkenberger, Sintflut. Prophetie und Zeitgeschehen in Texten und Holzschnitten astrologischer Flugschriften 1488-1528John L. Flooddoi:10.2307/3733224 | Cite |
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250-251 | Review of Rüdiger Campe, Affekt und Ausdruck. Zur Umwandlung der literarischen Rede im 17. und 18. JahrhundertAnthony J. Harperdoi:10.2307/3733225 | Cite |
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251 | | Cite |
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251-252 | Review of Susan Doering, Der wienerische Europäer. Johann Nestroy und die Vorlagen seiner StückeW. E. Yatesdoi:10.2307/3733227 | Cite |
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252-253 | Review of Arno Dusini, Die Ordnung des Lebens: Zu Franz Grillparzers 'Selbstbiographie'W. E. Yatesdoi:10.2307/3733228 | Cite |
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253-255 | Review of Jeffrey L. Sammons, The Shifting Fortunes of Wilhelm Raabe: A History of Criticism as a Cautionary TaleWilliam Hansondoi:10.2307/3733229 | Cite |
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255-256 | Review of Mark Lehrer, Intellektuelle Aporie und literarische OriginalitätMartin Swalesdoi:10.2307/3733230 | Cite |
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256 | Review of Werner Ross, Lou Andreas-Salomé. Weggefährtin von Nietzsche, Rilke, FreudHans Reissdoi:10.2307/3733231 | Cite |
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256-258 | Review of Biddy Martin, Woman and Modernity: The (Life)Styles of Lou Andreas-SaloméElizabeth Boadoi:10.2307/3733232 | Cite |
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258 | Review of Arthur Schnitzler, Richard Beer-Hofmann, Konstanze Fliedl, Briefwechsel 1891-1931Ritchie Robertsondoi:10.2307/3733233 | Cite |
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258-259 | Review of David Horton, Marieluise Fleisser: Pioniere in IngolstadtJ. M. Ritchiedoi:10.2307/3733234 | Cite |
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259-260 | | Cite |
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260-262 | Review of Ulrich Fries, Uwe Johnsons 'Jahrestage': Erzählstruktur und politische SubjektivitätD. G. Bonddoi:10.2307/3733236 | Cite |
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262-263 | Review of Michael Butler, Malcolm Pender, Rejection and Emancipation: Writing in German-Speaking Switzerland 1945-1991Joshua Reiddoi:10.2307/3733237 | Cite |
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263 | | Cite |
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263-264 | Review of Jens Simon, Weg von der Dudennorm: Arno Schmidts Weg von den 'Stürenburg-Geschichten' zur 'Inselstraße'Michael Mindendoi:10.2307/3733239 | Cite |
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264-265 | Review of Frank Pilipp, The Novels of Martin Walser: A Critical IntroductionRhys W. Williamsdoi:10.2307/3733240 | Cite |
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265-266 | Review of Paul Michael Lützeler, Spätmoderne und Postmoderne. Beiträge zur deutschen GegenwartsliteraturD. G. Bonddoi:10.2307/3733241 | Cite |
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266-268 | Review of J. P. Stern, The Heart of Europe: Essays on Literature and IdeologyEdward Timmsdoi:10.2307/3733242 | Cite |
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268-270 | | Cite |
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270-272 | Review of Ruth Zernova, Helen Reeve, Ann Harleman, Martha Kitchen, Mute Phone Calls and Other StoriesCatriona Kellydoi:10.2307/3733244 | Cite |
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272 | Review of Agnieszka Kiełkiewicz-Janowiak, A Socio-Historical Study in Address: Polish and EnglishN. J. C. Gotteridoi:10.2307/3733245 | Cite |
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