545-558 | Simulative Panhumanism: A Challenge to Current Linguistic and Literary Thought: A Review Article Roger D. Sell doi:10.2307/3734925 | Cite |
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559-580 | | Cite |
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581-599 | From Latin to Anglo-French and Middle English: The Role of the Multilingual Gloss William Rothwell doi:10.2307/3734927 | Cite |
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600-611 | Like Poles Attracting: Intertextual Magnetism in Poe, Verne, and Gracq David Meakin doi:10.2307/3734928 | Cite |
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612-624 | | Cite |
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625-638 | | Cite |
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639-643 | | Cite |
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644-665 | "Más fuerte que la guerra": The Civil-War Sonnets of Antonio Machado James Whiston doi:10.2307/3734932 | Cite |
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666-686 | "Für einen werdenden Schriftsteller keine schlechte Lehre": Wolfgang Koeppen's Literary Career pre-1945 David Basker doi:10.2307/3734933 | Cite |
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687-705 | "Du musst das Haus abtragen": The Motif of the House in Recent German-Swiss Fiction Malcolm Pender doi:10.2307/3734934 | Cite |
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706-717 | Creating a Sense of Time: Some Aspects of Style in Iurii Trifonov's Mature Prose S. Dalton-Brown doi:10.2307/3734935 | Cite |
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718-720 | Review of Michael G. Hanly, Boccaccio, Beauvau, Chaucer. 'Troilus and Criseyde': Four Perspectives on Influence Roger Ellis doi:10.2307/3734936 | Cite |
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720-721 | Review of John A. Alford, M. Teresa Tavormina, The Yearbook of Langland Studies. Vol. IV: 1990 Kathryn Kerby-Fulton doi:10.2307/3734937 | Cite |
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722-723 | Review of Martin Elsky, Authorizing Words: Speech, Writing, and Print in the English Renaissance N. H. Keeble doi:10.2307/3734938 | Cite |
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723-724 | | Cite |
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725-727 | | Cite |
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727-728 | Review of Ann Jennalie Cook, Making a Match: Courtship in Shakespeare and His Society R. A. Houlbrooke doi:10.2307/3734941 | Cite |
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728-729 | | Cite |
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729-730 | Review of Frank H. Ellis, Sentimental Comedy: Theory and Practice Allan Ingram doi:10.2307/3734943 | Cite |
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730-731 | Review of Marie Roberts, Gothic Immortals: The Fiction of the Brotherhood of the Rosy Cross David Punter doi:10.2307/3734944 | Cite |
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731-732 | Review of William Blake, Peter Otto, Constructive Vision and Visionary Deconstruction: Los, Eternity, and the Productions of Time in the Later Poetry of William Blake Brian Wilkie doi:10.2307/3734945 | Cite |
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732-733 | Review of Chris R. Vanden Bossche, Carlyle and the Search for Authority K. J. Fielding doi:10.2307/3734946 | Cite |
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733-734 | | Cite |
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734-735 | Review of Linda M. Austin, The Practical Ruskin: Economics and Audience in the Late Work Dinah Birch doi:10.2307/3734948 | Cite |
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735-736 | Review of Jerusha Hull McCormack, John Gray: Poet, Dandy, and Priest Murray G. H. Pittock doi:10.2307/3734949 | Cite |
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736-737 | Review of Ian Small, Conditions for Criticism: Authority, Knowledge, and Literature in the Late Nineteenth Century Peter Faulkner doi:10.2307/3734950 | Cite |
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737-738 | Review of Richard Price, The Fabulous Matter of Fact: The Poetics of Neil M. Gunn Margery McCulloch doi:10.2307/3734951 | Cite |
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738-739 | Review of Bridget Fowler, The Alienated Reader: Women and Popular Romantic Literature in the Twentieth Century Clare Hanson doi:10.2307/3734952 | Cite |
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739-741 | Review of Eric J. Sundquist, Frederick Douglass: New Literary and Historical Essays A. Robert Lee doi:10.2307/3734953 | Cite |
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741-742 | Review of Tom Lutz, American Nervousness, 1903: An Anecdotal History James Hurt doi:10.2307/3734954 | Cite |
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742-743 | Review of Jane Palatini Bowers, 'They Watch Me as They Watch This': Gertrude Stein's Metadrama June Schlueter doi:10.2307/3734955 | Cite |
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743-744 | Review of Mickey Pearlman, Abby H. P. Werlock, Tillie Olsen Janet Beer Goodwyn doi:10.2307/3734956 | Cite |
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744-745 | Review of Bruce Michelson, Wilbur's Poetry: Music in a Scattering Time Stephen Matterson doi:10.2307/3734957 | Cite |
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745-747 | Review of Christian K. Messenger, Sport and the Spirit of Play in Contemporary American Fiction Deborah L. Madsen doi:10.2307/3734958 | Cite |
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747-748 | | Cite |
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748-749 | | Cite |
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749-751 | | Cite |
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751-753 | Review of Catherine Kintzler, Poétique de l'opéra français de Corneille à Rousseau Philip Robinson doi:10.2307/3734962 | Cite |
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753-755 | Review of Jean-Michel Racault, L'Utopie narrative en France et en Angleterre 1675-1761 Robin Howells doi:10.2307/3734963 | Cite |
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755-756 | Review of William F. Edmiston, Hindsight and Insight: Focalization in Four Eighteenth-Century French Novels Vivienne Mylne doi:10.2307/3734964 | Cite |
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756-757 | Review of Voltaire, William Barber, Ulla Kölving, Janet Godden, The Complete Works of Voltaire (Œuvres complètes de Voltaire) Vol. XVII: 1737 David J. Williams doi:10.2307/3734965 | Cite |
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758 | Review of James F. Jones, Rousseau's Dialogues: An Interpretive Essay Judith Still doi:10.2307/3734966 | Cite |
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759 | Review of Claude Petitfrère, Le Scandale du 'Mariage de Figaro': Prélude à la Révolution française Malcolm Cook doi:10.2307/3734967 | Cite |
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759 | Review of Madelyn Gutwirth, Germaine de Staël: Crossing the Borders Dennis Wood doi:10.2307/3734968 | Cite |
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760-761 | Review of Harvey Chisick, Ilana Zinguer, Ouzi Elyada, The Press in the French Revolution Colin Jones doi:10.2307/3734969 | Cite |
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761 | Review of Mario Richter, Convegno di studi sul teatro e la Rivoluzione francese F. W. J. Hemmings doi:10.2307/3734970 | Cite |
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762 | Review of Harry Redman, Jr., The Roland Legend in Nineteenth-Century French Literature Ceri Crossley doi:10.2307/3734971 | Cite |
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762-763 | Review of Allan H. Pasco, Balzacian Montage: Configuring 'La Comédie humaine' C. Smethurst doi:10.2307/3734972 | Cite |
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763 | | Cite |
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764 | Review of Timothy Unwin, Art et Infini: l'œuvre de jeunesse de Gustave Flaubert David Roe doi:10.2307/3734974 | Cite |
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765-766 | Review of Svetlana Bohm, Death in Quotation Marks: Cultural Myths of the Modern Poet Rachel Killick doi:10.2307/3734975 | Cite |
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766-767 | Review of Rima Drell Reck, Drieu la Rochelle and the Picture Gallery Novel: French Modernism in the Interwar Years John Flower doi:10.2307/3734976 | Cite |
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767 | Review of James W. Brown, Lawrence D. Stokes, Vercors: 'Le Silence de la Mer' Philip Thody doi:10.2307/3734977 | Cite |
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768-769 | | Cite |
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769-770 | | Cite |
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770-771 | Review of Matteo Maria Boiardo, Charles Stanley Ross, Anne Finnigan, Orlando innamorato Corinna Salvadori Lonergan doi:10.2307/3734980 | Cite |
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771-772 | | Cite |
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772-773 | Review of J. R. Woodhouse, From Castiglione to Chesterfield: The Decline in the Courtier's Manual Corinna Salvadori Lonergan doi:10.2307/3734982 | Cite |
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773-774 | Review of Andrea Matucci, Machiavelli nella storiografia fiorentina: per la storia di un genere letterario Brian Richardson doi:10.2307/3734983 | Cite |
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774-776 | Review of Peggy Osborn, G. B. Giraldi: 'Altile'. The Birth of a New Dramatic Genre in Renaissance Ferrara Philip Horne doi:10.2307/3734984 | Cite |
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776 | Review of Giuseppe Savoca, Alida D'Aquino, Concordanze dell' 'Isotteo' e delle 'Elegie romane' di Gabriele D'Annunzio J. R. Woodhouse doi:10.2307/3734985 | Cite |
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777-778 | Review of Kathryn Hume, Calvino's Fictions: Cogito and Cosmos Martin McLaughlin doi:10.2307/3734986 | Cite |
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778-779 | Review of J. R. Dashwood, J. E. Everson, Writers and Performers in Italian Drama from the Time of Dante to Pirandello: Essays in Honour of G. H. McWilliam Susan Bassnett doi:10.2307/3734987 | Cite |
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779-780 | Review of Grazia Deledda, Alba De Céspedes, Natalia Ginzburg, Dacia Maraini, Bruce Merry, Women in Modern Italian Literature: Four Studies Based on the Work of Grazia Deledda, Alba De Céspedes, Natalia Ginzburg and Dacia Maraini Jennifer Lorch doi:10.2307/3734988 | Cite |
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780-781 | Review of Santo L. Aricò, Contemporary Women Writers in Italy: A Modern Renaissance Sharon Wood doi:10.2307/3734989 | Cite |
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781-783 | Review of David Hook, Barry Taylor, Cultures in Contact in Medieval Spain: Historical and Literary Essays Presented to L. P. Harvey Gregory Peter Andrachuk doi:10.2307/3734990 | Cite |
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783-784 | | Cite |
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784-785 | Review of P. Gallagher, D. W. Cruickshank, God's Obvious Design: Papers for the Spanish Armada Symposium, Sligo, 1988. With an Edition and Translation of the Account of Francisco de Cuéllar J. S. Cummins doi:10.2307/3734992 | Cite |
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785-786 | Review of Everett W. Hesse, Tirso's Art in 'La venganza de Tamar': Tragedy of Sex and Violence Gordon Minter doi:10.2307/3734993 | Cite |
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786-787 | Review of José de Espronceda, C. K. Davies, The Student of Salamanca ('El estudiante de Salamanca') John R. Rosenberg doi:10.2307/3734994 | Cite |
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788 | Review of A. A. Anderson, García Lorca: 'La zapatera prodigiosa' Derek Harris doi:10.2307/3734995 | Cite |
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788-792 | Review of Charles V. J. Russ, The Dialects of Modern German: A Linguistic Survey Stephen Barbour doi:10.2307/3734996 | Cite |
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792-793 | Review of Detlef Altenburg, Jörg Jarnut, Hans-Hugo Steinhoff, Feste und Feiern im Mittelalter George Gillespie doi:10.2307/3734997 | Cite |
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793-795 | Review of Peter Michelsen, Der unruhige Bürger: Studien zu Lessing und zur Literatur des achtzehnten Jahrhunderts H. B. Nisbet doi:10.2307/3734998 | Cite |
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795-799 | Review of Johann Gottfried Herder, Martin Bollacher, Ulrich Gaier, Werke. Vol. III: Volkslieder, Übertragungen, Dichtungen; Johann Gottfried Herder, Martin Bollacher, Hans Dietrich Irmscher, Werke. Vol. VII: Briefe zur Beförderung der Humanität; Albert Meier, Heide Hollmer, Johann Gottfried Herder: Italienische Reise. Briefe und Tagebuchaufzeichnungen 1788-1789 H. B. Nisbet doi:10.2307/3734999 | Cite |
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799-802 | | Cite |
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802-803 | | Cite |
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803-805 | Review of W. G. Sebald, Unheimliche Heimat. Essays zur österreichischen Literatur Andrea Reiter doi:10.2307/3735002 | Cite |
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805-809 | Review of Maudemarie Clark, Nietzsche on Truth and Philosophy; H. Staten, Nietzsche's Voice G. Salemohamed doi:10.2307/3735003 | Cite |
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810-811 | Review of Paul Raabe, Die Autoren und Bücher des literarischen Expressionismus. Ein bibliographisches Handbuch in Zusammenarbeit mit Ingrid Hannich-Bode Brian Keith-Smith doi:10.2307/3735004 | Cite |
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811-812 | | Cite |
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812-814 | | Cite |
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814-815 | Review of Richard Peace, Oblomov: A Critical Examination of Goncharov's Novel Richard Freeborn doi:10.2307/3735007 | Cite |
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815-816 | Review of Ralph Bogert, The Writer as Naysayer: Miroslav Krlez̆a and the Aethetic of Interwar Central Europe David A. Norris doi:10.2307/3735008 | Cite |
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