1-14 | | Cite |
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15-25 | Political Discourse in Alexander Pope's "Episode of Sarpedon": Variations on the Theme of Kingship Julian Ferraro doi:10.2307/3730788 | Cite |
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26-45 | "Light Enough to Trusten by": Structure and Experience in "Silas Marner" Terence Dawson doi:10.2307/3730789 | Cite |
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46-57 | | Cite |
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58-73 | Bonding and Breaking in Baudelaire's "Petits poèmes en prose" Richard D. E. Burton doi:10.2307/3730791 | Cite |
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74-83 | Promises, Promises: The Language of Gesture in Baudelaire's "Petits poèmes en prose" Sonya Stephens, Rosemary Lloyd doi:10.2307/3730792 | Cite |
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84-90 | | Cite |
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91-101 | | Cite |
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102-109 | "Committing Outrage against the Bard": Nineteenth-Century Travesties of Shakespeare in England and Austria Manfred Draudt doi:10.2307/3730795 | Cite |
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110-125 | Nestroy in 1847: Der Schützling and the Decline of Viennese Popular Theatre W. E. Yates doi:10.2307/3730796 | Cite |
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126-136 | | Cite |
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137-146 | | Cite |
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147-148 | Review of Franz Josef Hausmann, Wörterbücher / Dictionaries / Dictionnaires: Ein internationales Handbuch zur Lexicographie / An International Encyclopaedia of Lexicography / Encyclopédie internationale de lexicographie. Vol. I Paul Meara doi:10.2307/3730799 | Cite |
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148-150 | | Cite |
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150-151 | Review of Hugh J. Silverman, Postmodernism: Philosophy and the Arts Michael Hatt doi:10.2307/3730801 | Cite |
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152-154 | | Cite |
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154-156 | Review of Marianne Børch, Andreas Haarder, Julia McGrew, The Medieval Texts: Editors and Critics. A Symposium Jennifer Fellows doi:10.2307/3730803 | Cite |
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156-157 | Review of Laurence Senelick, National Theatre in Northern and Eastern Europe, 1746-1900 Robert Russell doi:10.2307/3730804 | Cite |
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157-158 | | Cite |
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158-160 | Review of Diane Long Hoeveler, Romantic Androgyny: The Women within Patsy Stoneman doi:10.2307/3730806 | Cite |
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160-161 | Review of Sarah Harasym, The Post-Colonial Critic: Interviews, Strategies, Dialogues. Gayatri Chakravorty Spivak Angela Smith doi:10.2307/3730807 | Cite |
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161-162 | Review of Jeremy Tambling, Confession: Sexuality, Sin, the Subject Colin Nicholson doi:10.2307/3730808 | Cite |
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162-163 | Review of Richard W. F. Kroll, The Material Word: Literate Culture in the Restoration and Early Eighteenth Century Allan Ingram doi:10.2307/3730809 | Cite |
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163-164 | Review of John Wiltshire, Samuel Johnson in the Medical World: The Doctor and the Patient Clive T. Probyn doi:10.2307/3730810 | Cite |
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164-165 | | Cite |
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165-166 | | Cite |
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166-167 | Review of Sheila Berger, Thomas Hardy and Visual Structures: Framing, Disruption, Process Catherine Maxwell doi:10.2307/3730813 | Cite |
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167-168 | Review of R. D. S. Jack, The Road to the Never Land: A Reassessment of J. M. Barrie's Dramatic Art John Stokes doi:10.2307/3730814 | Cite |
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168-171 | Review of Kathleen Raine, W. B. Yeats, Yeats the Initiate: Essays on Certain Themes in the Work of W. B. Yeats Sophie Smith doi:10.2307/3730815 | Cite |
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171-172 | Review of Michael Levenson, Modernism and the Fate of Individuality: Character and Novelistic Form from Conrad to Woolf Pat Righelato doi:10.2307/3730816 | Cite |
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172-174 | Review of Henry Sussman, Afterimages of Modernity: Structure and Indifference in Twentieth-Century Literature David Punter doi:10.2307/3730817 | Cite |
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174-175 | Review of Robert H. Bell, Jocoserious Joyce: The Fate of Folly in 'Ulysses' John Paul Riquelme doi:10.2307/3730818 | Cite |
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175-176 | | Cite |
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176-177 | Review of Sydney Janet Kaplan, Katherine Mansfield and the Origins of Modernist Fiction Angela Smith doi:10.2307/3730820 | Cite |
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177-179 | Review of Charles Hansford Adams, 'The Guardian of the Law': Authority and Identity in James Fenimore Cooper R. W. (Herbie) Butterfield doi:10.2307/3730821 | Cite |
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179-180 | Review of H. Daniel Peck, Thoreau's Morning Work: Memory and Perception in 'A Week on the Concord and Merrimack Rivers', the Journal, and 'Walden' Nicola Bradbury doi:10.2307/3730822 | Cite |
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180-181 | Review of Ezra Greenspan, Walt Whitman and the American Reader R. W. (Herbie) Butterfield doi:10.2307/3730823 | Cite |
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181-182 | | Cite |
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182-184 | Review of Richard Godden, Fictions of Capital: The American Novel from James to Mailer A. Robert Lee doi:10.2307/3730825 | Cite |
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184-186 | Review of Jackson J. Benson, New Critical Approaches to the Short Stories of Ernest Hemingway Lionel Kelly doi:10.2307/3730826 | Cite |
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186-188 | | Cite |
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188-189 | Review of Sanford Pinsker, Bearing the Bad News: Contemporary American Literature and Culture David Seed doi:10.2307/3730828 | Cite |
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189-190 | | Cite |
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190-191 | Review of Leonard Mustazza, Forever Pursuing Genesis: The Myth of Eden in the Novels of Kurt Vonnegut Deborah L. Madsen doi:10.2307/3730830 | Cite |
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191-193 | Review of Chantal Zabus, The African Palimpsest: Indigenization of Language in the West African Europhone Novel Bill Ashcoroft doi:10.2307/3730831 | Cite |
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193-194 | Review of Pierre Chartier, Introduction aux grandes théories du roman Elizabeth Woodrough doi:10.2307/3730832 | Cite |
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194-195 | Review of Walter de Bibbesworth, William Rothwell, Le Tretiz; Luciano Formisano, La Destructioun de Rome A. J. Holden doi:10.2307/3730833 | Cite |
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195 | Review of D. A. Trotter, Jean de Vignay: 'Les Merveilles de la Terre d'Outremer'. Traduction du XIVe siècle du récit de voyage d'Ordoric de Pordenone T. D. Hemming doi:10.2307/3730834 | Cite |
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196-197 | | Cite |
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197-198 | Review of Claude Blum, Montaigne: 'Apologie de Raimond Sebond'. De la 'Theologia' à la 'Théologie' James Supple doi:10.2307/3730836 | Cite |
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198 | Review of Philibert de Vienne, P. M. Smith, Le Philosophe de Court Keith Cameron doi:10.2307/3730837 | Cite |
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198-199 | Review of Keith Cameron, Louise Labé: Feminist and Poet of the Renaissance Alison Saunders doi:10.2307/3730838 | Cite |
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199-200 | Review of Jacques Ferrand, Donald A. Beecher, Massimo Ciavolella, A Treatise on Lovesickness James Supple doi:10.2307/3730839 | Cite |
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200-201 | Review of Alain Génetiot, Les Genres lyriques mondains (1630-1660): Étude des poésies de Voiture, Vion d'Alibray, Sarasin et Scarron David Clarke doi:10.2307/3730840 | Cite |
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202-203 | Review of Ronald W. Tobin, Tarte à la crème: Comedy and Gastronomy in Molière's Theater Noël A. Peacock doi:10.2307/3730841 | Cite |
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203-205 | Review of Denise Mayer, Les Amitiés parisiennes au Grand Siècle: Mme de Lafayette et Mme de Sévigné (1648-1693) Elizabeth Woodrough doi:10.2307/3730842 | Cite |
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205-206 | Review of Alan Charles Kors, Atheism in France, 1650-1729: The Orthodox Sources of Disbelief Ruth Whelan doi:10.2307/3730843 | Cite |
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206-207 | Review of Lise Andries, La Bibliothèque bleue au dix-huitième siècle: une tradition éditoriale G. J. Mallinson doi:10.2307/3730844 | Cite |
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207-208 | Review of William Barber, Ulla Kölving, Voltaire, The Complete Works of Voltaire / Œuvres complètes de Voltaire. Vol. XIV C. P. Courtney doi:10.2307/3730845 | Cite |
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208-209 | | Cite |
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209-210 | | Cite |
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210-211 | Review of Roy Jay Nelson, Causality and Narrative in French Fiction from Zola to Robbe-Grillet Valerie Minogue doi:10.2307/3730848 | Cite |
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211-212 | Review of William Kidd, Vercors: 'Le Silence de la Mer' et autres récits: A Critical Introduction to the Wartime Writing Philip Thody doi:10.2307/3730849 | Cite |
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212-215 | Review of Joan DeJean, Nancy K. Miller, Displacements: Women, Tradition, Literatures in French; Françoise van Rossum-Guyon, Myriam Diaz-Diocaretz, Hélène Cixous, chemins d'une écriture; Armine Kotin Mortimer, Plotting to Kill; Laurence Enjolras, Femmes écrites: Bilan de deux décennies Jennifer Birkett doi:10.2307/3730850 | Cite |
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215-217 | Review of Rachel Jacoff, Jeffrey P. Schnapp, The Poetry of Allusion: Virgil and Ovid in Dante's 'Commedia' Joey Whitfield doi:10.2307/3730851 | Cite |
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217-218 | | Cite |
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218-219 | | Cite |
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219-220 | Review of Antonio C. Mastrobuono, Dante's Journey of Sanctification Peter Armour doi:10.2307/3730854 | Cite |
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221-222 | Review of Paolo Cherchi, Antonio Mastrobuono, Lecture Dantis Newberryana. Vol. II Mark Balfour doi:10.2307/3730855 | Cite |
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222-224 | | Cite |
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224 | | Cite |
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225-226 | Review of David Holton, Literature and Society in Renaissance Crete Peter Mackridge doi:10.2307/3730858 | Cite |
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226-228 | Review of Sergio Rossi, Dianella Savoia, Italy and the English Renaissance Alfonso Sammut doi:10.2307/3730859 | Cite |
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228-229 | Review of Jean-Louis Fournel, Les Dialogues de Sperone Speroni: libertés de la parole et règles de l'écriture Virginia Cox doi:10.2307/3730860 | Cite |
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229-231 | Review of Naomi Greene, Pier Paolo Pasolini: Cinema as Heresy Robert S. C. Gordon doi:10.2307/3730861 | Cite |
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231-232 | Review of Franco Ricci, Difficult Games: A Reading of 'I racconti' by Italo Calvino Martin McLaughlin doi:10.2307/3730862 | Cite |
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232-234 | Review of J. M. Díez Borque, Actor y técnica de representación del teatro clásico español Dawn L. Smith doi:10.2307/3730863 | Cite |
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234-235 | Review of George Mariscal, Contradictory Subjects: Quevedo, Cervantes, and Spanish Seventeenth-Century Culture R. M. Price doi:10.2307/3730864 | Cite |
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236 | | Cite |
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236-237 | Review of Francisco de Quevedo, Pablo Jauralde Pou, El Buscón Roger Gerald Moore doi:10.2307/3730866 | Cite |
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237-238 | Review of A. H. Clarke, E. J. Rodgers, D. Mackenzie, Galdós' House of Fiction: Papers Given at the Birmingham Galdós Colloquium Jennifer Lowe doi:10.2307/3730867 | Cite |
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238-240 | | Cite |
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240-241 | Review of C. B. Morris, García Lorca: 'La casa de Bernarda Alba' Catherine Boyle doi:10.2307/3730869 | Cite |
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241 | Review of Juan García Hortelano, Antonio A. Gómez Yebra, Tormenta de verano W. I. Pertaub doi:10.2307/3730870 | Cite |
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242-243 | Review of David Johnston, Buero Vallejo: 'El concierto de San Ovidio' Michael Thompson doi:10.2307/3730871 | Cite |
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243-245 | Review of Joan L. Brown, Women Writers of Contemporary Spain: Exiles in the Homeland Catherine Davies doi:10.2307/3730872 | Cite |
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245 | Review of María Elena de Valdés, Mario J. Valdés, Approaches to Teaching García Márquez's 'One Hundred Years of Solitude' Robin Fiddian doi:10.2307/3730873 | Cite |
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245-246 | Review of Elżbieta Sklodowska, La parodia en la nueva novela hispanoamericana Antonio Fama doi:10.2307/3730874 | Cite |
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246-248 | Review of Beatrice La Farge, 'Leben' und 'Seele' in den altgermanischen Sprachen. Studien zum Einfluß christlich-lateinischer Vorstellungen auf die Volkssprachen D. H. Green doi:10.2307/3730875 | Cite |
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248-250 | Review of Wolfgang Pöckel, Österreichische Dichter als Übersetzer Joyce Crick doi:10.2307/3730876 | Cite |
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250-252 | Review of Corinna Dahlgrün, Hoc fac, et vives (Lk 1028): vor allen dingen minne got. Theologische Reflexionen eines Laien im 'Gregorius' und in 'Der arme Heinrich' Hartmanns von Aue David Wells doi:10.2307/3730877 | Cite |
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252-253 | Review of Michael Schilling, Bildpublizistik der frühen Neuzeit. Aufgaben und Leistungen des illustrierten Flugblatts in Deutschland bis um 1700 Anthony J. Harper doi:10.2307/3730878 | Cite |
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253-254 | Review of John Van Cleve, The Problem of Wealth in the Literature of Luther's Germany John L. Flood doi:10.2307/3730879 | Cite |
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254-255 | Review of Carsten Zelle, Immanuel Jacob Pyra: Über das Erhabene. Herausgegeben mit einer Einleitung und einem Anhang von Briefen Bodmers, Langes und Pyras Hans Reiss doi:10.2307/3730880 | Cite |
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255-257 | Review of Peter D. Fenves, A Peculiar Fate: Metaphysics and World-History in Kant Hans Reiss doi:10.2307/3730881 | Cite |
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257-258 | | Cite |
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258 | Review of Biberach Wieland-Archiv, Hans Radspieler, Wieland Studien I; Aufsätze, Texte und Dokumente, Berichte, Bibliographie Martin Swales doi:10.2307/3730883 | Cite |
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259-260 | Review of Gerhard Höhn, Heinrich Heine. Ästhetisch-politische Profile Ritchie Robertson doi:10.2307/3730884 | Cite |
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260-262 | Review of James W. Jones, 'We of the Third Sex': Literary Representations of Homosexuality in Wilhelmine Germany Alan Bance doi:10.2307/3730885 | Cite |
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262-264 | Review of Klaus Pezold, Geschichte der deutschsprachigen Schweizer Literatur im 20. Jahrhundert Malcolm Pender doi:10.2307/3730886 | Cite |
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264-265 | Review of Michel Ertz, Friedrich Lienhard und René Schickele: Elsässische Literaten zwischen Deutschland und Frankreich Margaret Rogister doi:10.2307/3730887 | Cite |
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265-267 | Review of Stephan Reinhardt, Alfred Andersch. Eine Biographie Margaret Littler doi:10.2307/3730888 | Cite |
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267-268 | Review of Boryana Velcheva, Ernest A. Scatton, Proto-Slavic and Old Bulgarian Sound Changes C. M. MacRobert doi:10.2307/3730889 | Cite |
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269-270 | | Cite |
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270-271 | Review of Gareth Williams, The Influence of Tolstoy on Readers of His Work R. F. Christian doi:10.2307/3730891 | Cite |
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271-272 | Review of Branislava Milijić, Metodološka misao u preseku: Sadašnji trenutak nauke o književnosti David A. Norris doi:10.2307/3730892 | Cite |
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