545-554 | | Cite |
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555-566 | | Cite |
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567-575 | | Cite |
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576-584 | A Beast of a Closet: The Sexual Differences of Literary Collaboration in the Work of Marguerite Duras and Yann Andréa James Williamsdoi:10.2307/3732921 | Cite |
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585-602 | (De)constructing the Canon: The Agon of the Anthologies on the Scene of Modern Italian Poetry Lucia Redoi:10.2307/3732922 | Cite |
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603-615 | Love, Alienation, and the Absurd: Three Principal Themes in César Vallejo's "Trilce" Robert K. Brittondoi:10.2307/3732923 | Cite |
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616-625 | A Source for Nestroy's "Gegen Thorheit giebt es kein Mittel" Louise Adey Huishdoi:10.2307/3732924 | Cite |
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626-635 | A Mixing of Metaphors: Masculine-Feminine Interplay in the Novels of Hermann Hesse Lewis W. Tuskendoi:10.2307/3732925 | Cite |
| |
636-651 | School Grammar and University Linguistics: A Review Article Christopher Beedhamdoi:10.2307/3732926 | Cite |
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652-663 | Present Imperfect: An Analysis of Time in Maksimov's "Sem' dnei tvoreniia" Helen Y. Prochazkadoi:10.2307/3732927 | Cite |
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664-665 | Review of Yakov Malkiel, Theory and Practice of Romance Etymology: Studies in Language, Culture and HistoryRalph Pennydoi:10.2307/3732928 | Cite |
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665-666 | Review of Susan Price, Comparative Constructions in Spanish and French SyntaxGlanville Pricedoi:10.2307/3732929 | Cite |
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666-668 | Review of Susan Bassnett, André Lefevere, Translation, History and Culture; Catriona Picken, The Translator's HandbookColin Partridgedoi:10.2307/3732930 | Cite |
| |
668-669 | Review of Avital Ronell, The Telephone Book: Technology, Schizophrenia, Electric SpeechPaul Mearadoi:10.2307/3732931 | Cite |
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669-670 | Review of Gilles Deleuze, Mark Lester, Charles Stivale, Constantin V. Boundas, The Logic of SenseD. W. Hamlyndoi:10.2307/3732932 | Cite |
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670-671 | Review of James Kirwan, Literature, Rhetoric, Metaphysics: Literary Theory and Literary AestheticsDavid Vilasecadoi:10.2307/3732933 | Cite |
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671-672 | | Cite |
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672-674 | Review of John Hollander, Melodious Guile: Fictive Pattern in Poetic LanguageAaron Fogeldoi:10.2307/3732935 | Cite |
| |
674-676 | Review of Joseph Natoli, Literary Theory's Future(s); Virgil Nemoianu, A Theory of the Secondary: Literature, Progress, and ReactionHans Bertensdoi:10.2307/3732936 | Cite |
| |
677-678 | Review of Paul B. Armstrong, Conflicting Readings: Variety and Validity in InterpretationPaul Hernadidoi:10.2307/3732937 | Cite |
| |
678-679 | Review of Bettina Knapp, Machine, Metaphor, and the Writer: A Jungian ViewJudith Roofdoi:10.2307/3732938 | Cite |
| |
679-680 | Review of Steven Connor, Postmodernist Culture: An Introduction to Theories of the ContemporaryHans Bertensdoi:10.2307/3732939 | Cite |
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680-682 | | Cite |
| |
682 | Review of Thomas M. Leitch, What Stories Are: Narrative Theory and InterpretationJo Labanyidoi:10.2307/3732941 | Cite |
| |
682-684 | Review of Jean Bessière, Hybrides romanesques: Fiction (1960-1985)Edward J. Hughesdoi:10.2307/3732942 | Cite |
| |
684-685 | Review of John J. White, Literary Futurism: Aspects of the First Avant-GardeRobert S. C. Gordondoi:10.2307/3732943 | Cite |
| |
685-686 | Review of David Patterson, A Phoenix in Fetters: Studies in Nineteenth and Early Twentieth Century Hebrew FictionEdward A. Abramsondoi:10.2307/3732944 | Cite |
| |
686-687 | Review of Roger Simpson, Camelot Regained: The Arthurian Revival and Tennyson, 1800-1849P. J. C. Fielddoi:10.2307/3732945 | Cite |
| |
687-688 | Review of David G. Allen, Robert A. White, Traditions and Innovations: Essays on British Literature of the Middle Ages and the RenaissanceDerek Brewerdoi:10.2307/3732946 | Cite |
| |
688-689 | Review of David N. Klausner, Records of Early English Drama: Herefordshire and WorcestershireAndrew Gurrdoi:10.2307/3732947 | Cite |
| |
690-691 | Review of Anne M. Haselkorn, Betty S. Travitsky, The Renaissance Englishwoman in Print: Counterbalancing the CanonMarion Wynne-Daviesdoi:10.2307/3732948 | Cite |
| |
691-692 | Review of John S. Wilks, The Idea of Conscience in Renaissance TragedyJohn D. Coxdoi:10.2307/3732949 | Cite |
| |
692-693 | Review of Michael McCanles, The Text of Sidney's Arcadian WorldElizabeth Healedoi:10.2307/3732950 | Cite |
| |
693-694 | Review of S. K. Heninger, Jr., Sidney and Spenser: The Poet as MakerAnthea Humedoi:10.2307/3732951 | Cite |
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694-695 | | Cite |
| |
695-696 | Review of Arthur Kirsch, The Passions of Shakespeare's Tragic HeroesT. McAlindondoi:10.2307/3732953 | Cite |
| |
696-698 | Review of Paul Cantor, Shakespeare: 'Hamlet'; Barbara Everett, Young Hamlet: Essays on Shakespeare's TragediesMarion Lomaxdoi:10.2307/3732954 | Cite |
| |
698-700 | Review of Thomas Healy, Jonathan Sawday, Literature and the English Civil WarArthur F. Marottidoi:10.2307/3732955 | Cite |
| |
700-701 | Review of William B. Hunter, The Descent of Urania: Studies in Milton, 1946-1988Gordon Campbelldoi:10.2307/3732956 | Cite |
| |
701-702 | Review of Richard Wendorf, The Elements of Life: Biography and Portrait-Painting in Stuart and Georgian EnglandRonald Paulsondoi:10.2307/3732957 | Cite |
| |
703-704 | Review of Anne Countess, Jean M. Ellis D'Alessandro, The Wellesley Manuscript Poems of Anne Countess of WinchilseaJeanne Addison Robertsdoi:10.2307/3732958 | Cite |
| |
704-705 | Review of Margaret M. Smith, Index of English Literary Manuscripts. Vol. III: 1700-1800. Part 2: John Gay-Ambrose Philips with a First-Line Index to Parts 1 and 2Thomas Woodmandoi:10.2307/3732959 | Cite |
| |
705-706 | Review of William Cowper, James King, Charles Ryskamp, William Cowper: Selected LettersGeoffrey Carnalldoi:10.2307/3732960 | Cite |
| |
707 | Review of Fanny Burney, Lars E. Troide, The Early Journals and Letters of Fanny Burney. Vol. II: 1774-1777John A. Dussingerdoi:10.2307/3732961 | Cite |
| |
708-709 | Review of Syndy McMillen Conger, Sensibility in Transformation: Creative Resistance to Sentiment from the Augustans to the Romantics. Essays in Honor of Jean H. HagstrumPaul Alkondoi:10.2307/3732962 | Cite |
| |
709-710 | Review of Anne Janowitz, England's Ruins: Poetic Purpose and the National LandscapeDavid Worralldoi:10.2307/3732963 | Cite |
| |
710-711 | Review of Manuel Aguirre, The Closed Space: Horror Literature and Western SymbolismDavid H. Richterdoi:10.2307/3732964 | Cite |
| |
711-713 | Review of Adrienne Auslander Munich, Andromeda's Chains: Gender and Interpretation in Victorian Literature and ArtLaura Claridgedoi:10.2307/3732965 | Cite |
| |
713-715 | Review of W. David Shaw, Victorians and Mystery: Crises of RepresentationJames Paradisdoi:10.2307/3732966 | Cite |
| |
715-716 | Review of Mary Kupiec Cayton, Emerson's Emergence: Self and Society in the Transformation of New England, 1800-1845R. W. (Herbie) Butterfielddoi:10.2307/3732967 | Cite |
| |
716-718 | Review of Dorothy Mermin, Elizabeth Barrett Browning: The Origins of a New PoetryWilliam Whitladoi:10.2307/3732968 | Cite |
| |
718-719 | Review of James Perrin Warren, Walt Whitman's Language ExperimentR. W. (Herbie) Butterfielddoi:10.2307/3732969 | Cite |
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719-720 | | Cite |
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720-721 | | Cite |
| |
721-723 | Review of Janet Goodwyn, Edith Wharton: Traveller in the Land of LettersCandace Waiddoi:10.2307/3732972 | Cite |
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723-724 | Review of G. A. Cevasco, Three Decadent Poets: Ernest Dowson, John Gray, and Lionel Johnson: An Annotated BibliographyMurray G. H. Pittockdoi:10.2307/3732973 | Cite |
| |
724-725 | Review of Jonathan Miles, Backgrounds to David Jones: A Study in Sources and DraftsM. J. Alexanderdoi:10.2307/3732974 | Cite |
| |
725-727 | Review of Dirk Kuyk, Jr., Sutpen's Design: Interpreting Faulkner's 'Absalom, Absalom!'Pamela Knightsdoi:10.2307/3732975 | Cite |
| |
728-729 | Review of Gordon S. Armstrong, Samuel Beckett, W. B. Yeats, and Jack Yeats: Images and WordsMary Brydendoi:10.2307/3732976 | Cite |
| |
729-730 | Review of Linda Ben-Zvi, Women in Beckett: Performance and Critical PerspectivesJune Schlueterdoi:10.2307/3732977 | Cite |
| |
730-732 | | Cite |
| |
732-733 | Review of Sara Mills, Lynne Pearce, Sue Spaull, Elaine Millard, Feminist Readings: Feminists ReadingSiv Janssondoi:10.2307/3732979 | Cite |
| |
734-735 | Review of June Schlueter, Feminist Rereadings of Modern American DramaLinda Ben-Zvidoi:10.2307/3732980 | Cite |
| |
735-736 | Review of Catherine Kerbrat-Orrecchioni, Les Interactions verbales. Vol. 1Martin Harrisdoi:10.2307/3732981 | Cite |
| |
736-737 | Review of J.-C. Béacco, D. Lehmann, Publics spécifiques et communication spécialiséeP. M. Sewelldoi:10.2307/3732982 | Cite |
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737-738 | | Cite |
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738-739 | Review of G. T. Harris, P. M. Wetherill, Littérature et révolutions en FranceCeri Crossleydoi:10.2307/3732984 | Cite |
| |
739-740 | Review of Malcolm Scott, The Struggle for the Soul of the French Novel: French Catholic and Realist Novelists, 1850-1970John Flowerdoi:10.2307/3732985 | Cite |
| |
741 | Review of Philip E. Bennett, Graham A. Runnalls, The Editor and the Text: In Honour of Professor Anthony J. HoldenDavid Trotterdoi:10.2307/3732986 | Cite |
| |
741-743 | Review of Willem Noomen, Nico van den Boogaard, Nouveau Recueil complet des fabliaux. Vol. VA. J. Holdendoi:10.2307/3732987 | Cite |
| |
743-744 | Review of Robert Levine, France before Charlemagne: A Translation from the Grandes ChroniquesPeter Nobledoi:10.2307/3732988 | Cite |
| |
744-745 | Review of Joseph Linskill, Les Épîtres de Guiraut Riquier, troubadour du XIIIe siècleJohn P. Foxdoi:10.2307/3732989 | Cite |
| |
745-746 | Review of Stewart Gregory, The Twelfth-Century Psalter Commentary in French for Laurette d'Alsace (An Edition of Psalms I-L)T. D. Hemmingdoi:10.2307/3732990 | Cite |
| |
746 | Review of André Tissier, Recueil de Farces (1450-1550): textes annotés et commentés. Vol. VAlan Hindleydoi:10.2307/3732991 | Cite |
| |
747 | Review of Elizabeth Armstrong, Before Copyright: The French Book-Privilege System, 1498-1526Stephen Rawlesdoi:10.2307/3732992 | Cite |
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747-748 | | Cite |
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748-749 | | Cite |
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749-750 | | Cite |
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750-751 | Review of Roland Mortier, Le Cœur et la raison: recueil d'études sur le dix-huitième siècleRobin Howellsdoi:10.2307/3732996 | Cite |
| |
751-752 | Review of Claude Gilbert, Marc Serge Rivière, Histoire de CaléjavaNicholas Cronkdoi:10.2307/3732997 | Cite |
| |
752-753 | Review of Pierre Le Tourneur, Jacques Gury, Préface du Shakespeare traduit de l'angloisDerek Connondoi:10.2307/3732998 | Cite |
| |
753 | Review of Brian N. Morton, Donald C. Spinelli, Beaumarchais: A BibliographyJohn Dunkleydoi:10.2307/3732999 | Cite |
| |
754 | Review of Alexandre Dumas père, David Coward, The Count of Monte CristoTimothy Unwindoi:10.2307/3733000 | Cite |
| |
754 | Review of D. J. Colwell, Bibliographie des études sur G. Flaubert. Vol. III: 1837-1920Diana Knightdoi:10.2307/3733001 | Cite |
| |
754-755 | Review of Robert Lethbridge, Terry Keefe, Zola and the Craft of FictionRussell Cousinsdoi:10.2307/3733002 | Cite |
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756-757 | | Cite |
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757-758 | Review of Steve Murphy, Le Premier Rimbaud: ou l'apprentissage de la subversionGerald Macklindoi:10.2307/3733004 | Cite |
| |
758-759 | Review of Lois Marie Jaeck, Marcel Proust and the Text as Macrometaphor; Dominique Jullien, Proust et ses modèles: les 'Mille et Une Nuits' et les 'Mémoires' de Saint-SimonPeter Collierdoi:10.2307/3733005 | Cite |
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759-760 | | Cite |
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760-761 | | Cite |
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761-762 | Review of Claudie Husson, Alain-Fournier et la naissance du récitMalcolm Scottdoi:10.2307/3733008 | Cite |
| |
762-763 | Review of Claire Laubier, The Condition of Women in France: 1945 to the Present: A Documentary AnthologySally A. Whitedoi:10.2307/3733009 | Cite |
| |
763-764 | Review of S. Beynon John, Saint Exupéry: 'Vol de nuit' and 'Terre des hommes'Michael Scrivendoi:10.2307/3733010 | Cite |
| |
764-765 | Review of Madeleine Velguth, The Representation of Women in the Autobiographical Novels of Raymond QueneauWalter Redferndoi:10.2307/3733011 | Cite |
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765 | | Cite |
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766 | | Cite |
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766-767 | | Cite |
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767-768 | | Cite |
| |
768-769 | Review of Loraine Day, Tony Jones, Ernaux: 'La Place'/'Une Femme'Margaret Atackdoi:10.2307/3733016 | Cite |
| |
769-770 | Review of Roger Little, André Frénaud: entre l'interrogation et le videMichael Sheringhamdoi:10.2307/3733017 | Cite |
| |
770-771 | | Cite |
| |
771-772 | Review of M. F. Lang, Spanish Word Formation: Productive Derivational Morphology in the Modern LexisLynn Williamsdoi:10.2307/3733019 | Cite |
| |
773 | Review of Fernando de Rojas, Dorothy Sherman Severin, James Mabbe, CelestinaNicholas G. Rounddoi:10.2307/3733020 | Cite |
| |
774 | Review of Christopher Columbus, B. W. Ife, Journal of the First Voyage ('Diario del primer viaje') 1492J. S. Cumminsdoi:10.2307/3733021 | Cite |
| |
774-776 | Review of Peter W. Evans, Conflicts of Discourse: Spanish Literature in the Golden AgeEdward H. Friedmandoi:10.2307/3733022 | Cite |
| |
776-777 | Review of Mary S. Gossy, The Untold Story: Women and Theory in Golden Age TextsJudith Drinkwaterdoi:10.2307/3733023 | Cite |
| |
778-779 | Review of Kathleen Hunt Dolan, Cyclopean Song: Melancholy and Aestheticism in Góngora's 'Fábula de Polifemo y Galatea'Barry Taylordoi:10.2307/3733024 | Cite |
| |
779 | Review of Stephanie A. Sieburth, Reading 'La Regenta': Duplicitous Discourse and the Entropy of StructureDavid Henndoi:10.2307/3733025 | Cite |
| |
780 | Review of Laura Dolfi, 'L'imposible/posible' di Federico García LorcaDerek Harrisdoi:10.2307/3733026 | Cite |
| |
780-782 | Review of Patrick H. Dust, Ortega y Gasset and the Question of ModernityAndrew Dobsondoi:10.2307/3733027 | Cite |
| |
782-784 | Review of Michael Ugarte, Shifting Ground: Spanish Civil War Exile LiteratureDerek Gagendoi:10.2307/3733028 | Cite |
| |
784-785 | | Cite |
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785-786 | | Cite |
| |
786-787 | Review of Sylvia Molloy, At Face Value: Autobiographical Writing in Spanish AmericaDonald L. Shawdoi:10.2307/3733031 | Cite |
| |
787-788 | Review of Gertrudis Gómez de Avellaneda, Elena Catena, Poesías y Epistolario de amor y de amistadNissa Torrentsdoi:10.2307/3733032 | Cite |
| |
788-789 | Review of Ricardo Güiraldes, Angela B. Dellepiane, Don Segundo SombraVerity Smithdoi:10.2307/3733033 | Cite |
| |
789 | Review of Gemma Roberts, Análisis existencial de 'Abaddón, el exterminador' de Ernesto SábatoEvelyn Fishburndoi:10.2307/3733034 | Cite |
| |
790 | Review of Patricia Hart, Narrative Magic in the Fiction of Isabel AllendeVirginia Invernizzidoi:10.2307/3733035 | Cite |
| |
791 | | Cite |
| |
791-792 | Review of Gerhard Bauer, Einführung in die Diachrone Sprachwissenschaft. Ein Lehr-, Studien- und Übungsbuch für GermanistenMartin Durrelldoi:10.2307/3733037 | Cite |
| |
792-793 | Review of Peter H. Nelde, Wortatlas der deutschen Umgangssprachen in BelgienMartin Durrelldoi:10.2307/3733038 | Cite |
| |
793-797 | Review of Josef Fleckenstein, Curialitas. Studien zu Grundfragen der höfisch-ritterlichen KulturD. H. Greendoi:10.2307/3733039 | Cite |
| |
797-798 | Review of Neil Thomas, A German View of Camelot: Wirnt von Grafenberg's 'Wigalois' and Arthurian TraditionLewis Jillingsdoi:10.2307/3733040 | Cite |
| |
798-801 | Review of Adrian Stevens, Roy Wisbey, Gottfried von Strassburg and the Medieval Tristan Legend: Papers from an Anglo-North American SymposiumD. H. Greendoi:10.2307/3733041 | Cite |
| |
801-802 | Review of Gotthold Ephraim Lessing, Wilfried Barner, Werke und BriefeH. B. Nisbetdoi:10.2307/3733042 | Cite |
| |
802-803 | Review of Hartmut Dedert, Die Erzählung im Sturm und Drang. Studien zur Prosa des 18. JahrhundertsJohn Osbornedoi:10.2307/3733043 | Cite |
| |
803-805 | Review of Nicholas Saul, Die deutsche literarische Romantik und die WissenschaftenRitchie Robertsondoi:10.2307/3733044 | Cite |
| |
805-806 | Review of Jeanne Benay, Friedrich Kaiser: Gesamtprimärbibliographie seiner dramatischen Produktion zwischen 1835-1874 (Nachlass 1875)W. E. Yatesdoi:10.2307/3733045 | Cite |
| |
806-807 | Review of James Hardin, German Fiction Writers, 1885-1913; Wolfgang D. Elfe, James Hardin, Contemporary German Fiction Writers: First SeriesMalcolm Humbledoi:10.2307/3733046 | Cite |
| |
807 | Review of Karen Drabek Vogt, Vision and Revision: The Concept of Inspiration in Thomas Mann's FictionHinrich Siefkendoi:10.2307/3733047 | Cite |
| |
807-809 | Review of Frank Fechner, Thomas Mann und die Demokratie. Wandel und Kontinuität der demokratie-relevanten Außerungen des SchriftstellersHinrich Siefkendoi:10.2307/3733048 | Cite |
| |
809-810 | Review of Ian Hilton, Weiss: Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de SadeTom Kuhndoi:10.2307/3733049 | Cite |
| |
810-811 | Review of Roel Schuyt, The Morphology of Slavic Verbal Aspect: A Descriptive and Historical StudyPeter Mayodoi:10.2307/3733050 | Cite |
| |
811-813 | Review of Charles E. Townsend, A Description of Spoken Prague CzechJames D. Naughtondoi:10.2307/3733051 | Cite |
| |
813 | Review of John Bushnell, Moscow Graffiti: Language and SubcultureTerence Wadedoi:10.2307/3733052 | Cite |
| |
813-814 | Review of Frederick T. Griffiths, Stanley Rabinowitz, Novel Epics: Gogol, Dostoevsky, and National NarrativeR. A. Peacedoi:10.2307/3733053 | Cite |
| |
814-815 | Review of Edmund Heier, Literary Portraits in the Novels of F. M. DostoevskijMichael Pursglovedoi:10.2307/3733054 | Cite |
| |
815-816 | | Cite |
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