273-285 | | Cite |
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286-299 | The Disciplines of the Wars: Army Training and the Language of Wilfred Owen Douglas Kerrdoi:10.2307/3730667 | Cite |
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300-306 | The Narrator's Comments on "Phèdre" in "Albertine disparue:" A Character as Literary Critic Maya Slaterdoi:10.2307/3730668 | Cite |
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307-319 | | Cite |
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320-329 | | Cite |
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330-334 | | Cite |
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335-341 | Giuseppe Sovera-Latuada's Role in the Inception of D'Annunzio's Raid on Fiume G. Sovera-Latuadadoi:10.2307/3730672 | Cite |
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342-351 | Loss of Innocence, Descent into Hell, and Cannibalism: Romance Archetypes and Narrative Unity in "Carcel de Amor" Joseph F. Chorpenningdoi:10.2307/3730673 | Cite |
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352-357 | | Cite |
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358-375 | Roles for the Writer: East German Literature and the Creation of National Consciousness 1945-1952 Martin Kanedoi:10.2307/3730675 | Cite |
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376-392 | Fatal Attractions: Rolf Dieter Brinkmann and British Life and Culture Anthony Wainedoi:10.2307/3730676 | Cite |
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393-406 | | Cite |
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407-417 | | Cite |
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418-420 | Review of David Phillips, Which Language? Diversification and the National CurriculumRosalind M. O. Pritcharddoi:10.2307/3730679 | Cite |
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420-421 | Review of Yves Roberge, The Syntactic Recoverability of Null ArgumentsMair Parrydoi:10.2307/3730680 | Cite |
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421-422 | Review of Cristopher Nash, Narrative in Culture: The Uses of Storytelling in the Sciences, Philosophy, and LiteratureKatie Walesdoi:10.2307/3730681 | Cite |
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422-425 | Review of Colin Falck, Myth, Truth and Literature: Towards a True Post-Modernism; Jonathan Arac, After Foucault: Humanistic Knowledge, Postmodern ChallengesSteven Connordoi:10.2307/3730682 | Cite |
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425-426 | Review of G. S. Rousseau, Roy Porter, Exoticism in the EnlightenmentJ. S. Cumminsdoi:10.2307/3730683 | Cite |
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426-428 | | Cite |
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428-429 | Review of Morton W. Bloomfield, Charles W. Dunn, The Role of the Poet in Early SocietiesT. A. Shippeydoi:10.2307/3730685 | Cite |
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429-430 | Review of Judith M. Kennedy, Barnabe Googe: Eclogues, Epitaphs, and SonnetsH. R. Woudhuysendoi:10.2307/3730686 | Cite |
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430-432 | | Cite |
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432-433 | Review of Philip J. Finkelpearl, Court and Country Politics in the Plays of Beaumont and FletcherLee Blissdoi:10.2307/3730688 | Cite |
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433-434 | Review of Richard T. Hughes, C. Leonard Allen, Illusions of Innocence: Protestant Primitivism in America, 1630-1875B. R. Hardingdoi:10.2307/3730689 | Cite |
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434-435 | Review of Edward Tomarken, Johnson, 'Rasselas', and the Choice of CriticismClive T. Probyndoi:10.2307/3730690 | Cite |
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436-437 | Review of Mary Jacobus, Romanticism, Writing, and Sexual Difference: Essays on 'The Prelude'Jane Aarondoi:10.2307/3730691 | Cite |
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438-440 | Review of Gene W. Ruoff, Wordsworth and Coleridge: The Making of the Major Lyrics, 1802-1804Michael Rossingtondoi:10.2307/3730692 | Cite |
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440-441 | Review of John P. McWilliams, Jr., The American Epic: Transforming a Genre, 1770-1860Louise K. Barnettdoi:10.2307/3730693 | Cite |
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441-442 | Review of Susan Manning, The Puritan-Provincial Vision: Scottish and American Literature in the Nineteenth CenturyPeter Easingwooddoi:10.2307/3730694 | Cite |
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442-443 | Review of Peter Scheckner, An Anthology of Chartist Poetry: Poetry of the British Working Class, 1830s-1850sJohn Lucasdoi:10.2307/3730695 | Cite |
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443-444 | Review of Jerome Meckier, Innocent Abroad: Charles Dickens's American EngagementsRobert Lawson-Peeblesdoi:10.2307/3730696 | Cite |
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444-446 | Review of Jeffrey Walker, Bardic Ethos and the American Epic Poem: Whitman, Pound, Crane, Williams, OlsonIan F. A. Belldoi:10.2307/3730697 | Cite |
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446-447 | Review of John Limon, The Place of Fiction in the Time of Science: A Disciplinary History of American WritingIan F. A. Belldoi:10.2307/3730698 | Cite |
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447-448 | Review of Catherine Phillips, Gerard Manley Hopkins: Selected LettersR. K. R. Thorntondoi:10.2307/3730699 | Cite |
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448-449 | Review of Adrian Frazier, Behind the Scenes: Yeats, Horniman, and the Struggle for the Abbey TheatreJohn Stokesdoi:10.2307/3730700 | Cite |
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449-451 | Review of Esther Lanigan Stineman, Mary Austin: Song of a MaverickHelen M. Dennisdoi:10.2307/3730701 | Cite |
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451-452 | Review of Derek Attridge, The Cambridge Companion to James JoyceStella McNicholdoi:10.2307/3730702 | Cite |
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452-453 | Review of Sebastian D. G. Knowles, A Purgatorial Flame: Seven British Writers in the Second World WarMartin Stannarddoi:10.2307/3730703 | Cite |
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453-455 | Review of D. N. G. Carter, Robert Graves: The Lasting Poetic AchievementJeremy Morrisdoi:10.2307/3730704 | Cite |
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455-456 | Review of Michel Gresset, Fascination: Faulkner's Fiction, 1919-1936Pamela Knightsdoi:10.2307/3730705 | Cite |
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457-458 | | Cite |
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458-460 | Review of Lois Parkinson Zamora, Writing the Apocalypse: Historical Vision in Contemporary U.S. and Latin American FictionSophie Smithdoi:10.2307/3730707 | Cite |
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460-462 | Review of Anthony Hecht, Sydney Lea, The Burdens of Formality: Essays on the Poetry of Anthony HechtStephen Mattersondoi:10.2307/3730708 | Cite |
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462 | | Cite |
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462-463 | Review of John N. Green, Wendy Ayres-Bennett, Variation and Change in French: Essays Presented to Rebecca Posner on the Occasion of Her Sixtieth BirthdayRodney Sampsondoi:10.2307/3730710 | Cite |
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463-464 | Review of Adrian C. Ritchie, Newspaper French: A Vocabulary of Administrative and Commercial IdiomAlan Pedleydoi:10.2307/3730711 | Cite |
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464 | | Cite |
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464-465 | | Cite |
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465-466 | Review of Elizabeth J. MacArthur, Extravagant Narratives: Closure and Dynamics in the Epistolary FormVivienne Mylnedoi:10.2307/3730714 | Cite |
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466-467 | Review of Rouben C. Cholakian, The Troubadour Lyric: A Psychocritical ReadingRuth Harveydoi:10.2307/3730715 | Cite |
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467-468 | Review of David L. Jeffrey, Brian J. Levy, The Anglo-Norman Lyric: An AnthologyDavid Trotterdoi:10.2307/3730716 | Cite |
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468-469 | Review of W. H. Kemp, The Burgundian Court Song in the Time of BinchoisNigel Wilkinsdoi:10.2307/3730717 | Cite |
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469-470 | Review of Jerome Schwartz, Irony and Ideology in Rabelais: Structures of SubversionMichael Heathdoi:10.2307/3730718 | Cite |
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470-471 | Review of Claude Blum, Montaigne, Penseur et philosophe (1588-1988): Actes du congrès de Dakar (mars 1989)Keith Camerondoi:10.2307/3730719 | Cite |
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471-472 | Review of Nicole Boursier, David Trott, La Naissance du roman en France: Colloque international tenu à l'Université de Toronto en mars 1988Robin Howellsdoi:10.2307/3730720 | Cite |
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472-473 | Review of Hugh Gaston Hall, Richelieu's Desmarets and the Century of Louis XIVDavid Clarkedoi:10.2307/3730721 | Cite |
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474 | Review of François Lasserre, Corneille de 1638 à 1642: la crise technique d'Horace, Cinna et PolyeucteH. T. Barnwelldoi:10.2307/3730722 | Cite |
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475 | Review of Germain Poirier, Corneille, témoin de son temps. I: 'Clitandre' (1631)Christopher Gossipdoi:10.2307/3730723 | Cite |
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475-476 | Review of Madeleine Alcover, Cyrano relu et corrigé (Letters, Estats du Soleil, Fragment de Physique)Haydn Masondoi:10.2307/3730724 | Cite |
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476-477 | Review of Philippe Quinault, William Brooks, Edmund J. Campion, BellérophonChristopher Gossipdoi:10.2307/3730725 | Cite |
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477 | | Cite |
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477-478 | | Cite |
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478-481 | | Cite |
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481-482 | Review of Roger D. Masters, Christopher Kelly, Judith R. Bush, The Collected Writings of Rousseau. Vol. I: Rousseau Judge of Jean-Jacques: DialoguesPeter Francedoi:10.2307/3730729 | Cite |
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482-483 | Review of Graham E. Rodmell, French Drama of the Revolutionary YearsF. W. J. Hemmingsdoi:10.2307/3730730 | Cite |
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484-485 | Review of Linda Orr, Headless History: Nineteenth-Century French Historiography of the RevolutionBrian Rigbydoi:10.2307/3730731 | Cite |
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485-486 | Review of Frank Paul Bowman, French Romanticism: Intertextual and Interdisciplinary ReadingsAnthony Zielonkadoi:10.2307/3730732 | Cite |
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486-487 | Review of Clive Scott, Vers Libre: The Emergence of Free Verse in France 1886-1914Roger Littledoi:10.2307/3730733 | Cite |
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487-488 | | Cite |
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488 | | Cite |
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489 | | Cite |
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489-491 | | Cite |
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491 | Review of Guy de Maupassant, David Coward, A Day in the Country and Other StoriesRobert Lethbridgedoi:10.2307/3730738 | Cite |
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492-493 | Review of Steve Murphy, George Hugo Tucker, Parade Sauvage, Colloque No. 2, Rimbaud 'à la loupe': Hommage à C. A. HackettGerald Macklindoi:10.2307/3730739 | Cite |
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493-494 | Review of Anthony Purdy, A Certain Difficulty of Being: Essays on the Quebec NovelPeter Nobledoi:10.2307/3730740 | Cite |
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494-495 | Review of Michael Tilby, Beyond the Nouveau Roman: Essays on the Contemporary French NovelCelia Brittondoi:10.2307/3730741 | Cite |
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495 | | Cite |
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496 | Review of Jean Renoir, Carol Volk, Renoir on Renoir: Interviews, Essays and RemarksKeith Readerdoi:10.2307/3730743 | Cite |
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496-498 | | Cite |
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498-500 | Review of Francesco Bruni, Boccaccio: L'invenzione della letteratura mezzanaJonathan Usherdoi:10.2307/3730745 | Cite |
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500-501 | Review of Mark Staebler, Selections from Boiardo's 'Orlando Innamorato'Christopher Daviesdoi:10.2307/3730746 | Cite |
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501-502 | Review of Lucia Re, Calvino and the Age of Neorealism: Fables of EstrangementClaudia Nocentinidoi:10.2307/3730747 | Cite |
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502-503 | | Cite |
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503-505 | Review of Jennifer Lowe, Philip Swanson, Essays on Hispanic Themes in Honour of Edward C. RileyJ. M. Ruano de La Hazadoi:10.2307/3730749 | Cite |
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505-506 | Review of Martin Gosman, Hub. Hermans, España, teatro y mujeres: Estudios dedicados a Henk OostendorpMelveena McKendrickdoi:10.2307/3730750 | Cite |
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506-507 | Review of Raymond Harris-Northall, Weakening Processes in the History of Spanish ConsonantsRalph Pennydoi:10.2307/3730751 | Cite |
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507-508 | | Cite |
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508-509 | Review of Everett W. Hesse, Approaches to Teaching Spanish Golden Age DramaWilliam F. Hunterdoi:10.2307/3730753 | Cite |
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509 | Review of Debra D. Andrist, Deceit Plus Desire Equals Violence: A Girardian Study of the Spanish 'Comedia'Paul Julian Smithdoi:10.2307/3730754 | Cite |
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509-511 | Review of Lope de Vega, James Lloyd, Peribáñez and the Comendador of Ocaña ('Peribáñez y el comendador de Ocaña')Robin Carterdoi:10.2307/3730755 | Cite |
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511-513 | Review of Alicia G. Andreu, Modelos dialógicos en la narrativa de Benito Pérez GaldósLisa Pauline Condédoi:10.2307/3730756 | Cite |
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513 | Review of Ramón Pérez de Ayala, Geraldine Scanlon, Trece dioses (Fragmentos de las memorias de Florencio Flórez)Alison Sinclairdoi:10.2307/3730757 | Cite |
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513-514 | | Cite |
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514-515 | Review of Jo Labanyi, Myth and History in the Contemporary Spanish NovelBarry Jordandoi:10.2307/3730759 | Cite |
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515-516 | | Cite |
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516-517 | Review of Taylor Starck, J. C. Wells, Althochdeutsches Glossenwörterbuch (mit Stellennachweis zu sämtlichen gedruckten althochdeutschen und verwandten Glossen)D. H. Greendoi:10.2307/3730761 | Cite |
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517-519 | Review of Hedda Ragotzky, Höfische Repräsentation. Das Zeremoniell und die ZeichenD. H. Greendoi:10.2307/3730762 | Cite |
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519-521 | Review of Alice A. Kuzniar, Delayed Endings: Nonclosure in Novalis and HölderlinNicholas Sauldoi:10.2307/3730763 | Cite |
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521-523 | | Cite |
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523-525 | Review of Naomi Ritter, Art as Spectacle: Images of the Entertainer since RomanticismElizabeth Boadoi:10.2307/3730765 | Cite |
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525 | Review of Frank Wedekind, Gerhard Hay, W. E. Yuill, Diary of an Erotic LifeElizabeth Boadoi:10.2307/3730766 | Cite |
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525-526 | | Cite |
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526-527 | Review of Richard Dove, He Was a German: A Biography of Ernst TollerMartin Kanedoi:10.2307/3730768 | Cite |
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527-528 | Review of Charmian Brinson, Marian Malet, Rettet Ossietzky! Dokumente aus dem Nachlaβ von Rudolf OldenRichard Dovedoi:10.2307/3730769 | Cite |
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529 | Review of Lothar Huber, Franz Werfel: An Austrian Writer ReassessedRitchie Robertsondoi:10.2307/3730770 | Cite |
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529-530 | Review of Günter de Bruyn, Dennis Tate, Märkische Forschungen. Erzählung für Freunde der LiteraturgeschichteGerald Opiedoi:10.2307/3730771 | Cite |
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530-531 | Review of Günter Grass, Philip Brady, Timothy McFarland, John J. White, Günter Grass's 'Der Butt': Sexual Politics and the Male Myth of HistoryNoel Thomasdoi:10.2307/3730772 | Cite |
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532-533 | Review of Marlis Becher, Der Konjunktiv der indirekten Redewiedergabe. Eine linguistische Analyse der 'Skizze eines Verunglückten' von Uwe JohnsonD. G. Bonddoi:10.2307/3730773 | Cite |
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533 | Review of Stephan Meyer, Kunst als Widerstand: Zum Verhältnis von Erzählen und ästhetischer Reflexion in Peter Weiss' 'Die Asthetik des Widerstands'Keith Bullivantdoi:10.2307/3730774 | Cite |
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534-535 | Review of Catriona Kelly, Petrushka: The Russian Carnival Puppet TheatreFaith Wigzelldoi:10.2307/3730775 | Cite |
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535-536 | Review of Stephen Hutchings, A Semiotic Analysis of the Short Stories of Leonid Andreev 1900-1909James B. Woodwarddoi:10.2307/3730776 | Cite |
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536-537 | Review of Nicholas Luker, In Defence of a Reputation: Essays on the Early Prose of Mikhail ArtsybashevMichael Pursglovedoi:10.2307/3730777 | Cite |
| |
537-538 | Review of Wendy Rosslyn, The Speech of Unknown Eyes: Akhmatova's Readers on Her PoetryJennifer Bainesdoi:10.2307/3730778 | Cite |
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538-539 | Review of Vladimir Mayakovsky, G. M. Hyde, How Are Verses Made? With a Cloud in Trousers and to Sergey EseninGordon McVaydoi:10.2307/3730779 | Cite |
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539-540 | Review of Günther Hasenkamp, Gedächtnis und Leben in der Prosa Valentin RasputinsBirgit Menzeldoi:10.2307/3730780 | Cite |
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541-542 | Review of John Garrard, Carol Garrard, Inside the Soviet Writers' UnionMichael Falchikovdoi:10.2307/3730781 | Cite |
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542 | Review of Stanislaw Baranczak, Breathing under Water and Other East European EssaysRobert Porterdoi:10.2307/3730782 | Cite |
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542-544 | Review of David A. Norris, The Novels of Miloš Crnjanski: An Approach in TimeBernard Johnsondoi:10.2307/3730783 | Cite |
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544 | Review of Moses M. Nagy, A Journey into History: Essays on Hungarian LiteraturePeter Sherwooddoi:10.2307/3730784 | Cite |
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