817-820 | A Source for the Painter Analogue in the Epilogue of "The Roaring Girl" P. A. Mulholland doi:10.2307/3732538 | Cite |
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821-838 | Reworking Male Models: Aphra Behn's "Fair Vow-Breaker," Eliza Haywood's "Fantomina," and Charlotte Lennox's "Female Quixote" Catherine A. Craft doi:10.2307/3732539 | Cite |
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839-851 | | Cite |
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852-866 | | Cite |
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867-884 | Oralist Vision and Neo-Traditionalist Revision: A Review Article Milija N. Pavlović doi:10.2307/3732542 | Cite |
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885-897 | | Cite |
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898-910 | National Memory and the "Austrian Idea" from Metternich to Waldheim Edward Timms doi:10.2307/3732544 | Cite |
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911-923 | | Cite |
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924-928 | | Cite |
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929-938 | "Wenn das auch alles nicht stimmt und nur Kientopp ist,...": Some Observations on the Cinema Episode in Fallada's "Kleiner Mann: Was Nun?" Graham Bartram doi:10.2307/3732547 | Cite |
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939-953 | A Poetics of Inversion: The Non-Dialogic Aspect in Isaac Babel′'s "Red Cavalry" David K. Danow doi:10.2307/3732548 | Cite |
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954-955 | | Cite |
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955-956 | Review of Andrew Benjamin, Translation and the Nature of Philosophy: A New Theory of Words Malcolm Edwards doi:10.2307/3732550 | Cite |
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957-958 | Review of James V. Catano, Language, History, Style: Leo Spitzer and the Critical Tradition John Frow doi:10.2307/3732551 | Cite |
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958-959 | Review of Mary Ann Caws, The Art of Interference: Stressed Readings in Verbal & Visual Texts Alan Robinson doi:10.2307/3732552 | Cite |
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959-961 | Review of Diana Fuss, Essentially Speaking: Feminism, Nature & Difference Deborah Cameron doi:10.2307/3732553 | Cite |
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961-962 | Review of Clive Thomson, Alain Pagès, Dire la Parodie: Colloque de Cerisy William Brooks doi:10.2307/3732554 | Cite |
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962-963 | Review of Robert R. Edwards, Ratio and Invention: A Study of Medieval Lyric and Narrative Catherine Batt doi:10.2307/3732555 | Cite |
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963-964 | Review of Dilwyn Knox, Ironia: Medieval and Renaissance Ideas on Irony G. W. Pigman Iii doi:10.2307/3732556 | Cite |
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964-965 | Review of Cesare Corsi, Pierluigi Petrobelli, Le polifonie primitive in Friuli e in Europa: Atti del congresso internazionale Cividale del Friuli, 22-24 agosto 1980 Bojan Bujic doi:10.2307/3732557 | Cite |
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965-966 | Review of H. T. Mason, Transactions of the Seventh International Congress on the Enlightenment David J. Williams doi:10.2307/3732558 | Cite |
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966-967 | Review of Wendy B. Faris, Labyrinths of Language: Symbolic Landscape and Narrative Design in Modern Fiction Margaret Yong doi:10.2307/3732559 | Cite |
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967-969 | | Cite |
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969-970 | Review of Dianne Hunter, Seduction and Theory: Readings of Gender, Representation, and Rhetoric Pamela L. Caughie doi:10.2307/3732561 | Cite |
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970-971 | Review of Maldwyn Mills, Horn Childe and Maiden Rimnild: From the Auchinleck Manuscript Jennifer Fellows doi:10.2307/3732562 | Cite |
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971-972 | Review of Marianne G. Briscoe, John C. Coldewey, Contexts for Early English Drama Glynne Wickham doi:10.2307/3732563 | Cite |
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972-973 | Review of Clifford Davidson, Visualizing the Moral Life: Medieval Iconography and the Macro Moralities W. A. Davenport doi:10.2307/3732564 | Cite |
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973-974 | Review of Robert R. Edwards, The Dream of Chaucer: Representation and Reflection in the Early Narratives Helen Phillips doi:10.2307/3732565 | Cite |
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974-975 | Review of Kevin Brownlee, Walter Stephens, Discourses of Authority in Medieval and Renaissance Literature Piero Boitani doi:10.2307/3732566 | Cite |
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976-977 | | Cite |
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977 | | Cite |
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978-979 | Review of George Chapman, John Margeson, The Conspiracy and Tragedy of Charles Duke of Byron A. R. Braunmuller doi:10.2307/3732569 | Cite |
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979-980 | Review of Valeria Tinkler-Villani, Visions of Dante in English Poetry: Translations of the 'Commedia' from Jonathan Richardson to William Blake Piero Boitani doi:10.2307/3732570 | Cite |
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981-982 | | Cite |
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982-984 | | Cite |
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984-985 | Review of Angus Calder, Byron and Scotland: Radical or Dandy? Malcolm Kelsall doi:10.2307/3732573 | Cite |
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985-987 | Review of Timothy Clark, Embodying Revolution: The Figure of the Poet in Shelley; Stuart M. Sperry, Shelley's Major Verse: The Narrative and Dramatic Poetry Kelvin Everest doi:10.2307/3732574 | Cite |
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987-988 | Review of Leslie Smith, Modern British Farce: A Selective Study of British Farce from Pinero to the Present Day Ronald Knowles doi:10.2307/3732575 | Cite |
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988-990 | Review of Corinna del Greco Lobner, James Joyce's Italian Connection: The Poetics of the Word Massimo Bacigalupo doi:10.2307/3732576 | Cite |
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991-993 | Review of Michael Grimwood, Heart in Conflict: Faulkner's Struggles with Vocation Pamela Knights doi:10.2307/3732577 | Cite |
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994-995 | Review of Lothar Hönnighausen, Faulkner's Discourse: An International Symposium. International Faulkner Symposium, Bonn, June 1987 John Mowat doi:10.2307/3732578 | Cite |
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995-996 | Review of Aldon Lynn Nielsen, Reading Race: White American Poets and the Racial Discourse in the Twentieth Century Andrew Ross doi:10.2307/3732579 | Cite |
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996-998 | | Cite |
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998-999 | Review of Bob Mayberry, Theatre of Discord: Dissonance in Beckett, Albee, and Pinter Ronald Knowles doi:10.2307/3732581 | Cite |
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999-1000 | Review of Mick Gidley, Robert Lawson-Peebles, Views of American Landscapes Lionel Kelly doi:10.2307/3732582 | Cite |
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1000-1002 | | Cite |
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1002-1003 | Review of Michael Greenstein, Third Solitudes: Tradition and Discontinuity in Jewish-Canadian Literature Victor Skretkowicz doi:10.2307/3732584 | Cite |
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1003-1004 | Review of Stacey Olster, Reminiscence and Re-Creation in Contemporary American Fiction Judie Newman doi:10.2307/3732585 | Cite |
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1004-1006 | Review of Horst Breuer, Historische Literaturpsychologie: Von Shakespeare bis Beckett Kurt Tetzeli Von Rosador doi:10.2307/3732586 | Cite |
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1006-1007 | Review of Henri Van Hoof, Traduire l'Anglais: théorie et pratique Peter Fawceft doi:10.2307/3732587 | Cite |
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1007 | Review of Maria Carla Marinoni, Il Glossario provenzale-italiano di Onorato Drago Mair Parry doi:10.2307/3732588 | Cite |
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1008 | Review of William Rothwell, Anglo-Norman Dictionary. Fascicle 5: P-Q Glanville Price doi:10.2307/3732589 | Cite |
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1008-1009 | Review of André Rétif, Datations et documents lexicographiques: Matériaux pour l'histoire du vocabulaire français Glynn Hesketh doi:10.2307/3732590 | Cite |
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1009-1010 | Review of Wilhelm Kesselring, Dictionnaire chronologique de la langue française: le XVIIe siècle. Volume I: 1601-1606 Rebecca Posner doi:10.2307/3732591 | Cite |
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1010 | Review of Pierre Rézeau, Jean-Paul Chauveau, Dictionnaire angevin et français (1746-1748) de Gabriel-Joseph Du Pineau: Édition critique d'après Paris, Bibl. nat., nouv. acq. fr. 22097 Glynn Hesketh doi:10.2307/3732592 | Cite |
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1011-1012 | Review of David Lee Rubin, Continuum: Problems in French Literature from the Late Renaissance to the Early Enlightenment. Volume 1: Rethinking Classicism: Overviews Terence Allott doi:10.2307/3732593 | Cite |
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1012-1013 | Review of Rebecca M. Pauly, Le Berceau et la bibliothèque: Le paradoxe de l'écriture autobiographique Philip Thody doi:10.2307/3732594 | Cite |
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1013-1014 | Review of Lloyd Bishop, Romantic Irony in French Literature from Diderot to Beckett Michael Tilby doi:10.2307/3732595 | Cite |
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1014 | | Cite |
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1014-1015 | Review of Matfre Ermengaud, Peter T. Ricketts, Le 'Breviari d'Amor'. Volume II Ruth Harvey doi:10.2307/3732597 | Cite |
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1015-1016 | Review of Eiichi Hishikawa, A Concordance to Arnaut Daniel's Poems Simon Gaunt doi:10.2307/3732598 | Cite |
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1016-1017 | Review of Olle Sandqvist, La Vie saint Gregore: Poème normand du XIVe siècle David Trotter doi:10.2307/3732599 | Cite |
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1017 | Review of Yves Citton, André Wyss, Les Doctrines orthographiques du XVIe siècle en France Valerie Worth doi:10.2307/3732600 | Cite |
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1018-1019 | Review of Yvonne Bellenger, Jean Céard, Daniel Ménager, Michel Simonin, Ronsard en son quatrième centenaire: L'art de poésie. Actes du Colloque international Pierre de Ronsard (Paris-Tours, Septembre 1985) John O'Brien doi:10.2307/3732601 | Cite |
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1019-1020 | Review of C. Brousseau-Beuermann, La Copie de Montaigne: étude sur les citations dans les 'Essais' Dorothy Gabe Coleman doi:10.2307/3732602 | Cite |
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1020 | Review of David Lee Rubin, Mary B. McKinley, Convergences: Rhetoric and Poetic in Seventeenth-Century France: Essays for Hugh M. Davidson Peter France doi:10.2307/3732603 | Cite |
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1020-1021 | | Cite |
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1021-1022 | Review of La Calprenède, G. P. Snaith, La Mort des enfans d'Herodes ou Suite de Mariane William Brooks doi:10.2307/3732605 | Cite |
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1022-1023 | | Cite |
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1023-1024 | Review of Marc Soriano, La Brosse à reluire sous Louis XIV: 'L'Épître au Roi' de Perrault annotée par Racine et Boileau Robin Howells doi:10.2307/3732607 | Cite |
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1024-1025 | Review of Geraldine Sheridan, Nicolas Lenglet Dufresnoy and the Literary Underworld of the 'Ancien Régime' Sean O'Cathasaigh doi:10.2307/3732608 | Cite |
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1025 | Review of James P. Gilroy, Prévost's Mentors: The Master-Pupil Relationship in the Major Novels of the Abbé Prévost Richard A. Francis doi:10.2307/3732609 | Cite |
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1025-1026 | Review of James M. Vest, The French Face of Ophelia from Belleforest to Baudelaire Derek Connon doi:10.2307/3732610 | Cite |
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1026-1027 | Review of Dorothy Kelly, Fictional Genders: Role and Representation in Nineteenth-Century French Narrative Diana Knight doi:10.2307/3732611 | Cite |
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1027-1028 | Review of Benjamin Constant, C. P. Courtney, Adolphe: anecdote trouvée dans les papiers d'un inconnu Dennis Wood doi:10.2307/3732612 | Cite |
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1028-1029 | Review of Biancamaria Fontana, Benjamin Constant: Political Writings Nigel Addinall doi:10.2307/3732613 | Cite |
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1029-1030 | Review of Pierre Herbert Dubé, Chateaubriand's 'Les Aventures du dernier Abencérage': Past and Present Anne Sanderson doi:10.2307/3732614 | Cite |
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1030-1031 | | Cite |
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1031-1032 | | Cite |
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1032-1033 | Review of George Sand, George A. Kennedy, A Woman's Version of the Faust Legend: The Seven Strings of the Lyre Richard Bolster doi:10.2307/3732617 | Cite |
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1033-1034 | Review of Natalie David-Weill, Rêve de pierre: la quête de la femme chez Théophile Gautier Peter Whyte doi:10.2307/3732618 | Cite |
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1034-1035 | Review of Giovanni Dotoli, Fulvia Fiorino, Viaggiatori francesi in Puglia nell'Ottocento. Volume IV: Il viaggio di F. Lenormant Laura Lepschy doi:10.2307/3732619 | Cite |
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1035 | Review of Henri Marel, Geoff Woollen, 'Germinal': Une Documentation intégrale Robert Lethbridge doi:10.2307/3732620 | Cite |
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1035-1036 | Review of Michele Hannoosh, Parody and Decadence: Laforgue's 'Moralités légendaires' Jennifer Birkett doi:10.2307/3732621 | Cite |
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1036-1037 | Review of Ulrich Prill, '...: Sind das nicht Zeichen der décadence?': Zur Textkonstitution des Fin de siècle am Beispiel Elémir Bourges: Le Crépuscule des Dieux Jennifer Birkett doi:10.2307/3732622 | Cite |
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1037-1038 | Review of Michael J. B. Allen, Icastes: Marsilio Ficino's Interpretation of Plato's 'Sophist' Andrew Laird doi:10.2307/3732623 | Cite |
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1039-1040 | Review of Adelin Charles Fiorato, Culture et professions en Italie (fin XVe-début XVIIe siècles) Paul F. Gehl doi:10.2307/3732624 | Cite |
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1040-1041 | Review of Otto Neudeck, Continuum historiale. Zur Synthese von tradierter Geschichtsauffassung und Gegenwartserfahrung im 'Reinfried von Braunschweig' D. H. Green doi:10.2307/3732625 | Cite |
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1042 | Review of Dieter Kartschoke, Wolfram von Eschenbach: 'Willehalm'. Text der Ausgabe von Werner Schröder. Völlig neubearbeitete Übersetzung, Vorwort und Register D. H. Green doi:10.2307/3732626 | Cite |
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1043-1045 | Review of Hans-Gert Roloff, Das Neue Testament in der deutschen Übersetzung von Martin Luther nach dem Bibeldruck von 1545 mit sämtlichen Holzschnitten. Studienausgabe John L. Flood doi:10.2307/3732627 | Cite |
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1045-1046 | Review of F. J. Lamport, German Classical Drama: Theatre, Humanity and Nation 1750-1870 Edward M. Batley doi:10.2307/3732628 | Cite |
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1047-1049 | Review of Theodore Ziolkowski, German Romanticism and Its Institutions Roger Paulin doi:10.2307/3732629 | Cite |
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1049-1050 | Review of Erich Unglaub, Jakob Michael Reinhold Lenz: Dramen des Sturm und Drang John Guthrie doi:10.2307/3732630 | Cite |
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1050-1051 | Review of Judith Purver, Hindeutung auf das Höhere: A Structural Study of the Novels of Joseph von Eichendorff Eric Dickins doi:10.2307/3732631 | Cite |
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1051-1052 | Review of Mark G. Ward, Laughter, Comedy and Aesthetics: Kleist's 'Der zerbrochene Krug' David Horton doi:10.2307/3732632 | Cite |
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1052-1053 | Review of John Francis Fetzer, Music, Love, Death, and Mann's 'Doctor Faustus' Hinrich Siefken doi:10.2307/3732633 | Cite |
| |
1053-1055 | Review of Martin Norman Watson, The Literary Presentation of 'Youth' in GDR Fiction: 1971-1980 Ian Wallace doi:10.2307/3732634 | Cite |
| |
1055-1056 | Review of Irene Scobbie, Aspects of Modern Swedish Literature David Houston Jones doi:10.2307/3732635 | Cite |
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xxxi-xlii | The Presidential Address of the Modern Humanities Research Association, 1991: From Phoneme to Discourse: A Half-Century of Linguistics Nils Erik Enkvist doi:10.2307/3732636 | Cite |
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