545-554 | | Cite |
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555-569 | Memories of Mansura: The "Tints and Textures" of Kipling's Late Art in "The Eye of Allah" John Coatesdoi:10.2307/3732194 | Cite |
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570-582 | | Cite |
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583-594 | | Cite |
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595-608 | | Cite |
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609-611 | Parodic Alteration of the Picaresque in Cervantes's Ginés de Pasamonte/Ginesillo de Parapilla Clark Colahan, Alfred Rodriguezdoi:10.2307/3732198 | Cite |
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612-622 | | Cite |
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623-639 | Changing Attitudes to the Prussian Monarchy as Reflected in Poems Addressed to King Friedrich Wilhelm IV Malcolm Humbledoi:10.2307/3732200 | Cite |
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640-652 | "Irreführung durch Erzählperspektive?" The East German Novels of Jurek Becker John P. Wieczorekdoi:10.2307/3732201 | Cite |
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653-666 | | Cite |
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667 | Review of Wolfgang Dahmen, Günter Holtus, Johannes Kramer, Michael Metzeltin, Latein und Romanisch. Romanistisches Kolloquium IDavid Trotterdoi:10.2307/3732203 | Cite |
| |
668 | Review of Ronald Carter, Paul Simpson, Language, Discourse and Literature: An Introductory Reader in Discourse StylisticsHelmut Bonheimdoi:10.2307/3732204 | Cite |
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669-670 | Review of David H. Richter, The Critical Tradition: Classic Texts and Contemporary TrendsJames R. Bennettdoi:10.2307/3732205 | Cite |
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671-672 | | Cite |
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672-673 | | Cite |
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673-675 | Review of Albert W. Halsall, L'Art de convaincre. Le récit pragmatique: Rhétorique, idéologie, propagandePeter Francedoi:10.2307/3732208 | Cite |
| |
675-676 | Review of Art Berman, From the New Criticism to Deconstruction: The Reception of Structuralism and Post-StructuralismHans Bertensdoi:10.2307/3732209 | Cite |
| |
676-679 | Review of Stephen K. Wright, The Vengeance of Our Lord: Medieval Dramatizations of the Destruction of JerusalemDavid Wellsdoi:10.2307/3732210 | Cite |
| |
679-681 | Review of Alain Renoir, A Key to Old Poems: The Oral-Formulaic Approach to the Interpretation of West-Germanic VerseA. S. G. Edwardsdoi:10.2307/3732211 | Cite |
| |
681-682 | Review of Clive Griffin, The Crombergers of Seville: The History of a Printing and Merchant DynastyA. J. C. Baintondoi:10.2307/3732212 | Cite |
| |
682-683 | Review of Brian T. Fitch, Beckett and Babel: An Investigation into the Status of the Bilingual WorkJohn Pillingdoi:10.2307/3732213 | Cite |
| |
683-684 | Review of Charles Dahlberg, The Literature of UnlikenessKathryn Kerby-Fultondoi:10.2307/3732214 | Cite |
| |
684-686 | Review of John N. Alford, Theresa M. Tavormina, The Yearbook of Langland StudiesPriscilla Martindoi:10.2307/3732215 | Cite |
| |
686-688 | Review of Carol Fewster, Traditionality and Genre in Middle English RomancePhillipa Hardmandoi:10.2307/3732216 | Cite |
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688-689 | Review of John Manning, The Emblems of Thomas Palmer: 'Two Hundred Poosees', Sloane MS 4794C. W. R. D. Moseleydoi:10.2307/3732217 | Cite |
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689-690 | | Cite |
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690-691 | | Cite |
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692-694 | | Cite |
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694-695 | Review of John Greenwood, Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesJohn Orrelldoi:10.2307/3732221 | Cite |
| |
695-696 | Review of Deborah Baker Wyrick, Jonathan Swift and the Vested WordThomas Woodmandoi:10.2307/3732222 | Cite |
| |
696-698 | Review of David Womersley, The Transformation of 'The Decline and Fall of the Roman Empire'J. B. Bullendoi:10.2307/3732223 | Cite |
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698-701 | Review of Benjamin Franklin Fisher, IV, The Gothic's Gothic: Study Aids to the Tradition of the Tale of TerrorDavid H. Richterdoi:10.2307/3732224 | Cite |
| |
701-702 | Review of Claudia L. Johnson, Jane Austen: Women, Politics, and the NovelLogan Speirsdoi:10.2307/3732225 | Cite |
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702-703 | Review of Daniel Karlin, Robert Browning and Elizabeth Barrett: The Courtship Correspondence, 1845-1846: A SelectionKenneth M. McKaydoi:10.2307/3732226 | Cite |
| |
703-704 | Review of Maria Teresa Chialant, Carlo Pagetti, La Città e il Teatro: Dickens e l'immaginario vittorianoRosa Maria Colombodoi:10.2307/3732227 | Cite |
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704-705 | | Cite |
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705-706 | | Cite |
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707 | Review of Patrick J. Keane, Terrible Beauty: Yeats, Joyce, Ireland, and the Myth of the Devouring FemaleJohn Stokesdoi:10.2307/3732230 | Cite |
| |
707-708 | Review of SueEllen Campbell, The Enemy Opposite: The Outlaw Criticism of Wyndham LewisAlan Muntondoi:10.2307/3732231 | Cite |
| |
708-709 | Review of Jane Alison Hale, The Broken Window: Beckett's Dramatic PerspectiveSteven Connordoi:10.2307/3732232 | Cite |
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709-710 | | Cite |
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710-711 | Review of Janice Rossen, Independent Women: The Function of Gender in the Novels of Barbara PymClare Hansondoi:10.2307/3732234 | Cite |
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711-712 | | Cite |
| |
712-713 | Review of Gordon Hutner, Secrets and Sympathy: Forms of Disclosure in Hawthorne's NovelsNina Baymdoi:10.2307/3732236 | Cite |
| |
713-715 | Review of Lawrence Buell, New England Literary Culture: From Revolution through RenaissanceLionel Kellydoi:10.2307/3732237 | Cite |
| |
715-716 | Review of Eleanor Cook, Poetry, Word-Play, and Word-War in Wallace StevensIan F. A. Belldoi:10.2307/3732238 | Cite |
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716-717 | | Cite |
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718 | Review of Daniel Moskowitz, John Pheby, The Oxford-Duden Pictorial French and English DictionaryMalcolm Cookdoi:10.2307/3732240 | Cite |
| |
718-719 | Review of François Moureau, Les Presses grises: la contrefaçon du livre (XVIe-XIXe siècles)David Adamsdoi:10.2307/3732241 | Cite |
| |
719-720 | Review of Siegbert Himmelsbach, L'Épopée ou la 'case' vide: la réflexion poétologique sur l'épopée nationale en FranceT. M. Prattdoi:10.2307/3732242 | Cite |
| |
720-721 | Review of Robert Gibson, Studies in French Fiction in Honour of Vivienne MylneDennis Wooddoi:10.2307/3732243 | Cite |
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721-722 | | Cite |
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722-723 | Review of Keith V. Sinclair, French Devotional Texts of the Middle Ages: A Bibliographic Manuscript Guide. Second SupplementA. J. Holdendoi:10.2307/3732245 | Cite |
| |
724-725 | Review of Michael Hecht, La Chanson de Turold: Essai de déchiffrement de la Chanson de RolandRobert Francis Cookdoi:10.2307/3732246 | Cite |
| |
725-726 | Review of Alison Saunders, The Sixteenth-Century French Emblem Book: A Decorative and Useful GenreAlison Adamsdoi:10.2307/3732247 | Cite |
| |
726-727 | Review of Keith Cameron, Joachim du Bellay, Concordance des œuvres poétiques de Joachim du BellayDorothy Gabe Colemandoi:10.2307/3732248 | Cite |
| |
727-729 | Review of Jean Céard, Jean-Claude Margolin, Rabelais en son demi-millénaire: Actes du Colloque international de Tours (24-29 septembre 1984)Kathleen M. Halldoi:10.2307/3732249 | Cite |
| |
729 | Review of Jucquel Rougeart, Catherine Magnien-Simonin, Œuvres complètes (1578)Keith Camerondoi:10.2307/3732250 | Cite |
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729-730 | | Cite |
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730 | Review of A. Speranza, Maurice Scève nelle 'Vies des Poëtes françois' di Guillaume ColletetI. D. McFarlanedoi:10.2307/3732252 | Cite |
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730-732 | | Cite |
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732-733 | | Cite |
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733-734 | Review of Michel Delon, L'Idée d'énergie au tournant des Lumières (1770-1820)R. Niklausdoi:10.2307/3732255 | Cite |
| |
734-735 | Review of Claude Taittinger, Monsieur Cazotte monte à l'echafaudMalcolm Cookdoi:10.2307/3732256 | Cite |
| |
735 | Review of Christiane Szeps, Edmond Géraud à l'aube du romantismeCeri Crossleydoi:10.2307/3732257 | Cite |
| |
735-737 | Review of Richard D. E. Burton, Baudelaire in 1859: A Study in the Sources of Poetic CreativityPeter Collierdoi:10.2307/3732258 | Cite |
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737 | | Cite |
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738 | | Cite |
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738-739 | Review of Max Jacob ('Léon David'), Lawrence A. Joseph, Chroniques d'art 1898-1900Silvano Levydoi:10.2307/3732261 | Cite |
| |
739-740 | Review of Wilhelm Hellmann, Charles Bally: Frühwerk, Rezeption, BibliographieRebecca Posnerdoi:10.2307/3732262 | Cite |
| |
740-741 | Review of Roy Harris, Language, Saussure and Wittgenstein: How to Play Games with WordsWilliam Bennettdoi:10.2307/3732263 | Cite |
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741-743 | | Cite |
| |
743-744 | Review of Steven Winspur, Saint-John Perse and the Imaginary ReaderRoger Littledoi:10.2307/3732265 | Cite |
| |
744-745 | Review of John E. Flower, François Mauriac et Jacques Rivière: Correspondance 1911-1925David H. Walkerdoi:10.2307/3732266 | Cite |
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745-746 | | Cite |
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746-747 | | Cite |
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748 | | Cite |
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748-750 | Review of Renée Winegarten, Simone de Beauvoir: A Critical ViewElizabeth Fallaizedoi:10.2307/3732270 | Cite |
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750 | | Cite |
| |
750-751 | Review of Odette Aslan, Ruby Cohn, Roger Blin and Twentieth-Century PlaywrightsDavid Bradbydoi:10.2307/3732272 | Cite |
| |
751-752 | Review of Jeremy Tambling, Dante and Difference: Writing in the 'Commedia'John Tookdoi:10.2307/3732273 | Cite |
| |
752-754 | Review of Marina Beer, Romanzi di Cavalleria: Il 'Furioso' e il romanzo italiano del primo cinquecentoMaurice Slawinskidoi:10.2307/3732274 | Cite |
| |
754-755 | Review of Cesare Mozzarelli, 'Familia' del principe e famiglia aristocraticaGuido Castelnuovodoi:10.2307/3732275 | Cite |
| |
755-756 | Review of Lia Fava Guzzetta, Giorgio Petrocchi, Graziella Pagliano, Margherita de Fazio, L'età romantica e il romanzo storico in ItaliaJonathan Smithdoi:10.2307/3732276 | Cite |
| |
756-757 | | Cite |
| |
757-758 | Review of John P. Welle, Andrea Zanzotto, The Poetry of Andrea Zanzotto: A Critical Study of 'Il Galateo in Bosco'Vivienne Handdoi:10.2307/3732278 | Cite |
| |
758-760 | Review of John Butt, Carmen Benjamin, A New Reference Grammar of Modern SpanishJane Freelanddoi:10.2307/3732279 | Cite |
| |
761-762 | Review of Ann E. Wiltrout, A Patron and a Playwright in Renaissance Spain: The House of Feria and Diego Sánchez de BadajozLouise Fothergill-Paynedoi:10.2307/3732280 | Cite |
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762-763 | | Cite |
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763-764 | | Cite |
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764-765 | Review of Andrés de Claramonte, Charles Ganelin, La infelice DoroteaJudith Drinkwaterdoi:10.2307/3732283 | Cite |
| |
765 | Review of Iris M. Zavala, Lecturas y lectores del discurso narrativo dieciochescoPhilip Deacondoi:10.2307/3732284 | Cite |
| |
766-767 | Review of John H. R. Polt, Batilo: Estudios sobre la evolución estilística de Meléndez ValdésSally-Ann Kittsdoi:10.2307/3732285 | Cite |
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767-768 | | Cite |
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768-769 | | Cite |
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769-771 | Review of Marsha Suzan Collins, Pío Baroja's 'Memorias de un hombre de acción' and the Ironic Mode: The Search for Order and MeaningC. A. Longhurstdoi:10.2307/3732288 | Cite |
| |
771-772 | Review of Robin W. Fiddian, Peter W. Evans, Challenges to Authority: Fiction and Film in Contemporary SpainAbigail E. Leedoi:10.2307/3732289 | Cite |
| |
772 | Review of Antonio Gala, Andrés Amorós, Los buenos días perdidos. Anillos para una damaJohn Lyondoi:10.2307/3732290 | Cite |
| |
773-774 | Review of Jaime Alazraki, 'Borges and the Kabbalah', and Other Essays on His Fiction and PoetryEvelyn Fishburndoi:10.2307/3732291 | Cite |
| |
774-775 | Review of Kathleen McNerney, Understanding Gabriel García MárquezVerity Smithdoi:10.2307/3732292 | Cite |
| |
775-776 | Review of Derek W. Lomax, R. J. Oakley, Fernão Lopes: The English in Portugal, 1367-87. Extracts from the Chronicles of Dom Fernando and Dom JoãoJohn Edwardsdoi:10.2307/3732293 | Cite |
| |
776-777 | Review of António Ferreira, T. F. Earle, The Muse Reborn: The Poetry of António FerreiraThomas R. Hartdoi:10.2307/3732294 | Cite |
| |
777-779 | Review of Edward R. Haymes, The Nibelungenlied: History and InterpretationGeorge Gillespiedoi:10.2307/3732295 | Cite |
| |
779-780 | Review of Petrus W. Tax, Notker der Deutsche: Boethius, 'De consolatione philosophiae' Buch IIINigel F. Palmerdoi:10.2307/3732296 | Cite |
| |
780-782 | Review of Norbert Sieverding, Der ritterliche Kampf bei Hartmann und Wolfram. Seine Bewertung im 'Erec' und 'Iwein' und in den Gahmuret- und Gawan-Büchern des 'Parzival'Martin H. Jonesdoi:10.2307/3732297 | Cite |
| |
782-784 | Review of Johanna Reisel, Zeitgeschichtliche und theologisch-scholastische Aspekte im 'Daniel von dem blühenden Tal' des StrickerJohn Margettsdoi:10.2307/3732298 | Cite |
| |
784-786 | Review of Christa Bertelsmeier-Kierst, 'Griseldis' in Deutschland. Studien zu Steinhöwel und ArigoJohn L. Flooddoi:10.2307/3732299 | Cite |
| |
786 | Review of Pierre Behar, Silesia Tragica: Épanouissement et fin de l'école dramatique silésienne dans l'œuvre tragique de Daniel Casper von Lohenstein (1653-1683). Volume IR. T. Llewellyndoi:10.2307/3732300 | Cite |
| |
787-788 | Review of Felix Leibrock, Aufklärung und Mittelalter: Bodmer, Gottsched und die mittelalterliche deutsche LiteraturEve Masondoi:10.2307/3732301 | Cite |
| |
788-790 | Review of Christoph Fasel, Herder und das klassische Weimar: Kultur und Gesellschaft 1789-1803H. B. Nisbetdoi:10.2307/3732302 | Cite |
| |
791-793 | Review of Gotthold Ephraim Lessing, Wilfried Barner, Helmuth Kiesel, Werke und BriefeH. B. Nisbetdoi:10.2307/3732303 | Cite |
| |
793-795 | | Cite |
| |
795-796 | Review of Marlies Janz, Marmorbilder: Weiblichkeit und Tod bei Clemens Brentano und Hugo von HofmannsthalRitchie Robertsondoi:10.2307/3732305 | Cite |
| |
796-798 | Review of Eckhard Grunewald, Friedrich Heinrich von der Hagen 1780-1856. Ein Beitrag zur Frühgeschichte der GermanistikFrank Shawdoi:10.2307/3732306 | Cite |
| |
798-800 | Review of Michael Perraudin, Heinrich Heine: Poetry in Context: A Study of 'Buch der Lieder'Ritchie Robertsondoi:10.2307/3732307 | Cite |
| |
800-802 | Review of Stephen Houlgate, Hegel, Nietzsche and the Criticism of MetaphysicsJeremy Leamandoi:10.2307/3732308 | Cite |
| |
802-803 | Review of John H. Smith, The Spirit and Its Letter: Traces of Rhetoric in Hegel's Philosophy of 'Bildung'Hans Reissdoi:10.2307/3732309 | Cite |
| |
803-805 | Review of Gisela Brinker-Gabler, Deutsche Literatur von Frauen. Volume II: 19. und 20. JahrhundertElizabeth Boadoi:10.2307/3732310 | Cite |
| |
806 | Review of Hermann Korte, Ordnung und Tabu: Studien zum poetischen RealismusMartin Swalesdoi:10.2307/3732311 | Cite |
| |
806-807 | Review of Franz Norbert Mennemeier, Literatur der Jahrhundertwende. Volume II: Europäisch-deutsche Literaturtendenzen 1870-1910Martin Swalesdoi:10.2307/3732312 | Cite |
| |
807-809 | Review of Otfried Keiler, Peter Schaefer, Theodor Fontane im literarischen Leben seiner Zeit: Beiträge zur Fontane-Konferenz vom 17. bis 20. Juni 1986 in PotsdamPatricia Howedoi:10.2307/3732313 | Cite |
| |
809-810 | Review of Dennis McCort, States of Unconsciousness in Three Tales by C. F. MeyerJohn Osbornedoi:10.2307/3732314 | Cite |
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810-812 | Review of Hans Wysling, Thomas Mann. Briefwechsel mit AutorenHinrich Siefkendoi:10.2307/3732315 | Cite |
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812-813 | | Cite |
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813-814 | | Cite |
| |
815-816 | Review of Boris de Schloezer, Nicolas Slonimsky, Scriabin: Artist and MysticChristopher J. Barnesdoi:10.2307/3732318 | Cite |
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