273-289 | Marriage Comedy after the 1688 Revolution: Southerne to Vanbrugh Michael Cordner doi:10.2307/3731809 | Cite |
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290-303 | | Cite |
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304-309 | | Cite |
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310-329 | Poetry of Exclusion: A Feminist Reading of Some Troubadour Lyrics Simon Gaunt doi:10.2307/3731812 | Cite |
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330-340 | | Cite |
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341-348 | | Cite |
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349-361 | | Cite |
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362-372 | | Cite |
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373-387 | "Und es ist kein Gott außer Adolf hitler": The Biblical Motifs in Brecht's "Arturo Ui" and Related Works as Political Counter-Propaganda Robert Atkins doi:10.2307/3731817 | Cite |
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388-398 | Some Slavonic Translations of Sienkiewicz's "Janko Muzykant": The Translator as Naturalist Kevin Windle doi:10.2307/3731818 | Cite |
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399-400 | Review of Harry Levin, Playboys and Killjoys: An Essay on the Theory and Practice of Comedy Leo Salingar doi:10.2307/3731819 | Cite |
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400-401 | Review of Daniel Donoghue, Style in Old English Poetry: The Test of the Auxiliary A. S. G. Edwards doi:10.2307/3731820 | Cite |
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401-404 | Review of Robert M. Jordan, Chaucer's Poetics and the Modern Reader David J. Williams doi:10.2307/3731821 | Cite |
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404-405 | | Cite |
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405-406 | Review of Jane Hedley, Power in Verse: Metaphor and Metonymy in the Renaissance Lyric Joan Rees doi:10.2307/3731823 | Cite |
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406-407 | Review of Margaret Olofson Thickstun, Fictions of the Feminine: Puritan Doctrine and the Representation of Women M. A. Schofield doi:10.2307/3731824 | Cite |
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407-408 | Review of Peter M. Daly, The English Emblem Tradition. Volume I C. W. R. D. Moseley doi:10.2307/3731825 | Cite |
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408-409 | Review of John Porter Houston, Shakespearean Sentences: A Study in Style and Syntax N. F. Blake doi:10.2307/3731826 | Cite |
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409-411 | Review of Peter Reynolds, 'As You like It': A Dramatic Commentary; Christopher Hardman, The Winter's Tale Ronald Knowles doi:10.2307/3731827 | Cite |
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411-412 | Review of Barbara L. Parker, A Precious Seeing: Love and Reason in Shakespeare's Plays Neil Rhodes doi:10.2307/3731828 | Cite |
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412-414 | Review of John Peter Rumrich, Matter of Glory: A New Preface to Paradise Lost; Keith W. F. Stavely, Puritan Legacies: Paradise Lost and the New England Tradition, 1630-1890 Gordon Campbell doi:10.2307/3731829 | Cite |
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414-415 | Review of Christopher Fox, Psychology and Literature in the Eighteenth Century; Felicity Nussbaum, Laura Brown, The New Eighteenth Century: Theory, Politics and English Literature Allan Ingram doi:10.2307/3731830 | Cite |
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415-416 | Review of Seamus Deane, The French Revolution and Enlightenment in England 1789-1832 Malcolm Kelsall doi:10.2307/3731831 | Cite |
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416-418 | Review of L. J. Swingle, The Obstinate Questionings of English Romanticism Clyde de L. Ryals doi:10.2307/3731832 | Cite |
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418 | | Cite |
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418-419 | Review of Patrick Brantlinger, Rule of Darkness: British Imperialism, 1830-1914 Peter Faulkner doi:10.2307/3731834 | Cite |
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420-421 | Review of Robert Weisbuch, Atlantic Double-Cross: American Literature and British Influence in the Age of Emerson Richard Gray doi:10.2307/3731835 | Cite |
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421-422 | Review of Richard Rive, Olive Schreiner Letters. Volume I: 1871-1899 Cherry Clayton doi:10.2307/3731836 | Cite |
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422-424 | Review of Carl Dawson, Prophets of past Time: Seven British Autobiographers, 1880-1914; Paul John Eakin, Fictions in Autobiography: Studies in the Art of Self-Invention John Pilling doi:10.2307/3731837 | Cite |
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424-425 | | Cite |
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425-426 | Review of Derek Britton, Lady Chatterley: The Making of the Novel Margaret Storch doi:10.2307/3731839 | Cite |
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426-427 | | Cite |
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427-429 | Review of Sylvie Debevec Henning, Beckett's Critical Complicity: Carnival, Contestation, and Tradition John Pilling doi:10.2307/3731841 | Cite |
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429-430 | | Cite |
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430-431 | Review of Linda W. Wagner, Sylvia Plath: The Critical Heritage Margaret Dickie doi:10.2307/3731843 | Cite |
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431-432 | | Cite |
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432-433 | Review of Alan Robinson, Instabilities in Contemporary British Poetry Robyn Marsack doi:10.2307/3731845 | Cite |
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433-434 | | Cite |
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434 | Review of Joseph Hanse, Nouveau dictionnaire des difficultés du français moderne Malcolm Cook doi:10.2307/3731847 | Cite |
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434-435 | Review of Jack Feuillet, Introduction à l'analyse morphosyntaxique Martin Harris doi:10.2307/3731848 | Cite |
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435-437 | Review of E. Freeman, H. Mason, M. O'Regan, S. W. Taylor, Myth and Its Making in the French Theatre: Studies Presented to W. D. Howarth Derek Connon doi:10.2307/3731849 | Cite |
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437-438 | Review of D. A. Trotter, Medieval French Literature and the Crusades (1100-1300) Larry S. Crist doi:10.2307/3731850 | Cite |
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438-439 | Review of Norris J. Lacy, Douglas Kelly, Keith Busby, The Legacy of Chrétien de Troyes. Volume I Roger Middleton doi:10.2307/3731851 | Cite |
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440-441 | Review of Georges Matoré, Le Vocabulaire et la société du XVIe siècle John O'Brien doi:10.2307/3731852 | Cite |
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441-442 | Review of Michel Jeanneret, Des Mets et des Mots: Banquets et propos de table à la Renaissance Peter Bayley doi:10.2307/3731853 | Cite |
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442-443 | Review of Georges Forestier, Esthétique de l'identité dans le théâtre français (1550-1680): Le déguisement et ses avatars Derek A. Watts doi:10.2307/3731854 | Cite |
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444 | | Cite |
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444 | Review of Christiane Mervaud, Sylvain Menant, Le Siècle de Voltaire: Hommage à René Pomeau Malcolm Cook doi:10.2307/3731856 | Cite |
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445 | Review of Claude-Ferdinand Guillemay Du Chesnay, Mohamed Samy Djelassi, Les Valets de chambre nouvellistes: Comédie inédite en cinq actes et en prose, écrite à Stockholm vers 1701 Christopher Gossip doi:10.2307/3731857 | Cite |
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445-446 | | Cite |
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446-447 | Review of Michel-Jean Sedaine, Graham E. Rodmell, Le Philosophe sans le savoir R. Niklaus doi:10.2307/3731859 | Cite |
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447 | Review of Paul Pelckmans, Hemsterhuis sans rapports: Contribution à une lecture distante des Lumières Anthony Strugnell doi:10.2307/3731860 | Cite |
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447-448 | Review of Pierre Rétat, Les Journaux de 1789: Bibliographie critique Malcolm Cook doi:10.2307/3731861 | Cite |
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448-449 | Review of Alain Toumayan, La Littérature et la hantise du Mal: Lectures de Barbey d'Aurevilly, Huysmans et Baudelaire Malcolm Scott doi:10.2307/3731862 | Cite |
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449-450 | Review of Marianne Wachs, Die poetische Verwirklichung von Charles Nodiers Konzept des 'fantastique vraisemblable' Rachel Killick doi:10.2307/3731863 | Cite |
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450-451 | Review of Gustave Flaubert, Maxime Du Camp, Adrienne J. Tooke, Par les champs et par les grèves P. M. Wetherill doi:10.2307/3731864 | Cite |
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451-452 | | Cite |
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452-453 | Review of Roger Bellet, Jules Vallès: Journalisme et Révolution, 1857-1885 Walter Redfern doi:10.2307/3731866 | Cite |
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453-454 | Review of William Marceau, Henri Bergson et Joseph Malègue: La Convergence de deux pensées Mary McAllester Jones doi:10.2307/3731867 | Cite |
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454-455 | Review of Anthony R. Pugh, The Birth of 'À la recherche du temps perdu' Edward J. Hughes doi:10.2307/3731868 | Cite |
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455-456 | Review of Nicole Celeyrette-Pietri, Judith Robinson-Valéry, Paul Valéry: Cahiers, 1894-1914. Volume I Kirsteen Anderson doi:10.2307/3731869 | Cite |
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456-457 | Review of Timothy Mathews, Reading Apollinaire: Theories of Poetic Language Peter Read doi:10.2307/3731870 | Cite |
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457-458 | | Cite |
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458-459 | | Cite |
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459-460 | Review of Colin W. Nettelbeck, War and Identity: The French and the Second World War. An Anthology of Texts R. M. Davison doi:10.2307/3731873 | Cite |
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460 | | Cite |
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460-461 | | Cite |
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461-462 | Review of Liliane Papin, Marguerite Duras, L'Autre Scène: Le théâtre de Marguerite Duras David Coward doi:10.2307/3731876 | Cite |
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462-464 | | Cite |
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464-465 | Review of Michèle Praeger, Les Romans de Robert Pinget: Une Écriture des possibles Anthony Cheal Pugh doi:10.2307/3731878 | Cite |
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465-466 | | Cite |
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466-467 | Review of Alan Deyermond, El 'Cantar de Mio Cid' y la épica medieval española David Pattison doi:10.2307/3731880 | Cite |
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467-469 | | Cite |
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469-470 | Review of Felipe Díaz Jimeno, Hado y fortuna en la España del siglo XVI Terence O'Reilly doi:10.2307/3731882 | Cite |
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470-471 | Review of Daniel Eisenberg, Cervantes: A Study of 'Don Quixote' Lesley Lipson doi:10.2307/3731883 | Cite |
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471-473 | Review of Alfredo Rodríguez López-Vázquez, Andrés de Claramonte y 'El burlador de Sevilla' J. M. Ruano de La Haza doi:10.2307/3731884 | Cite |
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473-474 | | Cite |
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474-475 | Review of Antonio Enríquez Gómez, Constance Hubbard Rose, Timothy Oelman, Loa sacramental de los siete planetas T. R. A. Mason doi:10.2307/3731886 | Cite |
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476-477 | Review of J. E. Varey, N. D. Shergold, Charles Davis, Los arriendos de los corrales de comedias de Madrid: 1587-1719: Estudio y documentos Dawn L. Smith doi:10.2307/3731887 | Cite |
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477 | Review of Daniel Eisenberg, Thomas Percy and John Bowle: Cervantine Correspondence Frank Pierce doi:10.2307/3731888 | Cite |
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478 | | Cite |
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478-479 | Review of Arnold M. Penuel, Psychology, Religion, and Ethics in Galdós' Novels: The Quest for Authenticity James Whiston doi:10.2307/3731890 | Cite |
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479 | | Cite |
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479-480 | | Cite |
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480-482 | Review of Ramón J. Sender, José María Jover, Míster Witt en el Cantón Derek Gagen doi:10.2307/3731893 | Cite |
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482 | Review of Francisco García Sarriá, Estudios de novela española moderna: Texto y subtexto de Galdós a Guelbenzu David Henn doi:10.2307/3731894 | Cite |
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483 | Review of Patricia Hart, The Spanish Sleuth: The Detective in Spanish Fiction Barry Jordan doi:10.2307/3731895 | Cite |
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484-485 | Review of Óscar Barrero Pérez, La novela existencial española de posguerra George Thomas doi:10.2307/3731896 | Cite |
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485-486 | Review of Margarita Zamora, Language, Authority and Indigenous History in the 'Comentarios reales de los Incas' J. S. Cummins doi:10.2307/3731897 | Cite |
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486 | | Cite |
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486 | | Cite |
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487 | Review of Bonnie Hildebrand Reynolds, Space, Time and Crisis: The Theatre of René Marqués Donald L. Shaw doi:10.2307/3731900 | Cite |
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487-488 | Review of Judith Sandhöfer-Sixel, Modalität und gesprochene Sprache. Ausdrucksformen subjektiver Bewertung in einem lokalen Substandard des Westmitteldeutschen Winifred V. Davies doi:10.2307/3731901 | Cite |
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488-489 | Review of Bettina Kirschstein, Ursula Schulze, Sybil Ohly, Peter Schmidt, Wörterbuch der mittelhochdeutschen Urkundensprache auf der Grundlage des Corpus der altdeutschen Originalurkunden bis zum Jahr 1300 Charles V. J. Russ doi:10.2307/3731902 | Cite |
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489-492 | Review of Joachim Heinzle, Wolfgang Haubrichs, Geschichte der deutschen Literatur von den Anfängen bis zum Beginn der Neuzeit. Band I, Teil I: Die Anfänge: Versuche volkssprachiger Schriftlichkeit im frühen Mittelalter (ca. 700-1050/60) D. H. Green doi:10.2307/3731903 | Cite |
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492-493 | Review of Kurt Ruh, Die deutsche Literatur des Mittelalters: Verfasserlexikon Nigel F. Palmer doi:10.2307/3731904 | Cite |
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493-494 | Review of Jochen Splett, Elke Donalies, Kirsten Engmann, John M. Jeep, Hans Schwarz, Adelheid Weber, Das hymelreich ist gleich einem verporgen schatz in einem acker... Die hochdeutschen Übersetzungen von Matthäus 13, 44-52 in mittelalterlichen Handschriften D. Duckworth doi:10.2307/3731905 | Cite |
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494 | Review of Kurt Otto Seidel, Mittelniederdeutsche Handschriften aus Bielefelder Bibliotheken. Beschreibungen: Texte: Untersuchung Nigel F. Palmer doi:10.2307/3731906 | Cite |
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494-495 | | Cite |
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495-496 | Review of Edward R. Haymes, Stephanie Cain van D'Elden, The Dark Figure in Medieval German and Germanic Literature George Gillespie doi:10.2307/3731908 | Cite |
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496-497 | Review of Hans-Adolf Klein, Hellmut Rosenfeld: Ausgewählte Aufsätze: Festgabe zum 80. Geburtstag George Gillespie doi:10.2307/3731909 | Cite |
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497-498 | Review of Joachim Knape, Die ältesten deutschen Übersetzungen von Petrarcas 'Glücksbuch': Texte und Untersuchungen E. J. Morrall doi:10.2307/3731910 | Cite |
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498-500 | Review of Regina Frettlöh, Die Revisionen der Lutherbibel in wortgeschichtlicher Sicht Jonathan West doi:10.2307/3731911 | Cite |
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500-502 | Review of Stephan Füssel, Hans Joachim Kreutzer, Historia von D. Johann Fausten. Text des Druckes von 1587. Kritische Ausgabe. Mit den Zusatztexten der Wolfenbütteler Handschrift und der zeitgenössischen Drucke John L. Flood doi:10.2307/3731912 | Cite |
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502-505 | Review of Roger Bauer, Michael de Graat, Jürgen Wertheimer, Das Shakespeare-Bild in Europa zwischen Aufklärung und Romantik Roger Paulin doi:10.2307/3731913 | Cite |
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505-506 | Review of Karin A. Wurst, Familiale Liebe ist die 'wahre Gewalt'. Die Repräsentation der Familie in G. E. Lessings dramatischem Werk Francis Lamport doi:10.2307/3731914 | Cite |
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506-508 | | Cite |
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508 | | Cite |
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509 | | Cite |
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509-511 | Review of Uwe Schweikert, Gabriele Schweikert, Ludwig Tieck. Schriften. Volume XI: Schriften 1834-36 Roger Paulin doi:10.2307/3731918 | Cite |
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511-514 | Review of Ansgar Hillach, Klaus-Dieter Krabiel, Joseph von Eichendorff: Werke. Band V: Politische und historische Schriften, Streitschriften Judith Purver doi:10.2307/3731919 | Cite |
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514 | Review of Ernst Freiherr von Feuchtersleben, Herbert Seidler, Hedwig Heger, Sämtliche Werke und Briefe W. E. Yates doi:10.2307/3731920 | Cite |
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514-515 | | Cite |
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515-518 | Review of Franz Hadamowsky, Wien: Theatergeschichte. Von den Anfängen bis zum Ende des Ersten Weltkriegs W. E. Yates doi:10.2307/3731922 | Cite |
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518-519 | Review of Ernst Rohmer, Die literarische Glosse. Untersuchungen zu Begriffsgeschichte, Funktion und Literarizität einer Textsorte Godfrey Carr doi:10.2307/3731923 | Cite |
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519-522 | Review of Annemarie Taeger, Die Kunst, Medusa zu töten. Zum Bild der Frau in der Literatur der Jahrhundertwende; Marianne Burkhard, Jeanette Clausen, Feminist Studies and German Literature M. Kay Flavell doi:10.2307/3731924 | Cite |
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522-523 | Review of Nina Schneider, Georg Heym, 1887-1912. Eine Ausstellung der Staats- und Universitätsbibliothek-Carl von Ossietzky, Hamburg Margaret Rogister doi:10.2307/3731925 | Cite |
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523-525 | Review of Peter Mailloux, A Hesitation before Birth: The Life of Franz Kafka John Pilling doi:10.2307/3731926 | Cite |
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525-527 | Review of Cornelia Bernini, Thomas Sprecher, Hans Wysling, Internationales Thomas-Mann-Kolloquium 1986 in Lübeck Robin Lucas doi:10.2307/3731927 | Cite |
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527-529 | | Cite |
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529-530 | Review of Anna K. Kuhn, Christa Wolf's Utopian Vision: From Marxism to Feminism Ricardo Schmidt doi:10.2307/3731929 | Cite |
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531 | Review of Joseph McVeigh, Kontinuität und Vergangenheitsbewältigung in der österreichischen Literatur nach 1945 W. G. Sebald doi:10.2307/3731930 | Cite |
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531-532 | Review of Garth M. Terry, East European Languages and Literatures. Volume IV Peter Mayo doi:10.2307/3731931 | Cite |
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532-533 | | Cite |
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533 | Review of Sona Stephan Hoisington, Russian Views of 'Eugene Onegin' Anthony Briggs doi:10.2307/3731933 | Cite |
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534 | | Cite |
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534-535 | | Cite |
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535-538 | Review of David A. Sloane, Aleksandr Blok and the Dynamics of the Lyric Cycle Avril Pyman doi:10.2307/3731936 | Cite |
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538-539 | | Cite |
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539-540 | Review of Sheelagh Duffin Graham, Nikolaj Gumilev 1886-1986: Papers from the Gumilev Centenary Symposium, Strathclyde 1986 Donald Rayfield doi:10.2307/3731938 | Cite |
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540 | Review of Peter Zeeman, Osip Mandelstam, The Later Poetry of Osip Mandelstam: Text and Context Donald Rayfield doi:10.2307/3731939 | Cite |
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540-542 | Review of Wolfgang Kasack, Maria Carlson, Jane T. Hedges, Dictionary of Russian Literature since 1917 Robert Russell doi:10.2307/3731940 | Cite |
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542-543 | Review of John Matthias, Vladeta Vučković, The Battle of Kosovo John S. Miletich doi:10.2307/3731941 | Cite |
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543-544 | Review of Dobri Witschew, Bulgarische Prosa: Entwicklungstrends und Genrestrukturen im 19. und 20. Jahrhundert Thomas Henninger doi:10.2307/3731942 | Cite |
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