545-554 | | Cite |
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555-572 | | Cite |
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573-586 | | Cite |
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587-598 | Erotic Dimensions of Space in La Fontaine's "La Fiancée du roi de Garbe" Catherine Grisédoi:10.2307/3730418 | Cite |
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599-613 | Experience in "Les Égarements du cœur et de l'esprit" of Crébillon "Fils" David Adamsdoi:10.2307/3730419 | Cite |
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614-624 | Benedetto da Mantova, Marcantonio Flaminio, and the "Beneficio di Cristo": A Developing Twentieth-Century Debate Reviewed Philip McNairdoi:10.2307/3730420 | Cite |
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625-637 | | Cite |
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638-647 | | Cite |
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648-661 | Levels of Reality and Their Manipulation in Waldis's "Parabell vam vorlorn Szohn" Peter Macardledoi:10.2307/3730423 | Cite |
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662-674 | Between Plagiarism and Parody: The Function of the Rimbaud Quotations in Brecht's "Im Dickicht der Städte" Hilda Browndoi:10.2307/3730424 | Cite |
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675-684 | | Cite |
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685-686 | | Cite |
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686-687 | Review of Joel C. Weinsheimer, Gadamer's Hermeneutics: A Reading of 'Truth and Method'Steven Connordoi:10.2307/3730427 | Cite |
| |
687-689 | Review of Harold Fisch, A Remembered Future: A Study in Literary MythologyGabriel Josipovicidoi:10.2307/3730428 | Cite |
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689-691 | Review of Betty Jean Craige, Literary Relativity: An Essay on Twentieth-Century Narrative; Gabriel Josipovici, The Mirror of Criticism: Selected Reviews, 1977-1982John Prestondoi:10.2307/3730429 | Cite |
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691-692 | | Cite |
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692-694 | Review of Rüdiger Schnell, Causa amoris: Liebeskonzeption und Liebesdarstellung in der mittelalterlichen LiteraturD. H. Greendoi:10.2307/3730431 | Cite |
| |
694-696 | Review of Alfred Karnein, 'De Amore' in volkssprachlicher Literatur. Untersuchungen zur Andreas-Capellanus-Rezeption in Mittelalter und RenaissanceD. H. Greendoi:10.2307/3730432 | Cite |
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696-697 | Review of Richard A. Cardwell, Peter Coveney, Visions of DystopiaAndrew Barrattdoi:10.2307/3730433 | Cite |
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697-698 | Review of John D. Niles, Beowulf: The Poem and Its TraditionS. A. J. Bradleydoi:10.2307/3730434 | Cite |
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699-701 | Review of A. C. Cawley, Marion Jones, Peter F. McDonald, David Mills, The Revels History of Drama in English. Volume I: Medieval DramaPeter Meredithdoi:10.2307/3730435 | Cite |
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701-702 | | Cite |
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702-703 | Review of Alan C. Dessen, Elizabethan Stage Conventions and Modern InterpretersAndrew Gurrdoi:10.2307/3730437 | Cite |
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704-705 | Review of Stanley Wells, Re-Editing Shakespeare for the Modern Reader: Based on Lectures Given at the Folger Shakespeare Library, Washington, DCDavid Bevingtondoi:10.2307/3730438 | Cite |
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705-706 | Review of Michael Long, Marvell, Nabokov: Childhood and ArcadiaThomas N. Cornsdoi:10.2307/3730439 | Cite |
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706-708 | Review of Claude Rawson, Order from Confusion Sprung: Studies in Eighteenth-Century Literature from Swift to CowperPhillip Harthdoi:10.2307/3730440 | Cite |
| |
708 | Review of George Taylor, Plays by Samuel Foote and Arthur Murphy: 'The Minor', 'The Nabob', 'The Citizen', 'Three Weeks after Marriage', 'Know Your Own Mind'Robert D. Humedoi:10.2307/3730441 | Cite |
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709-710 | Review of Beverly Taylor, Elisabeth Brewer, The Return of King Arthur: British and American Arthurian Literature since 1900Mark Lambertdoi:10.2307/3730442 | Cite |
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710-711 | Review of Robert Browning, Clyde de L. Ryals, Becoming Browning: The Poems and Plays of Robert Browning, 1833-1846Philip Drewdoi:10.2307/3730443 | Cite |
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711-712 | | Cite |
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712-714 | Review of Kathleen Blake, Love and the Woman Question in Victorian Literature: The Art of Self-PostponementSheila M. Smithdoi:10.2307/3730445 | Cite |
| |
714-715 | Review of Ira B. Nadel, William E. Fredeman, Dictionary of Literary Biography. Volume XVIII: Victorian Novelists after 1885Sheila M. Smithdoi:10.2307/3730446 | Cite |
| |
715-716 | Review of William H. Shurr, The Marriage of Emily Dickinson: A Study of the FasciclesSargent Bush Jr.doi:10.2307/3730447 | Cite |
| |
716-717 | Review of Jim Davis, Plays by H. J. Byron: 'The Babes in the Wood', 'The Lancashire Lass', 'Our Boys', 'The Gaiety Gulliver'Michael R. Boothdoi:10.2307/3730448 | Cite |
| |
717-718 | Review of Chris Baldick, The Social Mission of English Criticism 1848-1932John Goodedoi:10.2307/3730449 | Cite |
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719-720 | Review of Leon Edel, Mark Wilson, Henry James: Essays on Literature, American Writers, English WritersEdward Wagenknechtdoi:10.2307/3730450 | Cite |
| |
720-722 | Review of Christine Froula, To Write Paradise: Style and Error in Pound's 'Cantos'; Massimo Bacigalupo, Ezra Pound: Un Poeta a RapalloPeter Makindoi:10.2307/3730451 | Cite |
| |
722-723 | Review of D. H. Lawrence, Gail Porter Mandell, The Phoenix Paradox: A Study of Renewal through Change in the 'Collected Poems' and 'Last Poems' of D. H. LawrencePhilip Hobsbaumdoi:10.2307/3730452 | Cite |
| |
723-725 | Review of W. F. Bolton, The Language of 1984: Orwell's English and OursPaul Chiltondoi:10.2307/3730453 | Cite |
| |
725-726 | Review of Denys Thompson, The Leavises: Recollections and ImpressionsRené Wellekdoi:10.2307/3730454 | Cite |
| |
726-727 | Review of Kerry McSweeney, Four Contemporary Novelists: Angus Wilson, Brian Moore, John Fowles, V. S. NaipaulKathryn Humedoi:10.2307/3730455 | Cite |
| |
727-728 | Review of Charles B. Harris, Passionate Virtuosity: The Fiction of John BarthElaine B. Saferdoi:10.2307/3730456 | Cite |
| |
728-729 | Review of Yasmine Gooneratne, Silence, Exile and Cunning: The Fiction of Ruth Prawer JhabvalaM. M. Mahooddoi:10.2307/3730457 | Cite |
| |
729-730 | Review of Carol Rosen, Plays of Impasse: Contemporary Drama Set in Confining InstitutionsG. K. Hunterdoi:10.2307/3730458 | Cite |
| |
730-731 | Review of Harry Ferrar, Joan Spencer, Use of French: Language Practice for French a LevelsFrank G. Healeydoi:10.2307/3730459 | Cite |
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731-732 | | Cite |
| |
732-733 | Review of Sven Sandqvist, Notes textuelles sur le 'Roman de Tristan' de BeroulIan Shortdoi:10.2307/3730461 | Cite |
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733-734 | Review of Julia C. Szirmai, La Bible anonyme du MS Paris B.N.f.fr. 763J. H. Marshalldoi:10.2307/3730462 | Cite |
| |
734-735 | Review of P. M. Smith, I. D. McFarlane, Literature and the Arts in the Reign of Francis I: Essays Presented to C. A. MayerAnn Mossdoi:10.2307/3730463 | Cite |
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735-736 | Review of Agrippa d'Aubigné, André Thierry, Histoire Universelle. Volume IIII. D. McFarlanedoi:10.2307/3730464 | Cite |
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736-737 | | Cite |
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737 | Review of Paul Scarron, William J. Dickson, Le Jodelet ou le Maistre valetWilliam Brooksdoi:10.2307/3730466 | Cite |
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738 | | Cite |
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738-740 | Review of Elisabeth Carayol, Thémiseul de Saint-Hyacinthe, 1684-1746Dennis Fletcherdoi:10.2307/3730468 | Cite |
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740 | | Cite |
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740-741 | | Cite |
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741-743 | | Cite |
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743-744 | Review of D. G. Charlton, New Images of the Natural in France: A Study in European Cultural History, 1750-1800Philip Robinsondoi:10.2307/3730472 | Cite |
| |
744-745 | Review of Robert Storey, Pierrots on the Stage of Desire: Nineteenth-Century French Literary Artists and the Comic PantomimeS. B. Johndoi:10.2307/3730473 | Cite |
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745-746 | | Cite |
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746-747 | Review of J. E. Flower, Literature and the Left in France: Society, Politics and the Novel Since the Late Nineteenth CenturyJ. S. T. Garfittdoi:10.2307/3730475 | Cite |
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747-749 | | Cite |
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749-750 | | Cite |
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750-752 | | Cite |
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752-753 | Review of Teodolinda Barolini, Dante's Poets: Textuality and Truth in the 'Comedy'Lino Pertiledoi:10.2307/3730479 | Cite |
| |
753-755 | Review of Michael J. B. Allen, The Platonism of Marsilio Ficino: A Study of His 'Phaedrus' Commentary, Its Sources and GenesisCecil H. Cloughdoi:10.2307/3730480 | Cite |
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755-756 | | Cite |
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757-758 | Review of Lina Bolzoni, Il teatro della memoria: Studi su Giulio CamilloJ. R. Woodhousedoi:10.2307/3730482 | Cite |
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758-759 | | Cite |
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759-760 | Review of Lucia Conti Bertini, Andrea Zanzotto o la sacra menzognaVivienne Handdoi:10.2307/3730484 | Cite |
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761 | | Cite |
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761-762 | Review of Trevor J. Dadson, 'Avisos a un cortesano': An Anthology of Seventeenth-Century Moral-Political PoetryJohn Gornalldoi:10.2307/3730486 | Cite |
| |
762-763 | Review of Evangelina Rodríguez, Antonio Tordera, La escritura como espejo de palacio: 'El Toreador' de CalderónPaul Julian Smithdoi:10.2307/3730487 | Cite |
| |
763 | Review of Emilia Pardo Bazán, Juan Paredes Núñez, Cuentos (Selección)David Henndoi:10.2307/3730488 | Cite |
| |
763-765 | Review of Gwynne Edwards, Dramatists in Perspective: Spanish Theatre in the Twentieth CenturyDerek Gagendoi:10.2307/3730489 | Cite |
| |
765-766 | Review of Nigel Dennis, Perfume and Poison: A Study of the Relationship between José Bergamín and Juan Ramón JiménezDerek Harrisdoi:10.2307/3730490 | Cite |
| |
766-767 | Review of Michael Ugarte, Trilogy of Treason: An Intertextual Study of Juan GoytisoloJo Labanyidoi:10.2307/3730491 | Cite |
| |
767-768 | Review of Samuel Amell, La narrativa de Juan Marsé, contador de aventisDavid Henndoi:10.2307/3730492 | Cite |
| |
768-769 | Review of Giuseppe Bellini, Historia de la literatura hispanoamericanaDonald L. Shawdoi:10.2307/3730493 | Cite |
| |
769-770 | Review of Samuel G. Saldívar, Evolución del personaje femenino en la novela mexicanaRobin Fiddiandoi:10.2307/3730494 | Cite |
| |
770-771 | Review of W. Günther Ganser, Die niederländische Version der Reisebeschreibung Johanns von Mandeville: Untersuchungen zur handschriftlichen UberlieferungE. J. Morralldoi:10.2307/3730495 | Cite |
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771-773 | Review of C. D. M. Cossar, The German Translation of Niccolò da Poggibonsi's 'Libro d'oltramare'E. J. Morralldoi:10.2307/3730496 | Cite |
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773 | Review of Leonard Forster, Christoffel van Sichem in Basel und der frühe deutsche AlexandrinerAnthony J. Harperdoi:10.2307/3730497 | Cite |
| |
774 | Review of Richard G. Dimler, Friedrich Spee von Langenfeld: Eine beschreibende BibliographieAnthony J. Harperdoi:10.2307/3730498 | Cite |
| |
774-775 | Review of Georg Bernardt, Fidel Rädle, Dramen. Volume I: 'Theophilus Cilix' 1621Peter Skrinedoi:10.2307/3730499 | Cite |
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775 | | Cite |
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776-777 | | Cite |
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777-778 | Review of Jean-Marie Valentin, Volk: Volksstück: Volkstheater im deutschen Sprachraum des 18.-20. JahrhundertsIan F. Roedoi:10.2307/3730502 | Cite |
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779-780 | Review of Erich Heller, In the Age of Prose: Literary and Philosophical EssaysGeoffrey Jonesdoi:10.2307/3730503 | Cite |
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780-781 | | Cite |
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781-783 | | Cite |
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783-784 | | Cite |
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784-788 | Review of Hermann Kunisch, Helmut Koopmann, Christiane Briegleb, Clemens Rauschenberg, Sämtliche Werke des Freiherrn Joseph von Eichendorff. Historisch-kritische Ausgabe. Band III: Ahnung und GegenwartJudith Purverdoi:10.2307/3730507 | Cite |
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788-789 | Review of Roger Paulin, The Brief Compass: The Nineteenth-Century German NovelleMartin Swalesdoi:10.2307/3730508 | Cite |
| |
789-792 | Review of Lieselotte Voss, Literarische Präfiguration dargestellter Wirklichkeit bei Fontane: Zur Zitatstruktur seines RomanwerksH. R. Klienebergerdoi:10.2307/3730509 | Cite |
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793-794 | Review of Peter Sprengel, Otto Brahm-Gerhart Hauptmann: Briefwechsel 1889-1912Peter Skrinedoi:10.2307/3730510 | Cite |
| |
794-796 | Review of Ritchie Robertson, Kafka: Judaism, Politics, and LiteratureHarry Zohndoi:10.2307/3730511 | Cite |
| |
796-798 | Review of Donald Prater, A Ringing Glass: The Life of Rainer Maria RilkeHans Reissdoi:10.2307/3730512 | Cite |
| |
798-801 | Review of Martin Patrick Anthony Travers, German Novels on the First World War and Their Ideological Implications, 1918-1933; Erich Maria Remarque, Brian Murdoch, Im Westen nichts NeuesAlan Bancedoi:10.2307/3730513 | Cite |
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801-802 | Review of Bernd Rauschenbach, Arno Schmidt: Der Briefwechsel mit Alfred Andersch. Mit einigen Briefen von und an Gisela Andersch, Hans Magnus Enzensberger, Helmut Heißenbüttel und Alice SchmidtRhys W. Williamsdoi:10.2307/3730514 | Cite |
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802-806 | Review of F. C. van Boheemen, Th. C. J. van der Heijden, De Westlandse Rederijkerskamers in de 16e en 17e eeuw. Met een tekstuitgave, inleiding en aantekeningen van het Spel van Sinne 'De Wortel van Rethoorijka'Elsa Strietmandoi:10.2307/3730515 | Cite |
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806-807 | Review of Benjamin A. Stolz, I. R. Titunik, Lubomír Doležel, Language and Literary Theory in Honor of Ladislav MatejkaVeronica Du Feudoi:10.2307/3730516 | Cite |
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807-808 | Review of Derek Offord, Portraits of Early Russian Liberals: A Study of the Thought of T. N. Granovsky, V. P. Botkin, P. V. Annenkov, A. V. Druzhinin and K. D. KavelinRichard Freeborndoi:10.2307/3730517 | Cite |
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808-809 | Review of Tiutchev, Boratynskii, Sarah Pratt, Russian Metaphysical Romanticism: The Poetry of Tiutchev and BoratynskiiMichael Makindoi:10.2307/3730518 | Cite |
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809-810 | Review of Edward Wasiolek, L. N. Tolstoy: Life, Work, and CriticismM. J. De K. Holmandoi:10.2307/3730519 | Cite |
| |
810 | Review of Andrey Bely, Roger Keys, Angela Keys, John Elsworth, The Dramatic Symphony: The Forms of Art; Boris Pasternak, Christopher Barnes, The Voice of Prose. Volume I: Early Prose and AutobiographyArnold McMillindoi:10.2307/3730520 | Cite |
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811 | Review of Leonore Scheffler, Evgenij Zamjatin: Sein Weltbild und seine literarische ThematikAndrew Barrattdoi:10.2307/3730521 | Cite |
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811-812 | Review of Kenneth N. Brostrom, Russian Literature and American Critics: In Honor of Deming B. BrownLesley Milnedoi:10.2307/3730522 | Cite |
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812-813 | Review of Garth M. Terry, East European Languages and Literatures. Volume IIIGeorge Thomasdoi:10.2307/3730523 | Cite |
| |
813 | Review of Aleh Biembiel, Rodnaje słova i maralna-estetyčny prahresPeter Mayodoi:10.2307/3730524 | Cite |
| |
814 | Review of Vitaut Kipel, Zora Kipel, Janka Kupala and Jakub Kolas in the West: BibliographyJim Dingleydoi:10.2307/3730525 | Cite |
| |
814-816 | Review of Antonin Měšt'an, Geschichte der tschechischen Literatur im 19. und 20. JahrhundertWalter Schamschuladoi:10.2307/3730526 | Cite |
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