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| 464-467 | | Cite |
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| 468-483 | | Cite |
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| 496-510 | Victor Hugo's Use of Chamberlayne's 'L'État présent de l'Angleterre' in 'l'Homme qui rit' Christina M. Maclean doi:10.2307/3712595 | Cite |
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| 511-532 | Notes on Lessing's "Beyträge zur Historie und Aufnahme des Theaters" J. G. Robertson doi:10.2307/3712596 | Cite |
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| 533-536 | Texts and Documents: Ein Unbekannter Brief Christian Brentanos an Henry Crabb Robinson R. Priebsch doi:10.2307/3712597 | Cite |
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| 537-539 | | Cite |
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| 539-540 | Chaucer Attributions in MS. R. 3. 19, in the Library of Trinity College, Cambridge W. W. Greg doi:10.2307/3712599 | Cite |
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| 540-543 | The Authorship of 'Luminalia,' with Notes on Some Other Poems of Sir William D'Avenant Edith S. Hooper doi:10.2307/3712600 | Cite |
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| 543-544 | | Cite |
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| 546-548 | Review of Ernest Hartley Coleridge, Samuel Taylor Coleridge, The Complete Poetical Works of Samuel Taylor Coleridge E. de Sélincourt doi:10.2307/3712603 | Cite |
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| 548-550 | Review of , Essays and Studies by Members of the English Association. Vol. III Helen Darbishire doi:10.2307/3712604 | Cite |
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| 550-552 | | Cite |
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| 553-558 | Review of Keble, Edward Kershaw Francis, Keble's Lectures on Poetry, 1832-1841 G. C. Macaulay doi:10.2307/3712606 | Cite |
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| 558-560 | Review of Frank Maldon Robb, Adam Lindsay Gordon, Poems of Adam Lindsay Gordon Grace E. Hadow doi:10.2307/3712607 | Cite |
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| 560-561 | | Cite |
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| 561-563 | Review of Eleanor F. Jourdain, An Introduction to the French Classical Drama H. Chatelain doi:10.2307/3712609 | Cite |
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| 563-566 | Review of Winifred Smith, The Commedia dell' Arte; A Study in Italian Popular Comedy C. Foligno doi:10.2307/3712610 | Cite |
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| 566-568 | | Cite |
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