1-20 | | Cite |
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21-31 | | Cite |
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32-44 | | Cite |
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45-63 | | Cite |
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64-76 | A Political Reading of Baudelaire's "L'Artiste inconnu" ("Le Guignon") Graham Chestersdoi:10.2307/3730325 | Cite |
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77-87 | | Cite |
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88-96 | | Cite |
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97-113 | "Die Verselnden Ketten": The Development of Grabbe's Dramatic Language David Hortondoi:10.2307/3730328 | Cite |
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114-130 | | Cite |
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131-141 | | Cite |
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142-144 | Review of Douglas C. D. Pocock, Humanistic Geography and Literature: Essays on the Experience of PlaceDorothy Eagledoi:10.2307/3730331 | Cite |
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144-146 | | Cite |
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146-147 | Review of Margot Heinemann, Puritanism and Theatre: Thomas Middleton and Opposition Drama under the Early StuartsAnn Jennalie Cookdoi:10.2307/3730333 | Cite |
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147-150 | Review of Jacqueline Pearson, Tragedy and Tragicomedy in the Plays of John WebsterBrian Gibbonsdoi:10.2307/3730334 | Cite |
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150-152 | Review of Helen Peters, John Donne: 'Paradoxes' and 'Problems'Jenny Mezciemsdoi:10.2307/3730335 | Cite |
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152-154 | Review of Jeremy Treglown, Spirit of Wit: Reconsiderations of RochesterR. Quintanadoi:10.2307/3730336 | Cite |
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154-155 | Review of Ronald Paulson, Popular and Polite Art in the Age of Hogarth and FieldingMark G. Sokolyanskydoi:10.2307/3730337 | Cite |
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155-157 | Review of William P. French, Michel J. Fabre, Amritjit Singh, Geneviève E. Fabre, Afro-American Poetry and Drama 1760-1975; Charles D. Peavy, Afro-American Literature and Culture Since World War IIArnold Rampersaddoi:10.2307/3730338 | Cite |
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157-159 | Review of Kerry McSweeney, Tennyson and Swinburne as Romantic NaturalistsClyde de L. Ryalsdoi:10.2307/3730339 | Cite |
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159-162 | Review of Charles Dickens, Margaret Cardwell, Martin ChuzzlewitSylvère Monoddoi:10.2307/3730340 | Cite |
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162-164 | | Cite |
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164-167 | | Cite |
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167-169 | | Cite |
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169-170 | Review of D. H. Lawrence, George J. Zytaruk, James T. Boulton, The Cambridge Edition of the Letters and Works of D. H. Lawrence. The Letters of D. H. Lawrence. Volume II. June 1913-October 1916Gāmini Salgādodoi:10.2307/3730344 | Cite |
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170-174 | | Cite |
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174-176 | Review of G. Singh, F. R. Leavis. The Critic as Anti-Philosopher: Essays and PapersRené Wellekdoi:10.2307/3730346 | Cite |
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176-178 | | Cite |
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178 | Review of Arnaldo Pizzorusso, Analisi e Variazioni: Studi francesiA. J. Steeledoi:10.2307/3730348 | Cite |
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178-180 | Review of Roger Pensom, Literary Technique in the Chanson de RolandTony Huntdoi:10.2307/3730349 | Cite |
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180-181 | Review of Sven Sandqvist, Trois contes français du XIVe siècle tirés du recueil intitulé 'Le Tombel de Chartrose'Philip Bennettdoi:10.2307/3730350 | Cite |
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181-182 | Review of Maxwell Luria, A Reader's Guide to the Roman de la RoseNigel Wilkinsdoi:10.2307/3730351 | Cite |
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183 | | Cite |
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183-184 | Review of Guy Demerson, Le Disciple de Pantagruel (Les Navigations de Panurge)Thomas Thomsondoi:10.2307/3730353 | Cite |
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184-185 | | Cite |
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185-188 | Review of Géralde Nakam, Montaigne et son temps: les événements et les Essais (l'histoire, la vie, le livre)Ian Macleandoi:10.2307/3730355 | Cite |
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188-189 | Review of Robert D. Cottrell, Sexuality/Textuality: A Study of the Fabric of Montaigne's "Essais"S. John Holyoakedoi:10.2307/3730356 | Cite |
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189-190 | Review of Keith Bosley, From the Theorems of Master Jean de La Ceppède. LXX SonnetsPaul Chiltondoi:10.2307/3730357 | Cite |
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190-191 | Review of H. T. Barnwell, The Tragic Drama of Corneille and Racine. An Old Parallel RevisitedPeter H. Nursedoi:10.2307/3730358 | Cite |
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191-192 | Review of W. D. Howarth, Molière: A Playwright and His AudienceBrian Nicholasdoi:10.2307/3730359 | Cite |
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192-193 | Review of Robert Darnton, The Literary Underground of the Old RegimeMaurice Huttdoi:10.2307/3730360 | Cite |
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193-195 | Review of Etienne Hofmann, Benjamin Constant, Madame de Staël et le Groupe de Coppet. Actes du deuxième congrès de Lausanne à l'occasion du 150e anniversaire de la mort de Benjamin Constant et du troisième colloque de Coppet 15-19 juillet 1980Dennis Wooddoi:10.2307/3730361 | Cite |
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195-196 | Review of Pierre Michel, Les Barbares, 1789-1848: un mythe romantiquePeter Francedoi:10.2307/3730362 | Cite |
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196-197 | | Cite |
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197-198 | | Cite |
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198-199 | Review of John E. Jackson, La Mort Baudelaire: essai sur 'Les Fleurs du Mal'Graham Chestersdoi:10.2307/3730365 | Cite |
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199-200 | | Cite |
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200-201 | | Cite |
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201 | Review of John Porter Houston, The Shape and Style of Proust's NovelRichard Balesdoi:10.2307/3730368 | Cite |
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201-202 | | Cite |
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203 | Review of Jacques Robichez, Sur Saint-John Perse:Éloges, La Gloire des Rois, AnabaseR. A. Yorkdoi:10.2307/3730370 | Cite |
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203-204 | | Cite |
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204-205 | Review of Richard C. Webb, Jean Genet and His Critics: An Annotated BibliographyDavid H. Walkerdoi:10.2307/3730372 | Cite |
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205 | Review of Nico Satijn, Le Labyrinthe de la cité radieuse: les pérégrinations de Bérenger chez IonescoA. Callendoi:10.2307/3730373 | Cite |
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205-206 | Review of Vivian Kogan, The Flowers of Fiction: Time and Space in Raymond Queneau's 'Les Fleurs bleues'Walter Redferndoi:10.2307/3730374 | Cite |
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206-208 | Review of H. F. Woodhouse, Language and Style in a Renaissance Epic: Berni's Corrections to Boiardo's 'Orlando Innamorato'Mark Daviedoi:10.2307/3730375 | Cite |
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208-211 | Review of Doug Thompson, Cesare Pavese: A Study of the Major Novels and PoemsMichael Caesardoi:10.2307/3730376 | Cite |
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211-212 | Review of R. B. Tate, Essays on Narrative Fiction in the Iberian Peninsula in Honour of Frank PierceB. W. Ifedoi:10.2307/3730377 | Cite |
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212-213 | Review of Anita Benaim de Lasry, 'Carlos Maynes' and 'La enperatrís de Roma'. Critical Edition and Study of Two Medieval Spanish RomancesDavid Hookdoi:10.2307/3730378 | Cite |
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214-215 | Review of Ana María Snell, Hacia el verbo: Signos y transignificación en la poesía de QuevedoB. W. Ifedoi:10.2307/3730379 | Cite |
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215-216 | Review of Michael G. Paulson, Tamara Álvarez-Detrell, La Corona Trágica de Lope de VegaFrank Piercedoi:10.2307/3730380 | Cite |
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216-217 | Review of Frederick A. de Armas, David M. Gitlitz, José A. Madrigal, Critical Perspectives on Calderón de la BarcaWilliam F. Hunterdoi:10.2307/3730381 | Cite |
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217-219 | Review of Noël Maureen Valis, The Decadent Vision in Leopoldo AlasNicholas G. Rounddoi:10.2307/3730382 | Cite |
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219-220 | | Cite |
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221 | | Cite |
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221-222 | Review of Johannes Hösle, Die katalanische Literatur von der Renaixença zur GegenwartAlbert G. Haufdoi:10.2307/3730385 | Cite |
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222-223 | Review of Beate Hennig, 'maere' und 'werc': Zur Funktion von erzählerischem Handeln im 'Iwein' Hartmanns von AueW. H. Jacksondoi:10.2307/3730386 | Cite |
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223-224 | Review of Peter Kern, Die Artusromane des Pleier: Untersuchungen über den Zusammenhang von Dichtung und literarischer SituationD. H. Greendoi:10.2307/3730387 | Cite |
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224-226 | Review of Karl Stackmann, Karl Bertau, Frauenlob (Heinrich von Meissen): Leichs, Sangsprüche, LiederNigel F. Palmerdoi:10.2307/3730388 | Cite |
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226-227 | Review of Francis B. Brévart, Konrad Heinfogel: Sphaera Materialis. Text und KommentarRichard F. M. Byrndoi:10.2307/3730389 | Cite |
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227-228 | Review of Carmen Bosch-Schairer, Konrad von Ammenhausen: Das Schachzabelbuch. Die Illustrationen der Stuttgarter Handschrift (Cod. poet. et philol. fol. No. 2)Richard F. M. Byrndoi:10.2307/3730390 | Cite |
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228-230 | Review of Irene Hänsch, Heinrich Steinhöwels Übersetzungskommentare in 'De claris mulieribus' und 'Äsop': Ein Beitrag zur Geschichte der ÜbersetzungJohn L. Flooddoi:10.2307/3730391 | Cite |
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230-231 | Review of Werner Welzig, Predigt und soziale Wirklichkeit: Beiträge zur Erforschung der PredigtliteraturPhilip Bradydoi:10.2307/3730392 | Cite |
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231-234 | Review of Karl S. Guthke, Das Abenteuer der Literatur: Studien zum literarischen Leben der deutschsprachigen Länder von der Aufklärung bis zum ExilM. Kay Flavelldoi:10.2307/3730393 | Cite |
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234-235 | Review of Horst Gronemeyer, Klaus Hurlebusch, Friedrich Gottlieb Klopstock, Werke und Briefe: Historisch-kritische Ausgabe. Abteilung Werke, Band II. Epigramme: Text und ApparatH. T. Betteridgedoi:10.2307/3730394 | Cite |
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235 | | Cite |
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235-236 | Review of R. H. Samuel, H. M. Brown, Kleist's Lost Year and the Quest for 'Robert Guiskard'Elisabeth Stoppdoi:10.2307/3730396 | Cite |
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236-237 | | Cite |
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237-239 | | Cite |
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239-240 | Review of Michael Ewans, Wagner and Aeschylus. The 'Ring' and the 'Oresteia'R. S. Furnessdoi:10.2307/3730399 | Cite |
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240-241 | Review of Kristian Sotriffer, Das größere Österreich: Geistiges und soziales Leben von 1880 bis zur GegenwartW. E. Yatesdoi:10.2307/3730400 | Cite |
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241-242 | Review of Erika Nielsen, Focus on Vienna 1900: Change and Continuity in Literature, Music, Art and Intellectual HistoryW. E. Yatesdoi:10.2307/3730401 | Cite |
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242-243 | | Cite |
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243-244 | Review of W. E. Yuill, Patricia Howe, Hugo von Hofmannsthal: Commemorative EssaysLan F. Roedoi:10.2307/3730403 | Cite |
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244-245 | Review of Karen Forsyth, 'Ariadne auf Naxos' by Hugo von Hofmannsthal and Richard Strauss: Its Genesis and MeaningW. E. Yatesdoi:10.2307/3730404 | Cite |
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245-247 | Review of Francis Michael Sharp, The Poet's Madness: A Reading of Georg TraklTimothy J. Caseydoi:10.2307/3730405 | Cite |
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247-249 | Review of Hans Jürg Lüthi, Max Frisch: 'Du sollst dir kein Bildnis machen'John Whitedoi:10.2307/3730406 | Cite |
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249 | Review of Jos Hoogeveen, Gerd Labroisse, DDR-Roman und LiteraturgesellschaftPeter Hutchinsondoi:10.2307/3730407 | Cite |
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250 | | Cite |
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251-252 | Review of James B. Woodward, The Symbolic Art of Gogol: Essays on His Short FictionAntony Stokesdoi:10.2307/3730409 | Cite |
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252-253 | Review of Ayleen Teskey, Platonov and Fyodorov. The Influence of Christian Philosophy on a Soviet WriterDiana Myersdoi:10.2307/3730410 | Cite |
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254-255 | Review of Maksim Bahdanovič, Aleś Harun, Źmitrok Biadula, Vera Rich, Arnold McMillin, The Images Swarm Free: A Bilingual Selection of Poetry by Maksim Bahdanovič, Aleś Harun, and Źmitrok BiadulaMichael Pursglovedoi:10.2307/3730411 | Cite |
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255-256 | Review of Madeline G. Levine, Contemporary Polish Poetry 1925-1975B. W. Mazurdoi:10.2307/3730412 | Cite |
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