769-776 | | Cite |
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777-792 | | Cite |
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793-803 | Dialogue and Speakers in the "Parallèle des anciens et des Modernes" Robin Howells doi:10.2307/3729490 | Cite |
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804-815 | | Cite |
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816-829 | | Cite |
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830-837 | Dino Campana's Return from Belgium: Four Unpublished Documents Caroline Mezey doi:10.2307/3729493 | Cite |
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838-849 | | Cite |
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850-861 | The Foreign Language Requirement in Medieval Icelandic Romance Marianne E. Kalinke doi:10.2307/3729495 | Cite |
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862-868 | Wieland and Claude-Joseph Dorat (1734-1780): A Footnote to the History of Franco-German Literary Relations in the Eighteenth Century Alan Menhennet doi:10.2307/3729496 | Cite |
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869-877 | | Cite |
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878-879 | Review of Maureen Quilligan, The Language of Allegory: Defining the Genre Robert Cummings doi:10.2307/3729498 | Cite |
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879-880 | | Cite |
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880-881 | | Cite |
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882-883 | Review of Northrop Frye, The Great Code: The Bible and Literature A. D. Nuttall doi:10.2307/3729501 | Cite |
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883-884 | | Cite |
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884-885 | | Cite |
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885-886 | Review of G. K. Hunter, C. J. Rawson, The Yearbook of English Studies. Volume 12. Heroes and the Heroic Special Number Gregory G. Colomb doi:10.2307/3729504 | Cite |
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886-888 | Review of Barbara Reynolds, Seven: An Anglo-American Literary Review Peter J. Schakel doi:10.2307/3729505 | Cite |
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888-889 | Review of Helen Gardner, In Defence of the Imagination: The Charles Eliot Norton Lectures 1979-1980 Iain McGilchrist doi:10.2307/3729506 | Cite |
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889-892 | | Cite |
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892-894 | Review of Alexandra F. Johnston, Margaret Rogerson, Records of Early English Drama. York Richard Axton doi:10.2307/3729508 | Cite |
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894-896 | Review of P. L. Heyworth, Medieval Studies for J. A. W. Bennett aetatis suae LXX E. G. Stanley doi:10.2307/3729509 | Cite |
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896-897 | Review of Ernest B. Gilman, The Curious Perspective: Literary and Pictorial Wit in the Seventeenth Century John Dixon Hunt doi:10.2307/3729510 | Cite |
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897-899 | Review of Jane Adamson, 'Othello' as Tragedy: Some Problems of Judgment and Feeling Norman Rabkin doi:10.2307/3729511 | Cite |
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899-901 | Review of Thomas Dekker, Fredson Bowers, Cyrus Hoy, Introductions, Notes, and Commentaries to Texts in 'The Dramatic Works of Thomas Dekker' G. K. Hunter doi:10.2307/3729512 | Cite |
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901-902 | Review of Martin Brunkhorst, Tradition und Transformation: Klassizistische Tendenzen in der englischen Tragödie von Dryden bis Thomson Ladislaus Löb doi:10.2307/3729513 | Cite |
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902-903 | Review of Pierre Arnaud, Jean Raimond, Le Préromantisme anglais Joan H. Pittock doi:10.2307/3729514 | Cite |
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904-905 | Review of Allardyce Nicoll, Sybil Rosenfeld, The Garrick Stage: Theatres and Audience in the Eighteenth Century Cecil Price doi:10.2307/3729515 | Cite |
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905-906 | Review of William Cowper, John D. Baird, Charles Ryskamp, The Poems of William Cowper. Volume I. 1748-1782 Philip Drew doi:10.2307/3729516 | Cite |
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906-908 | Review of Stephen Fender, Plotting the Golden West: American Literature and the Rhetoric of the California Trail Henry Nash Smith doi:10.2307/3729517 | Cite |
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908-910 | Review of Mark Twain, Edgar Marquess Branch, Robert H. Hirst, The Works of Mark Twain. Early Tales and Sketches Edward Wagenknecht doi:10.2307/3729518 | Cite |
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910-911 | Review of R. M. Seiler, Walter Pater: The Critical Heritage Patricia Clements doi:10.2307/3729519 | Cite |
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911-913 | Review of Gerald Monsman, Walter Pater's Art of Autobiography Patricia Clements doi:10.2307/3729520 | Cite |
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913-914 | Review of Cedric Watts, Laurence Davies, Cunninghame Graham: A Critical Biography C. J. Rawson doi:10.2307/3729521 | Cite |
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914-917 | | Cite |
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917-918 | Review of Robert Francis Cook, 'Chanson d'Antioche', Chanson de geste: Le Cycle de la Croisade est-il épique? Tony Hunt doi:10.2307/3729523 | Cite |
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918-919 | Review of David M. Dougherty, Eugene B. Barnes, Le 'Galien' de Cheltenham Philip Bennett doi:10.2307/3729524 | Cite |
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919-920 | Review of Elina Suomela-Härmä, Les Structures narratives dans le Roman de Renart Kenneth Varty doi:10.2307/3729525 | Cite |
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920-921 | Review of Hope H. Glidden, The Storyteller as Humanist: The 'Serées' of Guillaume Bouchet Francis M. Higman doi:10.2307/3729526 | Cite |
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921 | | Cite |
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921-923 | Review of Marian Hobson, The Object of Art: The Theory of Illusion in Eighteenth-Century France Vivienne Mylne doi:10.2307/3729528 | Cite |
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923-924 | Review of Jean-Jacques Rousseau, R. A. Leigh, Correspondance complète Peter France doi:10.2307/3729529 | Cite |
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924-926 | | Cite |
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926 | | Cite |
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926-927 | Review of Alison Fairlie, Malcolm Bowie, Imagination and Language: Collected Essays on Constant, Baudelaire, Nerval and Flaubert Norman King doi:10.2307/3729532 | Cite |
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927-929 | Review of Malcolm Bowie, Alison Fairlie, Alison Finch, Baudelaire, Mallarmé, Valéry: New Essays in Honour of Lloyd Austin Paul Gifford doi:10.2307/3729533 | Cite |
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929-930 | | Cite |
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930-931 | Review of Walter Kasell, Marcel Proust and the Strategy of Reading Valerie Minogue doi:10.2307/3729535 | Cite |
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931-932 | Review of John Cruickshank, Variations on Catastrophe: Some French Responses to the Great War Walter Redfern doi:10.2307/3729536 | Cite |
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932-933 | Review of Jacqueline Jomaron, La Mise en scène contemporaine II: 1914-1940 David Bradby doi:10.2307/3729537 | Cite |
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933-934 | Review of Ruth Amossy, Parcours symbolique chez Julien Gracq: Le Rivage des Syrtes Margaret Davies doi:10.2307/3729538 | Cite |
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934-936 | Review of Ian Higgins, Anthology of Second World War French Poetry Keith Aspley doi:10.2307/3729539 | Cite |
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936-937 | | Cite |
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937-938 | | Cite |
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939-940 | Review of Marc Angenot, La Parole Pamphlétaire: Typologie des discours modernes Gill Seidel doi:10.2307/3729542 | Cite |
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940 | | Cite |
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941 | Review of Daniel Eisenberg, Romances of Chivalry in the Spanish Golden Age Keith Whinnom doi:10.2307/3729544 | Cite |
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942-943 | Review of Thomas R. Hart, Gil Vicente: Casandra and Don Duardos Nigel Griffin doi:10.2307/3729545 | Cite |
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943-944 | Review of Dario Fernández-Morera, The Lyre and the Oaten Flute: Garcilaso and the Pastoral B. W. Ife doi:10.2307/3729546 | Cite |
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944-945 | Review of Bryant L. Creel, The Religious Poetry of Jorge de Montemayor John Crosbie doi:10.2307/3729547 | Cite |
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946-947 | Review of Stephen Gilman, Galdós and the Art of the European Novel: 1867-1887 David Henn doi:10.2307/3729548 | Cite |
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947-948 | | Cite |
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948-949 | | Cite |
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949 | | Cite |
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950 | | Cite |
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950-951 | Review of Luis Oscar Arata, The Festive Play of Fernando Arrabal Gwynne Edwards doi:10.2307/3729553 | Cite |
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951-952 | Review of John S. Brushwood, Genteel Barbarism: Experiments in Analysis of Nineteenth-Century Spanish-American Novels Steven Boldy doi:10.2307/3729554 | Cite |
| |
952-953 | Review of Evelyn Fishburn, The Portrayal of Immigration in Nineteenth-Century Argentine Fiction (1845-1902) Jack M. Flint doi:10.2307/3729555 | Cite |
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954 | Review of James Higgins, The Poet in Peru: Alienation and the Quest for Super-Reality Robert K. Britton doi:10.2307/3729556 | Cite |
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954-955 | Review of Rolf Bergmann, Peter Pauly, Michael Schlaefer, Einführung in die deutsche Sprachwissenschaft Martin Durrell doi:10.2307/3729557 | Cite |
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955-957 | Review of Dudenredaktion and the German Section of the Oxford University Press Dictionary Department, The Oxford-Duden Pictorial German-English Dictionary A. W. Stanforth doi:10.2307/3729558 | Cite |
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957-958 | | Cite |
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958-960 | Review of Wolfgang Haubrichs, Georgslied und Georgslegende im frühen Mittelalter: Text und Rekonstruktion; Taylor Starck, J. C. Wells, Althochdeutsches Glossenwörterbuch (mit Stellennachweis zu sämtlichen gedruckten althochdeutschen und verwandten Glossen) D. H. Green doi:10.2307/3729560 | Cite |
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961-963 | Review of Otfried Ehrismann, Der mittelhochdeutsche Reinhart Fuchs: Abbildungen und Materialien zur handschriftlichen Überlieferung; Hubertus Menke, Von Reinicken Fuchs. Frankfurt 1544 David Blamires doi:10.2307/3729561 | Cite |
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963-964 | Review of Claude Lecouteux, Les Monstres dans la littérature allemande du moyen âge. Contribution à l'étude du merveilleux médiéval August Closs doi:10.2307/3729562 | Cite |
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964-965 | Review of Siegfried Richard Christoph, Wolfram von Eschenbach's Couples Rosemary E. Wallbank doi:10.2307/3729563 | Cite |
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965-967 | Review of Paula Hefti, Codex Dresden M68; Eugen Thurnher, Manfred Zimmermann, Franz V. Spechtler, Ulrich Müller, Die Sterzinger Miszellaneen-Handschrift Alan Robertshaw doi:10.2307/3729564 | Cite |
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967-968 | Review of Klaus Arnold, Niklashausen 1476: Quellen und Untersuchungen zur sozialreligiösen Bewegung des Hans Behem und zur Agrarstruktur eines spätmittelalterlichen Dorfes Richard F. M. Byrn doi:10.2307/3729565 | Cite |
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969 | Review of Hans Blosen, Harald Pors, Rollenregister zu Adalbert von Kellers Sammlung: Fastnachtspiele aus dem 15. Jahrhundert John E. Tailby doi:10.2307/3729566 | Cite |
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969-971 | Review of Gerhard Dünnhaupt, Bibliographisches Handbuch der Barockliteratur: Hundert Personalbibliographien deutscher Autoren des siebzehnten Jahrhunderts Peter Skrine doi:10.2307/3729567 | Cite |
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971-972 | Review of Albert M. Reh, Die Rettung der Menschlichkeit: Lessings Dramen in literaturpsychologischer Sicht Francis Lamport doi:10.2307/3729568 | Cite |
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972-974 | Review of Herbert G. Göpfert, Das Bild Lessings in der Geschichte H. B. Nisbet doi:10.2307/3729569 | Cite |
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974-976 | Review of Lesley Sharpe, Schiller and the Historical Character: Presentation and Interpretation in the Historiographical Works and in the Historical Dramas W. Witte doi:10.2307/3729570 | Cite |
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976-978 | Review of Ulrich Landeck, Der fünfte Akt von Goethes Faust II: Kommentierte kritische Ausgabe Osman Durrani doi:10.2307/3729571 | Cite |
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978-981 | Review of Bernd Goldmann, Wolf Heinrich Graf Baudissin: Leben und Werk eines großen Übersetzers Roger Paulin doi:10.2307/3729572 | Cite |
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981-982 | | Cite |
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982-983 | Review of Ulrike Bastian, Die 'Kinder- und Hausmärchen' der Brüder Grimm in der literaturpädagogischen Diskussion des 19. und 20. Jahrhunderts Gerald Opie doi:10.2307/3729574 | Cite |
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983-984 | Review of Ulrich Scheck, Parodie und Eigenständigkeit in Nestroys 'Judith und Hologernes': Ein Vergleich mit Hebbels 'Judith' W. E. Yates doi:10.2307/3729575 | Cite |
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984-985 | Review of H. R. Klieneberger, The Novel in England and Germany William Hanson doi:10.2307/3729576 | Cite |
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985 | Review of Hans-Werner Peter, Wilhelm Raabe: Werke in Auswahl. Studienausgabe William Hanson doi:10.2307/3729577 | Cite |
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985-986 | Review of Geoffrey Field, Evangelist of Race: The Germanic Vision of Houston Stewart Chamberlain R. S. Furness doi:10.2307/3729578 | Cite |
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986-987 | Review of Helmut Praschek, Gerhart Hauptmanns 'Weber': Eine Dokumentation John Osborne doi:10.2307/3729579 | Cite |
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987-988 | Review of Roy C. Cowan, Hauptmann-Kommentar zum nichtdramatischen Werk Peter Skrine doi:10.2307/3729580 | Cite |
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989-990 | | Cite |
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991 | Review of Ulrich Fülleborn, Manfred Engel, Materialien zu Rainer Maria Rilkes 'Duineser Elegien' Patrick Bridgwater doi:10.2307/3729582 | Cite |
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991-993 | Review of Ronald Taylor, Literature and Society in Germany 1918-1945 Edward Timms doi:10.2307/3729583 | Cite |
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993-994 | Review of Wolfram Buddecke, Helmut Fuhrmann, Das deutschsprachige Drama seit 1945: Schweiz: Bundesrepublik: Österreich: DDR. Kommentar zu einer Epoche John White doi:10.2307/3729584 | Cite |
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994 | Review of Régis Boyer, Éléments de grammaire de l'islandais ancien C. D. Cossar doi:10.2307/3729585 | Cite |
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994-995 | Review of Gabriel Turville-Petre, Ursula Dronke, GuÐrún P. Helgadóttir, Gerd Wolfgang Weber, Hans Bekker-Nielsen, Specvlvm Norroenvm: Norse Studies in Memory of Gabriel Turville-Petre C. D. Cossar doi:10.2307/3729586 | Cite |
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995-996 | Review of Leon Burnett, F. M. Dostoevsky (1821-1881): A Centenary Collection Christopher R. Pike doi:10.2307/3729587 | Cite |
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996-997 | Review of , Revue de littérature comparée, 219-220 (1981): pp. 265-518, Dostoevskij européen Malcolm V. Jones doi:10.2307/3729588 | Cite |
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997-998 | | Cite |
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998-999 | Review of Joe Andrew, Russian Writers and Society in the Second Half of the Nineteenth Century Faith Wigzell doi:10.2307/3729590 | Cite |
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999-1000 | Review of Vera Gottlieb, Chekhov and the Vaudeville: A Study of Chekhov's One-Act Plays Donald Rayfield doi:10.2307/3729591 | Cite |
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1000-1002 | Review of T. R. N. Edwards, Three Russian Writers and the Irrational: Zamyatin, Pil'nyak and Bulgakov Arnold McMillin doi:10.2307/3729592 | Cite |
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1002-1003 | | Cite |
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1003-1004 | Review of Ronald Hingley, Nightingale Fever: Russian Poets in Revolution Julian Graffy doi:10.2307/3729594 | Cite |
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1005-1006 | Review of George G. Grabowicz, The Poet as Mythmaker: A Study of Symbolic Meaning in Taras Sevčenko Victor Swoboda doi:10.2307/3729595 | Cite |
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1006-1007 | | Cite |
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1008 | Review of Alf Lombard, Constantin Gâdel, Dictionnaire morphologique de la langue roumaine permettant de connaître la flexion entière des mots qui en possèdent une: substantifs, adjectifs, pronoms, verbes Glanville Price doi:10.2307/3729597 | Cite |
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xxiii-xxxii | The Presidential Address of the Modern Humanities Research Association, 1983: Drama and the Moral Connexion Ronald Peacock doi:10.2307/3729598 | Cite |
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