513-531 | | Cite |
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532-550 | | Cite |
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551-558 | "Rendre Plastique...": Flaubert's Treatment of the Female Principle in "Hérodias" Margaret Lowe doi:10.2307/3730229 | Cite |
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559-572 | | Cite |
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573-587 | A Case of Decorous Theft: Quevedo's Imitation of a Petrarchan Canzone Paul Julian Smith doi:10.2307/3730231 | Cite |
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588-596 | José Donoso: "El obsceno pájaro de la noche" as Test Case for Psychoanalytic Interpretation William Rowe doi:10.2307/3730232 | Cite |
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597-616 | | Cite |
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617-630 | "Der grosse Überwinder": Hermann Bahr and the Rejection of Naturalism Andrew Barker doi:10.2307/3730234 | Cite |
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631-632 | Review of Wayne C. Booth, Critical Understanding: The Powers and Limits of Pluralism John Preston doi:10.2307/3730235 | Cite |
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632-634 | Review of Chris Bullock, David Peck, Guide to Marxist Literary Criticism Michael Wilding doi:10.2307/3730236 | Cite |
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634-635 | Review of René Wellek, Four Critics: Croce, Valéry, Lukács, and Ingarden Christopher Norris doi:10.2307/3730237 | Cite |
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636-637 | Review of Tzvetan Todorov, Richard Howard, Introduction to Poetics Christopher Norris doi:10.2307/3730238 | Cite |
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637-639 | | Cite |
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640-642 | Review of Bernard Sharratt, Reading Relations: Structures of Literary Production: A Dialectical Text/Book Christopher Norris doi:10.2307/3730240 | Cite |
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642-643 | Review of Susan Sniader Lanser, The Narrative Act: Point of View in Prose Fiction Paul Lawley doi:10.2307/3730241 | Cite |
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643-644 | | Cite |
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644-646 | | Cite |
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646-649 | Review of Paul Maurice Clogan, Medievalia et Humanistica: Studies in Medieval and Renaissance Culture Gabriel Josipovici doi:10.2307/3730244 | Cite |
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650-653 | Review of Alexander Welsh, Reflections on the Hero as Quixote; Louis Gondebeaud, Le Roman 'picaresque' anglais (1650-1730) Jocelyn Harris doi:10.2307/3730245 | Cite |
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653-654 | Review of Harry C. Payne, Studies in Eighteenth-Century Culture. Volume 10 Bruce Redford doi:10.2307/3730246 | Cite |
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655-656 | Review of Graeme Tytler, Physiognomy in the European Novel: Faces and Fortunes Cedric Watts doi:10.2307/3730247 | Cite |
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656-657 | Review of Laurie Lanzen Harris, Nineteenth-Century Literature Criticism: Excerpts from Criticism of the Works of Novelists, Poets, Playwrights, Short Story Writers, and Other Creative Writers Who Lived between 1800 and 1900, from the First Published Critical Appraisals to Current Evaluat J. H. Alexander doi:10.2307/3730248 | Cite |
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657-660 | Review of Marjorie Perloff, The Poetics of Indeterminacy: Rimbaud to Cage Peter Makin doi:10.2307/3730249 | Cite |
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660-662 | Review of Daniel Albright, Representation and the Imagination: Beckett, Kafka, Nabokov, and Schoenberg Paul Lawley doi:10.2307/3730250 | Cite |
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663-665 | Review of Charles Russell, The Avant-Garde Today: An International Anthology Marjorie Perloff doi:10.2307/3730251 | Cite |
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665-666 | Review of Gary C. Tarbert, Book Review Index: A Master Cumulation, 1969-1979 Audrey Cooper doi:10.2307/3730252 | Cite |
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666-668 | Review of John D. Niles, Old English Literature in Context: Ten Essays Derek Pearsall doi:10.2307/3730253 | Cite |
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669-671 | | Cite |
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671-672 | | Cite |
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672-673 | | Cite |
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673-674 | Review of Martin Scofield, The Ghosts of Hamlet: The Play and Modern Writers A. D. Moody doi:10.2307/3730257 | Cite |
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675-676 | Review of Constance Brown Kuriyama, Hammer or Anvil: Psychological Patterns in Christopher Marlowe's Plays Judith Weil doi:10.2307/3730258 | Cite |
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676-679 | Review of Paul H. Fry, The Poet's Calling in the English Ode Oliver F. Sigworth doi:10.2307/3730259 | Cite |
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679-680 | Review of John G. Demaray, Milton's Theatrical Epic: The Invention and Design of 'Paradise Lost' Gordon Campbell doi:10.2307/3730260 | Cite |
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680-682 | | Cite |
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682-683 | Review of Robert D. Hume, The London Theatre World, 1660-1800 Michael R. Booth doi:10.2307/3730262 | Cite |
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683-685 | Review of Elizabeth MacAndrew, The Gothic Tradition in Fiction; Judith Wilt, Ghosts of the Gothic: Austen, Eliot, and Lawrence Stephen Prickett doi:10.2307/3730263 | Cite |
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685-687 | Review of Geoffrey Keynes, The Library of Edward Gibbon: A Catalogue W. B. Carnochan doi:10.2307/3730264 | Cite |
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687-689 | Review of A. D. Harvey, English Poetry in a Changing Society 1780-1825 Carole Fabricant doi:10.2307/3730265 | Cite |
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689-692 | Review of Eric J. Sundquist, Home as Found: Authority and Genealogy in Nineteenth-Century American Literature; Herbert F. Smith, The Popular American Novel 1865-1920 Keith Carabine doi:10.2307/3730266 | Cite |
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692-694 | Review of Barry G. Andrews, William H. Wilde, Australian Literature to 1900: A Guide to Information Sources; Herbert D. Jaffa, Modern Australian Poetry, 1920-1970: A Guide to Information Sources Alan Lawson doi:10.2307/3730267 | Cite |
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694-695 | Review of Sheila M. Smith, The Other Nation: The Poor in English Novels of the 1840s and 1850s Angus Easson doi:10.2307/3730268 | Cite |
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696-697 | Review of Peter K. Garrett, The Victorian Multiplot Novel: Studies in Dialogical Form H. Foltinek doi:10.2307/3730269 | Cite |
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697-698 | Review of George Eliot, Anne Smith, George Eliot: Centenary Essays and an Unpublished Fragment William Myers doi:10.2307/3730270 | Cite |
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698-700 | Review of George Eliot, John Clark Pratt, Victor A. Neufeldt, George Eliot's 'Middlemarch' Notebooks: A Transcription William Myers doi:10.2307/3730271 | Cite |
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700-702 | Review of W. D. Howells, George Arms, Robert C. Leitz, Thomas Wortham, W. D. Howells: Selected Letters Edward Wagenknecht doi:10.2307/3730272 | Cite |
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702-704 | | Cite |
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704-705 | Review of Jean Molino, Joëlle Tamine, Introduction à l'analyse linguistique de la poésie Robin Adamson doi:10.2307/3730274 | Cite |
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705-706 | Review of John Porter Houston, The Traditions of French Prose Style. A Rhetorical Study Peter Bayley doi:10.2307/3730275 | Cite |
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706 | Review of Margaret R. Morgan, La Continuation de Guillaume de Tyr (1184-1197) A. H. Diverres doi:10.2307/3730276 | Cite |
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707 | Review of Graham A. Runnalls, La Passion d'Auvergne. Une édition du manuscrit nouvelle acquisition française 462 de la Bibliothèque Nationale de Paris Alan Hindley doi:10.2307/3730277 | Cite |
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707-708 | | Cite |
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708-710 | | Cite |
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710-711 | Review of Dirk van der Cruysse, La Mort dans les 'Memoires' de Saint-Simon. Clio au jardin de Thanatos Jules Brody doi:10.2307/3730280 | Cite |
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711-713 | | Cite |
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713-714 | Review of John Lough, The Philosophes and Post-Revolutionary France Maurice Hutt doi:10.2307/3730282 | Cite |
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714-715 | Review of , Charles Nodier. Colloque du deuxième centenaire, Besançon, mai 1980 Brian Juden doi:10.2307/3730283 | Cite |
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715 | Review of Patricia Joan Siegel, Alfred de Musset: A Reference Guide Susan Walton doi:10.2307/3730284 | Cite |
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715-716 | Review of Robert Snell, Théophile Gautier: A Romantic Critic of the Visual Arts F. W. J. Hemmings doi:10.2307/3730285 | Cite |
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716-717 | | Cite |
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717-718 | Review of J. Ann Duncan, 'L'Époque symboliste et le monde proustien à travers la Correspondance de Paul Adam, 1884-1920 James Kearns doi:10.2307/3730287 | Cite |
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718-719 | Review of J. M. Cocking, Proust: Collected Essays on the Writer and His Art Robert Gibson doi:10.2307/3730288 | Cite |
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720-721 | Review of Christine M. Crow, Paul Valéry and the Poetry of Voice Paul Gifford doi:10.2307/3730289 | Cite |
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721 | | Cite |
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722 | Review of Albert Henry, 'Amers' de Saint-John Perse: une poésie du mouvement Anne Berrie doi:10.2307/3730291 | Cite |
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723-724 | Review of Brian T. Fitch, The Narcissistic Text: A Reading of Camus' Fiction Rosemarie Jones doi:10.2307/3730292 | Cite |
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724-726 | Review of Jerome Mazzaro, The Figure of Dante: An Essay on the 'Vita Nuova' John A. Scott doi:10.2307/3730293 | Cite |
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727-728 | | Cite |
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728-729 | Review of F. W. Hodcroft, D. G. Pattison, R. D. F. Pring-Mill, R. W. Truman, Mediaeval and Renaissance Studies on Spain and Portugal in Honour of P. E. Russell Frank Pierce doi:10.2307/3730295 | Cite |
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729-730 | Review of D. Lincoln Canfield, Spanish Pronunciation in the Americas Ralph Penny doi:10.2307/3730296 | Cite |
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730-731 | Review of Marqués de Santillana, Manuel Durán, Poesías completas. Volume II: Poemas morales, políticos y religiosos. El proemio e carta Nicholas G. Round doi:10.2307/3730297 | Cite |
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732-733 | Review of Diego Rodríguez de Almela, David Mackenzie, Cartas Nicholas G. Round doi:10.2307/3730298 | Cite |
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733-734 | Review of Inés Azar, Discurso retórico y mundo pastoral en la 'Égloga segunda' de Garcilaso Patrick Gallagher doi:10.2307/3730299 | Cite |
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734-735 | Review of William Ferguson, La versificación imitativa en Fernando de Herrera B. W. Ife doi:10.2307/3730300 | Cite |
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736-737 | Review of Matthew D. Stroud, Pedro Calderón de la Barca. Celos aun del aire matan Alan K. G. Paterson doi:10.2307/3730301 | Cite |
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737-738 | Review of Paul Ilie, Literature and Inner Exile: Authoritarian Spain, 1939-1975 Leo Hickey doi:10.2307/3730302 | Cite |
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738-740 | Review of Wolfgang Kleiber, Konrad Kunze, Heinrich Löffler, Historischer Südwestdeutscher Sprachatlas. Aufgrund von Urbaren des 13. bis 15. Jahrhunderts A. W. Stanforth doi:10.2307/3730303 | Cite |
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740-743 | | Cite |
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743-748 | Review of Linda B. Parshall, The Art of Narration in Wolfram's 'Parzival' and Albrecht's 'Jüngerer Titurel'; Margret Sauer, Parzival auf der Suche nach der verlorenen Zeit: Ein Beitrag zur Ausbildung einer formkritischen Methode D. H. Green doi:10.2307/3730305 | Cite |
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748-749 | Review of Werner Schröder, Texte und Untersuchungen zur 'Willehalm'-Rezeption, 1-2 Nigel F. Palmer doi:10.2307/3730306 | Cite |
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749-751 | | Cite |
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752-754 | Review of Anton Schwob, Historische Realität und literarische Umsetzung: Beobachtungen zur Stilisierung der Gefangenschaft in den Liedern Oswalds von Wolkenstein Alan Robertshaw doi:10.2307/3730308 | Cite |
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755-757 | Review of Hans-Heino Ewers, Kinder- und Jugendliteratur der Aufklärung: Eine Textsammlung Gerald Opie doi:10.2307/3730309 | Cite |
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757 | Review of Dieter Borchmeyer, Die Weimarer Klassik: Eine Einführung T. J. Reed doi:10.2307/3730310 | Cite |
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758-759 | Review of S. S. Prawer, Caligari's Children: The Film as Tale of Terror Philip Brady doi:10.2307/3730311 | Cite |
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759-760 | Review of Jessie Coulson, Nigel Rankin, Della Thompson, The Pocket Oxford Russian Dictionary F. E. Knowles doi:10.2307/3730312 | Cite |
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760-761 | Review of Ruth Sobel, Gogol's Forgotten Book: 'Selected Passages' and Its Contemporary Readers Anthony Hippisley doi:10.2307/3730313 | Cite |
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761-762 | Review of Robert Louis Jackson, The Art of Dostoevsky: Deliriums and Nocturnes Richard Freeborn doi:10.2307/3730314 | Cite |
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763-764 | Review of Victor Terras, A Karamazov Companion. Commentary on the Genesis, Language and Style of Dostoevsky's Novel Angela Slater doi:10.2307/3730315 | Cite |
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764-765 | Review of Edith Rogovin Frankel, Novy Mir: A Case Study in the Politics of Literature Grahame Smith doi:10.2307/3730316 | Cite |
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765-767 | | Cite |
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