513-531 | | Cite |
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532-550 | | Cite |
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551-558 | "Rendre Plastique...": Flaubert's Treatment of the Female Principle in "Hérodias" Margaret Lowedoi:10.2307/3730229 | Cite |
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559-572 | | Cite |
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573-587 | A Case of Decorous Theft: Quevedo's Imitation of a Petrarchan Canzone Paul Julian Smithdoi:10.2307/3730231 | Cite |
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588-596 | José Donoso: "El obsceno pájaro de la noche" as Test Case for Psychoanalytic Interpretation William Rowedoi:10.2307/3730232 | Cite |
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597-616 | | Cite |
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617-630 | "Der grosse Überwinder": Hermann Bahr and the Rejection of Naturalism Andrew Barkerdoi:10.2307/3730234 | Cite |
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631-632 | Review of Wayne C. Booth, Critical Understanding: The Powers and Limits of PluralismJohn Prestondoi:10.2307/3730235 | Cite |
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632-634 | Review of Chris Bullock, David Peck, Guide to Marxist Literary CriticismMichael Wildingdoi:10.2307/3730236 | Cite |
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634-635 | Review of René Wellek, Four Critics: Croce, Valéry, Lukács, and IngardenChristopher Norrisdoi:10.2307/3730237 | Cite |
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636-637 | Review of Tzvetan Todorov, Richard Howard, Introduction to PoeticsChristopher Norrisdoi:10.2307/3730238 | Cite |
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637-639 | | Cite |
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640-642 | Review of Bernard Sharratt, Reading Relations: Structures of Literary Production: A Dialectical Text/BookChristopher Norrisdoi:10.2307/3730240 | Cite |
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642-643 | Review of Susan Sniader Lanser, The Narrative Act: Point of View in Prose FictionPaul Lawleydoi:10.2307/3730241 | Cite |
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643-644 | | Cite |
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644-646 | | Cite |
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646-649 | Review of Paul Maurice Clogan, Medievalia et Humanistica: Studies in Medieval and Renaissance CultureGabriel Josipovicidoi:10.2307/3730244 | Cite |
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650-653 | Review of Alexander Welsh, Reflections on the Hero as Quixote; Louis Gondebeaud, Le Roman 'picaresque' anglais (1650-1730)Jocelyn Harrisdoi:10.2307/3730245 | Cite |
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653-654 | Review of Harry C. Payne, Studies in Eighteenth-Century Culture. Volume 10Bruce Redforddoi:10.2307/3730246 | Cite |
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655-656 | Review of Graeme Tytler, Physiognomy in the European Novel: Faces and FortunesCedric Wattsdoi:10.2307/3730247 | Cite |
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656-657 | Review of Laurie Lanzen Harris, Nineteenth-Century Literature Criticism: Excerpts from Criticism of the Works of Novelists, Poets, Playwrights, Short Story Writers, and Other Creative Writers Who Lived between 1800 and 1900, from the First Published Critical Appraisals to Current EvaluatJ. H. Alexanderdoi:10.2307/3730248 | Cite |
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657-660 | Review of Marjorie Perloff, The Poetics of Indeterminacy: Rimbaud to CagePeter Makindoi:10.2307/3730249 | Cite |
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660-662 | Review of Daniel Albright, Representation and the Imagination: Beckett, Kafka, Nabokov, and SchoenbergPaul Lawleydoi:10.2307/3730250 | Cite |
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663-665 | Review of Charles Russell, The Avant-Garde Today: An International AnthologyMarjorie Perloffdoi:10.2307/3730251 | Cite |
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665-666 | Review of Gary C. Tarbert, Book Review Index: A Master Cumulation, 1969-1979Audrey Cooperdoi:10.2307/3730252 | Cite |
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666-668 | Review of John D. Niles, Old English Literature in Context: Ten EssaysDerek Pearsalldoi:10.2307/3730253 | Cite |
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669-671 | | Cite |
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671-672 | | Cite |
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672-673 | | Cite |
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673-674 | Review of Martin Scofield, The Ghosts of Hamlet: The Play and Modern WritersA. D. Moodydoi:10.2307/3730257 | Cite |
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675-676 | Review of Constance Brown Kuriyama, Hammer or Anvil: Psychological Patterns in Christopher Marlowe's PlaysJudith Weildoi:10.2307/3730258 | Cite |
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676-679 | Review of Paul H. Fry, The Poet's Calling in the English OdeOliver F. Sigworthdoi:10.2307/3730259 | Cite |
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679-680 | Review of John G. Demaray, Milton's Theatrical Epic: The Invention and Design of 'Paradise Lost'Gordon Campbelldoi:10.2307/3730260 | Cite |
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680-682 | | Cite |
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682-683 | Review of Robert D. Hume, The London Theatre World, 1660-1800Michael R. Boothdoi:10.2307/3730262 | Cite |
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683-685 | Review of Elizabeth MacAndrew, The Gothic Tradition in Fiction; Judith Wilt, Ghosts of the Gothic: Austen, Eliot, and LawrenceStephen Prickettdoi:10.2307/3730263 | Cite |
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685-687 | Review of Geoffrey Keynes, The Library of Edward Gibbon: A CatalogueW. B. Carnochandoi:10.2307/3730264 | Cite |
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687-689 | Review of A. D. Harvey, English Poetry in a Changing Society 1780-1825Carole Fabricantdoi:10.2307/3730265 | Cite |
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689-692 | Review of Eric J. Sundquist, Home as Found: Authority and Genealogy in Nineteenth-Century American Literature; Herbert F. Smith, The Popular American Novel 1865-1920Keith Carabinedoi:10.2307/3730266 | Cite |
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692-694 | Review of Barry G. Andrews, William H. Wilde, Australian Literature to 1900: A Guide to Information Sources; Herbert D. Jaffa, Modern Australian Poetry, 1920-1970: A Guide to Information SourcesAlan Lawsondoi:10.2307/3730267 | Cite |
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694-695 | Review of Sheila M. Smith, The Other Nation: The Poor in English Novels of the 1840s and 1850sAngus Eassondoi:10.2307/3730268 | Cite |
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696-697 | Review of Peter K. Garrett, The Victorian Multiplot Novel: Studies in Dialogical FormH. Foltinekdoi:10.2307/3730269 | Cite |
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697-698 | Review of George Eliot, Anne Smith, George Eliot: Centenary Essays and an Unpublished FragmentWilliam Myersdoi:10.2307/3730270 | Cite |
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698-700 | Review of George Eliot, John Clark Pratt, Victor A. Neufeldt, George Eliot's 'Middlemarch' Notebooks: A TranscriptionWilliam Myersdoi:10.2307/3730271 | Cite |
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700-702 | Review of W. D. Howells, George Arms, Robert C. Leitz, Thomas Wortham, W. D. Howells: Selected LettersEdward Wagenknechtdoi:10.2307/3730272 | Cite |
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702-704 | | Cite |
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704-705 | Review of Jean Molino, Joëlle Tamine, Introduction à l'analyse linguistique de la poésieRobin Adamsondoi:10.2307/3730274 | Cite |
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705-706 | Review of John Porter Houston, The Traditions of French Prose Style. A Rhetorical StudyPeter Bayleydoi:10.2307/3730275 | Cite |
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706 | Review of Margaret R. Morgan, La Continuation de Guillaume de Tyr (1184-1197)A. H. Diverresdoi:10.2307/3730276 | Cite |
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707 | Review of Graham A. Runnalls, La Passion d'Auvergne. Une édition du manuscrit nouvelle acquisition française 462 de la Bibliothèque Nationale de ParisAlan Hindleydoi:10.2307/3730277 | Cite |
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707-708 | | Cite |
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708-710 | | Cite |
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710-711 | Review of Dirk van der Cruysse, La Mort dans les 'Memoires' de Saint-Simon. Clio au jardin de ThanatosJules Brodydoi:10.2307/3730280 | Cite |
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711-713 | | Cite |
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713-714 | Review of John Lough, The Philosophes and Post-Revolutionary FranceMaurice Huttdoi:10.2307/3730282 | Cite |
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714-715 | Review of , Charles Nodier. Colloque du deuxième centenaire, Besançon, mai 1980Brian Judendoi:10.2307/3730283 | Cite |
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715 | Review of Patricia Joan Siegel, Alfred de Musset: A Reference GuideSusan Waltondoi:10.2307/3730284 | Cite |
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715-716 | Review of Robert Snell, Théophile Gautier: A Romantic Critic of the Visual ArtsF. W. J. Hemmingsdoi:10.2307/3730285 | Cite |
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716-717 | | Cite |
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717-718 | Review of J. Ann Duncan, 'L'Époque symboliste et le monde proustien à travers la Correspondance de Paul Adam, 1884-1920James Kearnsdoi:10.2307/3730287 | Cite |
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718-719 | Review of J. M. Cocking, Proust: Collected Essays on the Writer and His ArtRobert Gibsondoi:10.2307/3730288 | Cite |
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720-721 | Review of Christine M. Crow, Paul Valéry and the Poetry of VoicePaul Gifforddoi:10.2307/3730289 | Cite |
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721 | | Cite |
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722 | Review of Albert Henry, 'Amers' de Saint-John Perse: une poésie du mouvementAnne Berriedoi:10.2307/3730291 | Cite |
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723-724 | Review of Brian T. Fitch, The Narcissistic Text: A Reading of Camus' FictionRosemarie Jonesdoi:10.2307/3730292 | Cite |
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724-726 | Review of Jerome Mazzaro, The Figure of Dante: An Essay on the 'Vita Nuova'John A. Scottdoi:10.2307/3730293 | Cite |
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727-728 | | Cite |
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728-729 | Review of F. W. Hodcroft, D. G. Pattison, R. D. F. Pring-Mill, R. W. Truman, Mediaeval and Renaissance Studies on Spain and Portugal in Honour of P. E. RussellFrank Piercedoi:10.2307/3730295 | Cite |
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729-730 | Review of D. Lincoln Canfield, Spanish Pronunciation in the AmericasRalph Pennydoi:10.2307/3730296 | Cite |
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730-731 | Review of Marqués de Santillana, Manuel Durán, Poesías completas. Volume II: Poemas morales, políticos y religiosos. El proemio e cartaNicholas G. Rounddoi:10.2307/3730297 | Cite |
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732-733 | Review of Diego Rodríguez de Almela, David Mackenzie, CartasNicholas G. Rounddoi:10.2307/3730298 | Cite |
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733-734 | Review of Inés Azar, Discurso retórico y mundo pastoral en la 'Égloga segunda' de GarcilasoPatrick Gallagherdoi:10.2307/3730299 | Cite |
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734-735 | Review of William Ferguson, La versificación imitativa en Fernando de HerreraB. W. Ifedoi:10.2307/3730300 | Cite |
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736-737 | Review of Matthew D. Stroud, Pedro Calderón de la Barca. Celos aun del aire matanAlan K. G. Patersondoi:10.2307/3730301 | Cite |
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737-738 | Review of Paul Ilie, Literature and Inner Exile: Authoritarian Spain, 1939-1975Leo Hickeydoi:10.2307/3730302 | Cite |
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738-740 | Review of Wolfgang Kleiber, Konrad Kunze, Heinrich Löffler, Historischer Südwestdeutscher Sprachatlas. Aufgrund von Urbaren des 13. bis 15. JahrhundertsA. W. Stanforthdoi:10.2307/3730303 | Cite |
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740-743 | | Cite |
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743-748 | Review of Linda B. Parshall, The Art of Narration in Wolfram's 'Parzival' and Albrecht's 'Jüngerer Titurel'; Margret Sauer, Parzival auf der Suche nach der verlorenen Zeit: Ein Beitrag zur Ausbildung einer formkritischen MethodeD. H. Greendoi:10.2307/3730305 | Cite |
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748-749 | Review of Werner Schröder, Texte und Untersuchungen zur 'Willehalm'-Rezeption, 1-2Nigel F. Palmerdoi:10.2307/3730306 | Cite |
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749-751 | | Cite |
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752-754 | Review of Anton Schwob, Historische Realität und literarische Umsetzung: Beobachtungen zur Stilisierung der Gefangenschaft in den Liedern Oswalds von WolkensteinAlan Robertshawdoi:10.2307/3730308 | Cite |
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755-757 | Review of Hans-Heino Ewers, Kinder- und Jugendliteratur der Aufklärung: Eine TextsammlungGerald Opiedoi:10.2307/3730309 | Cite |
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757 | Review of Dieter Borchmeyer, Die Weimarer Klassik: Eine EinführungT. J. Reeddoi:10.2307/3730310 | Cite |
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758-759 | Review of S. S. Prawer, Caligari's Children: The Film as Tale of TerrorPhilip Bradydoi:10.2307/3730311 | Cite |
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759-760 | Review of Jessie Coulson, Nigel Rankin, Della Thompson, The Pocket Oxford Russian DictionaryF. E. Knowlesdoi:10.2307/3730312 | Cite |
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760-761 | Review of Ruth Sobel, Gogol's Forgotten Book: 'Selected Passages' and Its Contemporary ReadersAnthony Hippisleydoi:10.2307/3730313 | Cite |
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761-762 | Review of Robert Louis Jackson, The Art of Dostoevsky: Deliriums and NocturnesRichard Freeborndoi:10.2307/3730314 | Cite |
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763-764 | Review of Victor Terras, A Karamazov Companion. Commentary on the Genesis, Language and Style of Dostoevsky's NovelAngela Slaterdoi:10.2307/3730315 | Cite |
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764-765 | Review of Edith Rogovin Frankel, Novy Mir: A Case Study in the Politics of LiteratureGrahame Smithdoi:10.2307/3730316 | Cite |
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765-767 | | Cite |
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767-768 | | Cite |
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