1-23 | | Cite |
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24-33 | The Satirical Use of the Courtly Expression "Si Dons" in the Works of the Troubadour Marcabru Ruth Harveydoi:10.2307/3728323 | Cite |
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34-45 | | Cite |
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46-60 | | Cite |
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61-67 | | Cite |
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68-78 | Alonso's Cowardice: Ambiguities of Perspective in "El Caballero de Olmedo" P. H. Evansdoi:10.2307/3728327 | Cite |
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79-90 | | Cite |
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91-102 | | Cite |
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103-112 | A Writer's Relationship to Society: Robert Walser's "Räuber-Roman" Malcolm Penderdoi:10.2307/3728330 | Cite |
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113-129 | | Cite |
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130-131 | Review of Jürgen Schäfer, Documentation in the OED: Shakespeare and Nashe as Test CasesVivian Salmondoi:10.2307/3728332 | Cite |
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131-133 | Review of Lawrence M. Clopper, Records of Early English Drama. Chester: Introduction, the Records, Appendixes, Translations, End-Notes, Glossaries, IndexAlan H. Nelsondoi:10.2307/3728333 | Cite |
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133-135 | Review of N. R. Havely, Chaucer's Boccaccio: Sources of 'Troilus' and the 'Knight's' and 'Franklin's Tales'G. H. McWilliamdoi:10.2307/3728334 | Cite |
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135-136 | | Cite |
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136-137 | Review of Philip Edwards, Inga-Stina Ewbank, G. K. Hunter, Shakespeare's Styles: Essays in Honour of Kenneth MuirJoan Reesdoi:10.2307/3728336 | Cite |
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137-139 | Review of John Baxter, Shakespeare's Poetic Styles: Verse into DramaL. C. Knightsdoi:10.2307/3728337 | Cite |
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139-140 | Review of S. Viswanathan, The Shakespeare Play as Poem: A Critical Tradition in PerspectiveKenneth Muirdoi:10.2307/3728338 | Cite |
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140-141 | Review of Stella Purce Revard, The War in Heaven: 'Paradise Lost' and the Tradition of Satan's RebellionGordon Campbelldoi:10.2307/3728339 | Cite |
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141-143 | | Cite |
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143-145 | Review of John Bunyan, T. L. Underwood, The Miscellaneous Works of John Bunyan. Volume I. 'Some Gospel-Truths Opened'; 'A Vindication of Some Gospel-Truths Opened'; 'A Few Sighs from Hell'John Richettidoi:10.2307/3728341 | Cite |
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145-146 | Review of Maynard Mack, James A. Winn, Pope: Recent Essays by Several HandsW. B. Carnochandoi:10.2307/3728342 | Cite |
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146-148 | Review of Peter Jan de Voogd, Henry Fielding and William Hogarth: The Correspondence of the ArtsRonald Paulsondoi:10.2307/3728343 | Cite |
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148-149 | Review of George Winchester Stone, Jr., George M. Kahrl, David Garrick: A Critical BiographyJoseph Donohuedoi:10.2307/3728344 | Cite |
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149-152 | Review of Christopher Smart, Karina Williamson, The Poetical Works of Christopher Smart. Volume I. Jubilate AgnoR. Quintanadoi:10.2307/3728345 | Cite |
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152-153 | Review of David Punter, The Literature of Terror: A History of Gothic Fictions from 1765 to the Present DayKathryn Humedoi:10.2307/3728346 | Cite |
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153-154 | | Cite |
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154-157 | Review of Jerome K. McGann, Lord Byron: The Complete Poetical WorksJ. Drummond Bonedoi:10.2307/3728348 | Cite |
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157-159 | Review of Gerald Finley, Landscapes of Memory: Turner as Illustrator to ScottRonald Paulsondoi:10.2307/3728349 | Cite |
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159-160 | | Cite |
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160-163 | Review of Kathleen M. Wheeler, Sources, Processes and Methods in Coleridge's 'Biographia Literaria'W. J. B. Owendoi:10.2307/3728351 | Cite |
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163-164 | Review of Edgar F. Harden, The Emergence of Thackeray's Serial FictionTom Winnifrithdoi:10.2307/3728352 | Cite |
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164-166 | | Cite |
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166-167 | Review of Henry D. Thoreau, Carl F. Hovde, William L. Howarth, Elizabeth Hall Witherell, A Week on the Concord and Merrimack RiversLarzer Ziffdoi:10.2307/3728354 | Cite |
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167-170 | Review of Alwyn Berland, Culture and Conduct in the Novels of Henry JamesAlan W. Bellringerdoi:10.2307/3728355 | Cite |
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170 | Review of Gerard Manley Hopkins, Gerald Roberts, Gerard Manley Hopkins: Selected ProsePatricia M. Balldoi:10.2307/3728356 | Cite |
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170-173 | Review of Alec Fréchet, John Galsworthy: L'Homme, le romancier, le critique SocialPatrick Parrinderdoi:10.2307/3728357 | Cite |
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173-174 | Review of Ezra Pound, Massimo Bacigalupo, The Formèd Trace: The Later Poetry of Ezra PoundPeter Makindoi:10.2307/3728358 | Cite |
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174-176 | Review of Peter Fitzpatrick, After 'The Doll': Australian Drama since 1955Dennis Bigginsdoi:10.2307/3728359 | Cite |
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176-177 | Review of Samuel N. Rosenberg, Hans Tischler, Chanter M'Estuet: Songs of the TrouvèresJ. H. Marshalldoi:10.2307/3728360 | Cite |
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177-178 | | Cite |
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178-179 | Review of Lawrence D. Kritzman, Destruction/Découverte. Le Fonctionnement de la rhétorique dans les 'Essais' de MontaigneMargaret M. McGowandoi:10.2307/3728362 | Cite |
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179-181 | Review of Donald M. Frame, Mary B. McKinley, Columbia Montaigne Conference PapersIan Macleandoi:10.2307/3728363 | Cite |
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181-183 | Review of Madeleine Bertaud, La Jalousie dans la littérature au temps de Louis XIII. Analyse littéraire et histoire des mentalitésDerek A. Wattsdoi:10.2307/3728364 | Cite |
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183-184 | Review of Hervé D. Béchade, Les Romans comiques de Charles Sorel. Fiction narrative, langue et langagesRichard G. Hodgsondoi:10.2307/3728365 | Cite |
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184 | Review of Valentin Conrart, Gabriel Berquet, Jean-Pierre Collinet, Lettres à Lorenzo MagalottiDenys Pottsdoi:10.2307/3728366 | Cite |
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185 | | Cite |
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185-186 | Review of Silvain Menant, La Chute d'Icare: La crise de la poésie française (1700-1750)Angelica Gooddendoi:10.2307/3728368 | Cite |
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186-190 | | Cite |
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190 | Review of Pierre M. Conlon, Ouvrages français relatifs à Jean-Jacques Rousseau (1751-1799). Bibliographie chronologiqueMalcolm Carrolldoi:10.2307/3728370 | Cite |
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190-191 | | Cite |
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191-192 | Review of Anne Green, Flaubert and the Historical Novel: 'Salammbô' ReassessedP. M. Wetherilldoi:10.2307/3728372 | Cite |
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192-194 | Review of Stéphane Mallarmé, Henri Mondor, Lloyd James Austin, Stéphane Mallarmé: Correspondance V, 1892C. K. Chadwickdoi:10.2307/3728373 | Cite |
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194 | Review of Sydney Lévy, Judith Morganroth Schneider, The Play of the Text. Max Jacob's 'Le Cornet à Dés'R. A. Yorkdoi:10.2307/3728374 | Cite |
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195-196 | | Cite |
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196-197 | | Cite |
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197-198 | Review of Hendrik Veldman, La Tentation de l'inaccessible. Structures narratives chez SimenonDavid Bellosdoi:10.2307/3728377 | Cite |
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198 | Review of Samia Assad Chahine, Regards sur le Théâtre d'Arthur AdamovDavid Bradbydoi:10.2307/3728378 | Cite |
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199-200 | Review of Earl Jeffrey Richards, Dante and the 'Roman de la Rose': An Investigation into the Vernacular Narrative Context of the 'Commedia'John Tookdoi:10.2307/3728379 | Cite |
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200-203 | Review of Roger W. Oliver, Dreams of Passion: The Theater of Luigi PirandelloJudith Daviesdoi:10.2307/3728380 | Cite |
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203-208 | Review of Augustin Redondo, L'Humanisme dans les lettres espagnolesNigel Griffindoi:10.2307/3728381 | Cite |
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208 | Review of Miguel de Cervantes, Vicente Gaos, Poesías completas, IIJohn Gornalldoi:10.2307/3728382 | Cite |
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208-209 | | Cite |
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209-210 | Review of Francisco de Quevedo Villegas, James O. Crosby, Poesía variaPaul Julian Smithdoi:10.2307/3728384 | Cite |
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210-211 | Review of José María Pozuelo Yvancos, El lenguaje poético de la lírica amorosa de QuevedoPaul Julian Smithdoi:10.2307/3728385 | Cite |
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211-212 | Review of Emilio Prados, P. J. Ellis, The Poetry of Emilio Prados. A Progression Towards FertilityDerek Harrisdoi:10.2307/3728386 | Cite |
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212-213 | Review of Santiago Daydí-Tolson, Vicente Aleixandre. A Critical AppraisalDerk Harrisdoi:10.2307/3728387 | Cite |
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213-214 | | Cite |
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214-216 | | Cite |
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216-217 | Review of Regina Janes, Gabriel García Márquez: Revolutions in WonderlandDonald L. Shawdoi:10.2307/3728390 | Cite |
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217-218 | Review of William H. Bennett, An Introduction to the Gothic LanguageMartin Durrelldoi:10.2307/3728391 | Cite |
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218-219 | Review of Edgar Papp, Codex Vindobonensis 2721. Frühmittelhochdeutsche Sammelhandschrift der Österreichischen Nationalbibliothek in Wien: 'Genesis': 'Physiologus': 'Exodus'Brian Murdochdoi:10.2307/3728392 | Cite |
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219 | Review of Taylor Starck, J. C. Wells, Althochdeutsches Glossenwörterbuch (mit Stellennachweis zu sämtlichen gedruckten althochdeutschen und verwandten Glossen)D. H. Greendoi:10.2307/3728393 | Cite |
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219-224 | Review of Christian Götte, Das Menschen- und Herrscherbild des Rex Maior im 'Ruodlieb': Studien zur Ethik und Anthropologie im 'Ruodlieb'; Horst Wenzel, Höfische Geschichte: Literarische Tradition und Gegenwartsdeutung in den volkssprachigen Chroniken des hohen und späten MittelaltersD. H. Greendoi:10.2307/3728394 | Cite |
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224 | Review of Marianne Ott-Meimberg, Kreuzzugsepos oder Staatsroman? Strukturen adeliger Heilsversicherung im deutschen 'Rolandslied'Frank Shawdoi:10.2307/3728395 | Cite |
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224-225 | Review of Siegfried Ringler, Viten- und Offenbarungsliteratur in Frauenklöstern des Mittelalters: Quellen und StudienTimothy R. Jacksondoi:10.2307/3728396 | Cite |
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226 | Review of Ludger Grenzmann, Traumbuch Artemidori: Zur Tradition der ersten Übersetzung ins Deutsche durch W. H. RyffNigel F. Palmerdoi:10.2307/3728397 | Cite |
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226-227 | Review of Leonard Forster, Iter Bohemicum: A Report on German Baroque Literature in Czechoslovak LibrariesJoseph Leightondoi:10.2307/3728398 | Cite |
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227-228 | Review of Ferdinand van Ingen, Ulrich Maché, Volker Meid, Philipp von Zesen: Sämtliche Werke. Band I, I: Lyrik IPeter Skrinedoi:10.2307/3728399 | Cite |
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228-229 | Review of Justus Georg Schottelius, Jörg Jochen Berns, Ethica. Die Sittenkunst oder WollebenskunstJoseph Leightondoi:10.2307/3728400 | Cite |
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230-231 | Review of Hans-Gert Roloff, Sophie Elisabeth, Gräfin zu Braunschweig und Lüneburg: Dichtungen. Band I: SpieleJoseph Leightondoi:10.2307/3728401 | Cite |
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231-232 | Review of W. Daniel Wilson, The Narrative Strategy of Wieland's 'Don Sylvio von Rosalva'Alan Menhennetdoi:10.2307/3728402 | Cite |
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232-233 | Review of Louis Ferdinand Helbig, Gotthold Ephraim Lessing: Die Erziehung des Menschengeschlechts. Historisch-kritische Edition mit Urteilen Lessings und seiner Zeitgenossen, Einleitung, Entstehungsgeschichte und KommentarH. B. Nisbetdoi:10.2307/3728403 | Cite |
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233-235 | Review of Heinz Schlaffer, Faust Zweiter Teil: Die Allegorie des 19. JahrhundertsOsman Durranidoi:10.2307/3728404 | Cite |
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235-237 | Review of Wolfgang W. Parth, Goethes Christiane: Ein LebensbildOsman Durranidoi:10.2307/3728405 | Cite |
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237-238 | Review of Theodore Ziolkowski, The Classical German Elegy 1795-1950Richard Dovedoi:10.2307/3728406 | Cite |
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238-239 | Review of Hans-Joachim Teuchert, August Graf von Platen in Deutschland: Zur Rezeption eines umstrittenen AutorsRichard Dovedoi:10.2307/3728407 | Cite |
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239-240 | | Cite |
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240 | | Cite |
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240-241 | Review of Werner Ross, Der ängstliche Adler: Friedrich Nietzsches LebenHans Reissdoi:10.2307/3728410 | Cite |
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241-243 | | Cite |
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243-244 | | Cite |
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244-245 | Review of Wolfgang Müller-Funk, Literatur als geschichtliches Argument: Zur ästhetischen Konzeption und Geschichtsverarbeitung in Lion Feuchtwangers Romantrilogie Der WartesaalJ. M. Ritchiedoi:10.2307/3728413 | Cite |
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245-247 | Review of Otto Keller, Döblins Montageroman als Epos der Moderne: Die Struktur der Romane 'Der schwarze Vorhang', 'Die drei Sprunge des Wang-lun' und 'Berlin Alexanderplatz'Osman Durranidoi:10.2307/3728414 | Cite |
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247-248 | Review of Kenneth S. Whitton, The Theatre of Friedrich Dürrenmatt: A Study in the Possibility of FreedomW. E. Yatesdoi:10.2307/3728415 | Cite |
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248-249 | Review of Klaus Dautel, Zur Theorie des literarischen Erbes in der 'entwickelten sozialistischen Gesellschaft' der DDR: Rezeptionsvorgabe und IdentitätsangebotPeter Hutchinsondoi:10.2307/3728416 | Cite |
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249-250 | | Cite |
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250-252 | Review of Robin Feuer Miller, Dostoevsky and 'The Idiot': Author, Narrator, and ReaderW. J. Leatherbarrowdoi:10.2307/3728418 | Cite |
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252-253 | Review of Loralee MacPike, Dostoyevsky's Dickens: A Study of Literary InfluenceMichael Futrelldoi:10.2307/3728419 | Cite |
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253-255 | Review of Wolfgang Schlott, Zur Funktion antiker Göttermythen in der Lyrik Osip Mandel' štamsLeon Burnettdoi:10.2307/3728420 | Cite |
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255-256 | | Cite |
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