241-249 | Catholic Writing: Some Basic Notions, Some Criticisms, and a Tentative Reply J. C. Whitehouse doi:10.2307/3727097 | Cite |
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250-255 | | Cite |
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256-266 | | Cite |
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267-277 | "Vraisemblance" and Moral Instruction in Seventeenth-Century Dramatic Theory Henry Phillips doi:10.2307/3727100 | Cite |
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278-290 | Marivaux: The "Mechanism of the Passions" and the "Metaphysic of Sentiment" J. S. Spink doi:10.2307/3727101 | Cite |
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291-296 | | Cite |
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297-307 | | Cite |
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308-327 | The Story of Zifar and the Structure of the "Libro del Cavallero Zifar" Ron Keightley doi:10.2307/3727104 | Cite |
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328-336 | The Limitations of Freedom: A Comparative Study of Schiller's "Die Braut von Messina" and Werner's "Der 24te Februar" Bruce Thompson doi:10.2307/3727105 | Cite |
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337-350 | Thomas Mann and the Concept of "Repräsentation": "Königliche Hoheit" Hinrich Siefken doi:10.2307/3727106 | Cite |
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351-367 | | Cite |
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368-369 | Review of Marilyn L. Williamson, Infinite Variety: Antony and Cleopatra in Renaissance Drama and Earlier Tradition H. Gaston Hall doi:10.2307/3727108 | Cite |
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369-371 | Review of Wilbur Samuel Howell, Poetics, Rhetoric, and Logic: Studies in the Basic Disciplines of Criticism E. D. Mackerness doi:10.2307/3727109 | Cite |
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371-372 | Review of David Crystal, The English Tone of Voice: Essays in Intonation, Prosody and Paralanguage Elizabeth Uldall doi:10.2307/3727110 | Cite |
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372 | Review of Michael Baumann, Die Anakreonteen in englischen Übersetzungen: Ein Beitrag zur Rezeptionsgeschichte der anakreontischen Sammlung J. M. Ritchie doi:10.2307/3727111 | Cite |
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372-374 | Review of Velma Bourgeois Richmond, The Popularity of Middle English Romance Dieter Mehl doi:10.2307/3727112 | Cite |
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374-376 | | Cite |
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376-377 | Review of Margaret S. Blayney, Fifteenth-Century Translations of Alain Chartier's 'Le Traité de l'Esperance' and 'Le Quadrilogue Invectif' Andrew Wawn doi:10.2307/3727114 | Cite |
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377-380 | Review of Ruediger Ahrens, Die Essays von Francis Bacon: Literarische Form und moralistische Aussage; William A. Armstrong, Francis Bacon: The Advancement of Learning, Book I Brian Vickers doi:10.2307/3727115 | Cite |
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380-382 | Review of J. Leeds Barroll, Alexander Leggatt, Richard Hosley, Alvin Kernan, The Revels History of Drama in English. Volume III. 1576-1613 David M. Bergeron doi:10.2307/3727116 | Cite |
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382-383 | | Cite |
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384-385 | Review of William Shakespeare, J. M. Lothian, T. W. Craik, Twelfth Night Maurice Charney doi:10.2307/3727118 | Cite |
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385-390 | Review of Kenneth Muir, Shakespeare Survey: An Annual Survey of Shakespearian Study and Production, 28. Shakespeare and the Ideas of His Time G. R. Hibbard doi:10.2307/3727119 | Cite |
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390-391 | Review of Leo Salingar, Shakespeare and the Traditions of Comedy Robert Weimann doi:10.2307/3727120 | Cite |
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391-396 | Review of John Davies, Robert Krueger, The Poems of Sir John Davies Philip Finkelpearl doi:10.2307/3727121 | Cite |
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396-398 | Review of Charles A. Hallett, Middleton's Cynics: A Study of Middleton's Insight into the Moral Psychology of the Mediocre Mind Richard Levin doi:10.2307/3727122 | Cite |
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398-399 | | Cite |
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400-402 | Review of Bertha Hensman, The Shares of Fletcher, Field and Massinger in Twelve Plays of the Beaumont and Fletcher Canon Cyrus Hoy doi:10.2307/3727124 | Cite |
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402-404 | Review of Lucien Carrive, La Poésie religieuse anglaise entre 1625 et 1640: Contributions à l'étude de la sensibilité religieuse à l'âge d'or de l'anglicanisme Harold Fisch doi:10.2307/3727125 | Cite |
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404-405 | Review of Joseph Anthony Wittreich, Jr., Milton and the Line of Vision Mary Ann Radzinowicz doi:10.2307/3727126 | Cite |
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405-406 | Review of William Wycherley, David Cook, John Swannell, The Country Wife John Dixon Hunt doi:10.2307/3727127 | Cite |
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406-408 | Review of Howard Erskine-Hill, The Social Milieu of Alexander Pope: Lives, Example, and the Poetic Response Donald Davie doi:10.2307/3727128 | Cite |
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408-410 | Review of Eric Rothstein, Systems of Order and Inquiry in Later Eighteenth-Century Fiction M. C. Battestin doi:10.2307/3727129 | Cite |
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410-412 | | Cite |
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413-414 | Review of Eugene L. Stelzig, All Shades of Consciousness: Wordsworth's Poetry and the Self in Time Richard Gravil doi:10.2307/3727131 | Cite |
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414-416 | | Cite |
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416-417 | Review of Fred Kaplan, Dickens and Mesmerism: The Hidden Springs of Fiction Edwin M. Eigner doi:10.2307/3727133 | Cite |
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417-418 | | Cite |
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418-420 | | Cite |
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420-421 | Review of Anne Clissmann, Flann O'Brien: A Critical Introduction to His Writings. The Story-Teller's Book Web Vincent Mahon doi:10.2307/3727136 | Cite |
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422 | Review of Fr. Marion Sitzmann, Indomitable Irishery. Paul Vincent Carrol: Study and Interview Vincent Mahon doi:10.2307/3727137 | Cite |
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422 | | Cite |
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423-424 | Review of Guy Raynaud de Lage, Les Premiers Romans français et autres études littéraires et linguistiques J. H. Marshall doi:10.2307/3727139 | Cite |
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424-425 | Review of E. J. Gallacher, La Passion Nostre Seigneur from the Manuscript 1131 from the Bibliothèque Sainte-Geneviève Graham Runnalls doi:10.2307/3727140 | Cite |
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425-427 | Review of Antoine de Montchrestien, Joseph D. Crivelli, La Reine d'Escosse Christopher Gossip doi:10.2307/3727141 | Cite |
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427-428 | | Cite |
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428-429 | | Cite |
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429-430 | Review of Huguette Cohen, La Figure dialogique dans 'Jacques le fataliste' David Adams doi:10.2307/3727144 | Cite |
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430-431 | Review of Nicole Cazauran, Cathérine de Médicis et son temps dans 'La Comédie Humaine' D. R. Haggis doi:10.2307/3727145 | Cite |
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431-432 | Review of Michael Issacharoff, L'Espace et la Nouvelle: Flaubert, Huysmans, Ionesco, Sartre, Camus David Bellos doi:10.2307/3727146 | Cite |
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432 | Review of David Baguley, Bibliographie de la critique sur Émile Zola, 1864-1970 F. W. J. Hemmings doi:10.2307/3727147 | Cite |
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433 | Review of Margaret Mein, A Foretaste of Proust: A Study of Proust and His Precursors W. L. Hodson doi:10.2307/3727148 | Cite |
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434 | Review of Allan H. Pasco, The Color-Keys to 'A la recherche du temps perdu' W. L. Hodson doi:10.2307/3727149 | Cite |
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434-436 | Review of H. A. Bouraoui, Structure intentionnelle du 'Grand Meaulnes': vers le poème romancé Robert Gibson doi:10.2307/3727150 | Cite |
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436-437 | Review of Paul Valéry, Saint-John Perse, Benjamin Péret, René Char, Elizabeth R. Jackson, Worlds Apart: Structural Parallels in the Poetry of Paul Valéry, Saint-John Perse, Benjamin Péret and René Char Ian Higgins doi:10.2307/3727151 | Cite |
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437-438 | | Cite |
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438 | Review of Roch Smith, Le Meurtrier et la vision tragique: Essai sur les romans d'André Malraux Jonathan Dale doi:10.2307/3727153 | Cite |
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439 | | Cite |
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439-440 | Review of Edouard Morot-Sir, Howard Harper, Dougald McMillan III, Samuel Beckett: The Art of Rhetoric Mary F. Somerville doi:10.2307/3727155 | Cite |
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440-441 | Review of Jean-Louis Major, Anne Hébert et le miracle de la parole Graham D. C. Martin doi:10.2307/3727156 | Cite |
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441-442 | Review of Dorothy S. Blair, African Literature in French: A History of Creative Writing in French from West and Equatorial Africa Clive Wake doi:10.2307/3727157 | Cite |
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442-444 | Review of Francisco Rico, Vida y obra de Petrarca, I: Lectura del 'Secretum' Kenelm Foster doi:10.2307/3727158 | Cite |
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444-447 | Review of Ottavio di Camillo, Manuel Lloris, El humanismo castellano R. B. Tate doi:10.2307/3727159 | Cite |
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447-448 | Review of Ian R. MacDonald, Gabriel Miró: His Private Library and His Literary Background Lorna Close doi:10.2307/3727160 | Cite |
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449-450 | Review of Francisco Caudet, Romance (1940-41): Una revista del exilio Nigel Dennis doi:10.2307/3727161 | Cite |
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450-451 | Review of Peter Zürrer, Wortfelder in der Mundart von Gressoney: Ein Beitrag zur Kenntnis der norditalienischen Walser-Mundarten R. E. Keller doi:10.2307/3727162 | Cite |
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451-452 | | Cite |
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452 | Review of David Wells, Roy Wisbey, Brian Murdoch, Concordances to the Early Middle High German Biblical Epic Frank Shaw doi:10.2307/3727164 | Cite |
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452-455 | Review of Gudula Dinser, Kohärenz und Struktur: Textlinguistische und erzähltechnische Untersuchungen von 'König Rother' D. H. Green doi:10.2307/3727165 | Cite |
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455-456 | Review of Francis G. Gentry, 'Triuwe' and 'vriunt' in the 'Nibelungenlied' W. H. Jackson doi:10.2307/3727166 | Cite |
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456-457 | Review of Dietmar Peil, Die Gebärde bei Chrétien, Hartmann und Wolfram: Erec: Iwein: Parzival D. H. Green doi:10.2307/3727167 | Cite |
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458-459 | Review of Patricia L. Kutzner, The Use of Imagery in Wolfram's 'Parzival': A Distributional Study D. H. Green doi:10.2307/3727168 | Cite |
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460 | Review of Wolfgang Wilfried Moelleken, Gayle Agler-Beck, Robert E. Lewis, Die Kleindichtung des Strickers. Band III, I: Gedicht Nr. 41-71 D. H. Green doi:10.2307/3727169 | Cite |
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460-461 | | Cite |
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461-462 | Review of Erdmute Pickerodt-Uthleb, Die Jenaer Liederhandschrift: Metrische und musikalische Untersuchungen Olive Sayce doi:10.2307/3727171 | Cite |
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462-463 | Review of Melitta Rheinheimer, Rheinische Minnereden: Untersuchung und Edition Olive Sayce doi:10.2307/3727172 | Cite |
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463 | Review of Horst Brunner, Die alten Meister: Studien zu Überlieferung und Rezeption der mittelhochdeutschen Sangspruchdichter im Spätmittelalter und in der frühen Neuzeit Olive Sayce doi:10.2307/3727173 | Cite |
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464-465 | Review of Hilkert Weddige, Die 'Historien vom Amadis auss Franckreich': Dokumentarische Grundlegung zur Entstehung und Rezeption Joseph Leighton doi:10.2307/3727174 | Cite |
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465-467 | Review of John Hibberd, Salomon Gessner: His Creative Achievement and Influence H. T. Betteridge doi:10.2307/3727175 | Cite |
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468-469 | | Cite |
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469-471 | Review of Dorothea Lohmeyer, Faust und die Welt: Der zweite Teil der Dichtung. Eine Anleitung zum Lesen des Textes John Williams doi:10.2307/3727177 | Cite |
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471-473 | Review of Karlheinz Weigand, Tiecks 'William Lovell': Studie zur frühromantischen Antithetik; Christine E. Keck, Renaissance and Romanticism: Tieck's Conception of Cultural Decline as Portrayed in His 'Vittoria Accorombona' Roger Paulin doi:10.2307/3727178 | Cite |
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473-474 | Review of Maurice B. Benn, The Drama of Revolt: A Critical Study of Georg Büchner Wes Williams doi:10.2307/3727179 | Cite |
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474-475 | Review of Heinz Otto Burger, Jurgen Fackert, Hugo von Hofmannsthal: Sämtliche Werke. Vol. XIV W. E. Yates doi:10.2307/3727180 | Cite |
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476 | Review of Richard Exner, Index Nominum zu Hugo von Hofmannsthals Gesammelten Werken W. E. Yates doi:10.2307/3727181 | Cite |
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476-478 | Review of Carl Sternheim, Wilhelm Emrich, Manfred Linke, Gesamtwerk Rhys W. Williams doi:10.2307/3727182 | Cite |
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478-480 | Review of Gerhard Seidel, Bibliographie Bertolt Brecht: Titelverzeichnis Band I. Deutschsprachige Veröffentlichungen aus den Jahren 1913-1972. Werke von Brecht: Sammlungen. Dramatik Martin Esslin doi:10.2307/3727183 | Cite |
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