513-525 | | Cite |
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526-537 | | Cite |
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538-554 | Deciphering the "Salammbô" Dossier: Appendix 4 of the "Club de l'honnête Homme" Edition Isabelle Strong doi:10.2307/3725395 | Cite |
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555-564 | | Cite |
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565-574 | | Cite |
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575-584 | | Cite |
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585-596 | | Cite |
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597-604 | | Cite |
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605-614 | The "Bekenntnisse Eines Ungeschickten": A Re-Examination of Emancipatory Ideas in Friedrich Schlegel's "Lucinde" Richard Littlejohns doi:10.2307/3725401 | Cite |
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615-626 | The Halves and the Whole: Another Look at Ernst Barlach's "Der Arme Vetter" Joshua Reid doi:10.2307/3725402 | Cite |
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627-639 | | Cite |
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640 | Review of Bernard D. den Ouden, Language and Creativity: An Interdisciplinary Essay in Chomskyan Humanism J. Lachlan Mackenzie doi:10.2307/3725404 | Cite |
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641 | Review of José Hierro S. Pescador, La teoría de las ideas innatas en Chomsky R. Sala doi:10.2307/3725405 | Cite |
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641-643 | | Cite |
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643-644 | Review of Edmond Barbotin, Qu'est-ce qu'un texte? Éléments pour une herméneutique David Bellos doi:10.2307/3725407 | Cite |
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644-645 | Review of Traugott Lawler, The 'Parisiana Poetria' of John of Garland Paul Salmon doi:10.2307/3725408 | Cite |
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645-647 | Review of Rosmarie Thee Morewedge, The Role of Woman in the Middle Ages D. H. Green doi:10.2307/3725409 | Cite |
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647-648 | Review of Jean Jacquot, Les Fêtes de la Renaissance. Vol. I Christopher Cairns doi:10.2307/3725410 | Cite |
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648-649 | | Cite |
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649-651 | Review of John Hollander, Vision and Resonance: Two Senses of Poetic Form Derek Attridge doi:10.2307/3725412 | Cite |
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651-653 | Review of Kofi Awoonor, The Breast of the Earth: A Survey of the History, Culture, and Literature of Africa South of the Sahara G. H. Moore doi:10.2307/3725413 | Cite |
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653-655 | Review of Michael H. Means, The Consolatio Genre in Medieval English Literature Donald R. Howard doi:10.2307/3725414 | Cite |
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655-656 | | Cite |
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656-657 | Review of Frances A. Yates, Shakespeare's Last Plays: A New Approach Philip Edwards doi:10.2307/3725416 | Cite |
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657-659 | Review of John Milton, Walter MacKellar, A Variorum Commentary on the Poems of John Milton. Volume Four. Paradise Regained Alastair Fowler doi:10.2307/3725417 | Cite |
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659-662 | | Cite |
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662-664 | | Cite |
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664-666 | Review of Richard B. Schwartz, Samuel Johnson and the Problem of Evil Donald Greene doi:10.2307/3725420 | Cite |
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666-669 | Review of Cecil Price, Richard Brinsley Sheridan, The Dramatic Works of Richard Brinsley Sheridan Arthur H. Scouten doi:10.2307/3725421 | Cite |
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669-670 | Review of W. B. Yeats, A. Norman Jeffares, A. S. Knowland, A Commentary on the Collected Plays of W. B. Yeats J. R. Mulryne doi:10.2307/3725422 | Cite |
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671-672 | | Cite |
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672-673 | Review of Helen Corke, In Our Infancy: An Autobiography. Part I: 1882-1912 Harry T. Moore doi:10.2307/3725424 | Cite |
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673-674 | | Cite |
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674 | Review of Robert Sabatier, Histoire de la poésie française: la poésie du moyen âge D. D. R. Owen doi:10.2307/3725426 | Cite |
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675-676 | | Cite |
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676-677 | Review of Margaret M. Pelan, Floire et Blancheflor. Seconde Version D. D. R. Owen doi:10.2307/3725428 | Cite |
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677 | Review of Gerbert de Montreuil, M. Oswald, La Continuation de Perceval. Tome III Philip Bennett doi:10.2307/3725429 | Cite |
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677-678 | | Cite |
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678 | Review of Erik v. Kraemer, Le Jeu d'amour: jeu d'aventure du moyen âge Kenneth Varty doi:10.2307/3725431 | Cite |
| |
679 | Review of Peter S. Noble, Le Voyatge d'oultremer en Jherusalem de Nompar, seigneur de Caumont A. H. Diverres doi:10.2307/3725432 | Cite |
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680 | Review of M. J. Freeman, Guillaume Coquillart: Œuvres; suivies d'œuvres attribuées à l'auteur Philip Bennett doi:10.2307/3725433 | Cite |
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680-681 | Review of Alfred Glauser, Le Faux Rabelais, ou de l'inauthenticité du Cinquième Livre Dorothy Gabe Coleman doi:10.2307/3725434 | Cite |
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681-682 | Review of Peter Sharratt, French Renaissance Studies 1540-70: Humanism and the Encyclopedia Alison Saunders doi:10.2307/3725435 | Cite |
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682-683 | Review of Robert Garnier, Christine M. Hill, Mary G. Morrison, Two Tragedies: Hippolyte and Marc Antoine S. John Holyoake doi:10.2307/3725436 | Cite |
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683-684 | Review of John F. Winter, Visual Variety and Spatial Grandeur: A Study of the Transition from the Sixteenth to the Seventeenth Century in France Margaret M. McGowan doi:10.2307/3725437 | Cite |
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684-685 | Review of Pierre Dumonceaux, Langue et sensibilité en France au XVIIe siècle. L'évolution du vocabulaire affectif R. A. Sayce doi:10.2307/3725438 | Cite |
| |
685-686 | Review of John Costa, Le Conflit moral dans l'œuvre romanesque de Jean-Pierre Camus (1584-1652) E. T. Dubois doi:10.2307/3725439 | Cite |
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686-687 | | Cite |
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687 | Review of Georges Couton, Yves Giraud, Le Père Hercule: Lettres à Philandre (1637-1638) E. T. Dubois doi:10.2307/3725441 | Cite |
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688-689 | Review of Denis-François Secousse, Henri Duranton, Correspondance littéraire du Président Bouhier: Lettres de Denis-François Secousse (1738-1746) E. T. Dubois doi:10.2307/3725442 | Cite |
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689-690 | Review of Jean Gillet, Le Paradis Perdu dans la littérature française de Voltaire à Chateaubriand P. J. S. Whitmore doi:10.2307/3725443 | Cite |
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690 | | Cite |
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690-691 | Review of Norma Perry, Sir Everard Fawkener, Friend and Correspondent of Voltaire A. W. Fairbairn doi:10.2307/3725445 | Cite |
| |
691-692 | Review of Lilian Willens, Voltaire's Comic Theatre: Composition, Conflict and Critics W. D. Howarth doi:10.2307/3725446 | Cite |
| |
692-693 | Review of Stephen Werner, Diderot's Great Scroll: Narrative Art in 'Jacques le fataliste' Vivienne Mylne doi:10.2307/3725447 | Cite |
| |
693-694 | Review of William Thomas Conroy, Jr., Diderot's Essai sur Sénèque R. R. Bolgar doi:10.2307/3725448 | Cite |
| |
694-695 | Review of Palissot de Montenoy, T. J. Barling, Les Philosophes P. J. S. Whitmore doi:10.2307/3725449 | Cite |
| |
695-696 | Review of Sergio Moravia, Il Pensiero degli Idéologues: Scienza e filosofia in Francia (1780-1815) Alfred J. Bingham doi:10.2307/3725450 | Cite |
| |
696-697 | Review of Lucian W. Minor, The Militant Hackwriter: French Popular Literature 1800-1848. Its Influence, Artistic and Political David Bellos doi:10.2307/3725451 | Cite |
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697-698 | Review of Eliane Jasenas, Le Poétique: Desbordes-Valmore et Nerval Norma Rinsler doi:10.2307/3725452 | Cite |
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698-699 | | Cite |
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699-700 | | Cite |
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701 | | Cite |
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702 | | Cite |
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702-703 | Review of Robert Gibson, The Land without a Name: Alain-Fournier and His World Henri Godin doi:10.2307/3725457 | Cite |
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703-704 | | Cite |
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705 | Review of C. J. Greshoff, An Introduction to the Novels of André Malraux Jonathan Dale doi:10.2307/3725459 | Cite |
| |
705-706 | Review of Philip H. Solomon, Life after Birth: Imagery in Samuel Beckett's Trilogy Mary F. Somerville doi:10.2307/3725460 | Cite |
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706-707 | | Cite |
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707-708 | | Cite |
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708-709 | Review of Rigo Mignani, Un canzoniere italiano inedito del secolo XIV C. Grayson doi:10.2307/3725463 | Cite |
| |
709-710 | Review of Nicholas Mann, Petrarch Manuscripts in the British Isles C. Grayson doi:10.2307/3725464 | Cite |
| |
711 | Review of A. Rochon, Formes et significations de la 'Beffa' dans la littérature italienne de la Renaissance Christopher Cairns doi:10.2307/3725465 | Cite |
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711-712 | | Cite |
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712-713 | Review of Giorgio De Rienzo, Narrativa toscana dell'Ottocento Spartaco Gamberini doi:10.2307/3725467 | Cite |
| |
713-715 | Review of Julio Rodríguez-Puértolas, Literatura, Historia, Alienación R. B. Tate doi:10.2307/3725468 | Cite |
| |
715-716 | Review of A. D. Deyermond, Medieval Hispanic Studies Presented to Rita Hamilton Derek W. Lomax doi:10.2307/3725469 | Cite |
| |
716-717 | Review of Miguel Garci-Gomez, 'Mio Cid': Estudios de endocrítica David Pattison doi:10.2307/3725470 | Cite |
| |
718-719 | Review of Reinaldo Ayerbe-Chaux, El Conde Lucanor. Materia tradicional y originalidad creadora Ian Macpherson doi:10.2307/3725471 | Cite |
| |
719-720 | Review of A. D. Deyermond, Lazarillo de Tormes: A Critical Guide R. J. Oakley doi:10.2307/3725472 | Cite |
| |
720 | Review of James C. Maloney, A Critical Edition of Mira de Amescua's 'La fe de Hungría' and 'El monte de la piedad' Margaret Wilson doi:10.2307/3725473 | Cite |
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721 | | Cite |
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721-722 | | Cite |
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722-723 | | Cite |
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723-724 | Review of Federico García Lorca, Alice M. Pollin, A Concordance to the Plays and Poems of Federico García Lorca Daniel Eisenberg doi:10.2307/3725477 | Cite |
| |
724-725 | Review of Rachel Phillips, Alfonsina Storni: From Poetess to Poet E. Caracciolo-Trejo doi:10.2307/3725478 | Cite |
| |
725-726 | Review of Jean Franco, César Vallejo: The Dialectics of Poetry and Silence Robert K. Britton doi:10.2307/3725479 | Cite |
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726-727 | | Cite |
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727-728 | | Cite |
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728-729 | Review of Alan Yates, Una generació sense novel.la?: La novel.la catalana entre 1900 i 1925 Albert G. Hauf doi:10.2307/3725482 | Cite |
| |
729-730 | Review of Hinrich Siefken, Alan Robinson, Erfahrung und Überlieferung. Festschrift for C. P. Magill Hans Reiss doi:10.2307/3725483 | Cite |
| |
730-731 | Review of Herbert Penzl, Vom Urgermanischen zum Neuhochdeutschen: Eine historische Phonologie Martin Durrell doi:10.2307/3725484 | Cite |
| |
731 | Review of Taylor Starck, J. C. Wells, Althochdeutsches Glossenwörterbuch (mit Stellennachweis zu sämtlichen gedruckten althochdeutschen und verwandten Glossen) D. H. Green doi:10.2307/3725485 | Cite |
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731-733 | Review of Dieter Kartschoke, Bibeldichtung: Studien zur Geschichte der epischen Bibelparaphrase von Juvencus bis Otfrid von Weißenburg David Wells doi:10.2307/3725486 | Cite |
| |
733-735 | Review of Hella Frühmorgen-Voss, Norbert H. Ott, Text und Illustration im Mittelalter: Aufsätze zu den Wechselbeziehungen zwischen Literatur und bildender Kunst F. P. Pickering doi:10.2307/3725487 | Cite |
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735-737 | | Cite |
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738 | | Cite |
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738-739 | Review of Wiebke Schmaltz, Reinmar der Alte: Beiträge zur poetischen Technik Olive Sayce doi:10.2307/3725490 | Cite |
| |
739-740 | Review of Wolfgang Harms, L. Peter Johnson, Deutsche Literatur des späten Mittelalters: Hamburger Colloquium 1973 David Blameres doi:10.2307/3725491 | Cite |
| |
740-741 | Review of Albrecht Schöne, Kürbishütte und Königsberg: Modellversuch einer sozialgeschichtlichen Entzifferung poetischer Texte. Am Beispiel Simon Dach Anthony J. Harper doi:10.2307/3725492 | Cite |
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741-743 | Review of Flora Kimmich, Sonnets of Catharina von Greiffenberg: Methods of Composition Joseph Leighton doi:10.2307/3725493 | Cite |
| |
743-744 | Review of Hinrich C. Seeba, Die Liebe zur Sache: Öffentliches und privates Interesse in Lessings Dramen Edward M. Batley doi:10.2307/3725494 | Cite |
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744-746 | | Cite |
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746-747 | Review of Karl Robert Mandelkow, Goethe im Urteil seiner Kritiker: Dokumente zur Wirkungsgeschichte Goethes in Deutschland. Teil I (1773-1832) W. H. Bruford doi:10.2307/3725496 | Cite |
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747-748 | | Cite |
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748-749 | Review of Monika Schrader, Mimesis und Poiesis: Poetologische Studien zum Bildungsroman Martin Swales doi:10.2307/3725498 | Cite |
| |
749-750 | Review of Peter Mosler, Georg Büchners 'Leonce und Lena': Langeweile als gesellschaftliche Bewußtseinsform Ken Mills doi:10.2307/3725499 | Cite |
| |
751-752 | Review of Karl Wolfgang Becker, Helmut Brandt, Siegfried Scheibe, Heinrich Heine: Streitbarer Humanist und volksverbundener Dichter Peter Branscombe doi:10.2307/3725500 | Cite |
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752-755 | | Cite |
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755 | Review of Ina Götz, Tradition und Utopie in den Dramen Fritz von Unruhs Rhys W. Williams doi:10.2307/3725502 | Cite |
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756 | | Cite |
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756-757 | | Cite |
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757-758 | | Cite |
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759-760 | | Cite |
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760-761 | | Cite |
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761-762 | Review of Manfred Jurgensen, Über Günter Grass: Untersuchungen zur sprachbildlichen Rollenfunktion Anne White doi:10.2307/3725508 | Cite |
| |
762-763 | Review of Thomas Kopfermann, Theoretische Positionen zur Konkreten Poesie: Texte und Bibliographie David Blamires doi:10.2307/3725509 | Cite |
| |
763-764 | Review of Helmut Dinse, Die Entwicklung des jiddischen Schrifttums im deutschen Sprachgebiet Brian Murdoch doi:10.2307/3725510 | Cite |
| |
764 | Review of Elias Bredsdorff, Hans Christian Andersen: The Story of His Life and Work 1805-75 Bent Culmsee doi:10.2307/3725511 | Cite |
| |
765-766 | Review of Richard Freeborn, Georgette Donchin, N. J. Anning, Russian Literary Attitudes from Pushkin to Solzhenitsyn D. J. Richards doi:10.2307/3725512 | Cite |
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766-768 | | Cite |
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