1-21 | The Unity of Swift's "Voyage to Laputa": Structure as Meaning in Utopian Fiction Jenny Mezciemsdoi:10.2307/3726291 | Cite |
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22-33 | | Cite |
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34-45 | | Cite |
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46-52 | Deceit and Self-Deceit in "Manon Lescaut" and "La Vie de Marianne": Extrinsic, Rhetorical, and Immanent Perspectives on First-Person Narration Philip Bradydoi:10.2307/3726294 | Cite |
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53-61 | | Cite |
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62-72 | | Cite |
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73-92 | | Cite |
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93-111 | | Cite |
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112-124 | | Cite |
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125-133 | | Cite |
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134-135 | Review of William R. Elkins, A New English Primer: An Introduction to Linguistic Concepts and SystemsVivian Salmondoi:10.2307/3726301 | Cite |
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135-137 | | Cite |
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137-139 | | Cite |
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139-140 | Review of Klaus Baumgärtner, Hugo Steger, Lehrgang Sprache: Einführung in die moderne LinguistikMartin Durrelldoi:10.2307/3726304 | Cite |
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140-141 | Review of Patrick Rafroidi, Guy Fehlmann, Maitiu MacConmara, France-Ireland: Literary RelationsHenri Godindoi:10.2307/3726305 | Cite |
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141-143 | Review of Leonard Barkan, Nature's Work of Art: The Human Body as Image of the WorldS. K. Heninger Jr.doi:10.2307/3726306 | Cite |
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143 | Review of W. K. Wimsatt, Literary Criticism: Idea and Act. The English Institute, 1939-1972, Selected EssaysJ. C. Maxwelldoi:10.2307/3726307 | Cite |
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143-145 | Review of Goswin Spreckelmeyer, Das Kreuzzugslied des lateinischen MittelaltersD. H. Greendoi:10.2307/3726308 | Cite |
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145-147 | Review of Elisabeth Brewer, From Cuchulainn to Gawain: Sources and Analogues of 'Sir Gawain and the Green Knight'Nicolas Jacobsdoi:10.2307/3726309 | Cite |
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147-148 | | Cite |
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148-149 | Review of Robert Eril Levine, A Comparison of Sidney's 'Old' and 'New Arcadia'J. G. Robertsondoi:10.2307/3726311 | Cite |
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149-150 | Review of Marjorie B. Garber, Dream in Shakespeare: From Metaphor to MetamorphosisPhilip Edwardsdoi:10.2307/3726312 | Cite |
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150-151 | | Cite |
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151-154 | Review of Margaret Anne Doody, A Natural Passion: A Study of the Novels of Samuel RichardsonRoger Sharrockdoi:10.2307/3726314 | Cite |
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154-155 | Review of William B. Todd, Hume and the Enlightenment: Essays presented to Ernest Campbell MossnerK. W. Brittondoi:10.2307/3726315 | Cite |
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155-156 | Review of William Blake, Thomas Carlyle, W. B. Yeats, D. H. Lawrence, Brian John, Supreme Fictions: Studies in the Work of William Blake, Thomas Carlyle, W. B. Yeats, and D. H. LawrenceDenis Donoghuedoi:10.2307/3726316 | Cite |
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156-157 | | Cite |
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158-159 | Review of Harry B. Henderson III, Versions of the past: The Historical Imagination in American FictionAndrew Hookdoi:10.2307/3726318 | Cite |
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159-160 | Review of F. B. Pinion, A Brontë Companion: Literary Assessment, Background, and ReferenceWilliam Myersdoi:10.2307/3726319 | Cite |
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160-161 | Review of Margot Peters, Unquiet Soul: A Biography of Charlotte BrontëTom Winnifrithdoi:10.2307/3726320 | Cite |
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161-162 | Review of Sidney Coulling, Matthew Arnold and His Critics: A Study of Arnold's ControversiesJohn D. Jumpdoi:10.2307/3726321 | Cite |
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163 | Review of John Addington Symonds, Robert L. Peters, Timothy D'Arch Smith, Gabriel: A PoemPhyllis Grosskurthdoi:10.2307/3726322 | Cite |
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163-166 | | Cite |
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166 | | Cite |
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166-167 | | Cite |
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167-168 | | Cite |
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168-169 | | Cite |
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169-171 | Review of John Fox, A Literary History of France: The Middle AgesNicholas Manndoi:10.2307/3726328 | Cite |
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171-172 | Review of R. C. Johnston, The Versification of Jordan FantosmeA. H. Diverresdoi:10.2307/3726329 | Cite |
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172-173 | Review of Graham A. Runnalls, Le Mystère de la Passion Nostre Seigneur du manuscrit 1131 de la Bibliothèque Sainte-GenevièveAlan Hindleydoi:10.2307/3726330 | Cite |
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173-175 | Review of Alain Chartier, J. C. Laidlaw, The Poetical Works of Alain ChartierA. H. Diverresdoi:10.2307/3726331 | Cite |
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175-176 | Review of François Villon, Evelyn Birge Vitz, The Crossroad of Intentions: A Study of Symbolic Expression in the Poetry of François VillonS. V. Spilsburydoi:10.2307/3726332 | Cite |
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176-177 | | Cite |
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177-178 | Review of François Rabelais, M. A. Screech, Pantagrueline Prognostication pour l'an 1533; avec les Almanachs pour les ans 1533, 1535 et 1541K. H. Francisdoi:10.2307/3726334 | Cite |
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178-179 | | Cite |
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179 | Review of Malcolm Smith, Joachim du Bellay's Veiled Victim with an edition of the Xenia, seu illustrium quorundam nominum allusionesPeter Sharrattdoi:10.2307/3726336 | Cite |
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180 | | Cite |
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181 | Review of Luzius Keller, Palingène: Ronsard: Du Bartas: Trois études sur la poésie cosmologique de la RenaissanceDudley Wilsondoi:10.2307/3726338 | Cite |
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182-183 | Review of Donald Stone, Jr., French Humanist Tragedy: A ReassessmentS. John Holyoakedoi:10.2307/3726339 | Cite |
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183-184 | Review of Victor Graham, W. MacAllister Johnson, The Paris Entries of Charles IX and Elisabeth of Austria, 1571. With an Analysis of Simon Bouquet's 'Bref et Sommaire Recueil'Dorothy Gabe Colemandoi:10.2307/3726340 | Cite |
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184-185 | Review of Bernard Croquette, Pascal et Montaigne: Étude des réminiscences des 'Essais' dans l'œuvre de PascalE. T. Duboisdoi:10.2307/3726341 | Cite |
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185-186 | Review of Gervais E. Reed, Claude Barbin, Libraire de Paris sous le règne de Louis XIVE. T. Duboisdoi:10.2307/3726342 | Cite |
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186-187 | Review of Russell Pfohl, Racine's 'Iphigénie': Literary Rehearsal and Tragic RecognitionH. T. Barnwelldoi:10.2307/3726343 | Cite |
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187-188 | Review of Roland Mortier, Hervé Hasquin, Études sur le XVIIIe siècle. Vol. IR. Niklausdoi:10.2307/3726344 | Cite |
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189-190 | Review of Giovanni Macchia, Luigi de Nardis, Massimo Colesanti, La Letteratura Francese: Dall'Illuminismo al RomanticismoR. Fargherdoi:10.2307/3726345 | Cite |
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190-191 | | Cite |
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191-192 | Review of Ralph Arthur Nablow, A Study of Voltaire's Lighter VerseM. H. Waddicordoi:10.2307/3726347 | Cite |
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192 | | Cite |
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193-194 | Review of J. Th. de Booy, Denis Diderot: Écrits inconnus de jeunesse, I (1737-1744)J. S. Spinkdoi:10.2307/3726349 | Cite |
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194-195 | | Cite |
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195-196 | Review of Alfred de Musset, David Sices, Theater of Solitude: The Drama of Alfred de MussetMarjorie Shawdoi:10.2307/3726351 | Cite |
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196-197 | | Cite |
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197-198 | | Cite |
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198-199 | Review of Nathaniel Wing, Present Appearances: Aspects of Poetic Structure in Rimbaud's 'Illuminations'Roger Littledoi:10.2307/3726354 | Cite |
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199-200 | | Cite |
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200-201 | Review of Philip Stephan, Paul Verlaine and the Decadence, 1882-90S. I. Lockerbiedoi:10.2307/3726356 | Cite |
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201-202 | | Cite |
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202-203 | Review of Frederick Ivor Case, La Cité idéale dans 'Travail' d'Emile ZolaC. Smethurstdoi:10.2307/3726358 | Cite |
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203-204 | | Cite |
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204-205 | Review of Ludmilla M. Wills, Le Regard contemplatif chez Valéry et MallarméW. N. Incedoi:10.2307/3726360 | Cite |
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205-206 | | Cite |
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206-207 | | Cite |
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207-208 | | Cite |
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208 | Review of Michel Dentan, C. F. Ramuz: L'Espace de la créationS. S. B. Taylordoi:10.2307/3726364 | Cite |
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208-209 | Review of Jacques Cotnam, Bibliographie chronologique de l'Œuvre d'André Gide (1889-1973)D. A. Steeldoi:10.2307/3726365 | Cite |
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209-210 | Review of René Garguilo, La Genèse des 'Thibault' de Roger Martin du Gard: Le problème de la rupture de construction entre 'La Mort du Père' et 'L'Été 1914Grant E. Kaiserdoi:10.2307/3726366 | Cite |
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210-211 | | Cite |
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211-212 | Review of Philip Stephen Day, Le Miroir allégorique de L. F. CéineCarys Owendoi:10.2307/3726368 | Cite |
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212-213 | | Cite |
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213-214 | | Cite |
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214-215 | Review of Kathryn Day Wyatt, Unanimistic Imagery in 20th Century French LiteratureJ. D. Biarddoi:10.2307/3726371 | Cite |
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215 | | Cite |
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215-216 | Review of , Leopardi e il Novecento: Atti del III Convegno internazionale di studi leopardianiMichael Caesardoi:10.2307/3726373 | Cite |
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217-218 | | Cite |
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218-219 | | Cite |
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220 | | Cite |
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220-222 | Review of Frauke Gewecke, Thematische Untersuchungen zu dem vor-Calderonianischen 'Auto Sacramental'Nigel Griffindoi:10.2307/3726377 | Cite |
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222-223 | Review of D. T. Dietz, The 'Auto Sacramental' and the Parable in Spanish Golden Age LiteratureEdward Wilsondoi:10.2307/3726378 | Cite |
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223-224 | Review of Jürgen Nowicki, Die Epigrammtheorie in Spanien vom 16. bis 18. Jahrhundert: Eine Vorarbeit zur Geschichte der EpigrammatikHenry Ettinghausendoi:10.2307/3726379 | Cite |
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224 | Review of Antonio Mira de Amescua, Vern G. Williamsen, La casa del tahurN. D. Shergolddoi:10.2307/3726380 | Cite |
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225-226 | Review of Rolf Dietz, Antonio Mira de Amescua: Studien zum Werk eines spanischen Dichters des 'Siglo de Oro'Ann L. Mackenziedoi:10.2307/3726381 | Cite |
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226 | | Cite |
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226-227 | Review of Manuel Altolaguirre, Margarita Smerdou Altolaguirre, Las islas invitadasGeoffrey Connelldoi:10.2307/3726383 | Cite |
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227-228 | Review of Donald H. Crosby, George C. Schoolfield, Studies in the German Drama: A Festschrift in Honor of Walter SilzPeter Branscombedoi:10.2307/3726384 | Cite |
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228 | Review of Franz H. Mautner, Wort und Wesen: Kleinere Schriften zur Literatur und SpracheW. E. Yatesdoi:10.2307/3726385 | Cite |
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228-229 | Review of Michael Jacoby, Wargus, vargr 'Verbrecher' 'Wolf': Eine sprach- und rechtsgeschichtliche UntersuchungD. H. Greendoi:10.2307/3726386 | Cite |
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229-230 | Review of H. Bach, Handbuch der Luthersprache: Laut- und Formenlehre in Luthers Wittenberger Drucken bis 1545. Band I: VokalismusJohn L. Flooddoi:10.2307/3726387 | Cite |
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230-231 | Review of Sander L. Gilman, The Parodic Sermon in European Perspective: Aspects of Liturgical Parody from the Middle Ages to the Twentieth CenturyAnthony Marksdoi:10.2307/3726388 | Cite |
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231 | Review of Karin Morvay, Dagmar Grube, Bibliographie der deutschen Predigt des Mittelalters; Veröffentlichte PredigtenBrian Murdochdoi:10.2307/3726389 | Cite |
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232-233 | Review of L. P. Johnson, H.-H. Steinhoff, R. A. Wisbey, Studien zur frühmittelhochdeutschen Literatur: Cambridger Colloquium 1971Rosemary E. Wallbankdoi:10.2307/3726390 | Cite |
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233-234 | Review of Betty C. Bushey, 'Tristan als Mönch': Untersuchungen und kritische EditionD. H. Greendoi:10.2307/3726391 | Cite |
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234-235 | | Cite |
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235-236 | Review of Klara Obermüller, Melancholie in der deutschen BarocklyrikAnthony J. Harperdoi:10.2307/3726393 | Cite |
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236-237 | Review of Klaus Bäppler, Der philosophische Wieland: Stufen und Prägungen seines DenkensRobert Atkinsdoi:10.2307/3726394 | Cite |
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237-238 | Review of Wieland, Lieselotte Kurth-Voigt, Perspectives and Points of View: The Early Works of Wieland and Their BackgroundRobert Atkinsdoi:10.2307/3726395 | Cite |
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238-244 | Review of I. Elbogen, J. Guttmann, E. Mittwoch, Moses Mendelssohn: Gesammelte Schriften. JubiläumsausgabeEva Schaperdoi:10.2307/3726396 | Cite |
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244-246 | Review of Paul Requadt, Goethes 'Faust I': Leitmotivik und ArchitekturGerwin Marahrensdoi:10.2307/3726397 | Cite |
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246 | Review of Marianne Thalmann, Provokation und Demonstration in der Komödie der Romantik: Mit Grafiken zu den Literaturkomödien von Tieck, Brentano, Schlegel, Grabbe und zum Amphitryon-StoffRoger Paulindoi:10.2307/3726398 | Cite |
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246-247 | Review of Hans-Georg Kemper, Vom Expressionismus zum DadaismusRichard Shepparddoi:10.2307/3726399 | Cite |
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247-248 | Review of Reinhart Meyer, Dada in Zürich und Berlin 1916-1920: Literatur zwischen Revolution und ReaktionRichard Shepparddoi:10.2307/3726400 | Cite |
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249 | Review of Hans W. Cohn, Else Lasker-Schüler: The Broken WorldH. R. Klienebergerdoi:10.2307/3726401 | Cite |
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249-252 | Review of Hermann Burger, Paul Celan: Auf der Suche nach der verlorenen Sprache; Adelheid Rexheuser, Sinnsuche und Zeichen-Setzung in der Lyrik des frühen Celan: Linguistische und literaturwissenschaftliche Untersuchungen zu dem Gedichtband 'Mohn und Gedächtnis'John Whitedoi:10.2307/3726402 | Cite |
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252-253 | Review of Rolf Paulus, Ursula Steuler, Bibliographie zur deutschen Lyrik nach 1945August Clossdoi:10.2307/3726403 | Cite |
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253-254 | | Cite |
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254-255 | Review of Piotr Borkowski, The Great Russian-English Dictionary of Idioms and Set ExpressionsMarcus Wheelerdoi:10.2307/3726405 | Cite |
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255-256 | Review of Victor Erlich, Twentieth-Century Russian Literary CriticismAnn Shukmandoi:10.2307/3726406 | Cite |
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