1-21 | The Unity of Swift's "Voyage to Laputa": Structure as Meaning in Utopian Fiction Jenny Mezciems doi:10.2307/3726291 | Cite |
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22-33 | | Cite |
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34-45 | | Cite |
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46-52 | Deceit and Self-Deceit in "Manon Lescaut" and "La Vie de Marianne": Extrinsic, Rhetorical, and Immanent Perspectives on First-Person Narration Philip Brady doi:10.2307/3726294 | Cite |
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53-61 | | Cite |
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62-72 | | Cite |
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73-92 | | Cite |
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93-111 | | Cite |
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112-124 | | Cite |
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125-133 | | Cite |
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134-135 | Review of William R. Elkins, A New English Primer: An Introduction to Linguistic Concepts and Systems Vivian Salmon doi:10.2307/3726301 | Cite |
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135-137 | | Cite |
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137-139 | | Cite |
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139-140 | Review of Klaus Baumgärtner, Hugo Steger, Lehrgang Sprache: Einführung in die moderne Linguistik Martin Durrell doi:10.2307/3726304 | Cite |
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140-141 | Review of Patrick Rafroidi, Guy Fehlmann, Maitiu MacConmara, France-Ireland: Literary Relations Henri Godin doi:10.2307/3726305 | Cite |
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141-143 | Review of Leonard Barkan, Nature's Work of Art: The Human Body as Image of the World S. K. Heninger Jr. doi:10.2307/3726306 | Cite |
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143 | Review of W. K. Wimsatt, Literary Criticism: Idea and Act. The English Institute, 1939-1972, Selected Essays J. C. Maxwell doi:10.2307/3726307 | Cite |
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143-145 | Review of Goswin Spreckelmeyer, Das Kreuzzugslied des lateinischen Mittelalters D. H. Green doi:10.2307/3726308 | Cite |
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145-147 | Review of Elisabeth Brewer, From Cuchulainn to Gawain: Sources and Analogues of 'Sir Gawain and the Green Knight' Nicolas Jacobs doi:10.2307/3726309 | Cite |
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147-148 | | Cite |
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148-149 | Review of Robert Eril Levine, A Comparison of Sidney's 'Old' and 'New Arcadia' J. G. Robertson doi:10.2307/3726311 | Cite |
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149-150 | Review of Marjorie B. Garber, Dream in Shakespeare: From Metaphor to Metamorphosis Philip Edwards doi:10.2307/3726312 | Cite |
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150-151 | | Cite |
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151-154 | Review of Margaret Anne Doody, A Natural Passion: A Study of the Novels of Samuel Richardson Roger Sharrock doi:10.2307/3726314 | Cite |
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154-155 | Review of William B. Todd, Hume and the Enlightenment: Essays presented to Ernest Campbell Mossner K. W. Britton doi:10.2307/3726315 | Cite |
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155-156 | Review of William Blake, Thomas Carlyle, W. B. Yeats, D. H. Lawrence, Brian John, Supreme Fictions: Studies in the Work of William Blake, Thomas Carlyle, W. B. Yeats, and D. H. Lawrence Denis Donoghue doi:10.2307/3726316 | Cite |
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156-157 | | Cite |
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158-159 | Review of Harry B. Henderson III, Versions of the past: The Historical Imagination in American Fiction Andrew Hook doi:10.2307/3726318 | Cite |
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159-160 | Review of F. B. Pinion, A Brontë Companion: Literary Assessment, Background, and Reference William Myers doi:10.2307/3726319 | Cite |
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160-161 | Review of Margot Peters, Unquiet Soul: A Biography of Charlotte Brontë Tom Winnifrith doi:10.2307/3726320 | Cite |
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161-162 | Review of Sidney Coulling, Matthew Arnold and His Critics: A Study of Arnold's Controversies John D. Jump doi:10.2307/3726321 | Cite |
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163 | Review of John Addington Symonds, Robert L. Peters, Timothy D'Arch Smith, Gabriel: A Poem Phyllis Grosskurth doi:10.2307/3726322 | Cite |
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163-166 | | Cite |
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166 | | Cite |
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166-167 | | Cite |
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167-168 | | Cite |
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168-169 | | Cite |
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169-171 | Review of John Fox, A Literary History of France: The Middle Ages Nicholas Mann doi:10.2307/3726328 | Cite |
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171-172 | Review of R. C. Johnston, The Versification of Jordan Fantosme A. H. Diverres doi:10.2307/3726329 | Cite |
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172-173 | Review of Graham A. Runnalls, Le Mystère de la Passion Nostre Seigneur du manuscrit 1131 de la Bibliothèque Sainte-Geneviève Alan Hindley doi:10.2307/3726330 | Cite |
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173-175 | Review of Alain Chartier, J. C. Laidlaw, The Poetical Works of Alain Chartier A. H. Diverres doi:10.2307/3726331 | Cite |
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175-176 | Review of François Villon, Evelyn Birge Vitz, The Crossroad of Intentions: A Study of Symbolic Expression in the Poetry of François Villon S. V. Spilsbury doi:10.2307/3726332 | Cite |
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176-177 | | Cite |
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177-178 | Review of François Rabelais, M. A. Screech, Pantagrueline Prognostication pour l'an 1533; avec les Almanachs pour les ans 1533, 1535 et 1541 K. H. Francis doi:10.2307/3726334 | Cite |
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178-179 | | Cite |
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179 | Review of Malcolm Smith, Joachim du Bellay's Veiled Victim with an edition of the Xenia, seu illustrium quorundam nominum allusiones Peter Sharratt doi:10.2307/3726336 | Cite |
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180 | | Cite |
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181 | Review of Luzius Keller, Palingène: Ronsard: Du Bartas: Trois études sur la poésie cosmologique de la Renaissance Dudley Wilson doi:10.2307/3726338 | Cite |
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182-183 | Review of Donald Stone, Jr., French Humanist Tragedy: A Reassessment S. John Holyoake doi:10.2307/3726339 | Cite |
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183-184 | Review of Victor Graham, W. MacAllister Johnson, The Paris Entries of Charles IX and Elisabeth of Austria, 1571. With an Analysis of Simon Bouquet's 'Bref et Sommaire Recueil' Dorothy Gabe Coleman doi:10.2307/3726340 | Cite |
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184-185 | Review of Bernard Croquette, Pascal et Montaigne: Étude des réminiscences des 'Essais' dans l'œuvre de Pascal E. T. Dubois doi:10.2307/3726341 | Cite |
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185-186 | Review of Gervais E. Reed, Claude Barbin, Libraire de Paris sous le règne de Louis XIV E. T. Dubois doi:10.2307/3726342 | Cite |
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186-187 | Review of Russell Pfohl, Racine's 'Iphigénie': Literary Rehearsal and Tragic Recognition H. T. Barnwell doi:10.2307/3726343 | Cite |
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187-188 | Review of Roland Mortier, Hervé Hasquin, Études sur le XVIIIe siècle. Vol. I R. Niklaus doi:10.2307/3726344 | Cite |
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189-190 | Review of Giovanni Macchia, Luigi de Nardis, Massimo Colesanti, La Letteratura Francese: Dall'Illuminismo al Romanticismo R. Fargher doi:10.2307/3726345 | Cite |
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190-191 | | Cite |
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191-192 | Review of Ralph Arthur Nablow, A Study of Voltaire's Lighter Verse M. H. Waddicor doi:10.2307/3726347 | Cite |
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192 | | Cite |
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193-194 | Review of J. Th. de Booy, Denis Diderot: Écrits inconnus de jeunesse, I (1737-1744) J. S. Spink doi:10.2307/3726349 | Cite |
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194-195 | | Cite |
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195-196 | Review of Alfred de Musset, David Sices, Theater of Solitude: The Drama of Alfred de Musset Marjorie Shaw doi:10.2307/3726351 | Cite |
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196-197 | | Cite |
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197-198 | | Cite |
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198-199 | Review of Nathaniel Wing, Present Appearances: Aspects of Poetic Structure in Rimbaud's 'Illuminations' Roger Little doi:10.2307/3726354 | Cite |
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199-200 | | Cite |
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200-201 | Review of Philip Stephan, Paul Verlaine and the Decadence, 1882-90 S. I. Lockerbie doi:10.2307/3726356 | Cite |
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201-202 | | Cite |
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202-203 | Review of Frederick Ivor Case, La Cité idéale dans 'Travail' d'Emile Zola C. Smethurst doi:10.2307/3726358 | Cite |
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203-204 | | Cite |
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204-205 | Review of Ludmilla M. Wills, Le Regard contemplatif chez Valéry et Mallarmé W. N. Ince doi:10.2307/3726360 | Cite |
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205-206 | | Cite |
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206-207 | | Cite |
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207-208 | | Cite |
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208 | Review of Michel Dentan, C. F. Ramuz: L'Espace de la création S. S. B. Taylor doi:10.2307/3726364 | Cite |
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208-209 | Review of Jacques Cotnam, Bibliographie chronologique de l'Œuvre d'André Gide (1889-1973) D. A. Steel doi:10.2307/3726365 | Cite |
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209-210 | Review of René Garguilo, La Genèse des 'Thibault' de Roger Martin du Gard: Le problème de la rupture de construction entre 'La Mort du Père' et 'L'Été 1914 Grant E. Kaiser doi:10.2307/3726366 | Cite |
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210-211 | | Cite |
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211-212 | Review of Philip Stephen Day, Le Miroir allégorique de L. F. Céine Carys Owen doi:10.2307/3726368 | Cite |
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212-213 | | Cite |
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213-214 | | Cite |
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214-215 | Review of Kathryn Day Wyatt, Unanimistic Imagery in 20th Century French Literature J. D. Biard doi:10.2307/3726371 | Cite |
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215 | | Cite |
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215-216 | Review of , Leopardi e il Novecento: Atti del III Convegno internazionale di studi leopardiani Michael Caesar doi:10.2307/3726373 | Cite |
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217-218 | | Cite |
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218-219 | | Cite |
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220 | | Cite |
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220-222 | Review of Frauke Gewecke, Thematische Untersuchungen zu dem vor-Calderonianischen 'Auto Sacramental' Nigel Griffin doi:10.2307/3726377 | Cite |
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222-223 | Review of D. T. Dietz, The 'Auto Sacramental' and the Parable in Spanish Golden Age Literature Edward Wilson doi:10.2307/3726378 | Cite |
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223-224 | Review of Jürgen Nowicki, Die Epigrammtheorie in Spanien vom 16. bis 18. Jahrhundert: Eine Vorarbeit zur Geschichte der Epigrammatik Henry Ettinghausen doi:10.2307/3726379 | Cite |
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224 | Review of Antonio Mira de Amescua, Vern G. Williamsen, La casa del tahur N. D. Shergold doi:10.2307/3726380 | Cite |
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225-226 | Review of Rolf Dietz, Antonio Mira de Amescua: Studien zum Werk eines spanischen Dichters des 'Siglo de Oro' Ann L. Mackenzie doi:10.2307/3726381 | Cite |
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226 | | Cite |
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226-227 | Review of Manuel Altolaguirre, Margarita Smerdou Altolaguirre, Las islas invitadas Geoffrey Connell doi:10.2307/3726383 | Cite |
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227-228 | Review of Donald H. Crosby, George C. Schoolfield, Studies in the German Drama: A Festschrift in Honor of Walter Silz Peter Branscombe doi:10.2307/3726384 | Cite |
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228 | Review of Franz H. Mautner, Wort und Wesen: Kleinere Schriften zur Literatur und Sprache W. E. Yates doi:10.2307/3726385 | Cite |
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228-229 | Review of Michael Jacoby, Wargus, vargr 'Verbrecher' 'Wolf': Eine sprach- und rechtsgeschichtliche Untersuchung D. H. Green doi:10.2307/3726386 | Cite |
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229-230 | Review of H. Bach, Handbuch der Luthersprache: Laut- und Formenlehre in Luthers Wittenberger Drucken bis 1545. Band I: Vokalismus John L. Flood doi:10.2307/3726387 | Cite |
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230-231 | Review of Sander L. Gilman, The Parodic Sermon in European Perspective: Aspects of Liturgical Parody from the Middle Ages to the Twentieth Century Anthony Marks doi:10.2307/3726388 | Cite |
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231 | Review of Karin Morvay, Dagmar Grube, Bibliographie der deutschen Predigt des Mittelalters; Veröffentlichte Predigten Brian Murdoch doi:10.2307/3726389 | Cite |
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232-233 | Review of L. P. Johnson, H.-H. Steinhoff, R. A. Wisbey, Studien zur frühmittelhochdeutschen Literatur: Cambridger Colloquium 1971 Rosemary E. Wallbank doi:10.2307/3726390 | Cite |
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233-234 | Review of Betty C. Bushey, 'Tristan als Mönch': Untersuchungen und kritische Edition D. H. Green doi:10.2307/3726391 | Cite |
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234-235 | | Cite |
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235-236 | Review of Klara Obermüller, Melancholie in der deutschen Barocklyrik Anthony J. Harper doi:10.2307/3726393 | Cite |
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236-237 | Review of Klaus Bäppler, Der philosophische Wieland: Stufen und Prägungen seines Denkens Robert Atkins doi:10.2307/3726394 | Cite |
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237-238 | Review of Wieland, Lieselotte Kurth-Voigt, Perspectives and Points of View: The Early Works of Wieland and Their Background Robert Atkins doi:10.2307/3726395 | Cite |
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238-244 | Review of I. Elbogen, J. Guttmann, E. Mittwoch, Moses Mendelssohn: Gesammelte Schriften. Jubiläumsausgabe Eva Schaper doi:10.2307/3726396 | Cite |
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244-246 | Review of Paul Requadt, Goethes 'Faust I': Leitmotivik und Architektur Gerwin Marahrens doi:10.2307/3726397 | Cite |
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246 | Review of Marianne Thalmann, Provokation und Demonstration in der Komödie der Romantik: Mit Grafiken zu den Literaturkomödien von Tieck, Brentano, Schlegel, Grabbe und zum Amphitryon-Stoff Roger Paulin doi:10.2307/3726398 | Cite |
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246-247 | Review of Hans-Georg Kemper, Vom Expressionismus zum Dadaismus Richard Sheppard doi:10.2307/3726399 | Cite |
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247-248 | Review of Reinhart Meyer, Dada in Zürich und Berlin 1916-1920: Literatur zwischen Revolution und Reaktion Richard Sheppard doi:10.2307/3726400 | Cite |
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249 | Review of Hans W. Cohn, Else Lasker-Schüler: The Broken World H. R. Klieneberger doi:10.2307/3726401 | Cite |
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249-252 | Review of Hermann Burger, Paul Celan: Auf der Suche nach der verlorenen Sprache; Adelheid Rexheuser, Sinnsuche und Zeichen-Setzung in der Lyrik des frühen Celan: Linguistische und literaturwissenschaftliche Untersuchungen zu dem Gedichtband 'Mohn und Gedächtnis' John White doi:10.2307/3726402 | Cite |
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252-253 | Review of Rolf Paulus, Ursula Steuler, Bibliographie zur deutschen Lyrik nach 1945 August Closs doi:10.2307/3726403 | Cite |
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253-254 | | Cite |
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254-255 | Review of Piotr Borkowski, The Great Russian-English Dictionary of Idioms and Set Expressions Marcus Wheeler doi:10.2307/3726405 | Cite |
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255-256 | Review of Victor Erlich, Twentieth-Century Russian Literary Criticism Ann Shukman doi:10.2307/3726406 | Cite |
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