481-488 | "Tom May's Death" and Ben Jonson's Ghost: A Study of Marvell's Satiric Method Christine Rees doi:10.2307/3725742 | Cite |
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489-499 | | Cite |
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500-512 | | Cite |
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513-522 | | Cite |
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523-539 | | Cite |
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540-552 | Bradamante and Marfisa: An Analysis of the "Guerriere" of the "Orlando Furioso" Margaret Tomalin doi:10.2307/3725747 | Cite |
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553-564 | | Cite |
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565-576 | | Cite |
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577-594 | E. T. A. Hoffmann's "Der Goldne Topf" and Its "Durchgehaltene Ironie" John Reddick doi:10.2307/3725750 | Cite |
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595-606 | | Cite |
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607-608 | Review of Bertil Malmberg, Linguistique générale et romane: Études en allemand, anglais, espagnol et français R. E. Asher doi:10.2307/3725752 | Cite |
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608-609 | | Cite |
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609-610 | | Cite |
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611 | | Cite |
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611-612 | Review of Arnold L. Weinstein, Vision and Response in Modern Fiction George Craig doi:10.2307/3725756 | Cite |
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612-613 | Review of Raymond Federman, Surfiction: Fiction Now... and Tomorrow John Fletcher doi:10.2307/3725757 | Cite |
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613-615 | Review of Franco Simone, Culture et politique en France à l'époque de l'Humanisme et de la Renaissance Lino Pertile doi:10.2307/3725758 | Cite |
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615-616 | Review of Joshua A. Fishman, Studies on Polish Jewry 1919-1939: The Interplay of Social, Economic and Political Factors in the Struggle of a Minority for Its Existence Elaine Samuel doi:10.2307/3725759 | Cite |
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617-618 | | Cite |
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618-619 | Review of Reuben Brower, Mirror on Mirror: Translation, Imitation, Parody G. K. Hunter doi:10.2307/3725761 | Cite |
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619-620 | Review of James H. Wilson, Christian Theology and Old English Poetry Norman E. Eliason doi:10.2307/3725762 | Cite |
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620-622 | Review of Saul Nathaniel Brody, The Disease of the Soul: Leprosy in Medieval Literature Margaret Espinasse doi:10.2307/3725763 | Cite |
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622-624 | Review of Claude Gauvin, Un Cycle du théâtre religieux anglais du moyen age: Le jeu de la ville 'N' Peter Meredith doi:10.2307/3725764 | Cite |
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624-626 | | Cite |
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626-627 | Review of J. A. W. Bennett, Chaucer at Oxford and at Cambridge E. Talbot Donaldson doi:10.2307/3725766 | Cite |
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627-628 | Review of Alice Shalvi, The Relationship of Renaissance Concepts of Honour to Shakespeare's Problem Plays Charles Barber doi:10.2307/3725767 | Cite |
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628-630 | Review of D. K. C. Todd, I Am Not Prince Hamlet: Shakespeare Criticism Schools of English A. D. Nuttall doi:10.2307/3725768 | Cite |
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630-632 | Review of Julian Lovelock, Milton. 'Comus' and 'Samson Agonistes': A Selection of Critical Essays Elizabeth Mackenzie doi:10.2307/3725769 | Cite |
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632-633 | | Cite |
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634-635 | | Cite |
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635-637 | Review of Alexander Pope, Emmett G. Bedford, Robert J. Dilligan, A Concordance to the Poems of Alexander Pope Pat Rogers doi:10.2307/3725772 | Cite |
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637-638 | | Cite |
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638-640 | Review of Robert Browning, E. LeRoy Lawson, Very Sure of God: Religious Language in the Poetry of Robert Browning Michael Hancher doi:10.2307/3725774 | Cite |
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641-643 | Review of Matthew Arnold, R. H. Super, Philistinism in England and America Sylvère Monod doi:10.2307/3725775 | Cite |
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643-645 | Review of Leon Edel, Henry James Letters. Volume I. 1843-1875 Alan W. Bellringer doi:10.2307/3725776 | Cite |
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646-648 | Review of Peter Ure, C. J. Rawson, Yeats and Anglo-Irish Literature: Critical Essays J. R. Mulryne doi:10.2307/3725777 | Cite |
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648-649 | Review of Giovanni Cianci, La fortuna di Joyce in Italia: saggio e bibliografia (1917-1972) Jennifer Lorch doi:10.2307/3725778 | Cite |
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649-650 | Review of James Joyce, Clive Hart, David Hayman, James Joyce's 'Ulysses': Critical Essays Vincent Mahon doi:10.2307/3725779 | Cite |
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651-652 | Review of Terence Brown, Alec Reid, Time Was Away: The World of Louis MacNeice J. C. Beckett doi:10.2307/3725780 | Cite |
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652-653 | Review of Manfred Sandmann, Expériences et Critiques: Essais de Linguistique générale et de Philologie romane T. B. W. Reid doi:10.2307/3725781 | Cite |
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653-654 | | Cite |
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654-655 | Review of Paule Demats, Fabula: Trois études de mythographie antique et médiévale P. G. Walsh doi:10.2307/3725783 | Cite |
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655-657 | Review of W. Rothwell, W. R. J. Barron, David Blamires, Lewis Thorpe, Studies in Medieval Literature and Language in Memory of Frederick Whitehead W. G. Van Emden doi:10.2307/3725784 | Cite |
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657-658 | Review of Thomas G. Bergin, Susan Olson, William D. Paden, Jr., Nathaniel Smith, Anthology of the Provençal Troubadours A. R. Press doi:10.2307/3725785 | Cite |
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658-659 | Review of I. D. McFarlane, A Literary History of France: Renaissance France 1470-1589 A. H. T. Levi doi:10.2307/3725786 | Cite |
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660 | Review of David Maskell, The Historical Epic in France 1500-1700 H. Gaston Hall doi:10.2307/3725787 | Cite |
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661-663 | | Cite |
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663-664 | Review of Geoffrey Brereton, French Tragic Drama in the Sixteenth and Seventeenth Centuries Peter H. Nurse doi:10.2307/3725789 | Cite |
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664-665 | Review of Bruno Braunrot, L'Imagination poétique chez Du Bartas: Eléments de sensibilité baroque dans la 'Création du monde' Paul Chilton doi:10.2307/3725790 | Cite |
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665-666 | Review of Margaret McGowan, Montaigne's Deceits: The Art of Persuasion in the 'Essais' S. John Holyoake doi:10.2307/3725791 | Cite |
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667 | Review of Marguerite V. Mitchell, L'Art du portrait dans les 'Satyres' de Mathurin Régnier Terence Allott doi:10.2307/3725792 | Cite |
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667-669 | Review of Gordon Pocock, Corneille and Racine: Problems of Tragic Form Peter H. Nurse doi:10.2307/3725793 | Cite |
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669-670 | Review of Sylvie Romanowski, L'Illusion chez Descartes: La structure du discours cartésien Terry Keefe doi:10.2307/3725794 | Cite |
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670-671 | Review of Jeanne Goldin, Cyrano de Bergerac et l'art de la pointe Patricia M. Harry doi:10.2307/3725795 | Cite |
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671-672 | Review of Ian M. Wilson, The Influence of Hobbes and Locke in the Shaping of the Concept of Sovereignty in Eighteenth-Century France E. R. Briggs doi:10.2307/3725796 | Cite |
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672-673 | | Cite |
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673-674 | Review of Priscilla P. Clark, The Battle of the Bourgeois: The Novel in France 1789-1848 Bruce Tolley doi:10.2307/3725798 | Cite |
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674-676 | Review of Leon-François Hoffmann, Le Nègre romantique: personnage littéraire et obsession collective Christophe Campos doi:10.2307/3725799 | Cite |
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676 | | Cite |
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676-677 | Review of Morten Nøjgaard, Élévation et expansion: Les deux dimensions de Baudelaire Alison Fairlie doi:10.2307/3725801 | Cite |
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677-678 | Review of D. A. Williams, Psychological Determinism in 'Madame Bovary' Alan Jackson doi:10.2307/3725802 | Cite |
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678-679 | | Cite |
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680-685 | Review of Henri Mondor, Lloyd James Austin, Stéphane Mallarmé: Correspondance IV, 1890-1891 Austin Gill doi:10.2307/3725804 | Cite |
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685-686 | Review of David Baguley, 'Fécondité' d'Émile Zola: Roman à thèse, évangile, mythe Joy Newton doi:10.2307/3725805 | Cite |
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686-687 | Review of Joan S. Freilich, Paul Claudel's 'Le Soulier de satin': A Stylistic, Structuralist and Psychoanalytic Interpretation E. T. Dubois doi:10.2307/3725806 | Cite |
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687-688 | Review of Morton M. Celler, Giraudoux et la métaphore: une étude des images dans ses romans Henri Godin doi:10.2307/3725807 | Cite |
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688-689 | Review of Yves de la Quérière, Céline et les Mots: Étude stylistique des effets de mots dans le 'Voyage au bout de la nuit' James McGivney doi:10.2307/3725808 | Cite |
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689-690 | Review of Patricia M. Gathercole, Tension in Boccaccio: Boccaccio and the Fine Arts G. H. McWilliam doi:10.2307/3725809 | Cite |
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690 | | Cite |
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690-691 | | Cite |
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691-692 | Review of Giulio Ferroni, 'Mutazione' e 'riscontro' nel teatro di Machiavelli e altri saggi sulla commedia del cinquecento Jennifer Lorch doi:10.2307/3725812 | Cite |
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692-693 | Review of C. P. Brand, Ludovico Ariosto: A Preface to the 'Orlando Furioso' Barbara Reynolds doi:10.2307/3725813 | Cite |
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693-694 | | Cite |
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694-695 | Review of John Leon Lievsay, Venetian Phoenix: Paolo Sarpi and Some of His English Friends (1606-1700) Verina R. Jones doi:10.2307/3725815 | Cite |
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695-697 | | Cite |
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697-698 | | Cite |
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698-699 | | Cite |
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699-700 | | Cite |
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700-702 | | Cite |
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702-703 | Review of James T. Monroe, Hispano-Arabic Poetry: A Student Anthology Elizabeth Brine doi:10.2307/3725821 | Cite |
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703-704 | Review of Fray Martín de Córdoba, Harriet Goldberg, Jardín de nobles donzellas Dorothy Sherman Severin doi:10.2307/3725822 | Cite |
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705 | | Cite |
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705-706 | | Cite |
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706-707 | | Cite |
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708-709 | Review of John T. Graham, Donoso Cortés: Utopian Romanticist and Political Realist R. W. Truman doi:10.2307/3725826 | Cite |
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709-710 | | Cite |
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710-711 | Review of Antonio Machado, Geoffrey Ribbans, Soledades. Galerías. Otros poemas Helen F. Grant doi:10.2307/3725828 | Cite |
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711 | | Cite |
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711-712 | Review of Rudolf Majut, Über hippologische Bezeichnungen: Tiernamen und ein gotischer Pflanzenname David Le Sage doi:10.2307/3725830 | Cite |
| |
712-713 | Review of Stefan Sonderegger, Althochdeutsche Sprache und Literatur C. T. Carr doi:10.2307/3725831 | Cite |
| |
713-714 | Review of Annie Berner-Hürbin, Psycholinguistik der Romanismen im älteren Schweizerdeutschen: Die Entlehnungsmechanismen in Quellen des 15. und 16. Jahrhunderts R. E. Keller doi:10.2307/3725832 | Cite |
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714-715 | Review of Heinrich Lüssy, Umlautprobleme im Schweizerdeutschen: Untersuchungen an der Gegenwartssprache R. E. Keller doi:10.2307/3725833 | Cite |
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715-716 | Review of Werner Hoffmann, Mittelhochdeutsche Heldendichtung George Gillespie doi:10.2307/3725834 | Cite |
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716-717 | Review of Gertrud Jaron Lewis, Das Tier und seine dichterische Funktion in Erec, Iwein, Parzival und Tristan D. H. Green doi:10.2307/3725835 | Cite |
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717-719 | Review of Peter Wiehl, Die Redeszene als episches Strukturelement in den Erec- und Iwein-Dichtungen Hartmanns von Aue und Chrestiens de Troyes D. H. Green doi:10.2307/3725836 | Cite |
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719 | Review of Wolfgang Wilfried Moelleken, Gayle Agler, Robert E. Lewis, Die Kleindichtung des Strickers D. H. Green doi:10.2307/3725837 | Cite |
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719-721 | Review of Udo von der Burg, Strickers Karl der Groβe als Bearbeitung des Rolandsliedes: Studien zu Form und Inhalt George Gillespie doi:10.2307/3725838 | Cite |
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721-723 | Review of Frederick John Stopp, The Emblems of the Altdorf Academy: Medals and Medal Orations 1577-1626 Karl Josef Höltgen doi:10.2307/3725839 | Cite |
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724 | Review of Gerhard Dünnhaupt, Diederich von dem Werder: Versuch einer Neuwertung seiner Hauptwerke Jeffrey Ashcroft doi:10.2307/3725840 | Cite |
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724-726 | Review of Hubert Gersch, Geheimpoetik: Die 'Continuatio des abentheurlichen Simplicissimi' interpretiert als Grimmelshausens verschlüsselter Kommentar zu seinem Roman Jeffrey Ashcroft doi:10.2307/3725841 | Cite |
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726 | Review of Jörg Scheibe, Der 'Patriot' (1724-1726) und sein Publikum: Untersuchungen über die Verfassergesellschaft und die Leserschaft einer Zeitschrift der frühen Aufklärung Eda Sagarra doi:10.2307/3725842 | Cite |
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726-728 | Review of Gerhard Sauder, Empfindsamkeit. Band 1: Voraussetzungen und Elemente C. P. Magill doi:10.2307/3725843 | Cite |
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728-729 | Review of Ilse Graham, Goethe and Lessing: The Wellsprings of Creation H. B. Garland doi:10.2307/3725844 | Cite |
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729-730 | Review of Gerhart von Graevenitz, Die Setzung des Subjekts: Untersuchungen zur Romantheorie Martin Swales doi:10.2307/3725845 | Cite |
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730-732 | Review of John M. Ellis, Narration in the German Novelle: Theory and Interpretation D. G. Little doi:10.2307/3725846 | Cite |
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732 | | Cite |
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733 | Review of Roy F. Allen, Literary Life in German Expressionism and the Berlin Circles Rhys W. Williams doi:10.2307/3725848 | Cite |
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733-734 | Review of Christoph Eykman, Denk- und Stilformen des Expressionismus D. J. Andrews doi:10.2307/3725849 | Cite |
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734-735 | Review of Michael Barnes, Draumkvæde: An Edition and Study Alisoun Gardner-Medwin doi:10.2307/3725850 | Cite |
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735-736 | | Cite |
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