| 1-18 | Carlyle's Apprenticeship: His Early German Criticism and His Relationship with Goethe (1822-1832) Rosemary D. Ashton doi:10.2307/3724374 | Cite |
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| 19-25 | | Cite |
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| 26-30 | | Cite |
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| 31-41 | The Abbé Prévost's "Histoire de Marguerite d'Anjou": Novel or History? Richard A. Francis doi:10.2307/3724377 | Cite |
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| 42-50 | | Cite |
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| 51-53 | Count Noris Changes Trams: An Unknown Article by Italo Svevo E. S., Brian Moloney doi:10.2307/3724379 | Cite |
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| 54-65 | | Cite |
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| 66-72 | | Cite |
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| 73-81 | Architectonic Form in Weinheber's Lyric Poetry: The Sonnet "Blick vom oberen Belvedere" W. E. Yates doi:10.2307/3724382 | Cite |
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| 82-96 | | Cite |
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| 97-105 | The Path to Paradise: Recurrent Images in the Poetry of Eduard Bagritsky Wendy Rosslyn doi:10.2307/3724384 | Cite |
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| 106-108 | | Cite |
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| 108-110 | | Cite |
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| 110-112 | | Cite |
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| 112-115 | | Cite |
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| 115-116 | Review of Frederic Will, The Knife in the Stone: Essays in Literary Theory Graham D. C. Martin doi:10.2307/3724389 | Cite |
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| 116-117 | | Cite |
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| 117-118 | Review of Marcelle Thiébaux, The Stag of Love: The Chase in Medieval Literature Kenneth Varty doi:10.2307/3724391 | Cite |
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| 118-119 | Review of Richard Leighton Greene, The Lyrics of the Red Book of Ossory P. G. Walsh doi:10.2307/3724392 | Cite |
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| 119-120 | Review of Joan M. Ferrante, The Conflict of Love and Honor: The Medieval Tristan Legend in France, Germany and Italy D. H. Green doi:10.2307/3724393 | Cite |
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| 120 | Review of Barbara Fass, La Belle Dame sans Merci and the Aesthetics of Romanticism Lilian R. Furst doi:10.2307/3724394 | Cite |
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| 121-122 | Review of William Toye, Supplement to the Oxford Companion to Canadian History and Literature John Ferns doi:10.2307/3724395 | Cite |
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| 122-124 | Review of Robert B. Burlin, Edward B. Irving, Jr., Old English Studies in Honour of John C. Pope T. A. Shippey doi:10.2307/3724396 | Cite |
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| 124-125 | Review of Michael D. Cherniss, Ingeld and Christ: Heroic Concepts and Values in Old English Christian Poetry T. A. Shippey doi:10.2307/3724397 | Cite |
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| 125-127 | Review of Larry D. Benson, King Arthur's Death: The Middle English Stanzaic 'Morte Arthur' and Alliterative 'Morte Arthure' Derek Pearsall doi:10.2307/3724398 | Cite |
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| 128-129 | Review of R. A. B. Mynors, D. F. S. Thomson, Erasmus, The Collected Works of Erasmus: Volume I, the Correspondence of Erasmus, Letters 1-141 (1484-1500) J. W. Binns doi:10.2307/3724399 | Cite |
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| 129-131 | Review of Adrianne Roberts-Baytop, Dido, Queen of Infinite Literary Variety: The English Renaissance, Borrowings and Influences J. W. Binns doi:10.2307/3724400 | Cite |
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| 131-132 | Review of J. C. Maxwell, Elizabethan and Jacobean Drama: Critical Essays by Peter Ure G. K. Hunter doi:10.2307/3724401 | Cite |
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| 132-133 | Review of Gale Carrithers, Jr., Donne at Sermons: A Christian Existential World J. W. Blench doi:10.2307/3724402 | Cite |
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| 133-134 | Review of Anthony Low, The Blaze of Noon: A Reading of 'Samson Agonistes' E. A. J. Honigmann doi:10.2307/3724403 | Cite |
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| 135-136 | Review of Martin C. Battestin, The Providence of Wit: Aspects of Form in Augustan Literature and the Arts Douglas Brooks doi:10.2307/3724404 | Cite |
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| 136-138 | Review of O. M. Brack, Jr., Robert E. Kelley, The Early Biographies of Samuel Johnson J. D. Fleeman doi:10.2307/3724405 | Cite |
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| 138-141 | Review of Frank J. Messmann, Richard Payne Knight: The Twilight of Virtuosity David Irwin doi:10.2307/3724406 | Cite |
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| 141-142 | Review of A. Lytton Sells, Oliver Goldsmith: His Life and Works Lodwick Hartley doi:10.2307/3724407 | Cite |
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| 143 | | Cite |
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| 144-145 | Review of Jerome J. McGann, Fiery Dust: Byron's Poetic Development; Paul G. Trueblood, Lord Byron Bernard Beatty doi:10.2307/3724409 | Cite |
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| 145-146 | Review of Nancie Campbell, Tennyson in Lincoln: A Catalogue of the Collections in the Research Centre Kerry McSweeney doi:10.2307/3724410 | Cite |
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| 146-148 | Review of Madeline House, Graham Storey, Kathleen Tillotson, Charles Dickens, The Letters of Charles Dickens Philip Collins doi:10.2307/3724411 | Cite |
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| 149-150 | | Cite |
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| 150-151 | | Cite |
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| 151-152 | | Cite |
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| 152-154 | Review of Colin Meir, The Ballads and Songs of W. B. Yeats: The Anglo-Irish Heritage in Subject and Style J. C. Beckett doi:10.2307/3724415 | Cite |
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| 154-156 | Review of Homer Obed Brown, James Joyce's Early Fiction: The Biography of a Form; Weldon Thornton, Allusions in Ulysses: An Annotated List Clive Hart doi:10.2307/3724416 | Cite |
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| 156-158 | Review of Joseph N. Riddel, The Inverted Bell: Modernism and the Counterpoetics of William Carlos Williams Marjorie Perloff doi:10.2307/3724417 | Cite |
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| 158-160 | Review of John Bassett, William Faulkner: The Critical Heritage Malcolm Cowley doi:10.2307/3724418 | Cite |
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| 160-161 | Review of Helen C. R. Laurie, Two Studies in Chrétien de Troyes G. J. Halligan doi:10.2307/3724419 | Cite |
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| 162 | Review of Peter Haidu, Lion-queue-coupée: l'écart symbolique chez Chrétien de Troyes G. J. Halligan doi:10.2307/3724420 | Cite |
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| 163 | Review of C. T. Erickson, Le Lai du Cor (The Anglo-Norman Text) Philip Bennett doi:10.2307/3724421 | Cite |
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| 163-164 | | Cite |
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| 164-165 | Review of Amadis Jamyn, Samuel M. Carrington, Les Œuvres poétiques: Premières poésies et Livre premier Grahame Castor doi:10.2307/3724423 | Cite |
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| 165-167 | Review of Frank J. Warnke, Versions of Baroque: European Literature in the Seventeenth Century A. M. Boase doi:10.2307/3724424 | Cite |
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| 167-168 | Review of English Showalter, Jr., The Evolution of the French Novel 1641-1782 Vivienne Mylne doi:10.2307/3724425 | Cite |
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| 168-169 | Review of Guilleragues, Frédéric Deloffre, Jacques Rougeot, Chansons et bons mots, Valentins, Lettres Portugaises Vivienne Mylne doi:10.2307/3724426 | Cite |
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| 169 | Review of Pierre M. Conlon, Prélude au siècle des lumières en France: Répertoire chronologique de 1680 à 1715 Tome quatrième, 1708-1715; Pierre M. Conlon, Prélude au siècle des lumières en France: Répertoire chronologique de 1680 à 1715 Tome sixième, index-suite Ronald Grimsley doi:10.2307/3724427 | Cite |
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| 170 | Review of Philip Stewart, Le Masque et la parole: le langage de l'amour au XVIIIe siècle James S. Munro doi:10.2307/3724428 | Cite |
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| 170-171 | | Cite |
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| 171-172 | Review of Gary Bruce Rodgers, Diderot and the Eighteenth-Century French Press J. Lough doi:10.2307/3724430 | Cite |
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| 172 | Review of Thomas H. Kavanagh, The Vacant Mirror: A Study of Mimesis through Diderot's 'Jacques le fataliste' Jonathan Culler doi:10.2307/3724431 | Cite |
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| 173 | Review of Edgar Mass, Le Marquis d'Adhémar: la correspondance inédite d'un ami des philosophes à la cour de Bayreuth J. Lough doi:10.2307/3724432 | Cite |
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| 173-174 | Review of James M. Kaplan, La Neuvaine de Cythère: une démarmontélisation de Marmontel Alfred J. Bingham doi:10.2307/3724433 | Cite |
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| 174-175 | Review of Alexandre Jovicevich, Jean-François de La Harpe, adepte et renégat des lumières Christopher Todd doi:10.2307/3724434 | Cite |
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| 175 | Review of E.-P. de Senancour, Zvi Levy, Valombré: Comédie (1807) Marjorie Shaw doi:10.2307/3724435 | Cite |
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| 175-177 | Review of Hans-Bodo Guthmüller, Die Rezeption Mussets im Second Empire J. C. Ireson doi:10.2307/3724436 | Cite |
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| 178-179 | Review of D. J. Mossop, Pure Poetry: Studies in French Poetic Theory and Practice, 1746 to 1945 Robert Gibson doi:10.2307/3724437 | Cite |
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| 179-180 | | Cite |
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| 180-181 | Review of Marthe Rosenfeld, Edmond Jaloux: The Evolution of a Novelist James King doi:10.2307/3724439 | Cite |
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| 181-184 | Review of Yvette Louria, La Convergence stylistique chez Proust; Valerie Minogue, Proust: Du Côté de chez Swann Alison Finch doi:10.2307/3724440 | Cite |
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| 185 | | Cite |
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| 185-186 | Review of Enrico Garzilli, Circles without Center: Paths to the Discovery and Creation of Self in Modern Literature Lance Butler doi:10.2307/3724442 | Cite |
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| 186-187 | Review of James A. Boon, From Symbolism to Structuralism: Lévi-Strauss in a Literary Tradition Graham D. C. Martin doi:10.2307/3724443 | Cite |
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| 187-188 | Review of Giuseppe Galigani, Il Boccaccio nella cultura inglese e anglo-americana G. H. McWilliam doi:10.2307/3724444 | Cite |
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| 189-190 | | Cite |
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| 190-191 | Review of Marco Ariani, Tra classicismo e manierismo: Il teatro tragico del Cinquecento Anna Laura Lepschy doi:10.2307/3724446 | Cite |
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| 191-192 | Review of Anna Benedetti, Le Traduzioni Italiane da Walter Scott, e i loro anglicismi Mary Ambrose doi:10.2307/3724447 | Cite |
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| 192-194 | Review of Gaspare Giudice, Alastair Hamilton, Pirandello: A Biography Olga Ragusa doi:10.2307/3724448 | Cite |
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| 194-195 | Review of Gianfranco Contini, Una lunga fedeltà: Scritti su Eugenio Montale Guido Almansi doi:10.2307/3724449 | Cite |
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| 195-196 | Review of , 'La Céléstine' in the French Translation of 1578 by Jacques de Lavardin Guadalupe Martínez Lacalle doi:10.2307/3724450 | Cite |
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| 196-197 | Review of Gareth A. Davies, A Poet at Court: Antonio Hurtado de Mendoza 1586-1644 A. A. Parker doi:10.2307/3724451 | Cite |
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| 197-198 | Review of Simon A. Vosters, La Rendición de Bredá en la literatura y el arte de España Philip Lloyd-Bostock doi:10.2307/3724452 | Cite |
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| 198-200 | Review of Wilma Newberry, The Pirandellian Mode in Spanish Literature from Cervantes to Sastre Arthur Terry doi:10.2307/3724453 | Cite |
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| 200 | | Cite |
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| 200-201 | | Cite |
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| 201-202 | | Cite |
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| 202-203 | | Cite |
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| 203-204 | | Cite |
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| 204-205 | Review of Andrew P. Debicki, Enrique Pupo-Walker, Estudios de literatura hispanoamericana en honor a José J. Arrom Donald L. Shaw doi:10.2307/3724459 | Cite |
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| 205-207 | | Cite |
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| 207-208 | Review of Trevor Jones, Harrap's Standard German and English Dictionary. Part I, German-English (Vol. III, L-R) C. T. Carr doi:10.2307/3724461 | Cite |
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| 208-209 | | Cite |
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| 210-211 | | Cite |
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| 211-212 | Review of Ann Harding, An Investigation into the Use and Meaning of Medieval German Dancing Terms John L. Flood doi:10.2307/3724464 | Cite |
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| 212-213 | Review of Wolfgang Walliczek, Rudolf von Ems 'Der guote Gêrhart' David Blamires doi:10.2307/3724465 | Cite |
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| 213 | Review of Kurt Otto Seidel, 'Wandel' als Welterfahrung des Spätmittelalters im didaktischen Werk Heinrichs des Teichners David Blamires doi:10.2307/3724466 | Cite |
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| 213-214 | Review of Manfred Caliebe, Dukus Horant: Studien zu seiner literarischen Tradition D. H. Green doi:10.2307/3724467 | Cite |
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| 215 | Review of Heikki J. Hakkarainen, Studien zur Cambridger Codex T-S. 10. K. 22: III. Lexikon Brian Murdoch doi:10.2307/3724468 | Cite |
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| 216-217 | Review of Marcus von Weida, Anthony van der Lee, Außlegunge des Vater vnßers John L. Flood doi:10.2307/3724469 | Cite |
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| 217-218 | Review of Walter Raitz, Zur Soziogenese des bürgerlichen Romans: Eine literatursoziologische Analyse des 'Fortunatus' Joseph Leighton doi:10.2307/3724470 | Cite |
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| 218-219 | Review of Martin Bircher, Alois Haas, Deutsche Barocklyrik: Gedichtinterpretationen von Spee bis Haller Joseph Leighton doi:10.2307/3724471 | Cite |
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| 219-220 | Review of Ferdinand van Ingen, Ulrich Mache, Volker Meid, Philipp von Zesen: Sämtliche Werke. Volume VI: 1972; Ferdinand van Ingen, Ulrich Mache, Volker Meid, Philipp von Zesen: Sämtliche Werke. Volume IX: 1971 Peter Skrine doi:10.2307/3724472 | Cite |
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| 221-222 | Review of Dieter Welz, Der Weimarer Werther: Studien zur Sinnstruktur der zweiten Fassung des Werther-Romans Hans Reiss doi:10.2307/3724473 | Cite |
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| 222-223 | Review of W. E. Yates, Nestroy: Satire and Parody in Viennese Popular Comedy Peter Branscombe doi:10.2307/3724474 | Cite |
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| 223-224 | | Cite |
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| 224-226 | Review of Helmut Herles, Nestroys Komödie: 'Der Talisman'. Von der ersten Notiz zum vollendeten Werk. Mit bisher unveröffentlichten Handschriften W. E. Yates doi:10.2307/3724476 | Cite |
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| 226-227 | Review of Ladislaus Löb, From Lessing to Hauptmann: Studies in German Drama Gillian Rodger doi:10.2307/3724477 | Cite |
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| 227-229 | | Cite |
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| 229-230 | Review of Manfred Dierks, Studien zu Mythos und Psychologie bei Thomas Mann T. J. Reed doi:10.2307/3724479 | Cite |
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| 230 | Review of Ingrid Schuster, Ingrid Bode, Alfred Döblin im Spiegel der zeitgenössischen Kritik R. S. Furness doi:10.2307/3724480 | Cite |
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| 230-232 | | Cite |
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| 232-233 | Review of Paul Kussmaul, Bertolt Brecht und das englische Drama der Renaissance Martin Esslin doi:10.2307/3724482 | Cite |
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| 234-235 | Review of Colin Russ, Der Schriftsteller Siegfried Lenz: Urteile und Standpunkte John White doi:10.2307/3724483 | Cite |
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| 235-238 | Review of Arnold Barratt McMillin, The Vocabulary of the Byelorussian Literary Language in the Nineteenth Century S. C. Gardiner doi:10.2307/3724484 | Cite |
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| 239-240 | Review of Rudolf Neuhäuser, Towards the Romantic Age: Essays on Sentimental and Preromantic Literature in Russia Grahame Smith doi:10.2307/3724485 | Cite |
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