1-12 | Bondage and Deliverance in the "Faerie Queene": Varieties of a Moral Imperative J. C. Gray doi:10.2307/3724894 | Cite |
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13-19 | | Cite |
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20-31 | | Cite |
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32-40 | | Cite |
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41-49 | | Cite |
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50-70 | | Cite |
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71-74 | Notes on the Meaning and Form of Marceline Desbordes-Valmore's "Les Roses de Saadi" Alison Calder doi:10.2307/3724900 | Cite |
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75-83 | Significant Allusions in Vittorini's "Conversazione in Sicilia" Michael Hanne doi:10.2307/3724901 | Cite |
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84-96 | Nineteenth-Century Popular Literature as a Source of Linguistic Enrichment in Valle-Inclán's "Ruedo Ibérico" Alison Sinclair doi:10.2307/3724902 | Cite |
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97-109 | | Cite |
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110-124 | | Cite |
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125-128 | | Cite |
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128-130 | Review of Richard Macksey, Eugenio Donato, The Structuralist Controversy: The Languages of Criticism and the Sciences of Man David Lodge doi:10.2307/3724906 | Cite |
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130-131 | Review of Esther M. Doyle, Virginia Hastings Floyd, Studies in Interpretation Donald C. Bryant doi:10.2307/3724907 | Cite |
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131-134 | | Cite |
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134-137 | | Cite |
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137-138 | Review of Walter Veit, Captain James Cook: Image and Impact: South Seas Discoveries and the World of Letters Michael Wilding doi:10.2307/3724910 | Cite |
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138-139 | | Cite |
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139-140 | Review of John M. Steadman, Disembodied Laughter: 'Troilus' and the Apotheosis Tradition: A Re-Examination of Narrative and Thematic Contexts Derek Brewer doi:10.2307/3724912 | Cite |
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141 | Review of Esther Garke, The Use of Songs in Elizabethan Prose Fiction Stanley Wells doi:10.2307/3724913 | Cite |
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141-142 | Review of E. A. M. Colman, The Dramatic Use of Bawdy in Shakespeare Terence Hawkes doi:10.2307/3724914 | Cite |
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142-143 | | Cite |
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143-144 | | Cite |
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145-148 | Review of Judd Arnold, A Grace Peculiar: Ben Jonson's Cavalier Heroes; Mary C. Williams, Unity in Ben Jonson's Early Comedies; Annette Drew-Bear, Rhetoric in Ben Jonson's Middle Plays: A Study of Ethos, Character Portrayal, and Persuasion; William D. Wolf, The Reform of the Fallen World: The 'Virtuous Prince' in Jonsonian Tragedy and Comedy R. B. Parker doi:10.2307/3724917 | Cite |
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148-151 | | Cite |
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151-153 | Review of Philip H. Highfill, Jr., Kalman A. Burnim, Edward A. Langhans, A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800 Stanley Wells doi:10.2307/3724919 | Cite |
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153-155 | | Cite |
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155-157 | Review of C. J. Rawson, Gulliver and the Gentle Reader: Studies in Swift and Our Time Colin J. Horne doi:10.2307/3724921 | Cite |
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157-158 | Review of Kenneth Richards, Peter Thomson, The Eighteenth-Century English Stage M. E. Kimberley doi:10.2307/3724922 | Cite |
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158-160 | Review of David V. Erdman, The Notebook of William Blake: A Photographic and Typographic Facsimile Kenneth Garlik doi:10.2307/3724923 | Cite |
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160-162 | Review of Alethea Hayter, A Voyage in Vain: Coleridge's Journey to Malta in 1804; Alun R. Jones, William Tydeman, Coleridge, 'The Ancient Mariner' and Other Poems: A Casebook John Colmer doi:10.2307/3724924 | Cite |
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162-164 | Review of George Dekker, John P. McWilliams, Fenimore Cooper: The Critical Heritage David Timms doi:10.2307/3724925 | Cite |
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164-166 | Review of Lewis M. Schwartz, Keats Reviewed by His Contemporaries: A Collection of Notices for the Years 1816-1821 Miriam Allott doi:10.2307/3724926 | Cite |
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166-167 | Review of Harold L. Weatherby, Cardinal Newman in His Age: His Place in English Theology and Literature E. D. Mackerness doi:10.2307/3724927 | Cite |
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167-169 | Review of Robert Snukal, W. B. Yeats, High Talk: The Philosophical Poetry of W. B. Yeats J. R. Mulryne doi:10.2307/3724928 | Cite |
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169-170 | Review of Philip Parsons, Thomas Atkinson, William E. Mahaney, Walter K. Sherwin, Jay Freyman, Eve Parrish, Two University Latin Plays: Atalanta J. W. Binns doi:10.2307/3724929 | Cite |
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170-171 | Review of John K. Simon, Modern French Criticism: From Proust and Valéry to Structuralism J. G. Clark doi:10.2307/3724930 | Cite |
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171-172 | Review of Frank M. Chambers, Proper Names in the Lyrics of the Troubadours Terence H. Newcombe doi:10.2307/3724931 | Cite |
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172-173 | | Cite |
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173-174 | | Cite |
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174-175 | Review of Graham A. Runnalls, Le Miracle de l'enfant ressuscité: Quinzième des Miracles de Nostre Dame par personnages Nicholas Mann doi:10.2307/3724934 | Cite |
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175-176 | Review of Pierre Jodogne, Jean Lemaire de Belges, écrivain franco-bourguignon Alison Saunders doi:10.2307/3724935 | Cite |
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176-177 | | Cite |
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177-181 | Review of Guy Demerson, La Mythologie classique dans l'œuvre lyrique de la Pléiade Dudley Wilson doi:10.2307/3724937 | Cite |
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181-182 | Review of Jean de La Taille, Kathleen M. Hall, C. N. Smith, Dramatic Works Brian Jeffery doi:10.2307/3724938 | Cite |
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182-183 | Review of Alexandre Hardy, James Herbert Davis, Jr., La Force du sang Christopher Gossip doi:10.2307/3724939 | Cite |
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183 | Review of Jean Rotrou, E. T. Dubois, Le véritable Saint Genest Derek A. Watts doi:10.2307/3724940 | Cite |
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184 | | Cite |
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185 | Review of Lionel Gossman, French Society and Culture: Background for Eighteenth-Century Literature J. Lough doi:10.2307/3724942 | Cite |
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185-186 | Review of Roland Mortier, Le 'Tableau littéraire de la France au XVIIIe siècle': Un épisode de la 'guerre philosophique' à l'Académie Française sous l'Empire (1804-1810) Joanna Kitchin doi:10.2307/3724943 | Cite |
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186-188 | Review of Ulrich Finke, French Nineteenth-Century Painting and Literature, with Special Reference to the Relevance of Literary Subject-Matter to French Painting Colin Thompson doi:10.2307/3724944 | Cite |
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188-189 | Review of R. C. Guilbert de Pixérécourt, Norma Perry, Cœlina ou L'Enfant du mystère Marjorie Shaw doi:10.2307/3724945 | Cite |
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189-191 | Review of Stendhal, Richard N. Coe, Lives of Haydn, Mozart, and Metastasio Norman Suckling doi:10.2307/3724946 | Cite |
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191-192 | Review of Roger Fayolle, Sainte-Beuve et le XVIIIe siècle ou Comment les révolutions arrivent David Bellos doi:10.2307/3724947 | Cite |
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192-194 | Review of Ursula Schöni, Henri-Frédéric Amiel: Réflexions sur les Français et les Allemands à l'occasion de la guerre franco-allemande de 1870-71. Avec des textes inédits du 'Journal intime' Eugene Schulkind doi:10.2307/3724948 | Cite |
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194-195 | Review of Jean Borie, Zola et les mythes, ou de la nausée au salut Brian Nelson doi:10.2307/3724949 | Cite |
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195-196 | Review of David J. Niederauer, Henri de Régnier: Lettres à André Gide (1891-1911). Avec cinq brouillons de lettres d'André Gide à Henri de Régnier D. A. Steel doi:10.2307/3724950 | Cite |
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196-197 | Review of Jacques Viard, Proust et Péguy: Des affinités méconnues E. S. H. Cahm doi:10.2307/3724951 | Cite |
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197-198 | Review of Jacqueline de Labriolle, Les 'Christophe Colomb' de Paul Claudel E. T. Dubois doi:10.2307/3724952 | Cite |
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198-199 | Review of Christine M. Crow, Paul Valéry: Consciousness and Nature C. K. Chadwick doi:10.2307/3724953 | Cite |
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199-200 | | Cite |
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200-201 | Review of Marco Cerruti, La ragione felice e altri miti del Settecento Brian Moloney doi:10.2307/3724955 | Cite |
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201 | Review of , Bulletin of Hispanic Studies: Supplement (To Vol. 50) Colin Smith doi:10.2307/3724956 | Cite |
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201-202 | Review of Peter Boyd-Bowman, Léxico hispanoamericano del siglo XVI Douglas Gifford doi:10.2307/3724957 | Cite |
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202-203 | Review of Fernando de Rojas, James Mabbe, Guadalupe Martínez Lacalle, Celestine or the Tragick-Comedie of Calisto and Melibea Keith Whinnom doi:10.2307/3724958 | Cite |
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203-205 | | Cite |
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205-208 | | Cite |
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208-210 | Review of Karl Bertau, Deutsche Literatur im europäischen Mittelalter David Blamires doi:10.2307/3724961 | Cite |
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210-211 | Review of Franz Hundsnurscher, Ulrich Müller, 'Getempert und gemischet' für Wolfgang Mohr zum 65. Geburtstag von seinen Tübinger Schülern D. H. Green doi:10.2307/3724962 | Cite |
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211-213 | Review of George T. Gillespie, A Catalogue of Persons Named in German Heroic Literature (700-1600) Including Named Animals and Objects and Ethnic Names D. H. Green doi:10.2307/3724963 | Cite |
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213-214 | Review of Edgar Marsch, Biblische Prophetie und chronographische Dichtung: Stoff- und Wirkungsgeschichte der Vision des Propheten nach Dan. VII Frank Shaw doi:10.2307/3724964 | Cite |
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214-215 | Review of Dieter Strauss, Redegattungen und Redearten im 'Rolandslied' sowie in der 'Chanson de Roland' und in Strickers 'Karl': Studien zur Arbeitsweise mittelalterlicher Dichter D. H. Green doi:10.2307/3724965 | Cite |
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215-217 | Review of Horst Richter, Kommentar zum Rolandslied des Pfaffen Konrad. Teil I D. H. Green doi:10.2307/3724966 | Cite |
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217-218 | Review of Joachim Schröder, Zu Darstellung und Funktion der Schauplätze in den Artusromanen Hartmanns von Aue D. H. Green doi:10.2307/3724967 | Cite |
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218 | Review of Wolfgang Näser, Die Sachbeschreibung in den mittelhochdeutschen 'Spielmannsepen': Untersuchungen zu ihrer Technik D. H. Green doi:10.2307/3724968 | Cite |
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218-220 | Review of Christa Ortmann, Die Selbstaussagen im 'Parzival': Zur Frage nach der Persongestaltung bei Wolfram von Eschenbach D. H. Green doi:10.2307/3724969 | Cite |
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220-222 | Review of Rudolf Rosskopf, Der Traum Herzeloydes und der rote Ritter: Erwägungen über die Bedeutung des staufischwelfischen Thronstreites für Wolframs 'Parzival' D. H. Green doi:10.2307/3724970 | Cite |
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222-224 | Review of Carl Lofmark, Rennewart in Wolfram's 'Willehalm': A Study of Wolfram von Eschenbach and His Sources D. H. Green doi:10.2307/3724971 | Cite |
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225 | Review of Helga Schüppert, Kirchenkritik in der lateinischen Lyrik des 12. und 13. Jahrhunderts D. H. Green doi:10.2307/3724972 | Cite |
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225-226 | Review of Hellmut Thomke, Hymnische Dichtung im Expressionismus R. S. Furness doi:10.2307/3724973 | Cite |
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226-228 | Review of Elizabeth Boa, J. H. Reid, Critical Strategies: German Fiction in the Twentieth Century John White doi:10.2307/3724974 | Cite |
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228-230 | | Cite |
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230-231 | | Cite |
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232 | Review of Stanley Corngold, The Commentators' Despair: The Interpretation of Kafka's 'Metamorphosis' John Hibberd doi:10.2307/3724977 | Cite |
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232-233 | Review of D. A. Prater, European of Yesterday: A Biography of Stefan Zweig H. M. Waidson doi:10.2307/3724978 | Cite |
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233-234 | Review of Kurt J. Fickert, To Heaven and Back: The New Morality in the Plays of Friedrich Dürrenmatt John White doi:10.2307/3724979 | Cite |
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234-236 | Review of Manfred Durzak, Dürrenmatt, Frisch, Weiss: Deutsches Drama der Gegenwart zwischen Kritik und Utopie John White doi:10.2307/3724980 | Cite |
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236-237 | Review of Albrecht Goetze, Pression und Deformation: Zehn Thesen zum Roman 'Hundejahre' von Günter Graβ Anne White doi:10.2307/3724981 | Cite |
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237-239 | Review of John Fennell, Nineteenth-Century Russian Literature: Studies of Ten Russian Writers D. J. Richards doi:10.2307/3724982 | Cite |
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239-240 | | Cite |
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