481-488 | Structure and Theme through Separation and Union in Shakespeare's "The Comedy of Errors" Vincent F. Petronelladoi:10.2307/3724185 | Cite |
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489-500 | Mickle, Boswell, Liberty, and the "Prospects of Liberty and of Slavery" Monica Letzringdoi:10.2307/3724186 | Cite |
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501-522 | Aldous Huxley and D. H. Lawrence: An Attempt at Intellectual Sympathy Pierre Vitouxdoi:10.2307/3724187 | Cite |
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523-533 | | Cite |
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534-540 | | Cite |
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541-555 | Camus's "La Chute": Some Outstanding Problems of Interpretation concerning Clamence's Past Terry Keefedoi:10.2307/3724190 | Cite |
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556-561 | | Cite |
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562-574 | The Poet and His Masks: Some Remarks on Implicit Structures in Goethe's "West-östlicher Divan" Harald Ohlendorfdoi:10.2307/3724192 | Cite |
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575-583 | | Cite |
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584-595 | Dostoevsky's Treatment of the Theme of Romantic Dreaming in "Khozyayka" and "Belyye Nochi" W. J. Leatherbarrowdoi:10.2307/3724194 | Cite |
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596 | Review of , Linguistique: Liste mondiale des périodiques spécialisésCharles V. J. Russdoi:10.2307/3724195 | Cite |
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596-597 | Review of S. P. Corder, E. Roulet, Theoretical Linguistic Models in Applied Linguistics: 3rd AIMAV Seminar in Collaboration with AILA, CILA, and the Council of Europe (Neuchâtel, 5th-6th May 1972)Giulio Lepschydoi:10.2307/3724196 | Cite |
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597-599 | Review of A. J. Aitken, R. W. Bailey, N. Hamilton-Smith, The Computer and Literary StudiesDavid Wellsdoi:10.2307/3724197 | Cite |
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599-601 | Review of Fredric Jameson, Marxism and Form: Twentieth-Century Dialectical Theories of LiteratureJonathan Cullerdoi:10.2307/3724198 | Cite |
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602 | | Cite |
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603 | Review of James Olney, Metaphors of Self: The Meaning of AutobiographyDerek Bowmandoi:10.2307/3724200 | Cite |
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604-605 | Review of Jonathan Saville, The Medieval Erotic Alba: Structure as MeaningL. T. Topsfielddoi:10.2307/3724201 | Cite |
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605-607 | Review of Brian Stock, Myth and Science in the Twelfth Century: A Study of Bernard SilvesterKenelm Fosterdoi:10.2307/3724202 | Cite |
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607-610 | Review of Paul Fritz, David Williams, The Triumph of Culture: Eighteenth-Century PerspectivesCarl P. Barbierdoi:10.2307/3724203 | Cite |
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610-613 | Review of Hans Eichner, 'Romantic' and Its Cognates: The European History of a WordElinor Shafferdoi:10.2307/3724204 | Cite |
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614 | | Cite |
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614-616 | | Cite |
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616-617 | | Cite |
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617-618 | Review of Curt F. Bühler, Early Books and Manuscripts: Forty Years of ResearchK. W. Humphreysdoi:10.2307/3724208 | Cite |
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618-619 | | Cite |
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619-620 | | Cite |
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621-622 | Review of Kenneth Muir, Shakespeare Survey: An Annual Survey of Shakespearian Study and ProductionPhilip Edwardsdoi:10.2307/3724211 | Cite |
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622-623 | | Cite |
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623-624 | Review of John Paul Russo, Alexander Pope: Tradition and IdentityArther Sherbodoi:10.2307/3724213 | Cite |
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624-625 | | Cite |
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626-627 | Review of Winifred Gérin, Emily Brontë: A Biography; Margot Peters, Charlotte Brontë: Style in the NovelNorman Sherrydoi:10.2307/3724215 | Cite |
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627-628 | Review of Carl Dawson, Matthew Arnold, the Poetry: The Critical HeritagePark Honandoi:10.2307/3724216 | Cite |
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629-630 | | Cite |
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630-631 | | Cite |
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631-632 | Review of Carlo Pellegrini, Il Boccaccio nella cultura franceseJ. G. Bromfielddoi:10.2307/3724219 | Cite |
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633-634 | Review of Walter G. Langlois, The Persistent Voice: Essays on Hellenism in French Literature since the 18th Century, in Honor of Professor Henri W. PeyreR. R. Bolgardoi:10.2307/3724220 | Cite |
| |
634-635 | Review of Arthur S. Kimmel, The Old Provençal Epic 'Daurel et Beton'William Rothwelldoi:10.2307/3724221 | Cite |
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635-636 | Review of William Roach, The Continuations of the Old French 'Perceval' of Chrétien de Troyes. Volume IV: The Second ContinuationB. Woledgedoi:10.2307/3724222 | Cite |
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636-637 | Review of Brian Jeffery, Chanson Verse of the Early RenaissanceDudley Wilsondoi:10.2307/3724223 | Cite |
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637-639 | Review of T. J. Reiss, Toward Dramatic Illusion: Theatrical Technique and Meaning from Hardy to 'Horace'Tom Lawrensondoi:10.2307/3724224 | Cite |
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639-640 | | Cite |
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640-641 | Review of John Lapp, The Esthetics of Negligence: La Fontaine's ContesOdette de Mourguesdoi:10.2307/3724226 | Cite |
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642-643 | Review of Ira O. Wade, The Intellectual Origins of the French EnlightenmentJ. Loughdoi:10.2307/3724227 | Cite |
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643-645 | Review of Simone Balayé, Les Carnets de voyage de Madame de Staël: Contribution à la genèse de ses æuvresMarjorie J. Coxdoi:10.2307/3724228 | Cite |
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645-646 | Review of Brian Juden, Traditions orphiques et tendances mystiques dans le romantisme français (1800-1855)Frank Bowmandoi:10.2307/3724229 | Cite |
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646-648 | | Cite |
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648-649 | | Cite |
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649-650 | Review of B. H. Bakker, 'Naturalisme pas mort': Lettres inédites de Paul Alexis à Emile Zola, 1871-1900Colin Burnsdoi:10.2307/3724232 | Cite |
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650-653 | | Cite |
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653-654 | Review of Nicolas J. Perella, The Critical Fortune of Battista Guarini's 'Il Pastor Fido'Joey Whitfielddoi:10.2307/3724234 | Cite |
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654-655 | Review of Julius A. Molinaro, Petrarch to Pirandello: Studies in Italian Literature in Honour of Beatrice CorriganAnna Laura Lepschydoi:10.2307/3724235 | Cite |
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655-657 | Review of Dámaso Alonso, Pluralità e correlazione in poesiaAnna Laura Lepschydoi:10.2307/3724236 | Cite |
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657-659 | | Cite |
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659-662 | | Cite |
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662 | Review of , Bibliographie internationale de l'Humanisme et de la Renaissance, Volume VI (Travaux parus en 1970)Cecil H. Cloughdoi:10.2307/3724239 | Cite |
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662-663 | Review of Salvatore I. Camporeale, Lorenzo Valla, umanesimo e teologiaCecil H. Cloughdoi:10.2307/3724240 | Cite |
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664-665 | | Cite |
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665-666 | Review of Vittorio Alfieri, Beatrice Corrigan, Julius A. Molinaro, The Prince and LettersLuciano Wilkindoi:10.2307/3724242 | Cite |
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666-667 | Review of Luciano Anceschi, Le poetiche del Novecento in ItaliaFrancis R. Jonesdoi:10.2307/3724243 | Cite |
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667-668 | Review of Constantino García, Gramática Castellana por el Licenciado VillalónDavid Pattisondoi:10.2307/3724244 | Cite |
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668-670 | Review of Dorothy M. Atkinson, Anthony H. Clarke, Hispanic Studies in Honour of Joseph MansonNicholas G. Rounddoi:10.2307/3724245 | Cite |
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670-671 | | Cite |
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671-677 | Review of D. Devoto, Introducción al estudio de Don Juan Manuel y en particular de El Conde Lucanor: Una bibliografíaR. B. Tatedoi:10.2307/3724247 | Cite |
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677-678 | | Cite |
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678-679 | Review of Noël Salomon, La vida rural castellana en tiempos de Felipe IIAngus Mackaydoi:10.2307/3724249 | Cite |
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679-681 | | Cite |
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681-682 | | Cite |
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682-683 | Review of R. E. Batchelor, Unamuno Novelist: A European PerspectiveJuan López-Morillasdoi:10.2307/3724252 | Cite |
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683-684 | | Cite |
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684-685 | Review of A. Grove Day, Edgar Knowlton, Jr., V. Blasco IbáñezRichard A. Cardwelldoi:10.2307/3724254 | Cite |
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685-686 | Review of George J. G. Cheyne, Joaquín Costa, el gran desconozido: Esbozo biográficoV. G. Kiernandoi:10.2307/3724255 | Cite |
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687-688 | Review of Gemma Roberts, Temas existenciales en la novela española de postguerraRichard A. Cardwelldoi:10.2307/3724256 | Cite |
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689 | | Cite |
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689-691 | | Cite |
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691-692 | Review of Harald Burger, Zeit und Ewigkeit: Studien zum Wortschatz der geistlichen Texte des Alt- und FrühmittelhochdeutschenD. H. Greendoi:10.2307/3724259 | Cite |
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693-694 | Review of Kathryn Smits, Die frühmittelhochdeutsche Wiener Genesis: Kritische Ausgabe mit einem einleitenden Kommentar zur ÜberlieferungDavid Wellsdoi:10.2307/3724260 | Cite |
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694-696 | Review of Brian Murdoch, The Fall of Man in the Early Middle High German Biblical Epic: The 'Wiener Genesis', the 'Vorauer Genesis' and the 'Anegenge'David Wellsdoi:10.2307/3724261 | Cite |
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696-698 | Review of Dieter Hensing, Zur Gestaltung der Wiener Genesis: Mit Hinweisen auf Otfrid und die frühe SequenzBrian Murdochdoi:10.2307/3724262 | Cite |
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698-701 | Review of Volker Mertens, Das Predigtbuch des Priesters Konrad: Überlieferung, Gestalt, Gehalt und TexteH. B. Willsondoi:10.2307/3724263 | Cite |
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701-702 | Review of Hubertus Menke, Die Tiernamen in 'Van den Vos Reinaerde'David Le Sagedoi:10.2307/3724264 | Cite |
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702-705 | Review of Ferdinand van Ingen, Philipp von Zesen; Klaus Kaczerowsky, Bürgerliche Romankunst im Zeitalter des Barock: Philipp von Zesens 'Adriatische Rosemund'; Hans Gerd Rötzer, Der Roman des Barock 1600-1700: Kommentar zu einer EpochePeter Skrinedoi:10.2307/3724265 | Cite |
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705-706 | | Cite |
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706-707 | | Cite |
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708 | Review of Derek van Abbé, Goethe: New Perspectives on a Writer and His TimeChristopher Smithdoi:10.2307/3724268 | Cite |
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709-710 | Review of Bernhard Gajek, Homo Poeta: Zur Kontinuität der Problematik bei Clemens BrentanoElisabeth Stoppdoi:10.2307/3724269 | Cite |
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710-711 | Review of Otto F. Best, Peter Weiss: Vom existentialistischen Drama zum marxistischen WelttheaterIan Hiltondoi:10.2307/3724270 | Cite |
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711-712 | Review of Donald Hannah, 'Isak Dinesen' and Karen Blixen: The Mask and the RealityGeoffrey Cubbindoi:10.2307/3724271 | Cite |
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712-713 | | Cite |
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713-715 | Review of Stephen Bann, John E. Bowlt, Russian Formalism: A Collection of Articles and Texts in TranslationAnn Shukmandoi:10.2307/3724273 | Cite |
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715-716 | Review of George O. Schanzer, Russian Literature in the Hispanic World: A Bibliography. La literatura rusa en el mundo hispánico: bibliografíaJ. S. G. Simmonsdoi:10.2307/3724274 | Cite |
| |
716-719 | Review of Edward L. Keenan, The Kurbskii-Groznyi Apocrypha: The Seventeenth-Century Genesis of the 'Correspondence' Attributed to Prince A. M. Kurbskii and Tsar Ivan IVW. F. Ryandoi:10.2307/3724275 | Cite |
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719-720 | | Cite |
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