| 721-733 | | Cite |
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| 734-740 | | Cite |
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| 741-749 | | Cite |
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| 750-755 | The Psychological Prison of Arthur Clennam in Dickens's "Little Dorrit" T. N. Grove doi:10.2307/3726040 | Cite |
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| 756-761 | | Cite |
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| 762-770 | "Paraître" and "Être": Thoughts on d'Aubigné's "Avantures du Baron de Fæneste" Ian R. Morrison doi:10.2307/3726042 | Cite |
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| 820-838 | On the Excellence of the "Hildebrandslied": A Comparative Study in Dynamics A. T. Hatto doi:10.2307/3726048 | Cite |
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| 839-842 | The Three Functions of Hugo Peter in Gryphius's "Carolus Stuardus" Alan Menhennet doi:10.2307/3726049 | Cite |
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| 843-862 | Ad Astra Volandum: Emblems and Imagery in Grimmelshausen's "Simplicissimus" Jeffrey Ashcroft doi:10.2307/3726050 | Cite |
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| 863-869 | | Cite |
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| 870-882 | Tolstoy's "Hadji Murat": The Evolution of Its Theme and Structure James B. Woodward doi:10.2307/3726052 | Cite |
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| 883-884 | Review of C. A. Patrides, The Grand Design of God: The Literary Form of the Christian View of History E. D. Mackerness doi:10.2307/3726053 | Cite |
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| 884-885 | | Cite |
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| 885-887 | | Cite |
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| 887-888 | Review of Howard D. Weinbrot, New Aspects of Lexicography: Literary Criticism, Intellectual History, and Social Change Susie I. Tucker doi:10.2307/3726056 | Cite |
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| 889 | Review of Norman E. Eliason, The Language of Chaucer's Poetry: An Appraisal of the Verse, Style, and Structure Rita Wilson doi:10.2307/3726057 | Cite |
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| 889-891 | Review of Michael Goldman, Shakespeare and the Energies of Drama Stanley Wells doi:10.2307/3726058 | Cite |
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| 891-892 | | Cite |
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| 893-894 | Review of Steven N. Zwicker, Dryden's Political Poetry: The Typology of King and Nation William Myers doi:10.2307/3726060 | Cite |
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| 894-895 | | Cite |
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| 895-897 | Review of Fred Kaplan, Miracles of Rare Device: The Poet's Sense of Self in Nineteenth-Century Poetry Park Honan doi:10.2307/3726062 | Cite |
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| 897-898 | | Cite |
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| 898-899 | Review of J. D. P. Warners, L. Ph. Rank, Bacchus: Lyrisch leesboek over de god Bacchus, met aantekeningen en vertalingen; tevens een illustratie van het translatio-imitatio-aemulatio-principe J. W. Binns doi:10.2307/3726064 | Cite |
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| 900 | Review of Richard L. Demolen, Erasmus of Rotterdam: A Quincentennial Symposium J. W. Binns doi:10.2307/3726065 | Cite |
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| 900-902 | | Cite |
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| 902-903 | Review of Walter A. Strauss, Descent and Return: The Orphic Theme in Modern Literature J. C. Ireson doi:10.2307/3726067 | Cite |
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| 904-905 | | Cite |
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| 905-906 | Review of B. L. Ullman, P. A. Stadter, The Public Library of Renaissance Florence: Niccolò Niccoli, Cosimo de' Medici and the Library of San Marco Cecil H. Clough doi:10.2307/3726069 | Cite |
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| 906-908 | Review of Giuseppe Petronio, L'attività letteraria in Italia Giovanni Carsaniga doi:10.2307/3726070 | Cite |
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| 908-909 | Review of Luigi M. Personè, Il teatro italiano della 'belle époque': Saggi e studi Judith Davies doi:10.2307/3726071 | Cite |
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| 909-910 | Review of Jørn Moestrup, The Structural Patterns of Pirandello's Work Giovanni Carsaniga doi:10.2307/3726072 | Cite |
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| 910-912 | | Cite |
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| 912-913 | Review of J. H. Marshall, The 'Razos de trobar' of Raimon Vidal and Associated Texts W. H. Lyons doi:10.2307/3726074 | Cite |
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| 913-915 | Review of Sebastián de Córdoba, Glen R. Gale, Garcilaso a lo divino Bruce W. Wardropper doi:10.2307/3726075 | Cite |
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| 915-916 | | Cite |
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| 916-917 | Review of Augusta Espantoso Foley, Occult Arts and Doctrine in the Theater of Juan Ruiz de Alarcón James A. Parr doi:10.2307/3726077 | Cite |
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| 917-918 | Review of Nigel Glendinning, Studies in Modern Spanish Literature and Art E. Inman Fox doi:10.2307/3726078 | Cite |
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| 919-920 | | Cite |
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| 920-921 | Review of Carroll Edward Mace, Two Spanish-Quiché Dance-dramas of Rabinal Pauline F. Hoggarth doi:10.2307/3726080 | Cite |
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| 921-922 | | Cite |
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| 922 | Review of Ulrich Stiehl, Einführung in die allgemeine Semantik Charles V. J. Russ doi:10.2307/3726082 | Cite |
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| 922 | | Cite |
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| 923 | | Cite |
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| 923-925 | Review of W. Walker Chambers, John R. Wilkie, A Short History of the German Language John Margetts doi:10.2307/3726085 | Cite |
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| 925-926 | Review of Walter Lerch, Probleme der Schreibung bei schweizerdeutschen Mundartschriftstellern: Ein Beitrag zum Problem inadäquater Schreibsysteme R. E. Keller doi:10.2307/3726086 | Cite |
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| 926 | Review of Maria Bindschedler, Rudolf Hotzenköcherle, Werner Kohlschmidt, Festschrift für Paul Zinsli R. E. Keller doi:10.2307/3726087 | Cite |
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| 927-928 | Review of Heikki J. Hakkarainen, Studien zum Cambridger Codex T-S. 10. K. 22: II. Graphemik und Phonemik Brian Murdoch doi:10.2307/3726088 | Cite |
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| 928-929 | Review of Hans Peter Althaus, Die Cambridger Löwenfabel von 1382: Untersuchung und Edition eines defektiven Textes Brian Murdoch doi:10.2307/3726089 | Cite |
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| 929-931 | Review of Edward Peters, The Shadow King: Rex inutilis in Medieval Law and Literature, 751-1327 D. H. Green doi:10.2307/3726090 | Cite |
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| 931-932 | Review of Klaus von See, Germanische Heldensage: Stoffe, Probleme, Methoden David Blamires doi:10.2307/3726091 | Cite |
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| 932-935 | Review of Uwe Pörksen, Der Erzähler im mittelhochdeutschen Epos: Formen seines Hervortretens bei Lamprecht, Konrad, Hartmann, in Wolframs Willehalm und in den 'Spielmannsepen' D. H. Green doi:10.2307/3726092 | Cite |
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| 935-937 | Review of Wiebke Freytag, Das Oxymoron bei Wolfram, Gottfried und andern Dichtern des Mittelalters D. H. Green doi:10.2307/3726093 | Cite |
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| 937-939 | Review of Walter Mersmann, Der Besitzwechsel und seine Bedeutung in den Dichtungen Wolframs von Eschenbach und Gottfrieds von Strassburg D. H. Green doi:10.2307/3726094 | Cite |
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| 939-940 | Review of Jürgen Haupt, Der Truchsess Keie im Artusroman: Untersuchungen zur Gesellschaftsstruktur im höfischen Roman D. H. Green doi:10.2307/3726095 | Cite |
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| 941 | Review of Friedrich Gaede, Humanismus Barock Aufklärung: Geschichte der deutschen Literatur vom 16. bis zum 18. Jahrhundert R. T. Llewellyn doi:10.2307/3726096 | Cite |
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| 941-942 | | Cite |
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| 942-943 | Review of Robert M. Browning, German Baroque Poetry, 1618-1723 R. T. Llewellyn doi:10.2307/3726098 | Cite |
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| 943 | | Cite |
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| 943-944 | | Cite |
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| 944-945 | Review of Gert Ueding, Schillers Rhetorik: Idealistische Wirkungsästhetik und rhetorische Tradition Eva Schaper doi:10.2307/3726101 | Cite |
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| 946-947 | Review of Herbert Kraft, Poesie der Idee: Die tragische Dichtung Friedrich Hebbels F. M. Fowler doi:10.2307/3726102 | Cite |
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| 947 | | Cite |
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| 948-949 | Review of J. P. Stern, Idylls and Realities: Studies in Nineteenth-Century German Literature M. B. Benn doi:10.2307/3726104 | Cite |
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| 949-950 | | Cite |
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| 950-951 | Review of Hermann Rudolph, Kulturkritik und konservative Revolution: Zum kulturell-politischen Denken Hofmannsthals und seinem problemgeschichtlichen Kontext W. E. Yates doi:10.2307/3726106 | Cite |
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| 952-953 | Review of Dieter Bänsch, Else Lasker-Schüler: Zur Kritik eines etablierten Bildes H. R. Klieneberger doi:10.2307/3726107 | Cite |
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| 953-954 | Review of Inge Jens, Dichter zwischen rechts und links: Die Geschichte der Sektion für Dichtkunst der Preußischen Akademie der Künste, dargestellt nach den Dokumenten August Closs doi:10.2307/3726108 | Cite |
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| 955-956 | Review of John Flores, Poetry in East Germany: Adjustments, Visions, and Provocations. 1945-70 John White doi:10.2307/3726109 | Cite |
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| 956-957 | | Cite |
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| 957-958 | | Cite |
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| 958-959 | Review of Richard F. Allen, Fire and Iron: Critical Approaches to 'Njáls saga' Geoffrey Cubbin doi:10.2307/3726112 | Cite |
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| xix-xxv | The Presidential Address of the Modern Humanities Research Association, 1973: The Russian Literary Language: A Comparative View B. O. Unbegaun doi:10.2307/3726113 | Cite |
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