241-251 | | Cite |
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252-256 | "Measure for Measure" and the Fourth Book of Castiglione's "Il Cortegiano" C. L. Gent doi:10.2307/3722307 | Cite |
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257-263 | | Cite |
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264-270 | Borrowing and Independence in Kipling's "The Story of Muhammad Din" T. A. Shippey doi:10.2307/3722309 | Cite |
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271-281 | | Cite |
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282-290 | | Cite |
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291-299 | | Cite |
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300-308 | | Cite |
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309-318 | | Cite |
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319-327 | Neoplatonic Allegory in Calderón's "Las Fortunas de Andrómeda y Perseo" C. A. Merrick doi:10.2307/3722315 | Cite |
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328-339 | | Cite |
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340-363 | "Maiestas" and Related Aspects of "Gloria" in Otfrid, Notker, and the Old High German "Isidor" David Le Sage doi:10.2307/3722317 | Cite |
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364-389 | The Hymns of Johannes Agricola of Eisleben: A Literary Reappraisal Sander L. Gilman doi:10.2307/3722318 | Cite |
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390-391 | | Cite |
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391-392 | Review of Robert C. Elliott, The Shape of Utopia: Studies in a Literary Genre Margaret Schlauch doi:10.2307/3722320 | Cite |
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392-394 | Review of F. P. Pickering, Literature and Art in the Middle Ages Derek Brewer doi:10.2307/3722321 | Cite |
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394-395 | Review of W. J. M. Bronzwaer, Tense in the Novel: An Investigation of Some Potentialities of Linguistic Criticism Roy Pascal doi:10.2307/3722322 | Cite |
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395-396 | Review of Constantino Sarmiento Nieva, This Transcending God: The Teaching of the Author of 'The Cloud of Unknowing' Stella Brook doi:10.2307/3722323 | Cite |
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396-398 | Review of Pietro Calí, Allegory and Vision in Dante and Langland R. D. S. Jack doi:10.2307/3722324 | Cite |
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398-399 | Review of David Orr, Italian Renaissance Drama in England before 1625 R. D. S. Jack doi:10.2307/3722325 | Cite |
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399-400 | Review of Hilda U. Stubbings, Renaissance Spain in Its Literary Relations with England and France: A Critical Bibliography Gustav Ungerer doi:10.2307/3722326 | Cite |
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400-401 | Review of Stanley Wells, Literature and Drama, with Special Reference to Shakespeare and His Contemporaries Norman Rabkin doi:10.2307/3722327 | Cite |
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401-402 | Review of Sylvia D. Feldman, The Morality-Patterned Comedy of the Renaissance J. A. B. Somerset doi:10.2307/3722328 | Cite |
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403-404 | Review of Arthur H. Cash, John M. Stedmond, The Winged Skull: Papers from the Laurence Sterne Bicentenary Conference Ronald Paulson doi:10.2307/3722329 | Cite |
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404-405 | Review of Patricia M. Ball, Coleridge, Ruskin, Hopkins, The Science of Aspects: The Changing Role of Fact in the Work of Coleridge, Ruskin, and Hopkins Kenneth Allott doi:10.2307/3722330 | Cite |
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405-407 | Review of Barbara Hardy, The Moral Art of Dickens; Sylvia Bank Manning, Dickens as Satirist Kenneth Muir doi:10.2307/3722331 | Cite |
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407-408 | Review of Kenneth B. Newell, Structure in Four Novels by H. G. Wells John Batchelor doi:10.2307/3722332 | Cite |
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408-409 | Review of J. M. Synge, Robin Skelton, Some Sonnets from 'Laura in Death', after the Italian of Francesco Petrarch George Watson doi:10.2307/3722333 | Cite |
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409-410 | Review of Margrit Hahnloser-Ingold, Das englische Theater und Bert Brecht: Die Dramen von W. H. Auden, John Osborne, John Arden in ihrer Beziehung zum epischen Theater von Bert Brecht und den gemeinsamen elisabethanischen Quellen Klaus Peter Steiger doi:10.2307/3722334 | Cite |
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410-413 | | Cite |
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413-414 | Review of Eugene Dorfman, The Narreme in the Medieval Romance Epic: An Introduction to Narrative Structures Glyn S. Burgess doi:10.2307/3722336 | Cite |
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414-415 | Review of W. Victor Wortley, Tallemant des Réaux: The Man through His Style Geoffrey Bremner doi:10.2307/3722337 | Cite |
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415-417 | Review of Jean A. Perkins, The Concept of the Self in the French Enlightenment A. W. Fairbairn doi:10.2307/3722338 | Cite |
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417-418 | Review of John Lough, The 'Encyclopédie' in Eighteenth-Century England and Other Studies A. W. Fairbairn doi:10.2307/3722339 | Cite |
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419-421 | Review of Pierre Deghaye, La doctrine ésotérique de Zinzendorf (1700-1760) Brian Juden doi:10.2307/3722340 | Cite |
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421-423 | Review of Ferdinand Boyer, Le Monde des Arts en Italie et la France de la Révolution et de l'Empire: Études et recherches Donald Adamson doi:10.2307/3722341 | Cite |
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423-424 | Review of Leo Bersani, Balzac to Beckett: Center and Circumference in French Fiction Jonathan Culler doi:10.2307/3722342 | Cite |
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425-426 | | Cite |
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426-427 | Review of Jacques J. Zéphir, Psychologie de Salavin de Georges Duhamel Sylvia Raphael doi:10.2307/3722344 | Cite |
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427-428 | | Cite |
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428-430 | Review of Vladimiro Macchi, The Sansoni-Harrap Standard Italian and English Dictionary: Part One: Italian-English A-L David Robey doi:10.2307/3722346 | Cite |
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430-431 | Review of Gian Luigi Beccaria, Spagnolo e spagnoli in Italia: Riflessi ispanici sulla lingua italiana del Cinque e del Seicento T. Gwynfor Griffith doi:10.2307/3722347 | Cite |
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432-433 | Review of G. Carsaniga, Geschichte der italienischen Literatur von der Renaissance bis zur Gegenwart R. G. Faithfull doi:10.2307/3722348 | Cite |
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433-434 | Review of Julius A. Molinaro, A Bibliography of Sixteenth-Century Italian Verse Collections in the University of Toronto Library Alan Bullock doi:10.2307/3722349 | Cite |
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435 | Review of L. M. Personè, Pensatori liberi nell'Italia contemporanea Francis R. Jones doi:10.2307/3722350 | Cite |
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435-436 | | Cite |
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436-438 | Review of Francisco Rico, El pequeño mundo del hombre: varia fortuna de una idea en las letras españolas R. B. Tate doi:10.2307/3722352 | Cite |
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439-440 | Review of Christine J. Whitbourn, The 'Arcipreste de Talavera' and the Literature of Love G. B. Gybbon-Monypenny doi:10.2307/3722353 | Cite |
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440-441 | Review of Mary Gaylord Randel, The Historical Prose of Fernando de Herrera Angus Mackay doi:10.2307/3722354 | Cite |
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441-442 | Review of Arturo Serrano-Plaja, Robert S. Rudder, 'Magic' Realism in Cervantes: 'Don Quixote' as Seen through 'Tom Sawyer' and 'The Idiot' Juan Bautista Avalle-Arce doi:10.2307/3722355 | Cite |
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442-444 | | Cite |
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444-445 | Review of Maria Eugenia March, Forma e idea de los esperpentos de Valle-Inclán John Lyon doi:10.2307/3722357 | Cite |
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445-447 | Review of Luis Cernuda, Luis Maristany, Crítica, ensayos y evocaciones Arthur Terry doi:10.2307/3722358 | Cite |
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447-448 | Review of Saul Yurkievich, Fundadores de la nueva poesía latinoamericana Donald L. Shaw doi:10.2307/3722359 | Cite |
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448-449 | | Cite |
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449-450 | Review of N. J. Davison, Eduardo Barrios; H. D. Oberhelman, Ernesto Sáboto Donald L. Shaw doi:10.2307/3722361 | Cite |
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450-460 | | Cite |
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460-461 | Review of Paul B. Salmon, Literature in Medieval Germany Kenneth J. Northcott doi:10.2307/3722363 | Cite |
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461-464 | Review of Wolfgang Hempel, Übermuot diu alte... Der Superbia-Gedanke und seine Rolle in der deutschen Literatur des Mittelalters D. H. Green doi:10.2307/3722364 | Cite |
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464-466 | | Cite |
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466-467 | Review of Eva-Maria Carne, Die Frauengestalten bei Hartmann von Aue: Ihre Bedeutung im Aufbau und Gehalt der Epen D. H. Green doi:10.2307/3722366 | Cite |
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467-468 | | Cite |
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468-469 | Review of Friedrich Schiller, Frank M. Fowler, Selected Poems Josephine Annable doi:10.2307/3722368 | Cite |
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469-470 | Review of Alfred Bergmann, Grabbe in Berichten seiner Zeitgenossen P. C. Thornton doi:10.2307/3722369 | Cite |
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470-471 | Review of Roger A. Nicholls, The Dramas of Christian Dietrich Grabbe P. C. Thornton doi:10.2307/3722370 | Cite |
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471-472 | Review of Winfried Georg Sebald, Carl Sternheim: Kritiker und Opfer der Wilhelminischen Ära John Osborne doi:10.2307/3722371 | Cite |
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472 | | Cite |
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472-473 | | Cite |
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473-474 | | Cite |
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474-475 | Review of Eric O. Johannesson, The Novels of August Strindberg: A Study in Theme and Structure Harold H. Borland doi:10.2307/3722375 | Cite |
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475-478 | | Cite |
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478 | Review of Serge A. Zenkovsky, David L. Armbruster, A Guide to the Bibliographies of Russian Literature J. S. G. Simmons doi:10.2307/3722377 | Cite |
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479-480 | Review of Hans Rothe, N. M. Karamzins europäische Reise: Der Beginn des russischen Romans: Philologische Untersuchungen Grahame Smith doi:10.2307/3722378 | Cite |
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