1-10 | | Cite |
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11-30 | | Cite |
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31-43 | | Cite |
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44-49 | Special Pleading and Art in "Middlemarch": The Relations between the Sexes Lloyd Fernando doi:10.2307/3722384 | Cite |
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50-61 | The Love Theme in Chrétien de Troyes's "Chevalier de la Charrette" Fanni Bogdanow doi:10.2307/3722385 | Cite |
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62-73 | Mérimée and Pictorial Inspiration: The Sources of "Les Âmes du Purgatoire" Colin Thompson doi:10.2307/3722386 | Cite |
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74-82 | | Cite |
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83-94 | "Casa con dos puertas": Towards a Definition of Calderón's View of Comedy J. E. Varey doi:10.2307/3722388 | Cite |
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95-117 | Brentano's "O Stern und Blume": Its Poetic and Emblematic Context Elisabeth Stopp doi:10.2307/3722389 | Cite |
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118-126 | Variations on the Theme of War: Notes on a Group of Poems by Ehrenstein Anne White doi:10.2307/3722390 | Cite |
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127-142 | Paul Celan's Modes of Silence: Some Observations on "Sprachgitter" Corbet Stewart doi:10.2307/3722391 | Cite |
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143-150 | "Iconoclasm" as a Structural Device in Three of Gorky's Stories C. J. G. Turner doi:10.2307/3722392 | Cite |
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151-152 | Review of Hans Jensen, George Unwin, Sign, Symbol, and Script: An Account of Man's Efforts to Write Simeon Potter doi:10.2307/3722393 | Cite |
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152-153 | Review of Jerome P. Schiller, I. A. Richards's Theory of Literature G. D. Klingopulos doi:10.2307/3722394 | Cite |
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153-157 | Review of Jacques Monod, Le Hasard et la nécessité. Essai sur la philosophie naturelle de la biologie moderne Christine M. Crow doi:10.2307/3722395 | Cite |
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157-159 | | Cite |
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159-160 | Review of Harry Levin, The Myth of the Golden Age in the Renaissance R. F. Hill doi:10.2307/3722397 | Cite |
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160-161 | Review of Haskell M. Block, Naturalistic Triptych: The Fictive and the Real in Zola, Mann, and Dreiser Malcolm Bradbury doi:10.2307/3722398 | Cite |
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161-163 | Review of Alastair Fowler, Silent Poetry: Essays in Numerological Analysis T. A. Shippey doi:10.2307/3722399 | Cite |
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163-164 | Review of Jacek Fisiak, A Short Grammar of Middle English. Part I: Graphemics, Phonemics, and Morphemics; Klaus Sperk, Medieval English Saints' Legends; Derek Pearsall, John Lydgate Rita Wilson doi:10.2307/3722400 | Cite |
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164-165 | Review of Mortimer J. Donovan, The Breton Lay: A Guide to Varieties Derek Brewer doi:10.2307/3722401 | Cite |
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165-166 | Review of Werner Habicht, Studien zur Dramenform vor Shakespeare: Moralität, Interlude, romaneskes Drama John Westlake doi:10.2307/3722402 | Cite |
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166-167 | Review of A. N. Kaul, The Action of English Comedy: Studies in the Encounter of Abstraction and Experience from Shakespeare to Shaw Kenneth Muir doi:10.2307/3722403 | Cite |
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167-168 | Review of Ian Donaldson, The World Upside-down: Comedy from Jonson to Fielding Douglas Brooks doi:10.2307/3722404 | Cite |
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168-169 | Review of Douglas Bush, John Milton, A Variorum Commentary on the Poems of John Milton. Volume One: The Latin and Greek Poems J. W. Binns doi:10.2307/3722405 | Cite |
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170-172 | Review of Irvin Ehrenpreis, Jonathan Swift; Denis Donoghue, Jonathan Swift: A Critical Introduction Colin J. Horne doi:10.2307/3722406 | Cite |
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172-173 | Review of Martin Kallich, The Association of Ideas and Critical Theory in Eighteenth-Century England: A History of a Psychological Method in English Criticism R. L. Brett doi:10.2307/3722407 | Cite |
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173-174 | Review of Donald Wesling, Wordsworth and the Adequacy of Landscape John Colmer doi:10.2307/3722408 | Cite |
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174-175 | Review of Jean Raimond, Robert Southey: L'homme et son temps. L'œuvre: Le rôle Geoffrey Carnall doi:10.2307/3722409 | Cite |
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176 | | Cite |
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176-177 | | Cite |
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177-179 | Review of Gertrude Patterson, T. S. Eliot: Poems in the Making D. E. S. Maxwell doi:10.2307/3722412 | Cite |
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179 | | Cite |
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180 | Review of Joseph Marks, Harrap's French/English Dictionary of Slang and Colloquialisms J. Ann Duncan doi:10.2307/3722414 | Cite |
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181-182 | Review of Iorgu Iordan, John Orr, An Introduction to Romance Linguistics Stewart Gregory doi:10.2307/3722415 | Cite |
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182-183 | Review of T. G. S. Combe, P. Rickard, The French Language: Studies Presented to Lewis Charles Harmer A. H. Diverres doi:10.2307/3722416 | Cite |
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183-184 | Review of D. J. A. Ross, Alexander and the Faithless Lady: A Submarine Adventure Helen C. R. Laurie doi:10.2307/3722417 | Cite |
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184-185 | | Cite |
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185-186 | | Cite |
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186-188 | Review of Theodore Besterman, Voltaire's Household Accounts 1760-1778 O. R. Taylor doi:10.2307/3722420 | Cite |
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188 | Review of Jean-Jacques Rousseau, Ronald Grimsley, Religious Writings Peter France doi:10.2307/3722421 | Cite |
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189-191 | Review of R. A. Leigh, Jean-Jacques Rousseau: Correspondance Complète. Tome IX; R. A. Leigh, Jean-Jacques Rousseau: Correspondance Complète. Tome XI E. R. Briggs doi:10.2307/3722422 | Cite |
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191-192 | Review of Claire Rosselet, Catalogue de la Correspondance de J.-J. Rousseau E. R. Briggs doi:10.2307/3722423 | Cite |
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192-193 | | Cite |
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193-195 | Review of Fernando del Pulgar, Robert Brian Tate, Claros varones de Castilla Angus Mackay doi:10.2307/3722425 | Cite |
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195 | Review of Arthur Terry, An Anthology of Spanish Poetry, 1500-1700. Part II Jennifer Lowe doi:10.2307/3722426 | Cite |
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195-196 | | Cite |
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197-198 | Review of Tirso de Molina, A. K. G. Paterson, La venganza de Tamar Daniel Rogers doi:10.2307/3722428 | Cite |
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198-199 | Review of Juan Vélez de Guevera, J. E. Varey, N. D. Shergold, Los celos hacen estrellas Edward Wilson doi:10.2307/3722429 | Cite |
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199-200 | Review of Juan Pablo Forner y Segarra, John H. R. Polt, Los Gramáticos, Historia Chinesca I. L. McClelland doi:10.2307/3722430 | Cite |
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200-201 | Review of Pierre L. Ullman, Mariano de Larra and Spanish Political Rhetoric John Butt doi:10.2307/3722431 | Cite |
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201-202 | | Cite |
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202-203 | | Cite |
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203-205 | Review of Joachim Bumke, Die Wolfram von Eschenbach Forschung seit 1945. Bericht und Bibliographie D. H. Green doi:10.2307/3722434 | Cite |
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205 | Review of Manfred Günter Scholz, Bibliographie zu Walther von der Vogelweide Olive Sayce doi:10.2307/3722435 | Cite |
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205-206 | Review of Walter Blank, Die deutsche Minneallegorie. Gestaltung und Funktion einer spätmittelalterlichen Dichtungsform Olive Sayce doi:10.2307/3722436 | Cite |
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206-207 | Review of Michael Curschmann, Texte und Melodien zur Wirkungsgeschichte eines spätmittelalterlichen Liedes (Hans Heselloher, 'Von üppiglichen dingen') Olive Sayce doi:10.2307/3722437 | Cite |
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207 | Review of Günther Schweikle, Dichter über Dichter in mittelhochdeutscher Literatur D. H. Green doi:10.2307/3722438 | Cite |
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207-210 | Review of Wolfgang Harms, Homo viator in bivio. Studien zur Bildlichkeit des Weges D. H. Green doi:10.2307/3722439 | Cite |
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210-211 | Review of Peter Rusterholz, Funktion und Bedeutungswandel eines poetischen Bildes. Theatrum Vitae Humanae Peter Skrine doi:10.2307/3722440 | Cite |
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212-214 | Review of E. L. Stahl, W. E. Yuill, German Literature in the 18th and 19th Centuries J. M. Ritchie doi:10.2307/3722441 | Cite |
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214-216 | Review of Siegbert S. Prawer, R. Hinton Thomas, Leonard Forster, Essays in German Language, Culture, and Society M. B. Benn doi:10.2307/3722442 | Cite |
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216-217 | Review of Gerhart Baumann, Jean Paul. Zum Verstehensprozeß der Dichtung H.-J. Modlmayr doi:10.2307/3722443 | Cite |
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217-218 | Review of Géza von Molnár, Novalis's 'Fichte Studies'. The Foundation of His Aesthetics Elisabeth Stopp doi:10.2307/3722444 | Cite |
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219-220 | Review of Jochen Schmidt, Hölderlins letzte Hymnen. 'Andenken' und 'Mnemosyne' M. B. Benn doi:10.2307/3722445 | Cite |
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220 | Review of Joseph Freiherr von Eichendorff, J. M. Ritchie, Aus dem Leben eines Taugenichts Elisabeth Stopp doi:10.2307/3722446 | Cite |
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220-221 | | Cite |
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221-222 | Review of Henry J. Schmidt, Georg Büchner, Satire, Caricature, and Perspectivism in the Works of Georg Büchner M. B. Benn doi:10.2307/3722448 | Cite |
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222-224 | | Cite |
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224-226 | | Cite |
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226 | Review of Hansjörg Graf, Der Kleine Salon. Szenen und Prosa des Wiener Fin-de-Siècle. Mit Illustrationen von Gustav Klimt H. Modlmayr-Heimath doi:10.2307/3722451 | Cite |
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226-229 | Review of Paul Konrad Kurz, On Modern German Literature; Lothar Georg Seeger, Die Demaskierung der Lebenslüge. Eine Untersuchung zur Krise der Gesellschaft in Robert Musils 'Der Mann ohne Eigenschaften' Elizabeth Boa doi:10.2307/3722452 | Cite |
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229 | Review of Anthony W. Riley, Elisabeth Langgässer Bibliographie mit Nachlaßbericht H. R. Klieneberger doi:10.2307/3722453 | Cite |
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229-231 | Review of Ludo Verbeeck, Konrad Weiss: Weltbild und Dichtung. Eine Untersuchung nach dem inneren Zusammenhang der ersten Schaffensperiode (1909-1920) H. R. Klieneberger doi:10.2307/3722454 | Cite |
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231-233 | Review of Wolfgang Paulsen, Der Dichter und seine Zeit. Politik im Spiegel der Literatur. (Drittes Amherster Kolloquium zur modernen deutschen Literatur, 1969) M. B. Benn doi:10.2307/3722455 | Cite |
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233-234 | Review of Edgar Mertner, Herbert Mainusch, Pornotopia. Das Obszöne und die Pornographie in der literarischen Landschaft H.-J. Modlmayr doi:10.2307/3722456 | Cite |
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235 | Review of Henrik Ibsen, James Walter McFarlane, Graham Orton, Works Brian W. Downs doi:10.2307/3722457 | Cite |
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236-239 | Review of Michael Shapiro, Aspects of Russian Morphology: A Semiotic Investigation David Ward doi:10.2307/3722458 | Cite |
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239-240 | Review of Elizabeth Klosty Beaujour, The Invisible Land: A Study of the Artistic Imagination of Iurii Olesha M. H. Shotton doi:10.2307/3722459 | Cite |
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