481-487 | Edward IV, William Caxton, and Literary Patronage in Yorkist England Margaret Kekewich doi:10.2307/3723166 | Cite |
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488-491 | | Cite |
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492-496 | | Cite |
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497-510 | | Cite |
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511-521 | | Cite |
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522-531 | | Cite |
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532-541 | | Cite |
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542-553 | | Cite |
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554-564 | "Lafcadio Ludens": Ideas of Play and Levity in "Les Caves du Vatican" D. A. Steel doi:10.2307/3723174 | Cite |
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565-567 | | Cite |
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568-579 | New Light on Manzoni's "Ei Fu" in Relation to French Literature H. Gaston Hall doi:10.2307/3723176 | Cite |
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580-598 | The Personages of the "Poema de Mio Cid" and the Date of the Poem Colin Smith doi:10.2307/3723177 | Cite |
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599-607 | | Cite |
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608-627 | Eckhart and Tauler: A Comparison of Their Sermons on "Homo quidam fecit cenam magnam" (Luke XIV.16) David Blamires doi:10.2307/3723179 | Cite |
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628-648 | "Die Kinder des Hauses": A Model of Schiller's Poetic Imagination Ilse Graham doi:10.2307/3723180 | Cite |
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649-650 | Review of Robert T. Petersson, The Art of Ecstasy: Saint Teresa, Bernini, and Crashaw Jean H. Hagstrum doi:10.2307/3723181 | Cite |
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651-652 | Review of R. A. Durr, Poetic Vision and the Psychedelic Experience Douglas Hubble doi:10.2307/3723182 | Cite |
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652-653 | | Cite |
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654-655 | | Cite |
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655-656 | Review of Margaret E. Goldsmith, The Mode and Meaning of 'Beowulf' T. A. Shippey doi:10.2307/3723185 | Cite |
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656-657 | Review of Stephen Knight, The Structure of Sir Thomas Malory's Arthuriad Derek Pearsall doi:10.2307/3723186 | Cite |
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657-658 | Review of John J. O'Connor, 'Amadis de Gaule' and Its Influence on Elizabethan Literature Edward Wilson doi:10.2307/3723187 | Cite |
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658-659 | Review of Edmund Spenser, W. L. Renwick, A View of the Present State of Ireland J. C. Beckett doi:10.2307/3723188 | Cite |
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659-660 | | Cite |
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660 | Review of Robert E. Fitch, Shakespeare: The Perspective of Value Roland Mushat Frye doi:10.2307/3723190 | Cite |
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661-662 | | Cite |
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662-664 | Review of C. A. Patrides, Approaches to 'Paradise Lost': The York Tercentenary Lectures John M. Steadman doi:10.2307/3723192 | Cite |
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664-665 | Review of Andrew Marvell, George deF. Lord, Andrew Marvell: Complete Poetry Michael Wilding doi:10.2307/3723193 | Cite |
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665-666 | Review of Helmut Heidenreich, The Libraries of Daniel Defoe and Phillips Farewell: Olive Payne's Sales Catalogue (1731) Lee Sonsteng Horsley doi:10.2307/3723194 | Cite |
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666-669 | Review of James L. Clifford, Man versus Society in Eighteenth-Century Britain. Six Points of View: J. H. Plumb, Jacob Viner, G. R. Cragg, Rudolf Wittkower, Paul Henry Lang, Bertrand H. Bronson Edward A. Bloom doi:10.2307/3723195 | Cite |
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669-670 | Review of Melvyn New, Laurence Sterne as Satirist: A Reading of 'Tristram Shandy' Jean-Claude Sallé doi:10.2307/3723196 | Cite |
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670-672 | | Cite |
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672-673 | | Cite |
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673-674 | | Cite |
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674-676 | Review of Charles I. Patterson, Jr., John Keats, The Daemonic in the Poetry of John Keats Miriam Allott doi:10.2307/3723200 | Cite |
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676-677 | Review of Robert Browning, Ian Jack, Browning: Poetical Works 1833-1864 Park Honan doi:10.2307/3723201 | Cite |
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677-678 | Review of Joseph Leach, Bright Particular Star: The Life and Times of Charlotte Cushman Stanley Wells doi:10.2307/3723202 | Cite |
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678-679 | Review of John Barnes, The Writer in Australia: A Collection of Literary Documents 1856-1964 Michael Wilding doi:10.2307/3723203 | Cite |
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680-681 | Review of William Butler Yeats, Allen R. Grossman, Poetic Knowledge in the Early Yeats: A Study of 'The Wind among the Reeds' J. R. Mulryne doi:10.2307/3723204 | Cite |
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681-682 | Review of Asher B. Wilson, John Galsworthy's Letters to Leon Lion David Evans doi:10.2307/3723205 | Cite |
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682-683 | Review of Robert O. Stephens, Hemingway's Nonfiction: The Public Voice D. E. S. Maxwell doi:10.2307/3723206 | Cite |
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683-684 | Review of James R. Hollis, Harold Pinter: The Poetics of Silence John Russell Brown doi:10.2307/3723207 | Cite |
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684-685 | Review of Cedric E. Pickford, Erec. Roman arthurien en prose publié d' après le ms. fr. 112 de la Bibliothèque Nationale G. J. Halligan doi:10.2307/3723208 | Cite |
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685-686 | | Cite |
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686-687 | Review of Richard Griffiths, The Dramatic Technique of Antoine de Montchréstien: Rhetoric and Style in French Renaissance Tragedy Kathleen M. Hall doi:10.2307/3723210 | Cite |
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687-688 | Review of Robert D. Cottrell, Brantôme. The Writer as Portraitist of His Age Sylvia Lennie England doi:10.2307/3723211 | Cite |
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689 | | Cite |
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690-691 | | Cite |
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691-692 | Review of Ruth E. Mulhauser, Sainte-Beuve and Greco-Roman Antiquity W. G. Moore doi:10.2307/3723214 | Cite |
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693 | | Cite |
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693-696 | Review of Carlo Dionisotti, Geografia e storia della letteratura italiana Conor Fahy doi:10.2307/3723216 | Cite |
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696-697 | | Cite |
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697-698 | Review of Alan Soons, Ficción y comedia en el Siglo de Oro Alan K. G. Paterson doi:10.2307/3723218 | Cite |
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698-699 | Review of Ludwig Erich Schmitt, Kurzer Grundriβ der germanischen Philologie bis 1500. Volume I. Sprachgeschichte Paul Salmon doi:10.2307/3723219 | Cite |
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700 | | Cite |
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700-701 | | Cite |
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701-702 | Review of Hadumod Bussmann, Eilhart von Oberg: Tristrant. Synoptischer Druck der ergänzten Fragmente mit der gesamten Parallelüberlieferung D. H. Green doi:10.2307/3723222 | Cite |
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702-703 | Review of Hartmut Freytag, Kommentar zur frühmittelhochdeutschen Summa Theologiae D. H. Green doi:10.2307/3723223 | Cite |
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703-704 | Review of Rüdiger Schnell, Rudolf von Ems. Studien zur inneren Einheit seines Gesamtwerkes D. H. Green doi:10.2307/3723224 | Cite |
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705 | Review of Gerhard Strunk, Kunst und Glaube in der lateinischen Heiligenlegende. Zu ihrem Selbstverständnis in den Prologen D. H. Green doi:10.2307/3723225 | Cite |
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706-707 | Review of P. Rainer Rudolf, Heinrich von Langenstein. Erchantnuzz der sund David Blamires doi:10.2307/3723226 | Cite |
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707 | Review of Emil Ernst Ploss, Waltharius und Walthersage. Eine Dokumentation der Forschung David Blamires doi:10.2307/3723227 | Cite |
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707-708 | | Cite |
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708-709 | | Cite |
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709-710 | | Cite |
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710-712 | | Cite |
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712 | | Cite |
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713-715 | Review of Robert Boehringer, Der Genius des Abendlandes; Michael Stettler, Begegnungen mit dem Meister. Erinnerungen an Stefan George F. G. Cronheim doi:10.2307/3723233 | Cite |
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715-716 | | Cite |
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717 | Review of Martin Kraft, Studien zur Thematik von Max Frischs Roman 'Mein Name sei Gantenbein' Mary E. Cock doi:10.2307/3723235 | Cite |
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717-718 | | Cite |
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719-720 | | Cite |
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720 | Review of Fredrik Otto Lindeman, Carl Hj. Borgstrøm, Einführung in die Laryngaltheorie R. Auty doi:10.2307/3723238 | Cite |
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