241-247 | The Spanish Source of Edmund Tilney's "Flower of Friendshippe" Ernest J. Moncadadoi:10.2307/3723524 | Cite |
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248-253 | | Cite |
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254-260 | The Paradox of Reason: Argument in Rochester's "Satyr against Mankind" Charles A. Knightdoi:10.2307/3723526 | Cite |
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261-266 | | Cite |
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267-271 | | Cite |
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272-281 | | Cite |
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282-289 | | Cite |
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290-297 | | Cite |
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298-305 | | Cite |
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306-318 | | Cite |
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319-332 | | Cite |
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333-354 | The Strange History of Dr F. and the Dismantling of Courtavenel Patrick Waddingtondoi:10.2307/3723535 | Cite |
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355-356 | Review of Walter J. Ong, The Presence of the Word. Some Prolegomena for Cultural and Religious HistoryE. D. Mackernessdoi:10.2307/3723536 | Cite |
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356-357 | | Cite |
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357-359 | | Cite |
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360-361 | Review of W. Nelson Francis, The English Language: An IntroductionSimeon Potterdoi:10.2307/3723539 | Cite |
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361-363 | Review of M. A. K. Halliday, Intonation and Grammar in British EnglishRoger Fowlerdoi:10.2307/3723540 | Cite |
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363-364 | Review of Neil D. Isaacs, Structural Principles in Old English PoetryN. F. Blakedoi:10.2307/3723541 | Cite |
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364-365 | Review of F. Anne Payne, King Alfred and Boethius: An Analysis of the Old English Version of the 'Consolation of Philosophy'W. F. Boltondoi:10.2307/3723542 | Cite |
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365 | Review of J. Burke Severs, A Manual of the Writings in Middle English 1050-1500Rita Wilsondoi:10.2307/3723543 | Cite |
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365-367 | Review of Rosemary Woolf, The English Religious Lyric in the Middle AgesR. T. Daviesdoi:10.2307/3723544 | Cite |
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367-368 | Review of Robert Grosseteste, Kari Sajavaara, The Middle English Translations of Robert Grosseteste's Château d'AmourV. J. Scattergooddoi:10.2307/3723545 | Cite |
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368-369 | Review of Dieter Mehl, The Middle English Romances of the Thirteenth and Fourteenth Centuries; John L. Lievsay, Medieval and Renaissance Studies: Proceedings of the Southeastern Institute of Medieval and Renaissance Studies, Summer, 1966Rita Wilsondoi:10.2307/3723546 | Cite |
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369-371 | Review of Florent Gérard Antoine Marie Aarts, Pe Pater Noster of Richard ErmyteEdmund Colledgedoi:10.2307/3723547 | Cite |
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371-372 | Review of Thora Balslev Blatt, The Plays of John Bale: A Study of Ideas, Technique and StyleJ. H. P. Pafforddoi:10.2307/3723548 | Cite |
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372-373 | Review of Fred Inglis, The Elizabethan Poets: The Making of English Poetry from Wyatt to Ben JonsonP. F. Corbindoi:10.2307/3723549 | Cite |
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373-374 | Review of Charles J. Lees, Walter Haddon, The Poetry of Walter HaddonJ. W. Binnsdoi:10.2307/3723550 | Cite |
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374-375 | Review of Lloyd E. Berry, John Stubbs's 'Gaping Gulf' with Letters and Other Relevant DocumentsE. D. Pendrydoi:10.2307/3723551 | Cite |
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375-377 | | Cite |
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377-378 | Review of Anselm Schlösser, Armin-Gerd Kuckhoff, Shakespeare Jahrbuch, Band 103John Westlakedoi:10.2307/3723553 | Cite |
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378-379 | Review of Clifford Leech, 'Twelfth Night' and Shakespearian ComedyM. M. Mahooddoi:10.2307/3723554 | Cite |
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379-380 | | Cite |
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381-382 | | Cite |
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382-383 | Review of Coburn Gum, The Aristophanic Comedies of Ben Jonson: A Comparative Study of Ben Jonson and His ContemporariesPeter Davisondoi:10.2307/3723557 | Cite |
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383-384 | Review of N. J. C. Andreasen, John Donne: Conservative RevolutionaryJoan Grundydoi:10.2307/3723558 | Cite |
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384-386 | Review of Werner P. Friederich, Australia in Western Imaginative Prose Writings, 1600-1960: An Anthology and a History of LiteratureMichael Wildingdoi:10.2307/3723559 | Cite |
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386-388 | Review of Howard H. Schless, Poems on Affairs of State. Augustan Satirical Verse, 1660-1714. Volume III, 1682-5C. J. Rawsondoi:10.2307/3723560 | Cite |
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388-390 | | Cite |
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390-391 | Review of Roger McHugh, Philip Edwards, Jonathan Swift 1667-1967: A Dublin Tercentenary TributeColin J. Hornedoi:10.2307/3723562 | Cite |
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392 | Review of Michael Irwin, Henry Fielding: The Tentative RealistDouglas Brooksdoi:10.2307/3723563 | Cite |
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393 | Review of Patricia M. Ball, The Central Self: A Study in Romantic and Victorian ImaginationPark Honandoi:10.2307/3723564 | Cite |
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393-394 | | Cite |
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395-396 | Review of Patricia M. Adair, The Waking Dream: A Study of Coleridge's PoetryJohn Colmerdoi:10.2307/3723566 | Cite |
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396-397 | Review of Beverly Fields, Reality's Dark Dream: Dejection in ColeridgeP. H. Butterdoi:10.2307/3723567 | Cite |
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397-398 | Review of Lawrence J. Zillman, Shelley's 'Prometheus Unbound': The Text and the Drafts. Towards a Modern Definitive EditionNeville Rogersdoi:10.2307/3723568 | Cite |
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398-399 | Review of James T. Callow, Kindred Spirits: Knickerbocker Writers and American Artists, 1807-1855George Dekkerdoi:10.2307/3723569 | Cite |
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399-400 | Review of Winifred Gérin, Charlotte Brontë: The Evolution of GeniusMiriam Allottdoi:10.2307/3723570 | Cite |
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400-401 | Review of John Philip Couch, George Eliot in France: A French Appraisal of George Eliot's Writings, 1858-1960Joan Bennettdoi:10.2307/3723571 | Cite |
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401-403 | Review of Arthur Kyle Davis, Jr., Matthew Arnold, The Letters of Matthew Arnold: A Descriptive ChecklistKenneth Allottdoi:10.2307/3723572 | Cite |
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403-404 | Review of John Dixon Hunt, The Pre-Raphaelite Imagination 1848-1900Leonee Ormonddoi:10.2307/3723573 | Cite |
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404 | Review of Erika Meier, Realism and Reality. The Function of the Stage Directions in the New Drama from Thomas William Robertson to George Bernard ShawGeorge Rowelldoi:10.2307/3723574 | Cite |
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405-406 | Review of John Addington Symonds, Herbert M. Schueller, Robert L. Peters, The Letters of John Addington SymondsIan Fletcherdoi:10.2307/3723575 | Cite |
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406-407 | Review of Claire Rosenfield, Paradise of Snakes: An Archetypal Analysis of Conrad's Political NovelsTony Tannerdoi:10.2307/3723576 | Cite |
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408-409 | | Cite |
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409 | | Cite |
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410-411 | Review of Robert Buffington, The Equilibrist: A Study of John Crowe Ransom's Poems, 1916-1963Allan Rodway, Brian S. Leedoi:10.2307/3723579 | Cite |
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411-412 | Review of Robert Graves, Douglas Day, Swifter than Reason: The Poetry and Criticism of Robert Graves; Robert Graves, Michael Kirkham, The Poetry of Robert GravesMark Burkedoi:10.2307/3723580 | Cite |
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413-414 | | Cite |
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414-415 | | Cite |
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415-417 | Review of Sarah Lawall, Critics of Consciousness: The Existential Structures of LiteratureJonathan Cullerdoi:10.2307/3723583 | Cite |
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417-418 | | Cite |
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418-419 | Review of E. Köhler, 'Conseil des barons' und 'Jugement des barons': Epische Fatalität und Feudalrecht im altfranzösischen RolandsliedD. J. A. Rossdoi:10.2307/3723585 | Cite |
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419-420 | Review of Terence C. Cave, Devotional Poetry in France, c. 1570-1613Francis M. Higmandoi:10.2307/3723586 | Cite |
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421-422 | Review of Jacques Morel, Jean Rotrou, dramaturge de l'ambiguïtéDerek A. Wattsdoi:10.2307/3723587 | Cite |
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423-424 | Review of Daniela Dalla Valle, De Théophile à Molière: aspectos de una continuidadH. Gaston Halldoi:10.2307/3723588 | Cite |
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424-425 | Review of D. C. Cabeen, Richard A. Brooks, A Critical Bibliography of French Literature. Volume IV, the Eighteenth Century: SupplementRonald Grimsleydoi:10.2307/3723589 | Cite |
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425-426 | | Cite |
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426-427 | Review of P. J. H. Pijls, La satire littéraire dans l'œuvre de léon BloyErnest Beaumontdoi:10.2307/3723591 | Cite |
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427-429 | | Cite |
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429-430 | Review of Gerald Joseph Prince, Métaphysique et technique dans l'œuvre romanesque de SartreKeith Goredoi:10.2307/3723593 | Cite |
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430-434 | | Cite |
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435 | Review of Gian-Paolo Biasin, Yvonne Freccero, The Smile of the Gods. A Thematic Study of Cesare Pavese's WorksJ. R. Woodhousedoi:10.2307/3723595 | Cite |
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435-437 | Review of Gilbert F. Cunningham, The Solitudes of Luis de GóngoraRosemarie Jonesdoi:10.2307/3723596 | Cite |
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437-438 | Review of Brian Dendle, The Spanish Novel of Religious Thesis, 1876-1936G. G. Browndoi:10.2307/3723597 | Cite |
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438-440 | | Cite |
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440-441 | Review of Hans Glinz, Sprachwissenschaft heute. Aufgaben und MöglichkeitenJohn Margettsdoi:10.2307/3723599 | Cite |
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441-444 | Review of Heikki J. Hakkarainen, Studien zum Cambridger Codex T-S. 10. K. 22 i. TextBrian Murdochdoi:10.2307/3723600 | Cite |
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444-446 | | Cite |
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446-447 | Review of Hugo Moser, Joseph Müller-Blattau, Deutsche Lieder des Mittelalters von Walther von der Vogelweide bis zum Lochamer LiederbuchOlive Saycedoi:10.2307/3723602 | Cite |
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447 | Review of Rolf Max Kulli, Die Ständesatire in den deutschen geistlichen Schauspielen des ausgehenden MittelaltersK. C. Kingdoi:10.2307/3723603 | Cite |
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447-449 | Review of F. P. Pickering, Augustinus oder Boethius? Geschichtsschreibung und epische Dichtung im Mittelalter: und in der NeuzeitJeffrey Ashcroftdoi:10.2307/3723604 | Cite |
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449-450 | Review of Heinz Otto Burger, Klaus von See, Festschrift Gottfried WeberPaul Salmondoi:10.2307/3723605 | Cite |
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450-451 | Review of Johann Rist, Eberhard Mannack, Sämtliche Werke. Band I: Dramatische DichtungenAlan Menhennetdoi:10.2307/3723606 | Cite |
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451-453 | Review of Maria Fürstenwald, Andreas Gryphius. Dissertationes Funebres. Studien zur Didaktik der LeichabdankungenAlan Menhennetdoi:10.2307/3723607 | Cite |
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453-454 | Review of Hans-Jürgen Schings, Die patristische und stoische Tradition bei Andreas Gryphius. Untersuchungen zu den Dissertationes funebres und TrauerspielenAlan Menhennetdoi:10.2307/3723608 | Cite |
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454-455 | Review of Ilse-Lore Konopatzki, Grimmelshausens LegendenvorlagenK. G. Knightdoi:10.2307/3723609 | Cite |
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455 | | Cite |
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455-456 | Review of Carsten Schlingmann, Gellert. Eine literarhistorische RevisionA. G. Marshalldoi:10.2307/3723611 | Cite |
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456-457 | Review of Wolfram Buddecke, C. M. Wielands Entwicklungsbegriff und die Geschichte des AgathonA. G. Marshalldoi:10.2307/3723612 | Cite |
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457-459 | Review of Hans Steffen, Die deutsche Romantik. Poetik. Formen und MotiveElisabeth Stoppdoi:10.2307/3723613 | Cite |
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459 | | Cite |
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459-460 | Review of Helmut Sembdner, Kleists Aufsatz über das MarionettentheaterA. G. Marshalldoi:10.2307/3723615 | Cite |
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460-462 | | Cite |
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462-463 | Review of Bernd Breitenbruch, Ethik und Ethos bei Grillparzer. Denkerische Bemühung und dramatische GestaltungEdmund Papstdoi:10.2307/3723617 | Cite |
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463-464 | Review of , Grillparzer-Forum Forchtenstein. Vorträge, Forschungen, Berichte. 1965; 1966; 1967Edmund Papstdoi:10.2307/3723618 | Cite |
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464-465 | Review of Heine-Archiv Düsseldorf, Schriftleitung Eberhard Galley, Heine-Jahrbuch, 1967 and 1968Peter Branscombedoi:10.2307/3723619 | Cite |
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465-467 | | Cite |
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467 | Review of Günther Erken, Hofmannsthals dramatischer Stil. Untersuchungen zur Symbolik und DramaturgieM. E. Gilbertdoi:10.2307/3723621 | Cite |
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468-469 | | Cite |
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469-470 | | Cite |
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470-471 | Review of Julia Bientjes, Holland und die Holländer im Urteil deutscher Reisender 1400-1800Michael Rigelsforddoi:10.2307/3723624 | Cite |
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471-472 | Review of Barthi Guthmundsson, Lee M. Hollander, The Origin of the IcelandersJ. B. Dodsworthdoi:10.2307/3723625 | Cite |
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472-473 | | Cite |
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474 | | Cite |
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474-475 | Review of R. J. McLean, A Book of Swedish Verse: With Introductions and NotesD. M. Menniedoi:10.2307/3723628 | Cite |
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475-476 | Review of B. O. Unbegaun, R. Auty, A. E. Pennington, Selected Papers on Russian and Slavonic PhilologyS. C. Gardinerdoi:10.2307/3723629 | Cite |
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477-479 | Review of W. Harrison, The Expression of the Passive Voice; B. V. Bratus, The Formation and Expressive Use of DiminutivesC. L. Dragedoi:10.2307/3723630 | Cite |
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479-480 | Review of Kostis Palamas, George Thomson, The Twelve Lays of the GipsyPaul Merchantdoi:10.2307/3723631 | Cite |
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