| 481-490 | | Cite |
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| 491-499 | Milton's Use of Colloquial Language in "Paradise lost" (With a New Interpretation of "Drugd as Oft" (X, 568)) Hilda M. Hulme doi:10.2307/3722041 | Cite |
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| 500-507 | "Timon of Athens" Blended with "Le Misanthrope": Shadwell's Recipe for Satirical Tragedy John Edmunds doi:10.2307/3722042 | Cite |
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| 508-521 | | Cite |
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| 522-528 | | Cite |
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| 529-545 | | Cite |
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| 546-554 | Le Jardin de Marcel Proust: Pour le Cinquantenaire des "Jeunes Filles en Fleurs" Annie Barnes doi:10.2307/3722046 | Cite |
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| 555-564 | | Cite |
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| 565-575 | | Cite |
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| 576-596 | The Destination of the Ship of Fools: Religious Allegory in Brant's "Narrenschiff" Peter Skrine doi:10.2307/3722049 | Cite |
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| 597-604 | | Cite |
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| 605-613 | | Cite |
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| 614-615 | Review of Jacob Ornstein, William W. Gage, The ABCs of Languages and Linguistics R. D. Huddleston doi:10.2307/3722052 | Cite |
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| 615 | Review of A. J. Walford, A Guide to Foreign Language Grammars and Dictionaries L. M. Newman doi:10.2307/3722053 | Cite |
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| 616-619 | Review of Claude Pichois, André-M. Rousseau, La Littérature Comparée Clive Scott doi:10.2307/3722054 | Cite |
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| 620-621 | Review of Robert M. Durling, The Figure of the Poet in Renaissance Epic Mark S. Whitney doi:10.2307/3722055 | Cite |
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| 621-623 | Review of Elida Maria Szarota, Künstler, Grübler und Rebellen: Studien zum europäischen Märtyrerdrama des 17. Jahrhunderts Peter Skrine doi:10.2307/3722056 | Cite |
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| 623-624 | Review of Ruth J. Kilchenmann, Die Kurzgeschichte. Formen und Entwicklung Elizabeth Boa doi:10.2307/3722057 | Cite |
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| 624-625 | Review of Diemut Schnetz, Der moderne Einakter. Eine poetologische Untersuchung R. George Thomas doi:10.2307/3722058 | Cite |
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| 625 | Review of Eduard Kolb, Linguistic Atlas of England. Phonological Atlas of the Northern Region: The Six Northern Counties, North Lincolnshire and the Isle of Man Rita Wilson doi:10.2307/3722059 | Cite |
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| 626-628 | Review of F. N. M. Diekstra, A Dialogue between Reason and Adversity: A Late Middle English Version of Petrarch's 'De Remediis' Nicolas Jacobs doi:10.2307/3722060 | Cite |
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| 628-629 | Review of Fumio Kuriyagawa, Walter Hilton's 'Eight Chapters on Perfection' Edmund Colledge doi:10.2307/3722061 | Cite |
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| 629-630 | Review of Eugène Vinaver, Thomas Malory, The Works of Sir Thomas Malory Janet Cowen doi:10.2307/3722062 | Cite |
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| 630-631 | Review of Walter L. Heilbronner, Printing and the Book in Fifteenth-Century England: A Bibliographical Survey Paul Morgan doi:10.2307/3722063 | Cite |
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| 631-632 | | Cite |
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| 632-633 | | Cite |
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| 633-634 | Review of Wilbur Sanders, The Dramatist and the Received Idea: Studies in the Plays of Marlowe and Shakespeare Peter Ure doi:10.2307/3722066 | Cite |
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| 635 | Review of Christopher Marlowe, John D. Jump, Tamburlaine the Great; James H. Sims, Dramatic Uses of Biblical Allusions in Marlowe and Shakespeare J. H. P. Pafford doi:10.2307/3722067 | Cite |
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| 636-637 | Review of Geoffrey Bullough, Narrative and Dramatic Sources of Shakespeare. Volume VI Maurice Charney doi:10.2307/3722068 | Cite |
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| 637-638 | Review of Robert Hamilton Ball, Shakespeare on Silent Film: A Strange Eventful History Laurence Kitchin doi:10.2307/3722069 | Cite |
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| 638-639 | | Cite |
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| 639-642 | Review of Gerald Eades Bentley, The Jacobean and Caroline Stage. Vol. VI: Theatres Clifford Leech doi:10.2307/3722071 | Cite |
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| 642-644 | Review of Dennis H. Burden, The Logical Epic: A Study of the Argument of 'Paradise Lost' John M. Steadman doi:10.2307/3722072 | Cite |
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| 644-646 | | Cite |
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| 646-647 | Review of Irvin Ehrenpreis, Swift. The Man, His Works, and the Age. Volume II, Dr Swift Colin J. Horne doi:10.2307/3722074 | Cite |
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| 648-650 | Review of Lodwick Hartley, Laurence Sterne in the Twentieth Century: An Essay and a Bibliography of Sternean Studies 1900-1965; Overton Philip James, The Relation of 'Tristram Shandy' to the Life of Sterne Arthur H. Cash doi:10.2307/3722075 | Cite |
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| 650-652 | Review of Esther K. Sheldon, Thomas Sheridan of Smock-Alley Geo. Winchester Stone Jr. doi:10.2307/3722076 | Cite |
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| 652-653 | Review of Cecil Price, Richard Brinsley Sheridan, The Letters of Richard Brinsley Sheridan Jean-Claude Sallé doi:10.2307/3722077 | Cite |
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| 653-654 | | Cite |
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| 654-655 | | Cite |
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| 655-656 | | Cite |
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| 656-657 | | Cite |
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| 657-658 | Review of Mark A. Weinstein, William Edmonstoune Aytoun and the Spasmodic Controversy Geoffrey Tillotson doi:10.2307/3722082 | Cite |
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| 658-659 | Review of Mark Twain, Howell, Frederick Anderson, William M. Gibson, Henry Nash Smith, Selected Mark Twain: Howells Letters, 1872-1910; Mark Twain, Hamlin Hill, Mark Twain's Letters to His Publishers, 1867-1894 Bernard Poli doi:10.2307/3722083 | Cite |
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| 660-661 | | Cite |
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| 661-662 | Review of George Woodcock, A Choice of Critics: Selections from 'Canadian Literature' J. S. Ryan doi:10.2307/3722085 | Cite |
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| 662-663 | Review of C. D. Narasimhaiah, Fiction and the Reading Public in India T. A. Shippey doi:10.2307/3722086 | Cite |
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| 663-664 | Review of J. C. Ireson, Studies in French Literature Presented to H. W. Lawton Sylvia Lennie England doi:10.2307/3722087 | Cite |
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| 665-666 | | Cite |
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| 666-667 | | Cite |
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| 667-668 | Review of Francis M. Higman, The Style of John Calvin in His French Polemical Treatises Ruth Murphy doi:10.2307/3722090 | Cite |
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| 668-669 | | Cite |
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| 669-670 | Review of J. T. Letts, Le Cardinal de Retz, historien et moraliste du possible Derek A. Watts doi:10.2307/3722092 | Cite |
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| 670-671 | Review of James Herbert Davis, Tragic Theory and the Eighteenth-Century French Critics David J. Williams doi:10.2307/3722093 | Cite |
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| 672-675 | Review of Laurent Versini, Essai sur les sources et la technique des 'Liaisons Dangereuses': Laclos et la Tradition Philip Thody doi:10.2307/3722094 | Cite |
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| 675-677 | Review of Will Durant, Ariel Durant, Rousseau and Revolution Alfred J. Bingham doi:10.2307/3722095 | Cite |
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| 677-679 | Review of Patrick Brady, 'L'Œuvre' de Émile Zola: Roman sur les arts David Baguley doi:10.2307/3722096 | Cite |
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| 680-682 | Review of David Sices, Music and the Musician in 'Jean-Christophe': The Harmony of Contrasts Graeme Watson doi:10.2307/3722097 | Cite |
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| 682-683 | Review of Agnes Hüfner, Brecht in Frankreich, 1930-1963. Verbreitung aufnahme Wirkung Dorothy Knowles doi:10.2307/3722098 | Cite |
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| 683-685 | Review of María Rosa Lida de Malkiel, Sylvia Roubaud, L'idée de la gloire dans la tradition occidentale Nicholas G. Round doi:10.2307/3722099 | Cite |
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| 685-686 | Review of N. D. Shergold, A History of the Spanish Stage from Medieval Times Until the End of the Seventeenth Century Charles Jones doi:10.2307/3722100 | Cite |
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| 686-688 | Review of Johannes Hansel, Personalbibliographie zur deutschen Literaturgeschichte: Studienausgabe L. M. Newman doi:10.2307/3722101 | Cite |
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| 688-689 | Review of Roy Wisbey, Vollständige Verskonkordanz zur Wiener Genesis mit einem rückläufigen Wörterbuch zum Formenbestand George Gillespie doi:10.2307/3722102 | Cite |
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| 689-690 | Review of Jakob Unrests, Kalevi Tarvainen, Studien zum Wortschatz der österreichischen Chronik Jakob Unrests Charles V. J. Russ doi:10.2307/3722103 | Cite |
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| 690-692 | Review of Roy Pascal, German Literature in the Sixteenth and Seventeenth Centuries Frederick John Stopp doi:10.2307/3722104 | Cite |
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| 693 | | Cite |
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| 693-694 | Review of Joachim Dyck, Ticht-kunst. Deutsche Barockpoetik und rhetorische Tradition Philip Brady doi:10.2307/3722106 | Cite |
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| 694-697 | Review of Ferdinand Van Ingen, Vanitas und Memento Mori in der deutschen Barocklyrik Jörg-Ulrich Fechner doi:10.2307/3722107 | Cite |
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| 697-698 | Review of H.-J. Frank, Catharina Regina von Greiffenberg. Leben und Werk Alan Menhennet doi:10.2307/3722108 | Cite |
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| 698-700 | | Cite |
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| 700-701 | Review of Wilhelm Vosskamp, Untersuchungen zur Zeit- und Geschichtsauffassung im 17. Jahrhundert bei Gryphius und Lohenstein Peter Skrine doi:10.2307/3722110 | Cite |
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| 701-702 | Review of Werner Eggers, Wirklichkeit und Wahrheit im Trauerspiel von Andreas Gryphius Philip Brady doi:10.2307/3722111 | Cite |
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| 702-704 | Review of Dietrich Walter Jöns, Das "Sinnen-Bild". Studien zur allegorischen Bildlichkeit bei Andreas Gryphius Jörg-Ulrich Fechner doi:10.2307/3722112 | Cite |
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| 704-706 | Review of Walter Hinck, Das deutsche Lustspiel des 17. und 18. Jahrhunderts und die italienische Komödie. Commedia dell'arte und Théâtre italien Jörg-Ulrich Fechner doi:10.2307/3722113 | Cite |
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| 706-707 | Review of Ernest Stahl, The Oxford Book of German Verse. From the Twelfth to the Twentieth Century Elisabeth Stopp doi:10.2307/3722114 | Cite |
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| 707-708 | Review of Hermann J. Weigand, A. Leslie Wilson, Surveys and Soundings in European Literature Hans Reiss doi:10.2307/3722115 | Cite |
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| 708-709 | Review of David Luke, Robert Pick, Goethe. Conversations and Encounters August Closs doi:10.2307/3722116 | Cite |
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| 709-711 | Review of Thomas Mann, Paul Scherrer, Hans Wysling, Quellenkritische Studien zum Werk Thomas Manns T. J. Reed doi:10.2307/3722117 | Cite |
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| 711-712 | Review of Alois Hofman, Thomas Mann und die Welt der russischen Literatur T. J. Reed doi:10.2307/3722118 | Cite |
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| 712-713 | Review of Norbert Altenhofer, Hofmannsthals Lustspiel 'Der Unbestechliche' W. E. Yates doi:10.2307/3722119 | Cite |
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| 713-715 | | Cite |
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| 715-717 | | Cite |
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| 717-718 | Review of G. E. Steinke, Huga Ball, The Life and Work of Hugo Ball R. George Thomas doi:10.2307/3722122 | Cite |
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| 718 | Review of Robert R. Heitner, The Contemporary Novel in German. A Symposium R. George Thomas doi:10.2307/3722123 | Cite |
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| 718-719 | | Cite |
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| 719-720 | Review of Wilhelm Johannes Schwarz, Der Erzähler Heinrich Böll. Seine Werke und Gestalten Joshua Reid doi:10.2307/3722125 | Cite |
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| 720 | Review of Gerd Gaiser, K. Bullivant, Am Pass Nascondo; Hermann Broch, E. W. Herd, Short Stories D. Fogg doi:10.2307/3722126 | Cite |
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