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| 41-46 | Proust's Methods of Character Presentation in "Les Plaisirs et les Jours" and "Jean Santeuil" W. L. Hodson doi:10.2307/3721970 | Cite |
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| 47-52 | | Cite |
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| 53-59 | | Cite |
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| 60-62 | Notes: Two Notes on Donne: "The Undertaking"; "A Valediction: Of My Name, in the Window" Georgina Evans doi:10.2307/3721973 | Cite |
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| 73-74 | Review of Emile Delavenay, An Introduction to Machine Translation M. A. K. Halliday doi:10.2307/3721978 | Cite |
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| 75-76 | | Cite |
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| 77-78 | Review of Herman Meyer, Das Zitat in der Erzählkunst. Zur Geschichte und Poetik des Europäischen Romans Lyn Thomas doi:10.2307/3721981 | Cite |
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| 78-79 | | Cite |
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| 79 | Review of Svante Stubelius, Balloon, Flying-Machine, Helicopter. Further Studies in the History of Terms for Aircraft in English R. W. Burchfield doi:10.2307/3721983 | Cite |
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| 79-80 | | Cite |
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| 81-82 | Review of Geoffrey Chaucer, D. S. Brewer, The Parlement of Foulys Charles Muscatine doi:10.2307/3721985 | Cite |
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| 82 | Review of Christopher Welch, Lectures on the Recorder in Relation to Literature MacDonald Emslie doi:10.2307/3721986 | Cite |
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| 83 | Review of Ruth Hughey, The Arundel Harington Manuscript of Tudor Poetry Kenneth Muir doi:10.2307/3721987 | Cite |
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| 84-85 | Review of Alfred W. Satterthwaite, Spenser, Ronsard, and Du Bellay. A Renaissance Comparison Patricia Thomson doi:10.2307/3721988 | Cite |
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| 85-86 | Review of Robert Ellrodt, Spenser, Neoplatonism in the Poetry of Spenser James A. Notopoulos doi:10.2307/3721989 | Cite |
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| 86-87 | Review of Don Cameron Allen, Image and Meaning. Metaphoric Traditions in Renaissance Poetry Rosemary Freeman doi:10.2307/3721990 | Cite |
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| 87-88 | | Cite |
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| 88 | Review of E. L. Marilla, Henry Vaughan, The Secular Poems of Henry Vaughan Laura Martin doi:10.2307/3721992 | Cite |
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| 89 | | Cite |
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| 90-91 | Review of Lodwick Hartley, William Cowper. The Continuing Revaluation: An Essay and a Bibliography of Cowperian Studies from 1895 to 1960 Edward A. Bloom doi:10.2307/3721994 | Cite |
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| 93-94 | Review of D. G. James, Matthew Arnold and the Decline of Romanticism Kenneth Allott doi:10.2307/3721997 | Cite |
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| 94-95 | Review of Jerome Beaty, Middlemarch from Notebook to Novel: A Study of George Eliot's Creative Method Barbara Hardy doi:10.2307/3721998 | Cite |
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| 96-97 | Review of A. Walton Litz, The Art of James Joyce: Method and Design in 'Ulysses' and 'Finnegans Wake' Clive Hart doi:10.2307/3722000 | Cite |
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| 97-98 | Review of Enid Starkie, From Gautier to Eliot. The Influence of France on English Literature, 1851-1939 Henri Fluchère doi:10.2307/3722001 | Cite |
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| 98-99 | Review of M. L. Rosenthal, The Modern Poets: A Critical Introduction Laurence Lerner doi:10.2307/3722002 | Cite |
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| 99-100 | Review of , The Writer's Dilemma. Essays First Published in 'The Times Literary Supplement' under the Heading 'Limits of Control' Charles Madge doi:10.2307/3722003 | Cite |
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| 100-101 | Review of Raphael Levy, Contribution à la lexicographie française selon d'anciens textes d'origine juive Cecil Roth doi:10.2307/3722004 | Cite |
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| 102 | Review of Lambert C. Porter, La Fatrasie et le Fatras. Essai sur la poésie irrationnelle en France au Moyen Age R. C. D. Perman doi:10.2307/3722005 | Cite |
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| 103-104 | Review of Theodore Besterman, Studies on Voltaire and the Eighteenth Century. Vol. XIII Ronald Grimsley doi:10.2307/3722006 | Cite |
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| 104-107 | Review of Marcel Raymond, Bernard Gagnebin, Robert Osmont, Jean-Jacques Rousseau: Œuvres Complètes. I: Les Confessions; autres textes áutobiographiques R. A. Leigh doi:10.2307/3722007 | Cite |
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| 108 | Review of J. Viktor Johansson, Sur la Correspondance littéraire secrète et son éditeur Vivienne Mylne doi:10.2307/3722008 | Cite |
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| 108-110 | | Cite |
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| 112 | Review of James R. Lawler, Form and Meaning in Valéry's 'Le Cimetière Marin' G. W. Ireland doi:10.2307/3722012 | Cite |
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| 112-113 | | Cite |
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| 113-114 | Review of Irma Brandeis, The Ladder of Vision. A Study of Images in Dante's Comedy Colin Hardie doi:10.2307/3722014 | Cite |
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| 114-115 | Review of Marvin T. Herrick, Italian Comedy in the Renaissance T. Gwynfor Griffith doi:10.2307/3722015 | Cite |
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| 115-116 | Review of Corrado Grassi, Correnti e contrasti di lingua e cultura nelle Valli cisalpine di parlata provenzale e franco-provenzale. Parte I. Le Valli del Cunese e del Saluzzese Roy Harris doi:10.2307/3722016 | Cite |
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| 116-117 | Review of Eunice Joiner Gates, Documentos gongorinos: Los discursos apologéticos de Pedro Díaz de Rivas; El Antídoto de Juan de Jáuregui Paul Russell doi:10.2307/3722017 | Cite |
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| 118-119 | Review of J. O. Crosby, The Sources of the Text of Quevedo's 'Política de Dios' R. D. F. Pring-Mill doi:10.2307/3722018 | Cite |
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| 121 | Review of Karl-Ludwig Selig, The Library of Vicencio Juan de Lastanosa, Patron of Gracián Paul Russell doi:10.2307/3722020 | Cite |
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| 122-123 | Review of Christopher Tolkien, Saga Heiðreks Konungs ins Vitra. The Saga of King Heidrek the Wise Andrew Taylor doi:10.2307/3722022 | Cite |
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| 124-126 | Review of Heinz G. Jantsch, Studien zum Symbolischen in frühmittelhochdeutscher Literatur H. B. Willson doi:10.2307/3722024 | Cite |
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| 126 | Review of Theo Meier, Die Gestalt Marias im geistlichen Schauspiel des deutschen Mittelalters F. P. Pickering doi:10.2307/3722025 | Cite |
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| 126-127 | Review of Rosemary Norah Combridge, Das Recht im 'Tristan' Gottfrieds von Straßburg Olive Sayce doi:10.2307/3722026 | Cite |
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| 128-129 | Review of Werner Brüggemann, Cervantes und die Figur des Don Quijote in Kunstanschauung und Dichtung der deutschen Romantik Charles V. J. Russ doi:10.2307/3722028 | Cite |
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| 129-131 | Review of Barker Fairley, Wilhelm Raabe. An Introduction to His Novels Roy Pascal doi:10.2307/3722029 | Cite |
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| 133-134 | Review of Anthony Gervin Oettinger, Automatic Language Translation. Lexical and Technical Aspects, with Particular Reference to Russian Simeon Potter doi:10.2307/3722032 | Cite |
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| 135-136 | Review of Richard Freeborn, Turgenev, the Novelist's Novelist. A Study Frank Friedeberg Seeley doi:10.2307/3722034 | Cite |
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