| 161-178 | The Fitzwilliam Manuscript of Swinburne's "Atalanta", Verses 1038-1204 Paull F. Baum doi:10.2307/3720200 | Cite |
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| 179-193 | | Cite |
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| 194-203 | | Cite |
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| 204-213 | An Allegorical Interpretation of Eichendorff's "Ahnung und Gegenwart" Thomas A. Riley doi:10.2307/3720203 | Cite |
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| 214-220 | A Note on Bertolt Brecht's Adaptation of Marlowe's "Edward II" L. J. Laboulle doi:10.2307/3720204 | Cite |
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| 221-222 | | Cite |
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| 223 | Dunbar's "Quod Cinis Es": A Note and a Reply Jonathan Wordsworth, Isabel Hyde doi:10.2307/3720206 | Cite |
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| 224-225 | | Cite |
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| 226 | | Cite |
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| 226-228 | A Hitherto Unidentified Fragment of the "Quinze Joyes de Mariage" H. P. Clive doi:10.2307/3720209 | Cite |
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| 229-231 | | Cite |
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| 231-233 | | Cite |
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| 233-235 | | Cite |
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| 236-239 | | Cite |
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| 239-244 | | Cite |
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| 244-245 | A Note on Ibsen's Draft Manuscripts to "Vildanden" and "Rosmersholm" James McFarlane doi:10.2307/3720215 | Cite |
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| 246-247 | | Cite |
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| 247-248 | Review of James Sutherland, English Satire: The Clark Lectures, 1956 Irvin Ehrenpreis doi:10.2307/3720217 | Cite |
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| 248 | | Cite |
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| 249-251 | Review of John Speirs, Medieval English Poetry: The Non-Chaucerian Tradition George Kane doi:10.2307/3720219 | Cite |
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| 251-252 | Review of F. N. Robinson, Geoffrey Chaucer, The Complete Works of Geoffrey Chaucer Derek Brewer doi:10.2307/3720220 | Cite |
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| 252-253 | Review of Ján Šimko, Word-Order in the Winchester Manuscript and in William Caxton's Edition of Thomas Malory's Morte Darthur (1485): A Comparison Priscilla Preston doi:10.2307/3720221 | Cite |
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| 253 | | Cite |
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| 254 | Review of Harry Berger, Jr., The Allegorical Temper. Vision and Reality in Book II of Spenser's Faerie Queene Rosemary Freeman doi:10.2307/3720223 | Cite |
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| 254-255 | Review of Wolfgang Clemen, Kommentar zu Shakespeares Richard III: Interpretation eines Dramas J. C. Maxwell doi:10.2307/3720224 | Cite |
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| 255-257 | Review of William Shakespeare, Alice Walker, J. Dover Wilson, Troilus and Cressida Madeleine Doran doi:10.2307/3720225 | Cite |
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| 257-258 | Review of T. A. Dunn, Philip Massinger. The Man and the Playwright Bernard Harris doi:10.2307/3720226 | Cite |
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| 258-260 | | Cite |
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| 260-261 | Review of Harold Williams, Jonathan Swift, The Poems of Jonathan Swift Irvin Ehrenpreis doi:10.2307/3720228 | Cite |
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| 261-262 | Review of Matthew P. McDiarmid, Robert Fergusson, The Poems of Robert Fergusson David Daiches doi:10.2307/3720229 | Cite |
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| 263-265 | Review of Vivian de Sola Pinto, The Divine Vision: Studies in the Poetry and Art of William Blake Bernard Blackstone doi:10.2307/3720230 | Cite |
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| 265-266 | Review of Ben Ross Schneider, Jr., Wordsworth's Cambridge Education Edith C. Batho doi:10.2307/3720231 | Cite |
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| 266-267 | Review of René Fréchet, George Borrow (1803-1881): Vagabond Polyglotte: Agent Biblique: Ecrivain Geoffrey Tillotson doi:10.2307/3720232 | Cite |
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| 267-268 | Review of William E. Buckler, Matthew Arnold's Books: Toward a Publishing Diary Kenneth Allott doi:10.2307/3720233 | Cite |
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| 268-269 | Review of Gordon N. Ray, Thackeray, The Age of Wisdom, 1847-1863 K. J. Fielding doi:10.2307/3720234 | Cite |
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| 269-270 | Review of T. H. Johnson, Emily Dickinson, The Letters of Emily Dickinson M. C. Bradbrook doi:10.2307/3720235 | Cite |
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| 270-271 | Review of Frederick C. Crews, The Tragedy of Manners: Moral Drama in the Later Novels of Henry James Dorothea Krook doi:10.2307/3720236 | Cite |
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| 271-273 | | Cite |
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| 273-274 | Review of John M. Bradbury, The Fugitives: A Critical Account Laurence Lerner doi:10.2307/3720238 | Cite |
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| 274-275 | | Cite |
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| 275-276 | Review of Jean Sonet, Répertoire d'Incipit de Prières en ancien français B. Woledge doi:10.2307/3720240 | Cite |
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| 276-277 | | Cite |
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| 277-281 | | Cite |
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| 281-282 | | Cite |
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| 282-284 | Review of Monique Parent, Francis Jammes: Étude de Langue et de Style Austin Gill doi:10.2307/3720244 | Cite |
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| 284-285 | Review of Donald Inskip, Jean Giraudoux. The Making of a Dramatist Richard North doi:10.2307/3720245 | Cite |
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| 285-286 | Review of John C. Dowling, El pensamiento político-filosófico de Saavedra Fajardo: Posturas del siglo XVII ante la decadencia y conservación de Monarquías A. A. Parker doi:10.2307/3720246 | Cite |
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| 286-287 | Review of Hellmut Jansen, Die Grundbegriffe des Baltasar Gracián R. D. F. Pring-Mill doi:10.2307/3720247 | Cite |
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| 287-288 | Review of Stefan Sonderegger, Die Orts- und Flurnamen des Landes Appenzell. Band 1: Grammatische Darstellung R. E. Keller doi:10.2307/3720248 | Cite |
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| 288-290 | Review of Walter Höllerer, Zwischen Klassik und Moderne: Lachen und Weinen in der Dichtung einer Übergangszeit Wes Williams doi:10.2307/3720249 | Cite |
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| 290-291 | Review of J. U. Terpstra, Friedrich Heinrich Jacobis 'Allwill' Charles V. J. Russ doi:10.2307/3720250 | Cite |
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| 291-292 | Review of Louis Wiesmann, Conrad Ferdinand Meyer. Der Dichter des Todes und der Maske Wes Williams doi:10.2307/3720251 | Cite |
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| 292-293 | | Cite |
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| 293-295 | Review of Vladimir Seduro, Dostoyevski in Russian Literary Criticism 1846-1956 C. L. Wrenn doi:10.2307/3720253 | Cite |
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| 295-296 | | Cite |
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