| 257-269 | Chapman's "Tragedy of Bussy d'Ambois": Problems of the Revised Quarto Peter Ure doi:10.2307/3718606 | Cite |
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| 270-277 | | Cite |
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| 278-292 | The Concept of "Living Language" in Cinquecento Vernacular Philology R. G. Faithfull doi:10.2307/3718608 | Cite |
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| 293-300 | | Cite |
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| 301-309 | The "Cancionerillo Mozarabe" and the Origin of the Middle High German "Frauenlied" P. F. Ganz doi:10.2307/3718610 | Cite |
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| 310-322 | | Cite |
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| 323-324 | | Cite |
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| 324-327 | | Cite |
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| 327-328 | | Cite |
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| 328 | | Cite |
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| 329-330 | Review of Rossell Hope Robbins, Secular Lyrics of the XIVth and XVth Centuries Phyllis Hodgson doi:10.2307/3718616 | Cite |
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| 330-332 | | Cite |
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| 332-333 | Review of William Shakespeare, Peter Alexander, William Shakespeare: The Complete Works G. Bullough doi:10.2307/3718618 | Cite |
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| 333-335 | Review of William Bracy, The Merry Wives of Windsor. The History and Transmission of Shakespeare's Text Clifford Leech doi:10.2307/3718619 | Cite |
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| 335-336 | Review of John Milton, Helen Darbishire, The Poetical Works of John Milton: Vol. I. Paradise Lost H. J. C. Grierson doi:10.2307/3718620 | Cite |
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| 336-338 | Review of Harold Jenkins, Edward Benlowes. Biography of a Minor Poet Joan Bennett doi:10.2307/3718621 | Cite |
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| 338-339 | Review of Ian Jack, Augustan Satire. Intention and Idiom in English Poetry, 1660-1750 Vivian de S. Pinto doi:10.2307/3718622 | Cite |
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| 339-341 | Review of Samuel Johnson, R. W. Chapman, Hester Lynch Piozzi, Mrs. Thrale, The Letters of Samuel Johnson with Mrs Thrale's Genuine Letters to Him Harold Williams doi:10.2307/3718623 | Cite |
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| 341-342 | Review of , Das Altfranzösische Rolandslied: Abdruck der Oxforder Handschrift in lesbarer Gestalt nebst den wichtigsten Besserungsvorschlägen der bisherigen Herausgeber besorgt von Eugen Lerch R. C. Johnston doi:10.2307/3718624 | Cite |
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| 342-343 | Review of C. A. Robson, Maurice of Sully and the Medieval Vernacular Homily Kenneth Urwin doi:10.2307/3718625 | Cite |
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| 343-344 | Review of Holgar Petersen Dyggve, Gace Brulé, trouvère champenois, édition des chansons et étude historique F. J. Warne doi:10.2307/3718626 | Cite |
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| 344-346 | | Cite |
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| 346-347 | Review of H. Carrington Lancaster, The Comédie Française 1701-1774: Plays, Actors, Spectators, Finances J. Lough doi:10.2307/3718628 | Cite |
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| 347-348 | Review of G. R. Havens, D. F. Bond, A Critical Bibliography of French Literature. Vol. IV, the Eighteenth Century F. C. Green doi:10.2307/3718629 | Cite |
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| 348-349 | | Cite |
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| 349-350 | Review of Jules C. Alciatore, Stendhal et Helvétius. Les Sources de la philosophie de Stendhal F. C. Green doi:10.2307/3718631 | Cite |
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| 350-351 | Review of Ruth Moser, L'Impressionnisme français. Peinture: Littérature: Musique A. G. Lehmann doi:10.2307/3718632 | Cite |
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| 351-352 | | Cite |
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| 352-353 | | Cite |
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| 353-354 | Review of Francis Ellen Riordan, The Concept of Love in the French Catholic Literary Revival F. T. H. Fletcher doi:10.2307/3718635 | Cite |
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| 354-355 | | Cite |
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| 355-356 | Review of Max Leopold Wagner, Historische Wortbildungslehre des Sardischen W. D. Elcock doi:10.2307/3718637 | Cite |
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| 356-359 | Review of Keith Spalding, An Historical Dictionary of German Figurative Usage F. P. Pickering doi:10.2307/3718638 | Cite |
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| 359-360 | Review of Margaret F. Richey, Middle High German. An Introduction W. W. Chambers doi:10.2307/3718639 | Cite |
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| 361 | Review of F. P. Pickering, Christi Leiden in einer Vision geschaut (A German Mystic Text of the Fourteenth Century) W. E. Collinson doi:10.2307/3718640 | Cite |
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| 361-363 | Review of P. Brachin, Le Cercle de Münster et la pensée religieuse de F. L. Stolberg Roy Pascal doi:10.2307/3718641 | Cite |
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| 363-364 | | Cite |
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| 364-365 | | Cite |
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| 365-366 | Review of A. G. Preobrazhensky, Etymological Dictionary of the Russian Language C. L. Wrenn doi:10.2307/3718644 | Cite |
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| 371 | | Cite |
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