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| 156-164 | | Cite |
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| 165-180 | Inversion as a Stylistic Device in the Contemporary French Novel Stephen Ullmann doi:10.2307/3718803 | Cite |
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| 181-198 | Change and Tradition in the Work of Niklaus Manuel of Berne (1484-1531) Derek Van Abbé doi:10.2307/3718804 | Cite |
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| 214 | Review of Carl Darling Buck, A Dictionary of Selected Synonyms in the Principal Indo-European Languages Hilda M. Hulme doi:10.2307/3718814 | Cite |
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| 214-215 | Review of George Kane, Middle English Literature. A Critical Study of the Romances, the Religious Lyrics, Piers Plowman John Lawlor doi:10.2307/3718815 | Cite |
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| 215-217 | Review of Arthur K. Moore, The Secular Lyric in Middle English Phyllis Hodgson doi:10.2307/3718816 | Cite |
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| 217-218 | Review of Ro: Ba, Elsie Vaughan Hitchcock, P. E. Hallett, The Lyfe of Syr Thomas More, Sometymes Lord Chancellor of England Margaret Hastings doi:10.2307/3718817 | Cite |
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| 218-219 | Review of Hardin Craig, Shakespeare, The Complete Works of Shakespeare Peter Alexander doi:10.2307/3718818 | Cite |
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| 219-220 | Review of Charles T. Prouty, The Sources of Much Ado about Nothing Kenneth Muir doi:10.2307/3718819 | Cite |
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| 220-221 | Review of J. B. Leishman, John Donne, The Monarch of Wit. An Analytical and Comparative Study of the Poetry of John Donne Laura Martin doi:10.2307/3718820 | Cite |
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| 221 | Review of John Fletcher, M. McL. Cook, F. P. Wilson, Demetrius and Enanthe Philip Edwards doi:10.2307/3718821 | Cite |
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| 221-222 | | Cite |
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| 222-223 | Review of G. Blakemore Evans, William Cartwright, The Plays and Poems of William Cartwright Vivian de S. Pinto doi:10.2307/3718823 | Cite |
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| 224 | Review of John Dryden, William Bradford Gardner, The Prologues and Epilogues of John Dryden. A Critical Edition Vivian de S. Pinto doi:10.2307/3718824 | Cite |
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| 224-226 | Review of Alexander Pope, F. W. Bateson, Epistles to Several Persons (Moral Essays) Geoffrey Jones doi:10.2307/3718825 | Cite |
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| 226-227 | Review of Bernard N. Schilling, Conservative England and the Case against Voltaire H. Roddier doi:10.2307/3718826 | Cite |
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| 227-229 | | Cite |
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| 229-230 | Review of Harro Heinz Kühnelt, Die Bedeutung von Edgar Allan Poe für die englische Literatur Leo Von Hibler doi:10.2307/3718828 | Cite |
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| 230 | Review of Matthew Arnold, C. B. Tinker, H. F. Lowry, The Poetical Works of Matthew Arnold Lilian Haddakin doi:10.2307/3718829 | Cite |
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| 231-233 | Review of S. C. Aston, The Year's Work in Modern Language Studies Leonard Forster doi:10.2307/3718830 | Cite |
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| 233-234 | Review of Alwin Kuhn, Die Romanischen Sprachen. Romanische Philologie, Erster Teil W. D. Elcock doi:10.2307/3718831 | Cite |
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| 234-235 | | Cite |
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| 235-236 | | Cite |
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| 236-237 | Review of Edward Noble Stone, The Song of William (La Chançun de Guillelme) D. McMillan doi:10.2307/3718834 | Cite |
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| 237-240 | | Cite |
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| 240-241 | Review of Erik von Kraemer, Du Clerc qui fame espousa et puis la lessa: Miracle de Gautier de Coinci publié d'apres quinze manuscrits F. Whitehead doi:10.2307/3718836 | Cite |
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| 241-244 | Review of L. Thorpe, Le Roman de Laurin, fils de Marques le Sénéchal; A First Contribution to the Study of the Linguistics of an Unpublished Thirteenth-Century Prose-Romance D. McMillan doi:10.2307/3718837 | Cite |
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| 244-245 | | Cite |
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| 245-247 | Review of Pierre Sage, Le 'Bon Prêtre' dans la littérature française F. T. H. Fletcher doi:10.2307/3718839 | Cite |
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| 247 | Review of Albert Lortholary, Le mirage russe en France au XVIIIe siècle Juliette Wood doi:10.2307/3718840 | Cite |
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| 248 | | Cite |
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| 249-250 | Review of Juliette Decreus-Van Liefland, Sainte-Beuve et la critique des auteurs féminins John Milner doi:10.2307/3718842 | Cite |
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| 250-251 | Review of Abram Taffel, Henri Duvernois, The Prose Fiction and Dramatic Works of Henri Duvernois May Daniels doi:10.2307/3718843 | Cite |
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| 251-252 | | Cite |
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| 252-253 | Review of Carlos Clavería, 'Le Chevalier Délibéré' de Olivier de la Marche y sus versiones españolas del siglo XVI Frank Pierce doi:10.2307/3718845 | Cite |
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| 253-254 | Review of Ludmilla Buketoff Turkevich, Cervantes in Russia William J. Entwistle doi:10.2307/3718846 | Cite |
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| 254-256 | Review of Albert E. Sloman, The Sources of Calderón's El Príncipe Constante. With a Critical Edition of Its Immediate Source, La Fortuna Adversa del Infante don Fernando de Portugal (A Play Attributed to Lope de Vega) A. A. Parker doi:10.2307/3718847 | Cite |
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| 256-258 | Review of Erik Rooth, Saxonica. Beiträge zur niedersächsischen Sprachgeschichte W. E. Collinson doi:10.2307/3718848 | Cite |
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| 258-259 | Review of Paul Lévy, La Langue Allemande en France. Pénétration et Diffusion des Origines à nos jours. I. Des Origines à 1830 W. W. Chambers doi:10.2307/3718849 | Cite |
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| 259-260 | Review of Georg Baesecke, Vor- und Frühgeschichte des deutschen Schrifttums. Zweiter Band. Lieferung I W. W. Chambers doi:10.2307/3718850 | Cite |
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| 260-263 | Review of Edwin H. Zeydel, Bayard Quincy Morgan, The Parzival of Wolfram von Eschenbach, Translated into English Verse with Introduction, Notes and Connecting Summaries M. O'C. Walshe doi:10.2307/3718851 | Cite |
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| 263-264 | Review of Hans M. Wolff, Die Weltanschauung der deutschen Aufklärung Irene Frowein doi:10.2307/3718852 | Cite |
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| 264-265 | Review of Urban Roedl, Matthias Claudius. Sein Weg und seine Welt W. E. Yuill doi:10.2307/3718853 | Cite |
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| 265-268 | Review of Robert Mühler, Dichtung der Krise. Mythos und Psychologie in der Dichtung des 19. und 20. Jahrhunderts Wes Williams doi:10.2307/3718854 | Cite |
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| 268-269 | | Cite |
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