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| 30-48 | | Cite |
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| 49-50 | | Cite |
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| 50-52 | | Cite |
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| 52-55 | The "Eschacier" in Chrétien's "Perceval" in the Light of Medieval Art Sheila M. Fynn doi:10.2307/3718712 | Cite |
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| 55-56 | | Cite |
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| 57-58 | | Cite |
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| 58-59 | Review of William Grant, David Murison, The Scottish National Dictionary R. Girvan doi:10.2307/3718715 | Cite |
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| 59-60 | Review of Otto Funke, Englische Sprachkunde. Ein Überblick ab 1935 Randolph Quirk doi:10.2307/3718716 | Cite |
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| 60-61 | Review of Arnold Williams, The Characterization of Pilate in the Towneley Plays Archie Brown doi:10.2307/3718717 | Cite |
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| 61-62 | | Cite |
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| 62 | Review of Leicester Bradner, Edmund Spenser and the Faerie Queene A. H. Walker doi:10.2307/3718719 | Cite |
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| 63-64 | Review of C. H. Herford, Percy Simpson, Evelyn Simpson, Ben Jonson M. C. Bradbrook doi:10.2307/3718720 | Cite |
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| 64-65 | Review of Henry Chettle, Harold Jenkins, The Tragedy of Hoffman J. C. Maxwell doi:10.2307/3718721 | Cite |
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| 65-66 | Review of James Sutherland, A Preface to Eighteenth Century Poetry Judith Bryce doi:10.2307/3718722 | Cite |
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| 67 | Review of Martinus Scriblerus, John Arbuthnot, Alexander Pope, Jonathan Swift, John Gay, Thomas Parnell, Robert Harley, Charles Kerby-Miller, Memoirs of the Extraordinary Life, Works and Discoveries of Martinus Scriblerus Richmond P. Bond doi:10.2307/3718723 | Cite |
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| 67-68 | Review of Stanley Pargellis, D. J. Medley, Bibliography of British History... 1714-1789 J. H. P. Pafford doi:10.2307/3718724 | Cite |
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| 68-70 | | Cite |
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| 70-71 | Review of Geoffrey Tillotson, Criticism and the Nineteenth Century J. W. R. Purser doi:10.2307/3718726 | Cite |
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| 71-72 | Review of Andreas Blinkenberg, Le problème de l'accord en français moderne. Essai d'une typologie James Williams doi:10.2307/3718727 | Cite |
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| 73-75 | Review of Alfons Hilka, Das altfranzösische Rolandslied nach der Oxforder Handschrift D. McMillan doi:10.2307/3718728 | Cite |
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| 75-76 | | Cite |
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| 76-77 | | Cite |
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| 77-78 | Review of Honoré de Balzac, Guy Robert, Georges Matore, Un Début dans la vie L. J. Austin doi:10.2307/3718731 | Cite |
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| 78-79 | Review of R. G. Goodyear, P. J. R. Wright, Two Centuries of French Short Stories Henri Godin doi:10.2307/3718732 | Cite |
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| 79-80 | Review of A. G. Lehmann, The Symbolist Aesthetic in France, 1885-1895 Garnet Rees doi:10.2307/3718733 | Cite |
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| 80-81 | | Cite |
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| 81-82 | Review of J. E. Shaw, Guido Cavalcanti's Theory of Love: The Canzone d'Amore and Other Related Problems R. Weiss doi:10.2307/3718735 | Cite |
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| 82-83 | Review of , Estudios de Filología e Historia Literaria. Homenaje al R. P. Félix Restrepo S.I. William C. Atkinson doi:10.2307/3718736 | Cite |
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| 83-84 | Review of Juan de Segura, Edwin B. Place, Processo de cartas de amores Albert E. Sloman doi:10.2307/3718737 | Cite |
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| 84-86 | Review of L. L. Hammerich, G. Jungbluth, Der Ackermann aus Böhmen M. O'C. Walshe doi:10.2307/3718738 | Cite |
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| 86-87 | Review of Märta Åsdahl Holmberg, Studien zu den Niederdeutschen Handwerkerbezeichnungen des Mittelalters. Lederund Holzhandwerker C. T. Carr doi:10.2307/3718739 | Cite |
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| 87-90 | Review of Benno von Wiese, Die deutsche Tragödie von Lessing bis Hebbel Irene Frowein doi:10.2307/3718740 | Cite |
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| 90-91 | Review of Wilhelm Olbrich, Der Romanführer. Der Inhalt der deutschen Romane und Novellen vom Barock bis zum Naturalismus Lyn Thomas doi:10.2307/3718741 | Cite |
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| 91 | | Cite |
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| 91-92 | Review of Karl Viëtor, Der junge Goethe; Karl Viëtor, Goethe, the Thinker A. Gillies doi:10.2307/3718743 | Cite |
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| 93 | Review of W. H. Bruford, Theatre, Drama, and Audience in Goethe's Germany A. Gillies doi:10.2307/3718744 | Cite |
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| 93-95 | | Cite |
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