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| 283 | | Cite |
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| 285 | | Cite |
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| 286-287 | | Cite |
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| 287-288 | Review of C. S. Lewis, The Allegory of Love. A Study in Medieval Tradition G. L. Brook doi:10.2307/3716027 | Cite |
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| 288-289 | Review of Josef Raith, Boccaccio in der englischen Literatur von Chaucer bis Painters Palace of Pleasure Herbert G. Wright doi:10.2307/3716028 | Cite |
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| 289-291 | Review of Marguerite Hearsey, The Complaint of Henry Duke of Buckingham G. D. Willcock doi:10.2307/3716029 | Cite |
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| 291-293 | Review of John Hoskins, Hoyt H. Hudson, Directions for Speech and Style G. D. Willcock doi:10.2307/3716030 | Cite |
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| 293-294 | Review of Alberto Castelli, La Gerusalemme Liberata nella Inghilterra di Spenser Ross D. Waller doi:10.2307/3716031 | Cite |
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| 294-295 | | Cite |
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| 296-297 | | Cite |
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| 297-298 | Review of Robert Gale Noyes, Ben Jonson on the English Stage, 1660-1776 F. E. Budd doi:10.2307/3716035 | Cite |
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| 298-299 | Review of Dwight L. Durling, Georgic Tradition in English Poetry W. D. Thomas doi:10.2307/3716036 | Cite |
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| 299-300 | Review of Frederick Whiley Hilles, The Literary Career of Sir Joshua Reynolds George Kitchin doi:10.2307/3716037 | Cite |
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| 300-301 | Review of F. L. Lucas, The Decline and Fall of the Romantic Ideal C. J. Sisson doi:10.2307/3716038 | Cite |
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| 301-303 | Review of Ernest A. Baker, The History of the English Novel. Vol. VII. The Age of Dickens and Thackeray Ross D. Waller doi:10.2307/3716039 | Cite |
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| 303-305 | Review of H. W. Donner, Thomas Lovell Beddoes, The Works of Thomas Lovell Beddoes; H. W. Donner, Thomas Lovell Beddoes. The Making of a Poet Edith C. Batho doi:10.2307/3716040 | Cite |
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| 305-306 | | Cite |
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| 306-309 | | Cite |
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| 309-310 | | Cite |
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| 310-312 | Review of Roger Tisserand, Au Temps de l'Encyclopédie: l'Académie de Dijon de 1740 à 1793 Edmond Eggli doi:10.2307/3716044 | Cite |
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| 312-313 | Review of S. J. Turcotte, Les gens d'affaires sur la scène en France de 1870 à 1914 F. C. Roe doi:10.2307/3716045 | Cite |
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| 313-314 | Review of Rudolf Besthorn, Ursprung und Eigenart der älteren italienischen Novelle Curt S. Gutkind doi:10.2307/3716046 | Cite |
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| 315-316 | Review of W. H. Shoemaker, The Multiple Stage in Spain during the Fifteenth and Sixteenth Centuries William C. Atkinson doi:10.2307/3716047 | Cite |
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| 316-317 | Review of Leonardo Nunes, J. D. M. Ford, Crónica de Dom João de Castro William J. Entwistle doi:10.2307/3716048 | Cite |
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| 317-322 | Review of Robert Stumpfl, Kultspiele der Germanen als Ursprung des mittelalterlichen Dramas F. E. Sandbach doi:10.2307/3716049 | Cite |
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| 322-323 | Review of L. E. Schmitt, Die deutsche Urkundensprache in der Kanzlei Kaiser Karls IV. (1346-78) James M. Clark doi:10.2307/3716050 | Cite |
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| 323-325 | Review of James Boyd, Ulrich Füetrer's Parzival: Material and Sources Margaret F. Richey doi:10.2307/3716051 | Cite |
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| 326-327 | Review of Paul Hankamer, Deutsche Gegenreformation und deutsches Barock W. F. Mainland doi:10.2307/3716052 | Cite |
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| 327-328 | Review of Leo Balet, E. Gerhard, Die Verbürgerlichung der deutschen Kunst, Literatur und Musik im 18. Jahrhundert W. H. Bruford doi:10.2307/3716053 | Cite |
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| 328-329 | | Cite |
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