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| 182-187 | | Cite |
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| 188-189 | Review of Christopher Marlowe, U. M. Ellis-Fermor, Tamburlaine the Great Madeline Hope Dodds doi:10.2307/3715459 | Cite |
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| 189-198 | Review of E. K. Chambers, William Shakespeare: A Study of Facts and Problems Jason Wilson doi:10.2307/3715460 | Cite |
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| 198-199 | Review of Edgar I. Fripp, Shakespeare Studies Biographical and Literary C. J. Sisson doi:10.2307/3715461 | Cite |
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| 199-200 | Review of Giovanni Ramello, The Tragicall Historie of Hamlet Prince of Denmarke, 1603 Peter Alexander doi:10.2307/3715462 | Cite |
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| 200-202 | Review of Marjorie Hope Nicolson, Anne Conway, Henry More, Conway Letters: The Correspondence of Anne, Viscountess Conway, Henry More, and Their Friends, 1642-1684 Harold Williams doi:10.2307/3715463 | Cite |
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| 202-204 | Review of Frank Allen Patterson, The Student's Milton; David Harrison Stevens, Reference Guide to Milton from 1800 to the Present Day Edith C. Batho, Elinor J. Vaughan doi:10.2307/3715464 | Cite |
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| 204-205 | | Cite |
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| 205-207 | | Cite |
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| 207-210 | Review of Gustave Fagniez, La Femme et la Société française dans la première moitié du XVIIe siècle Maud F. Jerrold doi:10.2307/3715467 | Cite |
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| 210-212 | Review of Émile Faguet, Histoire de la Poésie Française de la Renaissance au Romantisme. IV. Jean de la Fontaine A. Tilley doi:10.2307/3715468 | Cite |
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| 212-214 | Review of Muriel Dodds, Les Récits de Voyages: Sources de l'Esprit des Lois de Montesquieu A. Tilley doi:10.2307/3715469 | Cite |
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| 214-216 | | Cite |
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| 216-220 | Review of Giuseppe Toffanin, Il Cinquecento; Giulio Natali, Il Settecento C. Foligno doi:10.2307/3715471 | Cite |
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| 220-221 | Review of Alfred Biese, Johannes Alt, Deutsche Literaturgeschichte J. G. Robertson doi:10.2307/3715472 | Cite |
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| 221-224 | Review of Walther Rehm, Der Todesgedanke in der deutschen Dichtung vom Mittelalter bis zur Romantik James Boyd doi:10.2307/3715473 | Cite |
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| 224-225 | Review of Havich der Kellner, Reginald J. McClean, Sankt Stephans Leben Angela Dunstan doi:10.2307/3715474 | Cite |
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| 225-228 | Review of G. Brychan Rees, Friedrich Hebbel as a Dramatic Artist. A Study of His Dramatic Theory and of Its Relationship to His Dramas Edna Purdie doi:10.2307/3715475 | Cite |
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| 229-231 | | Cite |
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| 231-233 | Review of Henrik Ibsen, P. G. La Chesnais, Œuvres complètes. Tome I J. G. Robertson doi:10.2307/3715477 | Cite |
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