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| 11-24 | | Cite |
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| 25-34 | | Cite |
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| 35-47 | | Cite |
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| 48-55 | | Cite |
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| 56-62 | Italian and English Pastoral Drama of the Renaissance: Source of the "Complaint of the Satyres against the Nymphes" V. M. Jeffery doi:10.2307/3713783 | Cite |
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| 63-83 | | Cite |
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| 84-94 | | Cite |
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| 95 | Miscellaneous Notes: On "Some Fourteenth Century Borrowings from Ancren Riwle" Hope Emily Allen doi:10.2307/3713786 | Cite |
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| 95-101 | | Cite |
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| 101-102 | | Cite |
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| 102-103 | | Cite |
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| 104-108 | | Cite |
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| 108-111 | Review of A. Quiller-Couch, J. Dover Wilson, Shakespeare, The Works of Shakespeare. Vol. III. The Merry Wives of Windsor; A. Quiller-Couch, J. Dover Wilson, Shakespeare, The Works of Shakespeare. Vol. V. The Comedy of Errors E. K. Chambers doi:10.2307/3713791 | Cite |
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| 111-113 | Review of Jesse Franklin Bradley, Joseph Quincy Adams, The Jonson Allusion-Book, a Collection of Allusions to Ben Jonson from 1597 to 1700 Grahame Smith doi:10.2307/3713792 | Cite |
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| 113-117 | | Cite |
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| 117-119 | Review of F. S. Shears, Recherches sur les Prépositions dans la Prose du Moyen Français (XIVe et XVe Siècle) Francis Johnson doi:10.2307/3713794 | Cite |
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| 119-120 | Review of Alexander Haggerty Krappe, Alliteration in the Chanson de Roland and in the Carmen de Prodicione Guenonis M. K. Pope doi:10.2307/3713795 | Cite |
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| 120-124 | | Cite |
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| 124-125 | | Cite |
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| 125-127 | Review of Henry Gibson Atkins, A History of German Versification. Ten Centuries of Metrical Evolution Edna Purdie doi:10.2307/3713798 | Cite |
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| 127-128 | Review of Kuno Francke, Die Kulturwerte der deutschen Literatur von der Reformation bis zur Aufklärung J. G. Robertson doi:10.2307/3713799 | Cite |
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