Modern Language Review 119.2

Modern Language Review 119.2

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Modern Language Review 119.2

Modern Humanities Research Association

4 April 2024

ISBN: 978-1-839542-69-5 (paperback)

Access online: At Project MUSE

Contents:

181-188	Biographical and Theoretical Approaches to the Arts: A Review Article John Batchelor doi:10.1353/mlr.2024.a923552	Cite
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189-210	The Necrotemporality of the Contemporary French Workplace: Death and Time in Alexandre Lacroix’s L’Homme qui aimait trop travailler Anne M. Mulhall doi:10.1353/mlr.2024.a923553	Cite
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211-221	New Perspectives on Italian Fascism: A Review Article Joseph Kelly doi:10.1353/mlr.2024.a923554	Cite
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222-243	Kurban Said’s The Girl from the Golden Horn (1938): Play with Orientalism in Inter-War Berlin and Vienna Karolina Watroba doi:10.1353/mlr.2024.a923555	Cite
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244-245	Review of Anna A. Berman, The Family Novel in Russia and England, 1800–1880 Anna Maslenova doi:10.1353/mlr.2024.a923556	Cite
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245-247	Review of Vanessa Smith, Toy Stories: Analyzing the Child in Nineteenth-Century Literature Yuanyuan Zhang doi:10.1353/mlr.2024.a923557	Cite
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247-249	Review of Bronislava Volková, Forms of Exile in Jewish Literature and Thought: Twentieth-Century Central Europe and Migration to America Věra Hoffmannová doi:10.1353/mlr.2024.a923558	Cite
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249-250	Review of Ben Ristow, Craft Consciousness and Artistic Practice in Creative Writing Katy Mahood doi:10.1353/mlr.2024.a923559	Cite
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250-252	Review of Robert T. Tally Jr, For a Ruthless Critique of All that Exists: Literature in an Era of Capitalist Realism Sabah Carrim doi:10.1353/mlr.2024.a923560	Cite
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252-254	Review of René Dietrich and Kerstin Knopf (ed.), Biopolitics, Geopolitics, Life: Settler States and Indigenous Presence Padraig Kirwan doi:10.1353/mlr.2024.a923561	Cite
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255-257	Review of Mario Saraceni, Bloomsbury World Englishes Grant Howie doi:10.1353/mlr.2024.a923562	Cite
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257-259	Review of Marisa Libbon, Talk and Textual Production in Medieval England Alexandra Claridge doi:10.1353/mlr.2024.a923563	Cite
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259-260	Review of Gillian Adler, Chaucer and the Ethics of Time Chad Schrock doi:10.1353/mlr.2024.a923564	Cite
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260-261	Review of William E. Engel, The Printer as Author in Early Modern English Book History: John Day and the Fabrication of a Protestant Memory Art Grace Murray doi:10.1353/mlr.2024.a923565	Cite
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261-262	Review of John Batchelor, How the ‘Just So’ Stories Were Made: The Brilliance and Tragedy behind Kipling’s Celebrated Tales for Little Children Ben Screech doi:10.1353/mlr.2024.a923566	Cite
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263-264	Review of Jimmy Packham, Gothic Utterance: Voice, Speech and Death in the American Gothic Xavier Aldana Reyes doi:10.1353/mlr.2024.a923567	Cite
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264-265	Review of Mary Ann Caws, Mina Loy: Apology of Genius Tim Hancock doi:10.1353/mlr.2024.a923568	Cite
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265-267	Review of Sarah Churchwell, The Wrath to Come: ‘Gone with the Wind’ and the Lies America Tells Robert Lawson-Peebles doi:10.1353/mlr.2024.a923569	Cite
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267-268	Review of J. Vijay Maharaj (ed.), The First Naipaul World Epics Lynne Macedo doi:10.1353/mlr.2024.a923570	Cite
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268-270	Review of Antony Rowland, Metamodernism and Contemporary British Poetry YU FU doi:10.1353/mlr.2024.a923571	Cite
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270-271	Review of David McCallam (ed.), André Chénier: Poetry and Revolution 1792–1794. A Bilingual Edition of the Last Poems with New Translations Stephen Romer doi:10.1353/mlr.2024.a923572	Cite
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272-273	Review of Nikolaj Lübecker, Twenty-First-Century Symbolism: Verlaine, Baudelaire, Mallarmé Greg Kerr doi:10.1353/mlr.2024.a923573	Cite
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273-274	Review of Daisy Sainsbury, Contemporary French Poetry: Towards a Minor Poetics Michael G. Kelly doi:10.1353/mlr.2024.a923574	Cite
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274-276	Review of Martino Marazzi, Through the Periscope: Changing Culture, Italian America Antonio Salmeri doi:10.1353/mlr.2024.a923575	Cite
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276-277	Review of Gabriella Romani, Ursula Fanning, and Katharine Mitchell (ed.), Matilde Serao: International Profile, Reception and Networks Sophie Maddison doi:10.1353/mlr.2024.a923576	Cite
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278-279	Review of Juliet Guzzetta, The Theater of Narration: From the Peripheries of History to the Main Stages of Italy; Juliet Guzzetta, Il teatro di narrazione: dalle periferie della storia ai grandi teatri italiani Joseph Farrell doi:10.1353/mlr.2024.a923577	Cite
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280-281	Review of Inca Garcilaso de la Vega, Los pre-textos de ‘La Florida del Inca’ Stephen M. Hart doi:10.1353/mlr.2024.a923578	Cite
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281-282	Review of Cynthia Lucy Stephens, The Borges Enigma: Mirrors, Doubles, and Intimate Puzzles Andrés Libertun doi:10.1353/mlr.2024.a923579	Cite
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283-284	Review of Adriana X. Jacobs and Claire Williams (ed.), After Clarice: Reading Lispector’s Legacy in the Twenty-First Century Paulo de Medeiros doi:10.1353/mlr.2024.a923580	Cite
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284-286	Review of Stephen Brockmann (ed.), Bertolt Brecht in Context Karen Leeder doi:10.1353/mlr.2024.a923581	Cite
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286-288	Review of Sara Jones, Towards a Collaborative Memory: German Memory Work in a Transnational Context Bill Niven doi:10.1353/mlr.2024.a923583	Cite
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288-289	Review of Jesse Gardiner, Soviet Theatre during the Thaw: Aesthetics, Politics and Performance Greer Gerni doi:10.1353/mlr.2024.a923582	Cite
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289-290	Review of Julia Titus, Dostoevsky as a Translator of Balzac Muireann Maguire doi:10.1353/mlr.2024.a923584	Cite
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291-292	Review of Roman Utkin, Charlottengrad: Russian Culture in Weimar Berlin Anoushka Alexander-Rose doi:10.1353/mlr.2024.a923585	Cite
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292-294	Review of Catriona Kelly, Out of Focus: Russia at the Margins Valery Vyugin doi:10.1353/mlr.2024.a923586	Cite
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