| 159-181 | | Cite |
| |
| 182-217 | '[T]o leave the Reader in an extasie of thought or admiration': Anonymous Authors/Discerning Readers. Narrating the Monster in Early Modern England Luca Baratta doi:10.1353/mlr.2023.0036 | Cite |
| |
| 218-236 | | Cite |
| |
| 237-238 | Review of Karma Lochrie and Usha Vishnuvajjala (ed.), Women's Friendship in Medieval Literature Diane Watt doi:10.1353/mlr.2023.0038 | Cite |
| |
| 238-239 | | Cite |
| |
| 239-241 | Review of Verena Olejniczak Lobsien, Die vergessene Sympathie: Zu Geschichte und Gegenwart literarischer Wirkung Katja Haustein doi:10.1353/mlr.2023.0040 | Cite |
| |
| 241-242 | | Cite |
| |
| 242-243 | | Cite |
| |
| 243-244 | | Cite |
| |
| 245 | | Cite |
| |
| 246-247 | Review of Claudio Rozzoni, Marcel Proust: portrait d'un jeune écrivain en philosophe Jennifer Rushworth doi:10.1353/mlr.2023.0045 | Cite |
| |
| 247-248 | | Cite |
| |
| 248-249 | Review of Michel Foucault, Sexuality: The 1964 Clermont-Ferrand and 1969 Vincennes Lectures Mathew Rickard doi:10.1353/mlr.2023.0047 | Cite |
| |
| 249-251 | Review of Helena Phillips-Robins, Liturgical Song and Practice in Dante's 'Commedia' Alejandro Cuadrado doi:10.1353/mlr.2023.0048 | Cite |
| |
| 251-254 | Review of Manuele Gragnolati, Elena Lombardi, and Francesca Southerden (ed.), The Oxford Handbook of Dante F. Regina Psaki doi:10.1353/mlr.2023.0049 | Cite |
| |
| 254-256 | | Cite |
| |
| 256-258 | Review of Dino S. Cervigni, Boccaccio's 'Decameron': Rewriting the Christian Middle Ages and the Lyric Tradition Charlotte Alton doi:10.1353/mlr.2023.0051 | Cite |
| |
| 258-260 | | Cite |
| |
| 260-261 | | Cite |
| |
| 261-263 | Review of Giada Guassardo, The Italian Love Poetry of Ludovico Ariosto: Court Culture and Classicism Jane E. Everson doi:10.1353/mlr.2023.0054 | Cite |
| |
| 263-264 | Review of Fabrizio De Donno, Italian Orientalism: Nationhood, Cosmopolitanism and the Cultural Politics of Identity Alessandro Pes doi:10.1353/mlr.2023.0055 | Cite |
| |
| 264-266 | | Cite |
| |
| 266-267 | Review of Jorge García López and Enrique García Santo-Tomás (ed.), Atardece el barroco: ficción experimental en la España de Carlos II (1665-1700) John Slater doi:10.1353/mlr.2023.0057 | Cite |
| |
| 267-269 | Review of Sergio Adillo Rufo, De antiguo a clásico: Calderón y la génesis del campo teatral (1715–1926) Susan Paun de García doi:10.1353/mlr.2023.0058 | Cite |
| |
| 269-271 | | Cite |
| |
| 271-272 | | Cite |
| |
| 273-274 | Review of Tom Zille, Christian Felix Weiße the Translator: Cultural Transfer and Literary Entrepreneurship in the Enlightenment Caroline Summers doi:10.1353/mlr.2023.0061 | Cite |
| |
| 274-275 | Review of Julie Loison-Charles and Stanislav Shvabrin (ed.), Vladimir Nabokov et la traduction Suzanne Eade Roberts doi:10.1353/mlr.2023.0062 | Cite |
| |
| 275-277 | Review of José Vergara, All Future Plunges to the Past: James Joyce in Russian Literature Anna Maslenova doi:10.1353/mlr.2023.0063 | Cite |
| |
| 277-278 | | Cite |
| |
| 278-280 | | Cite |
| |
| 280-281 | Review of Jenny Kaminer, Haunted Dreams: Fantasies of Adolescence in Post-Soviet Culture Tamar Koplatadze doi:10.1353/mlr.2023.0066 | Cite |
| |
| 282-283 | Review of Mikhail Suslov, Geopolitical Imagination: Ideology and Utopia in Post-Soviet Russia David Lewis doi:10.1353/mlr.2023.0067 | Cite |
| |
This title is distributed on behalf of MHRA by Ingram’s. Booksellers and libraries can order direct from Ingram by setting up an ipage Account: click here for more.