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182-217 | '[T]o leave the Reader in an extasie of thought or admiration': Anonymous Authors/Discerning Readers. Narrating the Monster in Early Modern England Luca Barattadoi:10.1353/mlr.2023.0036 | Cite |
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218-236 | | Cite |
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237-238 | Review of Karma Lochrie and Usha Vishnuvajjala (ed.), Women's Friendship in Medieval LiteratureDiane Wattdoi:10.1353/mlr.2023.0038 | Cite |
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238-239 | | Cite |
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239-241 | Review of Verena Olejniczak Lobsien, Die vergessene Sympathie: Zu Geschichte und Gegenwart literarischer WirkungKatja Hausteindoi:10.1353/mlr.2023.0040 | Cite |
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241-242 | | Cite |
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242-243 | | Cite |
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243-244 | | Cite |
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245 | | Cite |
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246-247 | Review of Claudio Rozzoni, Marcel Proust: portrait d'un jeune écrivain en philosopheJennifer Rushworthdoi:10.1353/mlr.2023.0045 | Cite |
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247-248 | | Cite |
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248-249 | Review of Michel Foucault, Sexuality: The 1964 Clermont-Ferrand and 1969 Vincennes LecturesMathew Rickarddoi:10.1353/mlr.2023.0047 | Cite |
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249-251 | Review of Helena Phillips-Robins, Liturgical Song and Practice in Dante's 'Commedia'Alejandro Cuadradodoi:10.1353/mlr.2023.0048 | Cite |
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251-254 | Review of Manuele Gragnolati, Elena Lombardi, and Francesca Southerden (ed.), The Oxford Handbook of DanteF. Regina Psakidoi:10.1353/mlr.2023.0049 | Cite |
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254-256 | | Cite |
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256-258 | Review of Dino S. Cervigni, Boccaccio's 'Decameron': Rewriting the Christian Middle Ages and the Lyric TraditionCharlotte Altondoi:10.1353/mlr.2023.0051 | Cite |
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258-260 | | Cite |
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260-261 | | Cite |
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261-263 | Review of Giada Guassardo, The Italian Love Poetry of Ludovico Ariosto: Court Culture and ClassicismJane E. Eversondoi:10.1353/mlr.2023.0054 | Cite |
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263-264 | Review of Fabrizio De Donno, Italian Orientalism: Nationhood, Cosmopolitanism and the Cultural Politics of IdentityAlessandro Pesdoi:10.1353/mlr.2023.0055 | Cite |
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264-266 | | Cite |
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266-267 | Review of Jorge García López and Enrique García Santo-Tomás (ed.), Atardece el barroco: ficción experimental en la España de Carlos II (1665-1700)John Slaterdoi:10.1353/mlr.2023.0057 | Cite |
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267-269 | Review of Sergio Adillo Rufo, De antiguo a clásico: Calderón y la génesis del campo teatral (1715–1926)Susan Paun de Garcíadoi:10.1353/mlr.2023.0058 | Cite |
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269-271 | | Cite |
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271-272 | | Cite |
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273-274 | Review of Tom Zille, Christian Felix Weiße the Translator: Cultural Transfer and Literary Entrepreneurship in the EnlightenmentCaroline Summersdoi:10.1353/mlr.2023.0061 | Cite |
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274-275 | Review of Julie Loison-Charles and Stanislav Shvabrin (ed.), Vladimir Nabokov et la traductionSuzanne Eade Robertsdoi:10.1353/mlr.2023.0062 | Cite |
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275-277 | Review of José Vergara, All Future Plunges to the Past: James Joyce in Russian LiteratureAnna Maslenovadoi:10.1353/mlr.2023.0063 | Cite |
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277-278 | | Cite |
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278-280 | | Cite |
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280-281 | Review of Jenny Kaminer, Haunted Dreams: Fantasies of Adolescence in Post-Soviet CultureTamar Koplatadzedoi:10.1353/mlr.2023.0066 | Cite |
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282-283 | Review of Mikhail Suslov, Geopolitical Imagination: Ideology and Utopia in Post-Soviet RussiaDavid Lewisdoi:10.1353/mlr.2023.0067 | Cite |
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